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Female Backing Track Downloads

FEMALE swing, jazz, standards, latin based, Big Band, Trio backing tracks, even Pop based songs but in a jazz or swing arrangement, in Alphabetical order or use the Search box.

Female Backing Track Downloads
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STAND BY ME key G 2:47
8 bar intro and vocal in at 15 seconds, continue through, short 8 bar piano solo at 1:52, vocal back in at 2:09 with a double chorus and finish.

MP3 DEMO:
F1812. STAND BY ME - G swing
key - G - vocal range - E to G
Super cool Trio arrangement of the Ben E King classic. Same arrangement as F1811 except a full tone lower.

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STARDUST key D 4:16
Intro and vocal in with the verse at 8 secs - easy to catch!, "band" kicks into tempo and vocal in at 1:06, continue thru - no solo - back to "beside a garden wall..." at 2:58, continue thru, rall the last line and finish.

MP3 DEMO:
F1006. STARDUST - D
key - D - vocal range - C# to F# (suitable for really low female range or a high male)
Very lovely arrangement that includes the verse and then into a lovely trio arrangement - not to slow in tempo.
Check out both demos below:
DEMO 1 - verse
DEMO 2 - into tempo

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STARDUST key F 5:22
piano intro and vocal thru the verse ("and now the purple dusk.."); - easy to catch onto! ; continue; band cue for the main theme - again easy to catch!; continue thru main theme; short piano solo; vocal back in at "and each kiss an inspiration......."; continue and rall the last line and finish.

MP3 DEMO:
F680. STARDUST - F
key - F - vocal range - E to A
Classic Hoagy Carmichael song!
NOTE - the demo starts at "you wander down the lane and far away...." and into the tempo.
Really lovely Trio arrangement.

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STARS FELL ON ALABAMA key F 3:25
4 bar intro,vocal thru, solo, vocal back in at " I never planned in my imagination ", continue, ad lib ending / repeat " last night ".

MP3 DEMO:
F73. STARS FELL ON ALABAMA
key - F - vocal range - F to A
Wonderful ballad in an original Livetrak arrangement. Singers include Frank Sinatra and Billie Holiday.

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STARS FELL ON ALABAMA key Eb 3:52
4 bar intro and vocal in at 13 seconds, vocal through, band solo at 1:56, vocal back in at 2:48 with "I never planned in my imagination......", vocal continue through, finish in tempo.

MP3 DEMO:
F1716. STARS FELL ON ALABAMA - Eb Big Band
key - Eb - vocal range - Eb to G
This timeless old standard in an exceptional Big Band arrangement, with wonderfully subdued lines and authentic sounds.
Same arrangement as F1715 except a full tone lower.

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STARS FELL ON ALABAMA key F 3:52
4 bar intro and vocal in at 13 seconds, vocal through, band solo at 1:56, vocal back in at 2:48 with "I never planned in my imagination......", vocal continue through, finish in tempo.

MP3 DEMO:
F1715. STARS FELL ON ALABAMA - F Big Band
key - F - vocal range - F to A
This timeless old standard in an exceptional Big Band arrangement, with wonderfully subdued lines and authentic sounds.

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STARS FELL ON ALABAMA key F 3:18
4 bar intro and vocal in at 15 seconds, vocal through, no solo - at 2:08 vocal goes back to "I never planned in my imagination..", continue through, slow the last line down and finish.

MP3 DEMO:
F1717. STARS FELL ON ALABAMA - F Trio
key - F - vocal range - F to A
Superb 40's ballad in a very lovely trio arrangement. Covered by all the very best singers and musicians of the period.

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STARS FELL ON ALABAMA key G 3:18
4 bar intro and vocal in at 15 seconds, vocal through, no solo - at 2:08 vocal goes back to "I never planned in my imagination..", continue through, slow the last line down and finish.

MP3 DEMO:
F1718. STARS FELL ON ALABAMA - G Trio
key - G - vocal range - G to B
Superb 40's ballad in a very lovely trio arrangement. Covered by all the very best singers and musicians of the period.
Same arrangement as F1717 except a full tone higher.

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STAY AS SWEET AS YOU ARE key Eb 3:27
4 bar intro and vocal in at 11 seconds, vocal through, short piano solo at 1:42, vocal back in at 2:04 with "don't ever lose... all the......", continue,  slow the last two lines and finish.

MP3 DEMO:
F1360. STAY AS SWEET AS YOU ARE - Eb Pianotrak
key - Eb - vocal range - D to G
Fabulous Nat King Cole hit in a lovely 2017 Piano arrangement.
Same arrangement as F400 2017 except a full tone lower.

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STAY AS SWEET AS YOU ARE key F 3:27
4 bar intro and vocal in at 11 seconds, vocal through, short piano solo at 1:42, vocal back in at 2:04 with "don't ever lose... all the......", continue,  slow the last two lines and finish.

MP3 DEMO:
F400. STAY AS SWEET AS YOU ARE - F Pianotrak 2017
key - F - vocal range - E to A
Fabulous Nat King Cole hit in a lovely 2017 Piano arrangement.

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STELLA BY STARLIGHT key Db 2:36
8 bar intro and vocal in at 16 seconds, vocal through twice - no solo - and finish.

MP3 DEMO:
F2291. STELLA BY STARLIGHT - Db Trio
key - Db - vocal range - Db to Ab
Superb Trio arrangement of this classic American jazz standard. Written by Victor Young for the 1944 film The Uninvited, with lyrics added by Ned Washington, it's always been a popular song with musicians and vocalists.

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STELLA BY STARLIGHT key Eb 2:36
8 bar intro and vocal in at 16 seconds, vocal through twice - no solo - and finish.

MP3 DEMO:
F2292. STELLA BY STARLIGHT - Eb Trio
key - Eb - vocal range - Eb to Bb
Superb Trio arrangement of this classic American jazz standard. Written by Victor Young for the 1944 film The Uninvited, with lyrics added by Ned Washington, it's always been a popular song with musicians and vocalists. Same arrangement as F2291 except a full tone higher.

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STEPPING OUT WITH MY BABY key Gm to G then Ab to Abm 2:00
4 bar intro; vocal thru song; no solo - key change and back to the bridge section - "there'll be smooth sailing 'cos I'm...."; and finish with the last verse - similar to the Doris Day version.

MP3 DEMO:
F705. STEPPING OUT WITH MY BABY - Gm to Abm
key - Gm to G / Ab then Abm - vocal range - G to Ab
Great Irving Berlin gem. This trio arrangement is loosely based on a Doris Day version.

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STOLEN MOMENTS vocal version key C (Dm!!) 4:13
Same form as the LIVE album version by Carmen McRae and Betty Carter on VERVE.

MP3 DEMO:
F633. STOLEN MOMENTS vocal version
key - Dm - vocal range - D to F - cover key of the Carmen McRae and Betty Carter live version.
You're probably saying "how come this JAZZ instrumental classic is here"?
This arrangement is based on the LIVE DUET album version by Carmen McRae and Betty Carter on VERVE. Great lyrics and it works great for a vocalist.

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STOP THIS WORLD key F 4:06
Loosely based on the Diana Krall form. My piano solo included.

MP3 DEMO:
F1024. STOP THIS WORLD
key - F - vocal range - F to F - original key
Loosely based on the Diana Krall version of this Mose Allison song.

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STORMY MONDAY  key F 3:16
4 bar intro; vocal thru 3 verses (12 bar blues) ; Hammond solo ; vocal back in for 2 more verses ( of your choice!) and finish.

MP3 DEMO:
F629. STORMY MONDAY - F
key - F - vocal range - F to C  - can be used for any 12 bar blues based song - the range will vary.
Really cool arrangement of this wonderful old blues tune. Covered by all the great blues and jazz singers, and more contemporary artists like Eric Clapton.

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STORMY WEATHER - key C to Db 3:53
4 bar intro ; vocal thru ; no solo -back to " since he went away.." ;continue up to the key change at " Can't go on...." ; repeat " keeps raining all the time " 3 times - last time rall and finish.

MP3 DEMO:
F118. STORMY WEATHER
key - C to Db - vocal range - F to Ab
This wonderful song was a big hit for Lena Horne, also sung by Ella & co.
Original Livetrak arrangement.

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STORMY WEATHER key Eb 3:22
Piano intro and vocal in at 10 secs, into tempo and continue thru - no solo - back to "when he went away.." at 2:05, continue thru and finish or ad lib the last few bars and finish.

MP3 DEMO:
F1205. STORMY WEATHER - Eb
key - Eb - vocal range - Ab to Bb
Wonderful song in a cool TRIO arrangement, in a great tempo and feel.

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STRANGER IN PARADISE key Ab 4:40
4 bar intro and vocal in at 13 seconds, continue through - no solo - at 2:38 the vocal goes back to "I saw your face... and I ascended...", continue through and finish.

MP3 DEMO:
F1912. STRANGER IN PARADISE - Ab
key - Ab - vocal range - F to G
Stunningly fresh orchestral arrangement of this wonderful show tune from "Kismet", suitable for lower female ranges.

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STRANGER IN PARADISE key B 4:54
4 bar intro. vocal in at 14 secs and continue thru - no solo, vocal back in at 2:49 to "I saw your face.. and I ascended......", continue thru and finish.

MP3 DEMO:
F906. STRANGER IN PARADISE - B
key - B - vocal range - G# to A#
Very lovely Sextet arrangement of this beautiful Tony Bennett hit.

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STRANGER IN PARADISE key Bb 4:40
4 bar intro and vocal in at 13 seconds, continue through - no solo - at 2:38 the vocal goes back to "I saw your face... and I ascended...", continue through and finish.

MP3 DEMO:
F1913. STRANGER IN PARADISE - Bb
key - Bb - vocal range - G to A
Stunningly fresh orchestral arrangement of this wonderful show tune from "Kismet". Same arrangement as F1912 except a full tone higher.

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STRANGER ON THE SHORE key Bb 3:22
8 bar introduction, vocals through the whole song twice (or solo 2nd time), rall the last line and then finish.

MP3 DEMO:
F333. STRANGER ON THE SHORE - Bb
key - Bb - vocal range - Eb to Bb
A big hit for Acker Bilk and always requested. This tune does have lyrics as well and is given a Livetrak arrangement with space to solo ala Acker!

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STRANGERS IN THE NIGHT key C to D 3:19
4 bar intro and vocal in at 14 seconds, vocal through - no solo - back to the bridge section - "strangers in the night...two lonely people we were..."; key change leading to the last verse - "ever since that night..."; continue; repeat the last line then let the "orchestra" finish.

MP3 DEMO:
F638. STRANGERS IN THE NIGHT - C to D
key - C to D - vocal range - A to G
Really lovely orchestral ballad arrangement of this classic Sinatra hit, including the key change.

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STRANGERS IN THE NIGHT key D to E 3:19
4 bar intro and vocal in at 14 seconds, vocal through - no solo - back to the bridge section - "strangers in the night...two lonely people we were..."; key change leading to the last verse - "ever since that night..."; continue; repeat the last line then let the "orchestra" finish.

MP3 DEMO:
F2101. STRANGERS IN THE NIGHT - D to E
key - D to E - vocal range - B to A
Really lovely orchestral ballad arrangement of this classic Sinatra hit, including the key change. Same arrangement as F638 except a full tone higher.

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STREET OF DREAMS key G 2:50
Piano intro and vocal in at 27 seconds, continue through twice - no solo, continue and finish.

MP3 DEMO:
F1335. STREET OF DREAMS - G Pianotrak
key - G - vocal range - E to A
Gorgeous piano arrangement of this classic standard covered by all the very best singers. Slow, moody and intimate!

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STREETLIFE key Ebm 3:54
5 bar intro and vocal in at 10 seconds, vocal through the full song TWICE (2nd time starts at 1:57 after the 8 bar break)) - no solos intended, it's very much for a vocal only - continue through and finish with the 8 bar break and the 1 bar outro.

MP3 DEMO:
F1795. STREETLIFE - Ebm Trio
key - Ebm - vocal range - Ab to C
Wonderful Trio arrangement of the incredible Crusaders and Randy Crawford classic hit. The original version is heavy on instrumentals so I've made my version work as a vocal only, BUT it's totally up to you.
Same arrangement as F1794 except a full tone lower.

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STREETLIFE key Fm 3:54
5 bar intro and vocal in at 10 seconds, vocal through the full song TWICE (2nd time starts at 1:57 after the 8 bar break)) - no solos intended, it's very much for a vocal only - continue through and finish with the 8 bar break and the 1 bar outro.

MP3 DEMO:
F1794. STREETLIFE - Fm Trio
key - Fm - vocal range - Bb to D
Wonderful Trio arrangement of the incredible Crusaders and Randy Crawford classic hit, in the original key. The original version is heavy on instrumentals so I've made my version work as a vocal only, BUT it's totally up to you.

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STRIP POLKA key Ab 2:56
Same form and original key as the Andrews Sisters version.

MP3 DEMO:
F1765. STRIP POLKA
key - Ab - vocal range - Ab to C
Piano and bass arrangement that's loosely based on the classic 1942 Andrews Sisters hit.

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SUMMER SUN key Eb (original key) 3:58
8 bar intro and vocal in at 8 secs, continue thru as per the original KOOP form, short 16 bar piano solo at 1:43 then the intro again with the vocal back in at 2:08, continue thru and finish/ ad lib.

MP3 DEMO:
F1237. SUMMER SUN
key - Eb - vocal range - original key
Wonderful jazz dance hit from the early 2000's - great feel and vibe with a quirky vocal. This arrangement is based on the original form , same tempo and feel but in a TRIO arrangement. Check out the original version https://www.youtube.com/watch?v=V9A1JLlwUaM

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SUMMERTIME key Bbm 2:22
8 bar intro and vocal in at 8 seconds, continue through 3 verses - verse 1 and 2 and then reprise the 1st verse, at 1:58 repeat "so hush little baby, don't you cry" and finish.

MP3 DEMO:
F1574. SUMMERTIME - Bbm 3/4 Pianotrak
key - Bbm - vocal range - F to F
Fresh jazz waltz take on the Gershwin classic! Piano only and perfect for an intimate vocal.
Same arrangement as F1573 except a full tone lower.

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SUMMERTIME key Bbm (Swing Trio) 2:51
12 bar intro and vocal in at 16 seconds, vocal through the song, piano solo at 1:09, vocal back in at 1:35 with "one of these mornings...", continue through and then back to the 1st verse ("summertime.. and the living is easy...) again at 2:02, continue through, at 2:29 repeat "so hush pretty baby, don't you cry..." and finish.

MP3 DEMO:
F2016. SUMMERTIME - Bbm Swing Trio 2021
key - Bbm - vocal range - F to F
Brightly swinging Trio arrangement of this hugely popular Gershwins classic.
Same arrangement as F2015 except a full tone lower.

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SUMMERTIME key Cm 2:22
8 bar intro and vocal in at 8 seconds, continue through 3 verses - verse 1 and 2 and then reprise the 1st verse, at 1:58 sing "so hush little baby, don't you cry" and finish.

MP3 DEMO:
F1573. SUMMERTIME - Cm 3/4 Pianotrak
key - Cm - vocal range - G to G
Fresh jazz waltz take on the Gershwin classic! Piano only and perfect for an intimate vocal.

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SUMMERTIME key Cm 3:02
4 bar intro and vocal in at 12 seconds, vocal through 3 times - verses 1 and 2 and then reprise the first verse , at 2:32 slow down the last line and finish.

MP3 DEMO:
F1571. SUMMERTIME - Cm Pianotrak
key - Cm - vocal range - G to G
Classic version of the Gershwins classic for Porgy and Bess. Moody and haunting piano only arrangement.

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SUMMERTIME key Cm (Swing Trio) 2:51
12 bar intro and vocal in at 16 seconds, vocal through the song, piano solo at 1:09, vocal back in at 1:35 with "one of these mornings...", continue through and then back to the 1st verse ("summertime.. and the living is easy...) again at 2:02, continue through, at 2:29 repeat "so hush pretty baby, don't you cry..." and finish.

MP3 DEMO:
F2015. SUMMERTIME - Cm Swing Trio 2021
key - Cm - vocal range - G to G
Brightly swinging Trio arrangement of this hugely popular Gershwins classic.

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SUMMERTIME key Dm 3:02
8 bar intro and vocal in at 16 secs, vocal thru the full song (so it's twice thru really), piano solo at 1:19, vocal back in at 1:49 with either verse, continue, 3 time last line repeat or ad lib and finish.

MP3 DEMO:
F1098. SUMMERTIME - Dm Bossa
key - Dm - vocal range - A to A
Cool TRIO plus percussion arrangement of the Gershwin classic!

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SUMMERTIME key Dm 3:02
4 bar intro and vocal in at 12 seconds, vocal through 3 times - verses 1 and 2 and then reprise the first verse , at 2:32 slow down the last line and finish.

MP3 DEMO:
F1572. SUMMERTIME - Dm Pianotrak
key - Dm - vocal range - A to A
Classic version of the Gershwins classic for Porgy and Bess. Moody and haunting piano only arrangement.
Same arrangement as F1571 except a full tone higher.

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SUMMERTIME key Dm 2:46
4 bar intro; vocal through the full song twice - no solo - repeat the last line (so hush little baby...) 3 times; ad lib and finish.

MP3 DEMO:
F802. SUMMERTIME - Dm smooth
key - Dm - vocal range - A to A
Groovy SMOOTH JAZZ arrangement of the hugely popular standard.
 

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SUMMERTIME key Dm 4:16
4 bar intro and vocal in at 14 seconds, vocal through 2 full verses (2nd verse at 1:09), piano solo at 2:03, vocal back in at 2:58 with a reprise of the 1st verse, slow the last line down and finish.

F2013. SUMMERTIME - Dm Trio
key - Dm - vocal range - A to A
Moody Trio arrangement that keeps more to the original feel of this classic standard from "Porgy and Bess".

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SUMMERTIME key Em 4:16
4 bar intro and vocal in at 14 seconds, vocal through 2 full verses (2nd verse at 1:09), piano solo at 2:03, vocal back in at 2:58 with a reprise of the 1st verse, slow the last line down and finish.

F2014. SUMMERTIME - Em Trio
key - Em - vocal range - B to B
Moody Trio arrangement that keeps more to the original feel of this classic standard from "Porgy and Bess".
Same arrangement as F2013 except a full tone higher.

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SUMMERTIME key Cm 2:36
8 bar intro ; vocal thru 2 verses ; piano solo ; vocal back in and repeat first verse ; repeat " so hush little baby , don't you cry" and finish. You can also repeat "Don't you cry"/ add ad libs.

MP3 DEMO:
F494. SUMMERTIME bossa Cm
key - Cm - vocal range - G to G
Nice twist for the Gershwin classic - subtle chord changes and a bossa Livetrak arrangement.

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SUMMERTIME key Cm 2:38
4 bar intro ; vocal thru 2 verses ; flute solo ; vocal back in and repeat the 1st verse ; repeat the last line - "so hush little baby, don't you cry" and ad lib to the end.

MP3 DEMO:
F495. SUMMERTIME swing Cm
key - Cm - vocal range - G to G
Fab and groovy swingin' Livetrak arrangement of the Gershwin gem.

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SUMMERTIME version 1 key Em to Fm 4:15
4 bar intro ; vocal for 2 verses ; short solo leading to key change ; vocal back in with verse ; repeat " summertime "/ ad lib and end.

MP3 DEMO:
F15. SUMMERTIME version 1
key - Em to Fm - vocal range - B to C
Suit high female ranges also suitable for Baritone male ranges.
This Gershwin classic is possibly the most popular and most recorded standard ever! Original Livetrak arrangement.

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SUMMERTIME key Am to Bbm 3:22
8 bar intro. vocal thru, short vibes solo and key change, vocal and ad lib ending.

MP3 DEMO:
F54. SUMMERTIME version 2
key - Am to Bbm - vocal range - E to F
Original Livetrak swing arrangement - guitar and vibes based - key change after solo. Suitable for low female ranges.

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SUNDAY key F 2:08
4 bar intro ; vocal thru ; solo ; vocal back in at " and then comes Thursday...." ; continue ; tag the last line and finish.

MP3 DEMO:
F144. SUNDAY
key - F - vocal range - G to A
Great song sung by all the greats - my favourite version is by Carmen McRae.
Original Livetrak arrangement.

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SUNNY groove version key Gm to Abm to Am to Bbm 4:00
piano intro and vocal in at 13secs - 1st verse colla with the piano and into tempo at 58 secs (4 bars band) then 2nd verse in tempo; key change for the 3rd verse; key change again for the piano solo at 2:22; key change again at 2:59 for the last verse; continue and ad lib or repeat the last line and finish.

MP3 DEMO:
F788. SUNNY - groove version
key - Gm to Abm to Am to Bbm - vocal range - G to Db
Really cool GROOVE arrangement of this classic song.
NOTE - the demo starts into the song - at 6 secs the vocal is in with "oh the dark days are gone... and the bright days are here.." then into tempo to let you check the feel and groove!

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SUNNY swing version key Gm to Abm to Am to Bbm 3:59
piano intro and vocal in at 13secs - 1st verse colla with the piano and into tempo at 58 secs (4 bars band) then 2nd verse in tempo; key change for the 3rd verse; key change again for the piano solo at 2:21; key change again at 2:58 for the last verse; continue and ad lib or repeat the last line and finish.

MP3 DEMO:
F789. SUNNY - swing version
key - Gm to Abm to Am to Bbm - vocal range - G to Db
Very cool SWING Trio arrangement of this classic song!
NOTE - the demo starts into the song - at 6 secs the vocal is in with "oh the dark days are gone... and the bright days are here.." then into tempo....

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SUNNY version 3 keys Am to Bbm to Bm to Cm 2:42
4 bar intro and vocal in at 7 secs, continue thru - vocal all the way - no solo, key changes for each verse, except at 1:51 with the reprise of the first verse, rall and repeat the last line at 2:16 and finish.

MP3 DEMO:
F930. SUNNY version 3
key - Am to Bbm to Bm to Cm - vocal range - A to Eb (huge range)
Fantastic arrangement of this great song ,covered by all the very best singers. This arrangement is based on the Blossom Dearie version, same key changes.

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SUPERSTAR key Fm 3:47
4 bar intro and vocal in at 14 seconds, vocal through verse and chorus, 2 bar break at 1:36 and vocal back in at 1:43 with "loneliness.. is such a sad affair...", continue through verse and chorus and repeat the chorus again at 3:05 and finish.

MP3 DEMO:
F2077. SUPERSTAR - Fm Acoustic Guitar
key - Fm - vocal range - Ab to Ab
An intimate acoustic guitar arrangement of the wonderful Leon Russell and Bonnie Sheridan song, covered by the Carpenters, Luther Vandross and many others. Same arrangement as F2076 except a full tone lower.

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SUPERSTAR key Gm 3:47
4 bar intro and vocal in at 14 seconds, vocal through verse and chorus, 2 bar break at 1:36 and vocal back in at 1:43 with "loneliness.. is such a sad affair...", continue through verse and chorus and repeat the chorus again at 3:05 and finish.

MP3 DEMO:
F2076. SUPERSTAR - Gm Acoustic Guitar
key - Gm - vocal range - Bb to Bb
An intimate acoustic guitar arrangement of the wonderful Leon Russell and Bonnie Sheridan song, covered by the Carpenters, Luther Vandross and many others.

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SWAY key Am 2:15
4 bar intro ; vocal thru ; short solo ; vocal back in at " other dancers may be on the floor" ; continue ; brass run then repeat the last line - "sway me now" and finish.

MP3 DEMO:
F306. SWAY - Am
key - Am - vocal range - A to A (optional C top note).
Popular song recorded by Dean Martin and recently by Michael Buble, given a cool Realtrak arrangement.

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SWAY key Am 2:34
4 bar intro and vocal in at 7 seconds, Rhodes solo at 1:17 over one verse and vocal back in at 1:34 with "other dancers may be on the floor.....", continue through, repeat the last line 3 times and finish.

MP3 DEMO:
F1813. SWAY - Am Rhodes Piano
key - Am - vocal range - A to A
Fender Rhodes piano arrangement of the classic standard covered by all the great vocalists. The Rhodes give it a bit of a different vibe, gritty and punchy and fresh.

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SWAY version 2 key Am 3:10
4 bar intro and vocal in at 9 secs, continue thru, acoustic guitar solo at 1:27, vocal back in at 2:06 with "other dancers may be on the floor...", continue thru, at 2:42 repeat "sway me now" 3 times and finish.

MP3 DEMO:
F908. SWAY - Am version 2
key - Am - vocal range - A to A
Laidback Livetrak Bossa Nova arrangement of the classic song.

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SWAY  key Gm 2:25
4 bar intro and vocal in at 5 secs, vocal thru twice - no solo - at 2:10 repeat "make me thrill as only you know how...sway me smooth sway me now!" and finish.

MP3 DEMO:
F907. SWAY - Gm
key - Gm - vocal range - G to G
Brighter tempo for this Latin version of the popular Dean Martin hit, with a cool Sextet arrangement to boot!

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SWAY key Gm 2:34
4 bar intro and vocal in at 7 seconds, Rhodes solo at 1:17 over one verse and vocal back in at 1:34 with "other dancers may be on the floor.....", continue through, repeat the last line 3 times and finish.

MP3 DEMO:
F1814. SWAY - Gm Rhodes Piano
key - Gm - vocal range - G to G
Fender Rhodes piano arrangement of the classic standard covered by all the great vocalists. The Rhodes give it a bit of a different vibe, gritty and punchy and fresh.

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SWEET DREAMS key F to Gb 3:14
4 bar intro and vocal in at 13 secs, continue through - vocal all the way and a key change for the last verse, tag the last line at 2:46, rall and finish.

MP3 DEMO:
F2348. SWEET DREAMS - F to Gb
key - F to Gb - vocal range - D to Ab
Blues-tinged TRIO arrangement of the huge Patsy Cline hit. Same arrangement as F950 except a full tone lower.

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SWEET DREAMS key G to Ab 3:14
4 bar intro and vocal in at 13 secs, continue through - vocal all the way and a key change for the last verse, tag the last line at 2:46, rall and finish.

MP3 DEMO:
F950. SWEET DREAMS
key - G to Ab - vocal range - E to Bb
Blues-tinged TRIO arrangement of the huge Patsy Cline hit.

Price:
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SWEET DREAMS ARE MADE OF THIS key Cm 3:30
4 bar intro and vocal in at 8 seconds, same form as the original Eurythmics version, original key.

MP3 DEMO:
F1431. SWEET DREAMS ARE MADE OF THIS - Cm
key - Cm - vocal range - original key
Very cool Trio plus Latin percussion arrangement of the Eurythmics song, original key.

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SWEET DREAMS ARE MADE OF THIS key Dm 3:30
4 bar intro and vocal in at 8 seconds, same form as the original Eurythmics version.

MP3 DEMO:
F1432. SWEET DREAMS ARE MADE OF THIS - Dm
key - Dm - vocal range -
Very cool Trio plus Latin percussion arrangement of the Eurythmics song.
Same arrangement as F1431 except a full tone higher.

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SWEET GEORGIA BROWN key Ab 2:22
4 bar intro ; vocal thru 3 times in total - no solo at all. Dead stop at the end.

MP3 DEMO:
F630. SWEET GEORGIA BROWN - Ab
key - Ab - vocal range - Eb to F (optional Ab top note). Suit lower range female voice.
Cool new version of this great old swinger!
 

Price:
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SWEET GEORGIA BROWN key Bb 3:12
8 bar intro and vocal in at 14 seconds, vocal thru twice (2nd time at 1:08), piano solo at 2:04, vocal back in at 2:31 with "it's been said she knocks 'em dead...", continue and repeat the last line twice and finish.

MP3 DEMO:
F60. SWEET GEORGIA BROWN - Bb 2018
key - Bb - vocal range - F to G ( optional Bb last note)
2018 Trio arrangement of this great jazz classic, hugely popluar with singers and musicians alike. Slower in tempo than what is normally expected and it works a treat!

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SWEET GEORGIA BROWN key Bb 2:34
4 bar intro and vocal in at 6 seconds, vocal through twice, piano solo at 1:39, vocal back in at 2:02 with "it's been said she knocks em dead...", continue through and finish.

MP3 DEMO:
F1480. SWEET GEORGIA BROWN - Bb Funky
key - Bb - vocal range - F to G ( optional Bb last note)
A really dirty groove to this one, and I love it! That 60's vibe but with the bluesy piano licks and trio feel, that really cry out for a great vocal to tell it like it is!

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SWEET GEORGIA BROWN key C 3:12
8 bar intro and vocal in at 14 seconds, vocal thru twice (2nd time at 1:08), piano solo at 2:04, vocal back in at 2:31 with "it's been said she knocks 'em dead...", continue and repeat the last line twice and finish.

MP3 DEMO:
F1479. SWEET GEORGIA BROWN - C
key - C - vocal range - G to A ( optional C last note)
2018 Trio arrangement of this great jazz classic, hugely popluar with singers and musicians alike. Slower in tempo than what is normally expected and it works a treat! Same arrangement as F60 2018 except a full tone higher.

Price:
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SWEET GEORGIA BROWN key C 2:34
4 bar intro and vocal in at 6 seconds, vocal through twice, piano solo at 1:39, vocal back in at 2:02 with "it's been said she knocks em dead...", continue through and finish.

MP3 DEMO:
F1481. SWEET GEORGIA BROWN - C Funky
key - C - vocal range - G to A ( optional C last note)
A really dirty groove to this one, and I love it! That 60's vibe but with the bluesy piano licks and trio feel, that really cry out for a great vocal to tell it like it is! Same arrangement as F1480 except a full tone higher.

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SWEET GEORGIA BROWN version 2 2011 key Bb 2:32
8 bar intro; vocal thru twice; solo ; vocal back in at " it's been said she knocks them dead..." ;continue; repeat the last line and finish.

MP3 DEMO:
F111. SWEET GEORGIA BROWN version 2 2011
key - Bb - vocal range - F to G
2011 Livetrak Trio arrangement of this old gem.
 

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SWEET HOME CHICAGO key F 2:19
4 bar intro ; vocal thru as per ; Hammond organ solo ; vocal back in at the stops ; continue ; no verse repeat - tag the last line and finish.

MP3 DEMO:
F443. SWEET HOME CHICAGO - F
key - F - vocal range - F to Ab ( suitable for lower female range)
Livetrak big band arrangement of this cookin' blues from the Blues Brothers movie.

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SWEET LOVE key Ab 3:36
8 bar intro, vocal through as per the original Anita Baker form, except a definite ending.

MP3 DEMO:
F1749. SWEET LOVE - Ab Trio
key - Ab - vocal range - Eb to Db
Cool Trio arrangement of the massive Anita Baker hit from 1986. Same arrangement as F1748 except a full tone lower.

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SWEET LOVE key Bb 3:36
8 bar intro, vocal through as per the original Anita Baker form, except a definite ending.

MP3 DEMO:
F1748. SWEET LOVE - Bb Trio
key - Bb - vocal range - F to Eb
Cool Trio arrangement of the massive Anita Baker hit from 1986.

Price:
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SWEET PUMPKIN key F 2:49
4 bar intro and vocal in at 7 seconds, vocal through - no solo - at 1:55 go back to "can't you tell...", continue through and finish.

MP3 DEMO:
F1977. SWEET PUMPKIN - F Piano
key - F - vocal range - E to G
Intimate piano only arrangement of this quirky jazz favourite. Most famous versions are probably by Gloria Lynne and the great Blue Mitchell on trumpet. Same arrangement as F1976 except a full tone lower.

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SWEET PUMPKIN key G 2:49
4 bar intro and vocal in at 7 seconds, vocal through - no solo - at 1:55 go back to "can't you tell...", continue through and finish.

MP3 DEMO:
F1976. SWEET PUMPKIN - G Piano
key - G - vocal range - F# to A
Intimate piano only arrangement of this quirky jazz favourite. Most famous versions are probably by Gloria Lynne and the great Blue Mitchell on trumpet.

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TAINTED LOVE key Am 3:34
8 bar intro, vocal in at 14 seconds, vocal through the song - no solo, at 2:00 go back to the first verse, continue through, at 2:53 sing the coda section "don't touch me please.. I cannot stand the way you tease..." etc , continue through, vocal ad libs and finish.

MP3 DEMO:
F1447. TAINTED LOVE - Am
key - Am - vocal range - A to B
Straight 8's Latin arrangement of this massive 80's synth hit, first done by Gloria Jones back in the 60's.
Same arrangement as F1446 except a full tone higher.

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TAINTED LOVE key Gm 3:34
8 bar intro, vocal in at 14 seconds, vocal through the song - no solo, at 2:00 go back to the first verse, continue through, at 2:53 sing the coda section "don't touch me please.. I cannot stand the way you tease..." etc , continue through, vocal ad libs and finish.

MP3 DEMO:
F1446. TAINTED LOVE - Gm
key - Gm - vocal range - G to A
Straight 8's Latin arrangement of this massive 80's synth hit, first done by Gloria Jones back in the 60's.

Price:
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TAKE MY BREATH AWAY key Ab 4:18
4 bar intro and vocal in at 12 seconds, vocal through the original hit form except there is no key change - same key all the way!

MP3 DEMO:
F1946. TAKE MY BREATH AWAY - Ab
key - Ab - vocal range - Bb to Bb
Two acoustic guitars and upright bass work a treat in this lightly swinging intimate arrangement of the massive Berlin hit from the 1986 movie "Top Gun". Note - the arrangement stays in the same key all the way.

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TAKE MY BREATH AWAY key Gb 4:18
4 bar intro and vocal in at 12 seconds, vocal through the original hit form except there is no key change - same key all the way!

MP3 DEMO:
F1947. TAKE MY BREATH AWAY - Gb
key - Gb - vocal range - Ab to Ab
Two acoustic guitars and upright bass work a treat in this lightly swinging intimate arrangement of the massive Berlin hit from the 1986 movie "Top Gun". Note - the arrangement stays in the same key all the way.
Same arrangement as F1946 except a full tone down.

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TAKE THE A TRAIN key Eb 2:41
8 bar intro and vocal in at 12 seconds, vocal through 3 times in total (also suitable for a musician to solo over a chorus or 2) - at 1:48 sing the famous riff with the band each time, and a nice tight finish.

MP3 DEMO:
F2026. TAKE THE A TRAIN - Eb Trio
key - Eb - vocal range - G to G
Superb Trio arrangement of the classic Billy Strayhorn jazz standard.
Same arrangement as F2025 except a full tone lower.

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TAKE THE A TRAIN key F 2:41
8 bar intro and vocal in at 12 seconds, vocal through 3 times in total (also suitable for a musician to solo over a chorus or 2) - at 1:48 sing the famous riff with the band each time, and a nice tight finish.

MP3 DEMO:
F2025. TAKE THE A TRAIN - F Trio
key - F - vocal range - A to A
Superb Trio arrangement of the classic Billy Strayhorn jazz standard. This key should be suitable for higher range females.

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TAKE THESE CHAINS FROM MY HEART key Bb 2:28
4 bar intro ; vocal thru two verses; Hammond solo ; vocal back to verse ; continue ; tag the last line twice (nice stops!) and finish.

MP3 DEMO:
F514. TAKE THESE CHAINS FROM MY HEART - Bb
key - Bb - vocal range - A to A (optional Bb last note)
Fab and fresh Gospel tinged arrangement - trio + Hammond (hallelujah!)of the old country hit. Takes on a new life after you hear Ray Charles singing it!

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TAKING A CHANCE ON LOVE 2014 key G 2:31
8 bar intro and vocal in at 15 secs, continue thru, piano solo at 1:13, vocal back in at the bridge (using the alternate lyrics?) at 1:42, continue and tag the last line and extend the last time - "tak...ing... a chance....on love....." and finish.

MP3 DEMO:
F80. TAKING A CHANCE ON LOVE - 2014
key - G - vocal range - F# to A
Great mid tempo arrangement, sung by every major vocalist. New 2014 Livetrak arrangement.

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TAKING A CHANCE ON LOVE key F 2:37
8 bar intro and vocal in at 16 secs, vocal thru twice - no solo, tag the last line at 2:15 but extend the last line -----
"tak---ing.....a......chance......on.....love" and finish.

MP3 DEMO:
F877. TAKING A CHANCE ON LOVE - F
key - F - vocal range - E to A
Lovely new Livetrak Bossa Nova arrangement of this wonderful old standard.

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TAKING A CHANCE ON LOVE key F 3:06
4 bar intro and vocal in at 12 seconds, vocal through, at 1:36 short piano solo over the 2nd "A" section, vocal back in at 1:58 with "I thought the cards were a frame up....", continue, tag the last line and extend the last line - "tak............ing..... ..a.... chance........ on...... ..love..........." and finish.

MP3 DEMO:
F1361. TAKING A CHANCE ON LOVE - F Pianotrak
key - F - vocal range - E to A
Lovely and intimate 2017 Pianotrak arrangement of this great old song.
Tip - the intro starts on the first beat!
Same arrangement as F468 2017 except a full tone lower.

Price:
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TAKING A CHANCE ON LOVE key G 3:06
4 bar intro and vocal in at 12 seconds, vocal through, at 1:36 short piano solo over the 2nd "A" section, vocal back in at 1:58 with "I thought the cards were a frame up....", continue, tag the last line and extend the last line - "tak............ing..... ..a.... chance........ on...... ..love..........." and finish.

MP3 DEMO:
F468. TAKING A CHANCE ON LOVE - G Pianotrak 2017
key - G - vocal range - F# to B
Lovely and intimate 2017 Pianotrak arrangement of this great old song.
Tip - the intro starts on the first beat!

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TALK TO ME BABY key C 2:45
4 bar intro ; vocal thru first time without the tag; then back to the bridge section - no solo - and finish.

MP3 DEMO:
F498. TALK TO ME BABY
key - C - vocal range - G to A
Fab Peggy Lee hit, in a cool Livetrak arrangement.

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TAMMY key Ab 2:40
4 bar intro; vocal thru; short piano solo and vocal back in at "the old hooty-owl.. hooty-hoos to the dove"; continue and rall the last line and finish.

MP3 DEMO:
F690. TAMMY - Ab
key - Ab - vocal range - F to A
Lovely song from the movie "Tammy and the Bachelor" starring Debbie Reynolds.
Lovely Livetrak arrangement.

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TANGERINE key C 2:40
8 bar intro ; vocal thru twice ; solo ; vocal back in at " and I've seen... toasts to Tangerine.." ; continue ; tag the last line and finish

MP3 DEMO:
F154. TANGERINE
key - C - vocal range - G to A
Great jazz favourite sung by all the greats.
Original Livetrak arrangement.

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TANGERINE key C to Db 2:17
4 bar intro and vocal in at 6 seconds, vocal through - no solo - at 1:00 there is a key change to Db, continue through, tag the last line and finish.

MP3 DEMO:
F2282. TANGERINE - C to Db Quartet
key - C to Db - vocal range - G to Bb
Superb Quartet arrangement of the classic standard. There's a tasty semitone key change but i give you a guiding hand.
 

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TEA FOR TWO key C 3:16
8 bar intro; vocal thru TWICE; piano solo; vocal back in at "Day will break and I'll wake..."; continue; no tag and finish.

MP3 DEMO:
F603. TEA FOR TWO
key - C - vocal range - G to A
Lightly swinging Livetrak arrangement!

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TEA FOR TWO key Eb 3:28
4 bar intro and vocal in at 8 secs, vocal thru twice, short piano solo at 2:05, vocal back in at 2:35 with "dawn will break..",
continue thru, repeat the last line and finish.

MP3 DEMO:
F1168. TEA FOR TWO - Eb
key - Eb - vocal range - Bb to C
Lovely arrangement, TRIO plus Strings, of this classic standard. Suit higher female range & lower male range.

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TEACH ME TONIGHT - key G to Ab 4:12
4 bar intro ; vocal thru ; very short solo ; vocal back in at " I'll use that star to write" ; continue ; key change for the last verse and tag the ending/ad libs and end very much like the Al Jarreau version format.

MP3 DEMO:
F40. TEACH ME TONIGHT (FEMALE)
key - G to Ab - vocal range - G to Ab (optional Eb top note Al Jarreau arrangement).
Wonderful song that's been covered by every major vocalist. This arrangement is loosely based on the Al Jarreau version, in an original Livetrak arrangement.

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TEACH ME TONIGHT key A 2:58
4 bar intro with vocal pickup ; vocal thru - no solo - back to " the sky's a blackboard...." ; tag the last line and finish.

MP3 DEMO:
F408. TEACH ME TONIGHT - A
key - A - vocal range - A to A
Great Realtrak Trio arrangement of this wonderful classic standard.

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TEACH ME TONIGHT key Bb 3:47
3 bar then vocal pick up: vocal thru; short solo and vocal back to "the sky's a blackboard, high above you"; continue; tag the last line and finish.

MP3 DEMO:
F732. TEACH ME TONIGHT Bb Pianotrak
key - Bb - vocal range - Bb to Bb
Lovely and intimate 2016 piano only arrangement of this wonderful old standard.

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TELL ME MORE AND THEN SOME key Am 3:13
Piano pickup and 1 bar intro, vocal in at 7 secs, same form as the YouTube link below....

MP3 DEMO:
F954. TELL ME MORE AND THEN SOME
key - Am - vocal range - E to A
Nina Simone song and a great blues feel! This arrangement is loosely based on the YouTube version here:
https://www.youtube.com/watch?v=Bdxde-G1sLA
A full tone down from the original key.

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TEN CENTS A DANCE key C 3:01
4 bar intro; vocal thru; short piano solo; vocal back in at "seven to midnight..."; continue; extend the last phrase "ten.......cents........a......... dance......." and finish.

MP3 DEMO:
F676. TEN CENTS A DANCE
key - C - vocal range - G to Ab
Fairly obscure Rodgers and Hart gem; featured in the movie "The Fabulous Baker Boys". Wonderful Trio arrangement!
 

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TENDERLY key Ab 3:31
4 bar intro and vocal in at 7 secs, vocal thru TWICE, piano solo at 2:10, vocal back in at 2:40 " the shore was kissed by....."; continue thru, repeat " you took my lips, you took my love, so tenderly" and finish.

MP3 DEMO:
F1267. TENDERLY - Ab
key - Ab - vocal range Eb to Bb
Fantastic lightly swinging 2017 TRIO arrangement!
Wonderful standard for singers and jazz musicians alike. Sung by all the very best singers of the day.

Same arrangement as F114 2017 except a full tone lower.

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TENDERLY key Bb 3:31
4 bar intro and vocal in at 7 secs, vocal thru TWICE, piano solo at 2:10, vocal back in at 2:40 " the shore was kissed by....."; continue thru, repeat " you took my lips, you took my love, so tenderly" and finish.

MP3 DEMO:
F114. TENDERLY - Bb 2017
key - Bb - vocal range - F to C
Fantastic lightly swinging 2017 TRIO arrangement!
Wonderful standard for singers and jazz musicians alike. Sung by all the very best singers of the day.

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TENDERLY key Ab 3:20
3/4 8 bar intro and vocal in at 18 seconds, vocal through, at 1:34 short solo, vocal back in at 1:54 with "then you .......and I.............came wandering by..",  continue,  tag the last line and finish.

MP3 DEMO:
F401. TENDERLY Ab Pianotrak 2017
key - Ab - vocal range - Eb to Bb (huge range)
Gorgeous and hugely popular song in waltz tempo (3/4), and in a lovely 2017 Pianotrak arrangement.

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TENNESSEE WALTZ key D 2:51
8 bar intro and vocal in at 16 seconds, vocal through, violin solo at 1:24, vocal back in at 1:58 with "I remember that night...", continue through,repeat the last line and finish.

MP3 DEMO:
F1719. TENNESSEE WALTZ - D
key - D - vocal range - D to F# (optional A)
Gorgeous band arrangement of this hugely popular standard and country classic, in the same key as Patsy Cline's version.

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TENNESSEE WALTZ key E 2:51
8 bar intro and vocal in at 16 seconds, vocal through, violin solo at 1:24, vocal back in at 1:58 with "I remember that night...", continue through,repeat the last line and finish.

MP3 DEMO:
F1720. TENNESSEE WALTZ - E
key - E - range - E to G# (optional B)
Gorgeous band arrangement of this hugely popular standard and country classic, in the same key as Patsy Cline's version.
Same arrangement as F1719 except a full tone higher.

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TENNESSEE WALTZ key F 4:38
electric piano intro and vocal in at 28 seconds, vocal through as per the Bonnie Raitt and Nora Jones Live version - same form and similar arrangement, electric piano and guitar solo at 2:17, vocal back in at 3:11 with "I remember that night...", continue through and at 4:07 slow down and repeat the last line and finish.

MP3 DEMO:
F1782. TENNESSEE WALTZ - F
key - F - vocal range - F to A
This hugely popular old classic was reworked by Bonnie Raitt and Nora Jones in a live version, with a different feel than the original versions and it's so good! Here is a similar arrangement.
Same arrangement as F1781 except a full tone lower.

Price:
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TENNESSEE WALTZ key G 4:38
electric piano intro and vocal in at 28 seconds, vocal through as per the Bonnie Raitt and Nora Jones Live version - same key, form and similar arrangement, electric piano and guitar solo at 2:17, vocal back in at 3:11 with "I remember that night...", continue through and at 4:07 slow down and repeat the last line and finish.

MP3 DEMO:
F1781. TENNESSEE WALTZ - G
key - G - vocal range - G to B
This hugely popular old classic was reworked by Bonnie Raitt and Nora Jones in a live version, with a different feel than the original versions and it's so good! Here is a similar arrangement in the same key.

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TEQUILA SUNRISE key C 4:07
8 bar intro and vocal in at 23 secs, continue thru, short piano solo at 2:49, vocal back in at 3:10 with "take another shot of courage..", continue thru and finish.

MP3 DEMO:
F937. TEQUILA SUNRISE - C
key - C - vocal range - A to A
I've always liked this Eagles hit, and here's a cool TRIO arrangement of it.

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THANKS FOR THE MEMORY key Bb 2:51
4 bar intro and vocal in at 13 seconds, vocal through - no solo - at 1:52 go back to "Many's the time that we feasted...", continue through and finish.

MP3 DEMO:
F1861. THANKS FOR THE MEMORY - Bb
key - Bb - vocal range - F to G
Super trio arrangement of this old standard from the 30's. Same arrangement as F1860 except a full tone lower.

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THANKS FOR THE MEMORY key C 2:51
4 bar intro and vocal in at 13 seconds, vocal through - no solo - at 1:52 go back to "Many's the time that we feasted...", continue through and finish.

MP3 DEMO:
F1860. THANKS FOR THE MEMORY - C
key - C - vocal range - G to A
Super trio arrangement of this old standard from the 30's.

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THAT LOVELY WEEKEND key Bb 3:33
4 bar intro and vocal starts at 14 secs - very rubato but easy to catch onto - same form as the Vera Lynn version.

MP3 DEMO:
F893. THAT LOVELY WEEKEND
key - Bb - vocal range - F to A
Loosely based on the Vera Lynn version from 1942, arranged with a fairly authentic 1940's sound in mind!

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THAT OLD BLACK MAGIC key Ab 4:35
Based on the Rod Stewart version, similar arrangement, same form and the original key.

MP3 DEMO:
F2017. THAT OLD BLACK MAGIC - Ab Rod Stewart
key - Ab - vocal range - Eb to Ab
The classic standard in a similar arrangement of the Rod Stewart version from his "Great American Songbook volume 5" album.

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THAT OLD BLACK MAGIC key Bb 4:35
Based on the Rod Stewart version, similar arrangement, same form.

MP3 DEMO:
F2018. THAT OLD BLACK MAGIC - Bb Rod Stewart
key - Bb - vocal range - F to Bb
The classic standard in a similar arrangement of the Rod Stewart version from his "Great American Songbook volume 5" album.
Same arrangement as F2017 except a full tone higher.

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THAT OLD BLACK MAGIC key G 3:02
8 bar intro and vocal in at 11 secs, continue, vocal thru - no solo - vocal back to the bridge ("I should stay away......") at 1:43, continue to end, repeat
"in a spin........loving that spin I'm in......under that old black magic called love....." from 2:35 and finish.

MP3 DEMO:
F897. THAT OLD BLACK MAGIC - G latin
key - G - vocal range - D to G (suitable for lower female ranges)
Very cool latin based Trio arrangement of this hugely popular standard.

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THAT OLD BLACK MAGIC - key - Bb 2:39
8 bar intro; vocal thru full song - no solo - vocal back in at "I should stay away......."; continue and repeat the last lines - "in a spin..........loving that spin I'm in........; I'm under that old black magic called love" and finish.

MP3 DEMO:
F44. THAT OLD BLACK MAGIC 2011
key - Bb - vocal range - F to Bb
Wonderful and popular old standard which was a huge hit for Sammy Davis Jnr and covered by all the greats including Ella, Carmen McRae, Sinatra, etc. 2011 Livetrak trio arrangement.

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THAT OLD BLACK MAGIC version 2 key Bb 3:21
8 bar introduction, vocals thru, short trumpet solo, vocals back in at “I should stay away..” at 1:53, continue and for the ending - “in a spin.. loving spin i'm in…..under that old black magic called love..” twice and then “in a spin….loving that spin i’m in….under that old…………..black magic…………. called love…………” and then finish.

MP3 DEMO:
F790. THAT OLD BLACK MAGIC version 2
key - Bb - vocal range - F to Bb
This has a very cool “Las Vegas” style band arrangement of this incredible song, a hugely popular classic standard.

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THAT OLD BLACK MAGIC version 3 key Bb 3:32
8 bar intro; vocal in at 11 secs; continue; piano solo; vocal back in at 2:11 "I should stay away.. but what can I do..."; continue and for the ending sing: " in a spin.. loving that spin I'm in.....under that old black magic called love.." twice and then "in a spin.. .loving that spin I'm in.....under that old .............black magic............ called love.............." and finish.

MP3 DEMO:
F791. THE OLD BLACK MAGIC version 3
key - Bb - vocal range - F to Bb
Another very cool "band" arrangement of the popular classic standard.

Price:
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THAT OLD BLACK MAGIC version 3 key Bb TRIO ONLY VERSION 3:32
8 bar intro; vocal in at 11 secs; continue; piano solo; vocal back in at 2:11 "I should stay away.. but what can I do..."; continue and for the ending sing: " in a spin.. loving that spin I'm in.....under that old black magic called love.." twice and then "in a spin.. .loving that spin I'm in.....under that old .............black magic............ called love.............." and finish.

MP3 DEMO:
F792. THAT OLD BLACK MAGIC version 3 TRIO
key - Bb - vocal range - F to Bb
Same arrangement as F791 but as a TRIO ONLY.

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THAT OLD DEVIL CALLED LOVE key Ab 3:32
4 bar intro, vocal thru as per the original and same ending.

MP3 DEMO:
F872. THAT OLD DEVIL CALLED LOVE
key - Ab - vocal range - Eb to Ab
Fresh Trio arrangement of this classic Billie Holiday song, in the same key.

Price:
£3.00
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THAT OLD FEELING key A 3:22
4 bar intro and vocal in at 11 seconds, vocal through, short 8 bar solo from 1:41, vocal back in at 2:03 with "the moment that you danced by.....", continue through

MP3 DEMO:
F2193. THAT OLD FEELING - A Acoustic Guitar
key - A - vocal range - G# to A
Wonderful Acoustic Guitar arrangement of this classic standard, at a great tempo and perfect for an intimate vocal. Same arrangement as F2192 except a full tone higher.

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THAT OLD FEELING key Ab 2:53
8 bar intro and vocal in at 13 seconds, vocal through twice, piano solo at 1:55, vocal back in at 2:21 with "once again I seem to feel that old.....", continue through and finish tightly.

MP3 DEMO:
F1428. THAT OLD FEELING - Ab Trio
key - Ab - vocal range - G to Ab
Wonderful swinging TRIO arrangement of the classic standard.

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THAT OLD FEELING key G 3:17
4 bar intro, vocal through, tenor sax solo, vocal back in at "the moment that you walked by...", continue, repeat the last line and finish.

MP3 DEMO:
F229. THAT OLD FEELING - G
key - G - vocal range - F# to G
Great old standard,  sung by Diana Krall and all the very best singers of the day, given a Realtrak Quintet treatment.

Price:
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THAT OLD FEELING key G 3:22
4 bar intro and vocal in at 11 seconds, vocal through, short 8 bar solo from 1:41, vocal back in at 2:03 with "the moment that you danced by.....", continue through

MP3 DEMO:
F2192. THAT OLD FEELING - G Acoustic Guitar
key - G - vocal range - F# to G
Wonderful Acoustic Guitar arrangement of this classic standard, at a great tempo and perfect for an intimate vocal.

Price:
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THAT SUNDAY THAT SUMMER key Ab 3:35
5 bar intro and vocal pick up in at 17 secs, continue through, piano solo at 2:19 and vocal back in at 2:52 with "darling it would be, when you smiled at me....", continue and at 3:12 finish with "if i had to choose..... just one day...".

MP3 DEMO:
F1321. THAT SUNDAY THAT SUMMER - Ab
key - Eb - vocal range - Eb to Ab
Gorgeous TRIO arrangement of this wonderful old standard, covered by all the very best singers.
Same arrangement as F1320 except a full tone lower.

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THAT SUNDAY THAT SUMMER key Bb 3:35
5 bar intro and vocal pick up in at 17 secs, continue through, piano solo at 2:19 and vocal back in at 2:52 with "darling it would be, when you smiled at me....", continue and at 3:12 finish with "if i had to choose..... just one day...".

MP3 DEMO:
F1320. THAT SUNDAY THAT SUMMER - Bb
key - F - vocal range - F to Bb
Gorgeous TRIO arrangement of this wonderful old standard, covered by all the very best singers.

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THAT'S ALL - key G 3:38
8 bar intro ; vocal thru ; full solo ; vocal back to beginning / thru again ; dead stop to finish.

MP3 DEMO:
F69. THAT'S ALL
key - G - vocal range - G to B
An original Livetrak swing arrangement done in the style of an Organ Trio. Sung by Bobby Darin ; Sarah Vaughan ; et al.

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THAT'S ALL key F 4:48
8 bar intro and vocal in at 14 secs, continue thru, piano solo at 2:05, vocal back in at 3:01 with "there are those I am sure...", continue thru, tag the last line at 3:55 and finish similar to Nicole Henry's version.

MP3 DEMO:
F1047. THAT'S ALL - F
key - F - vocal range - F to A
Lovely arrangement of the classic standard, that is loosely based on a version by Nicole Henry.

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THAT'S ALL key G 4:03
4 bar intro; vocal thru; short piano solo and vocal back in at "there are those I am sure...."; continue; rall the last line and finish.

MP3 DEMO:
F710. THAT'S ALL - G ballad
key - G - vocal range - G to B
Gorgeous piano and bass ballad arrangement of this cool song. Covered recently by Michael Buble.

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THAT'S ALL key G 4:09
4 bar intro, vocal in at 16 secs and continue, short piano solo at 2:16, vocal back in at  2:45 with "there are those I am sure....", continue and rall the last line slightly and finish.

MP3 DEMO:
F828. THAT'S ALL version 3
key - G - vocal range - G to B
Gorgeous ballad arrangement of this classic gem.
 

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THAT'S AMORE key E to F 2:52
8 bar intro and vocal in at 8 secs, continue thru, at 1:23 key change to F and accordion solo, vocal back in at 1:42 with "bells will ring...", continue thru, stays in tempo, rall the last line and  finish.

MP3 DEMO:
F1084. THAT'S AMORE - E to F
key - E to F - vocal range - F# to A
The old Dean Martin classic in a female key, without the verse but includes a key change.

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THAT'S LIFE key C to Db 3:40
4 bar intro and vocal in at 15 secs, continue thru as per the usual form, key change into the last verse, similar finish based on the Sinatra version and finish.

MP3 DEMO:
F1025. THAT'S LIFE - C to Db Pianotrak
key - C to Db - vocal range - A to Bb
Very lovely piano only arrangement of the classic Sinatra hit.

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THE ANNIVERSARY WALTZ key F 2:48
8 bar intro and vocal in at 16 seconds, vocal through, piano solo at 1:23, vocal back in at 1:55 with "let this be the anthem to our future years..", continue and tag the last line then finish.

MP3 DEMO:
F1556. THE ANNIVERSARY WALTZ - F
key - F - vocal range - F to G (optional A at the end tag)
Wonderful Trio arrangement of this classic standard, perfect for golden oldies and young at heart anniversaries!
Same arrangement as F1555 except a full tone lower.

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THE ANNIVERSARY WALTZ key G 2:48
8 bar intro and vocal in at 16 seconds, vocal through, piano solo at 1:23, vocal back in at 1:55 with "let this be the anthem to our future years..", continue and tag the last line then finish.

MP3 DEMO:
F1555. THE ANNIVERSARY WALTZ - G
key - G - vocal range - G to A (optional B at the end tag)
Wonderful Trio arrangement of this classic standard, perfect for golden oldies and young at heart anniversaries!

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THE BALLAD OF THE SAD YOUNG MEN key Ab 6:34
4 bar intro and vocal in at 19 seconds with "sing a song of sad young men.."..., continue through in that vein and similar tempo and vocal all the way, no solo and as long as you know the song well it should be an easy track to follow.

MP3 DEMO:
F1665. THE BALLAD OF THE SAD YOUNG MEN - Ab orchestral
key - Ab - vocal range - Eb to Bb
Gorgeous orchestral arrangement of this classic torch ballad and jazz standard, sung by Anita O Day, Roberta Flack, Kurt Elling, Boz Scaggs, Shirley Bassey, and many others.
Same arrangement as F1664 except a full tone lower.

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THE BALLAD OF THE SAD YOUNG MEN key Bb 6:34
4 bar intro and vocal in at 19 seconds with "sing a song of sad young men.."..., continue through in that vein and similar tempo and vocal all the way, no solo and as long as you know the song well it should be an easy track to follow.

MP3 DEMO:
F1664. THE BALLAD OF THE SAD YOUNG MEN - Bb orchestral
key - Bb - vocal range - F to C
Gorgeous orchestral arrangement of this classic torch ballad and jazz standard, sung by Anita O Day, Roberta Flack, Kurt Elling, Boz Scaggs, Shirley Bassey, and many others.

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THE BALLAD OF THE SAD YOUNG MEN key Bb 5:43
piano intro ; vocal thru all the way - no solo.
Easy to catch with a few ralls.

MP3 DEMO:
F585. THE BALLAD OF THE SAD YOUNG MEN - Pianotrak
key - Bb - vocal range - F to C (big range!)
Lovely song, covered by many great vocalists. Favourite versions are by Mark Murphy and Kurt Elling.
Easy to catch pianotrak - the intro verse is pretty rubato but then it keeps in a similar vein throughout.

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THE BEST IS YET TO COME key E (Ab back to E) 3:23
4 bar intro; vocal thru song and then back to "come the day you're mine.... I'm gonna teach you to fly..."; continue and finish.

MP3 DEMO:
F684. THE BEST IS YET TO COME - E
key - E (this version starts in E; changes to Ab; then back to E) - vocal range - E to A
Loosely based on a Stacey Kent album version; this arrangement doesn't have all the key changes that the Sinatra version has.

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THE BEST IS YET TO COME key F 2:45
4 bar intro ; vocal thru as per "Sinatra at the Sands" arrangement ; no solo and finish.

MP3 DEMO:
F389. THE BEST IS YET TO COME
key - F (A to F to F#) - vocal range - F to Bb
Awesome Realtrak arrangement ; based on the definitive Sinatra version ; of this wonderful standard.

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THE BEST THING FOR YOU key G 2:36
8 bar intro ; vocal thru twice ; short bass solo ; vocal back in at " every day.. to myself I say.." ; continue ; ending is " the best thing for you.... the best thing for you.... the best thing for you would be me!" and finish.

MP3 DEMO:
F527. THE BEST THING FOR YOU
key - G - vocal range - F# to A
Wonderful Irving Berlin gem in a cool Realtrak arrangement.

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THE BEST THINGS HAPPEN WHILE YOU'RE DANCING key Eb 2:10
4 bar intro and vocal in at 8 secs, continue thru, piano solo at 1:03, vocal back in at 1:35 with "even guys with two left feet....", continue thru and finish.

MP3 DEMO:
F1154. THE BEST THINGS HAPPEN WHILE YOU'RE DANCING
key - Eb - vocal range - G to G
Wonderful Irving Berlin song in a lightly swinging TRIO arrangement.

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THE BEST THINGS IN LIFE ARE FREE key F 3:20
8 bar intro and vocal in at 13 secs, vocal thru twice, short piano solo at 2:03, vocal back in at 2:31 with " the flowers in spring..", continue thru, tag the last line and finish.

MP3 DEMO:
F1036. THE BEST THINGS IN LIFE ARE FREE - F
key - F - vocal range - F to A
Great TRIO arrangement of this old standard, covered by all the greats. Same arrangement as F1035, a full tone lower.

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THE BEST THINGS IN LIFE ARE FREE key G 3:20
8 bar intro and vocal in at 13 secs, vocal thru twice, short piano solo at 2:03, vocal back in at 2:31 with " the flowers in spring..", continue thru, tag the last line and finish.

MP3 DEMO:
F1035. THE BEST THINGS IN LIFE ARE FREE - G
key - G - vocal range - G to B
Great TRIO arrangement of this old standard, covered by all the greats.

Price:
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THE BIRTH OF THE BLUES key Eb 2:56
8 bar intro, vocal in at 15 secs with "they heard the breeze......in the trees....", continue thru, piano solo at 1:24, vocal back in at 1:59 with "from a whippoorwill......", continue thru, tag the end repeat the line - "that the southland.... gave birth to the blues...." and finish.

MP3 DEMO:
F1075. THE BIRTH OF THE BLUES - Eb Trio
key - Eb - vocal range - G to G
Trio arrangement  - piano, acoustic guitar and bass - of this classic standard, without the verse and the longer end tag (OMIT "they nursed it.. and rehearsed it...."). Swings along nicely!

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THE BIRTH OF THE BLUES key F 2:56
8 bar intro, vocal in at 15 secs with "they heard the breeze......in the trees....", continue thru, piano solo at 1:24, vocal back in at 1:59 with "from a whippoorwill......", continue thru, tag the end repeat the line - "that the southland.... gave birth to the blues...." and finish.

MP3 DEMO:
F1076. THE BIRTH OF THE BLUES - F Trio
key - F - vocal range - A to A
Same arrangement as F1075, but a full tone higher.

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THE BIRTH OF THE BLUES version 1 key F 3:53
string/piano intro leading to colla voce piano verse; main song thru once; back to bridge and tag the end and finish.

MP3 DEMO:
F48. THE BIRTH OF THE BLUES version 1
key - F - vocal range - F to A
Original Livetrak arrangement, including verse. Popular old standard. Sammy Davis Jnr had a big hit with it although it's been covered by every major popular artist.

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THE BIRTH OF THE BLUES version 2 key F 4:02
string intro ; colla voce vocal thru ; tempo kicks in on " they heard the breeze..." ; continue ; no solo - back to " from a whipperwill..." ; continue ; tag the last line and add the reprise section and finish.

MP3 DEMO:
F49. THE BIRTH OF THE BLUES version 2
key - F - vocal range - F to A
Original Livetrak arrangement, an alternate arrangement from F48.

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THE BLACK HILLS OF DAKOTA key C 3:11
4 bar intro and vocal in at 11 seconds, vocal through the song, piano solo at 1:37, vocal back in at 2:17 with "and when i get that lonesome feeling..", continue through and finish.

MP3 DEMO:
F2012. THE BLACK HILLS OF DAKOTA - C
key - C - vocal range - G to G
Simple and effective Quartet arrangement of the Doris Day hit from the movie "Calamity Jane".
Same arrangement as F2011 except a full tone lower.

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THE BLACK HILLS OF DAKOTA key D 3:11
4 bar intro and vocal in at 11 seconds, vocal through the song, piano solo at 1:37, vocal back in at 2:17 with "and when i get that lonesome feeling..", continue through and finish.

MP3 DEMO:
F2011. THE BLACK HILLS OF DAKOTA - D
key - D - vocal range - A to A
Simple and effective Quartet arrangement of the Doris Day hit from the movie "Calamity Jane", original key.

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THE BOULEVARD OF BROKEN DREAMS key - Gm 3:03
4 bar intro/vocal pickup ; vocal thru ; harmonica solo over the 2nd "A" section ; vocal back in at " every evening you will find me...." ; continue ; tempo ralls and then just vocal and dramatic piano for " where gigolo and gigolette.... continue ; big vocal finish ; back into tempo and finish.

MP3 DEMO:
F455. THE BOULEVARD OF BROKEN DREAMS
key - Gm - vocal range - G to G (Bb optional top note)
Realtrak Latin arrangement of the old Tony Bennett hit. Also covered by Diana Krall and loads of others.

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THE BOY FROM IPANEMA key C 3:15
8 bar intro ; vocal thru ; jazz gtr solo ; vocal back in at " oh! ;but I watch him so sadly..." ; continue ; repeat last line and ad lib / finish.

MP3 DEMO:
F388. THE BOY FROM IPANEMA
key - C - vocal range - F to G (suit lower female range)
Fab new Realtrak bossa arrangement of this popular Jobim gem!

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THE BOY FROM IPANEMA key C 3:11
4 bar intro and vocal in at 8 secs, vocal through, piano solo at 1:28, vocal back in at 2:00 with "Oh.. but i watch him so sadly...", continue through, at 2:47 repeat the last line, ad libs and finish.

MP3 DEMO:
F1306. THE BOY FROM IPANEMA - C Pianotrak
key - C - vocal range - F to G
Piano only arrangement of the song that sparked the Bossa Nova revolution!

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THE BOY FROM...... key F 3:24
intro and vocal in at 29secs; continue vocal all the way; once thru.

MP3 DEMO:
F768. THE BOY FROM.........
key - F - vocal range - similar to The Girl From Ipanema - NOTE! This is not THE GIRL FROM IPANEMA
Here's a wonderful song; written by Mary Rodgers and Stephen Sondheim. It's essentially a parody on The Girl From Ipanema with a similar range and style. Very funny and perfect as a Cabaret song. Nice Pianotrak arrangement.

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THE BOY NEXT DOOR key F 3:13
8 bar intro; vocal thru; short STRINGS solo; vocal back in at "doesn't try to please me......doesn't even tease me"; tag the last line; rall and finish.

MP3 DEMO:
F720. THE BOY NEXT DOOR
key - F - vocal range - G to A
Great waltz from the movie Meet Me In St Louis and sung by Judy Garland. Covered by lots of great singers - "The Girl Next Door" for male singers! Lovely ORCHESTRAL Livetrak arrangement.

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THE CANDY MAN key G to Ab 2:57
4 bar intro and vocal in at 7 seconds, continue through as per the Sammy Davis Jnr version, key change included, from 2:43 sing "the candy man can 'cause he mixes it with love and makes the world taste good" and finish.

MP3 DEMO:
F1787. THE CANDY MAN - G to Ab
key - G to Ab - vocal range - D to A
Wonderful song in a similar arrangement to the original Sammy Davis Jnr version, without any backing vocals.
Same arrangement as M2010 except a full tone higher. Suitable for lower female ranges.

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THE CARIOCA key Cm & C 2:33
8 bar intro ; vocal pickup and thru twice ; latin piano solo ; vocal back in at " you'll dream... of the new Carioca.."; continue ; and finish.

MP3 DEMO:
F474. THE CARIOCA
key - Cm & C - vocal range - G to A
Superb Latin version of this great lesser known gem.
Singers include Fred Astaire,  Mel Torme and Carmen McRae.

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THE DAYS OF WINE AND ROSES key Bb 3:52
4 bar intro and vocal in at 13 seconds, vocal through, piano solo at 1:58, vocal back in at 2:49 with "the lonely night discloses..", continue through and finish.

MP3 DEMOS:
F1998. THE DAYS OF WINE AND ROSES - Bb Quartet
key - Bb - vocal range - F to A
Wonderful Quartet arrangement of this sublime classic standard in a perfect tempo that's suitable for a classy and expressive vocal. Same arrangement as F1997 except a full tone lower.

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THE DAYS OF WINES & ROSES key C 2:36
4 bar intro ; vocal thru ; solo ; vocal back in at " the lonely night discloses..." ; continue ; repeat '' the days of wine and roses" twice and then the full last line and finish.

MP3 DEMO:
F182. THE DAYS OF WINE AND ROSES - C
key - C - vocal range - G to B
Wonderful Henry Mancini standard which was a big hit for Tony Bennett.

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THE DAYS OF WINE AND ROSES key C 3:52
4 bar intro and vocal in at 13 seconds, vocal through, piano solo at 1:58, vocal back in at 2:49 with "the lonely night discloses..", continue through and finish.

MP3 DEMOS:
F1997. THE DAYS OF WINE AND ROSES - C Quartet
key - C - vocal range - G to B
Wonderful Quartet arrangement of this sublime classic standard in a perfect tempo that's suitable for a classy and expressive vocal.

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THE DAYS OF WINE AND ROSES key Bb 3:36
Orchestral intro leading to 4 bar intro ; vocal thru ; Orchestra solo ; vocal back in at "thru the meadow land, toward a closing door... " ; continue ; no tag - and finish.

MP3 DEMO:
F580. THE DAYS OF WINES AND ROSES Bb
key - Bb - vocal range - F to A
Absolutely gorgeous and dreamy Latin arrangement of this beautiful Mancini tune.

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THE DOCK OF THE BAY key Ab 3:25
4 bar intro and vocal in at 10 seconds, vocal through - no solo - at the vocal goes back to "looks like... nothing's gonna change.....", continue through and finish - no "whistling" section, just a classy ending.

MP3 DEMO:
F1833. THE DOCK OF THE BAY - Ab Trio
key - Ab - vocal range - F to Ab
Super classy Trio plus percussion arrangement of the Otis Reading hit with subtle chord substitutions thrown in. A great feel and groove, nice bright punchy piano and bass and a great song.
Same arrangement as F1832 except a full tone lower.

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THE DOCK OF THE BAY key Bb 3:25
4 bar intro and vocal in at 10 seconds, vocal through - no solo - at the vocal goes back to "looks like... nothing's gonna change....", continue through and finish - no "whistling" section, just a classy ending.

MP3 DEMO:
F1832. THE DOCK OF THE BAY - Bb Trio
key - Bb - vocal range - G to Bb
Super classy Trio plus percussion arrangement of the Otis Reading hit with subtle chord substitutions thrown in. A great feel and groove, nice bright punchy piano and bass and a great song.

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THE END OF A LOVE AFFAIR key Bb 4:51
4 bar intro and vocal in at 13 seconds, vocal through, short piano solo at 2:24, vocal back in at 2:48 with "so I talk just a little too much..", continue through and finish.

MP3 DEMO:
F1862. THE END OF A LOVE AFFAIR - Bb
key - Bb - vocal range - Eb to G
Wonderful standard in a dreamy Trio arrangement.

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THE END OF A LOVE AFFAIR key C 4:51
4 bar intro and vocal in at 13 seconds, vocal through, short piano solo at 2:24, vocal back in at 2:48 with "so I talk just a little too much..", continue through and finish.

MP3 DEMO:
F1863. THE END OF A LOVE AFFAIR - C
key - C - vocal range - F to A
Wonderful standard in a dreamy Trio arrangement. Same arrangement as F1862 except a full tone higher.

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THE END OF A LOVE AFFAIR key Db 3:28
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:11 the vocal goes back to "do they know.. do they care".., continue through and finish.

MP3 DEMO:
F2028. THE END OF A LOVE AFFAIR - Db Trio
key - Db - vocal range - Gb to Bb (suitable for higher female ranges & lower male ranges)
Superb Trio arrangement of this wonderful torch song, covered by all the greats. This arrangement is more "looking forward" than "moping around..". Have a listen... Same arrangement as F2027 except a full tone lower.

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THE END OF A LOVE AFFAIR key Eb 3:28
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:11 the vocal goes back to "do they know.. do they care".., continue through and finish.

MP3 DEMO:
F2027. THE END OF A LOVE AFFAIR - Eb Trio
key - Eb - vocal range - Ab to C (suitable for higher female ranges & lower male ranges)
Superb Trio arrangement of this wonderful torch song, covered by all the greats. This arrangement is more "looking forward" than "moping around..". Have a listen...

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THE END OF THE WORLD key Bb 3:54
4 bar intro and vocal in at 16 secs, vocal thru - no solo - back to "I wake up in the morning and I wonder...." at 2:24, continue thru, at 3:28 sing again "it ended when you said goodbye......" and finish.

MP3 DEMO:
F873. THE END OF THE WORLD
key - Bb - vocal range - G to A
Jazz Trio arrangement of the Skeeter Davis hit.

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THE FIRST TIME EVER I SAW YOUR FACE key C 5:12
4 bar intro, then as per the Roberta Flack version.

MP3 DEMO:
F499. THE FIRST TIME EVER I SAW YOUR FACE - C
key - C - vocal range - G to A
This Realtrak is based on the lovely Roberta Flack version ; with a 4 bar intro.
 

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THE FOLKS WHO LIVE ON THE HILL key F 4:15
4 bar intro ; vocal thru (no tag first time thru) - no solo - back to the bridge ;continue and include the tag ; rall the last line and finish.

MP3 DEMO:
F258. THE FOLKS WHO LIVE ON THE HILL
key - F - vocal range - F to A
Sublime ballad! Singers include Peggy Lee ; Nancy Wilson and Mel Torme. Lovely Realtrak Trio.

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THE FOLKS WHO LIVE ON THE HILL key Eb 3:24
4 bar intro and vocal in at 12 seconds, vocal through the song, including the end tag - no solo - at 2:09 the vocal goes to "our veranda will command a view of meadows green...", continue through and finish.

MP3 DEMO:
F2235. THE FOLKS WHO LIVE ON THE HILL - Eb Trio
key - Eb - the vocal range - Eb to G
Gorgeous Trio arrangement of this superb Jerome Kern and Oscar Hammerstein II song, covered by all the best singers and musicians of the day, probably the most popular vocal version was by Peggy Lee. Same arrangement as F2234 except a full tone lower.

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THE FOLKS WHO LIVE ON THE HILL key F 4:41
Piano intro and vocal in at 25 secs, vocal thru and include the end tag, no solo - vocal back to "our veranda will command a view..." at 3:02, continue thru (more expressively paced), rall the last line and finish.

MP3 DEMO:
F980. THE FOLKS WHO LIVE ON THE HILL - F Pianotrak
key - F - vocal range - F to A
Stunning piano arrangement of this beautiful Jerome Kern song, easy to follow and beautifully paced.
Favourite versions are by Peggy Lee and Mel Torme.

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THE FOLKS WHO LIVE ON THE HILL key F 3:24
4 bar intro and vocal in at 12 seconds, vocal through the song, including the end tag - no solo - at 2:09 the vocal goes to "our veranda will command a view of meadows green...", continue through and finish.

MP3 DEMO:
F2234. THE FOLKS WHO LIVE ON THE HILL - F Trio
key - F - the vocal range - F to A
Gorgeous Trio arrangement of this superb Jerome Kern and Oscar Hammerstein II song, covered by all the best singers and musicians of the day, probably the most popular vocal version was by Peggy Lee.

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THE FOLKS WHO LIVE ON THE HILL key G 3:24
4 bar intro and vocal in at 12 seconds, vocal through the song, including the end tag - no solo - at 2:09 the vocal goes to "our veranda will command a view of meadows green...", continue through and finish.

MP3 DEMO:
F2236. THE FOLKS WHO LIVE ON THE HILL - G Trio
key - G - the vocal range - G to B
Gorgeous Trio arrangement of this superb Jerome Kern and Oscar Hammerstein II song, covered by all the best singers and musicians of the day, probably the most popular vocal version was by Peggy Lee. Same arrangement as F2234 except a full tone higher.

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THE GENTLE RAIN key Em 3:25
4 bar intro; vocal thru; short piano solo; vocal back in at "don't be afraid.....I've a hand...."; continue; no tag and finish.

MP3 DEMO:
F670. THE GENTLE RAIN - Em
key - Em - vocal range - F# to A
Cool Bossa gem and covered by Tony Bennett; Astrud Gilberto; Luiz Bonfa and all the great musicians.
Great Trio and percussion version.
 

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THE GENTLEMAN IS A DOPE key Fm 4:41
4 bar intro (similar riff to the Clooney version), vocal thru as per, (leaving out the tag), piano solo over the first A section, vocal back in on the second A section and continue into the bridge, continue thru and include the end tag, outro and finish.

MP3 DEMO:
F964. THE GENTLEMAN IS A DOPE
key - Fm - vocal range - E to G
Cool trio arrangement, loosely based on a Rosemary Clooney version, same key, of this quirky Rogers and Hammerstein gem.

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THE GIFT (RECADO BOSSA NOVA) key Cm 3:08
8 bar intro and vocal in at 12 seconds, continue through the song, piano solo from 1:31, at 1:54 vocal back in at the 2nd "A" section - lyrically it is "the gift of love.. is a precious thing..", continue through, at 2:45 repeat the last line "the gift of love is the greatest gift of all.."and finish.

MP3 DEMO:
F2005. THE GIFT (RECADO BOSSA NOVA) - Cm
key - Cm - vocal range - Ab to Bb
Wonderful bossa nova, popular with musicians, and with a great lyric by Paul Francis Webster. The Eydie Gorme version is so good (such a great singer), but it's been covered by artists like The Hilos and many others.

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THE GLORY OF LOVE key C to Db 3:40
4 bar intro ; vocal thru ; solo ; vocal back in at " as long as there's the two of us .." ; key change for last verse and tag the ending/lengthen the very last line and finish.

MP3 DEMO:
F126. THE GLORY OF LOVE
key - C to Db - vocal range - G to A
Classy old standard in a livetrak arrangement.
Original Livetrak arrangement.
 

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THE GOOD LIFE key C 3:35
4 bar intro and vocal in at 14 seconds and continue through - no solo - at 2:12 go back to "it's the good life, to be free and explore the unknown....", continue through and slow the last line down and finish.

MP3 DEMO:
F1815. THE GOOD LIFE - C Trio
key - C - vocal range - E to G (suit lower female ranges)
Gorgeous Trio arrangement of a wonderful song that scored a massive hit for Tony Bennett, and been covered by so many wonderful singers and musicians.

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THE GOOD LIFE key D 3:35
4 bar intro and vocal in at 14 seconds and continue through - no solo - at 2:12 go back to "it's the good life, to be free and explore the unknown....", continue through and slow the last line down and finish.

MP3 DEMO:
F1816. THE GOOD LIFE - D Trio
key - D - vocal range - F# to A (suit lower female ranges)
Gorgeous Trio arrangement of a wonderful song that scored a massive hit for Tony Bennett, and been covered by so many wonderful singers and musicians.

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THE GOOD LIFE key Db 4:13
4 bar intro and vocal in at 8 seconds, vocal through twice, piano solo at 2:34 and vocal back in at 3:10 with "it's the good life.....to be free and explore the unknown...", continue and tag the last line and finish with the intro.

MP3 DEMO:
F2387. THE GOOD LIFE - Db Quartet
key - Db - vocal range - F to Ab
The wonderful song from Sacha Distel and Jack Reardon in a Quartet arrangement and at a great tempo.
Same arrangement as F2386 except a full tone lower.

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THE GOOD LIFE key Eb 3:42
string intro - vocal pickup & into tempo ; vocal thru ; solo ; vocal back in at " you won't really..fall in love.." ; continue ; rall the last line and finish.

MP3 DEMO:
F254. THE GOOD LIFE - Eb
key - Eb - vocal range - G to Bb
A favourite song of mine! Wonderful Tony Bennett hit! Other singers include Bobby Darin. Original Livetrak arrangement.

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THE GOOD LIFE key Eb 4:13
4 bar intro and vocal in at 8 seconds, vocal through twice, piano solo at 2:34 and vocal back in at 3:10 with "it's the good life.....to be free and explore the unknown...", continue and tag the last line and finish with the intro.

MP3 DEMO:
F2386. THE GOOD LIFE - Eb Quartet
key - Eb - vocal range - G to Bb
The wonderful song from Sacha Distel and Jack Reardon in a Quartet arrangement and at a great tempo.

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THE GYPSY key G 3:37
4 bar intro ; vocal thru ; mute trumpet solo ; vocal in at " she looked in ...." ; continue ; no tag and finish.

MP3 DEMO:
F223. THE GYPSY
key - G - vocal range - E to A
Wonderful old standard given a Realtrak arrangement. Lovely!

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THE GYPSY key F 3:06
4 bar intro and vocal in at 13 seconds, vocal through - no solo - at 1:54 the vocal goes back to "she looked in my hand and told me...", continue through and finish.

MP3 DEMO:
F2238. THE GYPSY - F Trio
key - F - vocal range - D to G
Wonderful old standard that scored hits for Dinah Shore, The Ink spots, Dorothy Squires in the UK and been covered by all the best singers and musicians of the day. Here's a very lovely fresh Trio arrangement. Same arrangement as F2237 except a full tone lower.

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THE GYPSY key G 3:06
4 bar intro and vocal in at 13 seconds, vocal through - no solo - at 1:54 the vocal goes back to "she looked in my hand and told me...", continue through and finish.

MP3 DEMO:
F2237. THE GYPSY - G Trio
key - G - vocal range - E to A
Wonderful old standard that scored hits for Dinah Shore, The Ink spots, Dorothy Squires in the UK and been covered by all the best singers and musicians of the day. Here's a very lovely fresh Trio arrangement.

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THE IMPOSSIBLE DREAM key D 3:52
8 bar intro and vocal in at 13 seconds, vocal through in tempo - no solo - at 2:18 the vocal goes back to "this is my quest.. to follow that star..", at 3:25 extend "to ...reach......... the unreachable............star.................." and finish.

MP3 DEMO:
F1732. THE IMPOSSIBLE DREAM - D swing
key - D - vocal range - E to A
Wonderful Trio arrangement of the big song from "Man From La Mancha", with a wonderful bassline and at a great tempo.

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THE IMPOSSIBLE DREAM key E 3:52
8 bar intro and vocal in at 13 seconds, vocal through in tempo - no solo - at 2:18 the vocal goes back to "this is my quest.. to follow that star..", at 3:25 extend "to ...reach......... the unreachable............star.................." and finish.

MP3 DEMO:
F1733. THE IMPOSSIBLE DREAM - E swing
key - E - vocal range - F# to B
Wonderful trio arrangement of the big song from "Man From La Mancha", with a wonderful bassline and at a great tempo. Same arrangement as F1732 except a full tone higher.

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THE IMPOSSIBLE DREAM key Eb to E 4:40
2 bar intro ; vocal thru ; no solo - back to the bridge-"this is my quest..." ; continue ; longer pause at "when I'm laid to my rest..." ; key change ; last verse ; continue ; for the last line -hold onto "reach---------------------------- the unreachable star----------------" & finish.

MP3 DEMO:
F216. THE IMPOSSIBLE DREAM
key - Eb to E - vocal range - F to Ab (B optional top note).
Nice Realtrak trio + string quartet arrangement of this lovely showtune.

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THE IMPOSSIBLE DREAM 9/8 key Db 3:52
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:10 the vocal goes back to "this is my quest....to follow that star..", continue through and at 3:14 ("to reach.......") - stretch out and take your time and at 3:21 should be "unreachable".... and at 3:27 is your last word "star...", and let the track finish. It all falls into place perfectly and the track stays in time right until the end.

MP3 DEMO:
F1612. THE IMPOSSIBLE DREAM 9/8 - Db orchestral
key - Db - vocal range - F to Gb, optional top note Ab
Really stunning arrangement of the classic big song from the musical "Man From La Mancha". In the original 9/8 time signature, it really falls into place so easily and the orchestration is sublime - piano, harp and vibraphone taking the arpeggios and fills and strings and a gorgeous choir adding the icing on the cake.
Same arrangement as F1611 except a full tone lower.

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THE IMPOSSIBLE DREAM 9/8 Pianotrak key Db 3:48
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:09 the vocal goes back to "this is my quest....to follow that star..", continue through and at 3:12 ("to reach.......") - stretch out and take your time and at 3:18 should be "unreachable".... and at 3:24 is your last word "star...", and let the track finish. It all falls into place perfectly and the track stays in time right until the end.

MP3 DEMO:
F1614. THE IMPOSSIBLE DREAM 9/8 - Db Pianotrak
key - Db - vocal range - F to Gb (optional Ab top note)
Stunning piano only arrangement of the big song from the musical "Man From La Mancha", in the original 9/8 time signature. It all falls easily into place for any quality vocalist. Same arrangement as F1613 except a full tone lower.

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THE IMPOSSIBLE DREAM 9/8 key Eb 3:52
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:10 the vocal goes back to "this is my quest....to follow that star..", continue through and at 3:14 ("to reach.......") - stretch out and take your time and at 3:21 should be "unreachable".... and at 3:27 is your last word "star...", and let the track finish. It all falls into place perfectly and the track stays in time right until the end.

MP3 DEMO:
F1611. THE IMPOSSIBLE DREAM 9/8 - Eb orchestral
key - Eb - vocal range - G to Ab, optional top note Bb
Really stunning arrangement of the classic big song from the musical "Man From La Mancha". In the original 9/8 time signature, it really falls into place so easily and the orchestration is sublime - piano, harp and vibraphone taking the arpeggios and fills and strings and a gorgeous choir adding the icing on the cake.

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THE IMPOSSIBLE DREAM 9/8 Pianotrak key Eb 3:48
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:09 the vocal goes back to "this is my quest....to follow that star..", continue through and at 3:12 ("to reach.......") - stretch out and take your time and at 3:18 should be "unreachable".... and at 3:24 is your last word "star...", and let the track finish. It all falls into place perfectly and the track stays in time right until the end.

MP3 DEMO:
F1613. THE IMPOSSIBLE DREAM 9/8 - Eb Pianotrak
key - Eb - vocal range - G to Ab (optional Bb top note)
Stunning piano only arrangement of the big song from the musical "Man From La Mancha", in the original 9/8 time signature. It all falls easily into place for any quality vocalist.

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THE ISLAND key - Am to Bbm to Bm 3:51
8 bar intro ; vocal thru all the way - no solo - outro and finish.

MP3 DEMO:
F734. THE ISLAND
key - Am to Bbm to Bm - vocal range - G to A
A collaboration of incredible talents - the music of Ivan Lins and the Bergmans providing the English lyric to this wonderful classy gem. This is a really great orchestral arrangement ; slower in tempo to set the mood better, I feel.
You have the check out the Jane Monheit version - incredibly slow and she sings it beautifully in the native language; but the orchestration is simply wonderful!!

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THE LADY IS A TRAMP key Eb 3:40
4 bar intro and vocal in at 16 seconds, vocal through twice - no solo, from 3:06 sing "hates California, it's cold and it's damp... that's why the lady... that's why the lady.. that's why the lady is a tramp" and finish.

MP3 DEMO:
F1601. THE LADY IS A TRAMP - Eb ballad
key - Eb - vocal range - D to F (optional G top note)
Gorgeous ballad arrangement of the standard everybody knows! A ballad version is something different and a very lovely Trio arrangement in an easy manageable female key for a more intimate take on this old Sinatra classic, the 2nd time through can be a bit more expressive, opening up more.. Same arrangement as F1600 except a full tone lower.

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THE LADY IS A TRAMP key F 2:43
8 bar intro; vocal thru twice - no solo - to finish sing "that's why the lady.........that's why the lady.......that's why the lady is a tramp!

MP3 DEMO:
F700. THE LADY IS A TRAMP - F
key - F - vocal range - E to G
Cool trio arrangement of the classic standard; in an easy female key.
 

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THE LADY IS A TRAMP key F 3:40
4 bar intro and vocal in at 16 seconds, vocal through twice - no solo, from 3:06 sing "hates California, it's cold and it's damp... that's why the lady... that's why the lady.. that's why the lady is a tramp" and finish.

MP3 DEMO:
F1600. THE LADY IS A TRAMP - F ballad
key - F - vocal range - E to G (optional A top note)
Gorgeous ballad arrangement of the standard everybody knows! A ballad version is something different and a very lovely Trio arrangement in an easy manageable female key for a more intimate take on this old Sinatra classic, the 2nd time through can be a bit more expressive, opening up more..

Price:
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THE LADY IS A TRAMP key G/Ab 2:40
8 bar intro ; vocal thru all the way - no solo - end as per the Sinatra version.

MP3 DEMO:
F345. THE LADY IS A TRAMP - G to Ab
key - G to Ab - vocal range - G to Bb
Great Realtrak Big Band version of this popular standard. Based on the definitive Sinatra arrangement.

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THE LATE LATE SHOW key B 2:40
4 bar intro and vocal in at 8 secs, continue thru, short acoustic guitar solo at 1:07, vocal back in at 1:21 with "it's so cosy in the park tonight..", continue thru and finish as per the Dakota Staton version.

MP3 DEMO:
F2102. THE LATE LATE SHOW - B
key - B - vocal range - G to A
Loosely based on the Dakota Staton version from her classic Capitol album of the same title. This arrangement is a small group quartet consisting of piano, acoustic guitar, upright and drums. Same arrangement as F1313 except a full tone lower.

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THE LATE LATE SHOW key Db 2:40
4 bar intro and vocal in at 8 secs, continue thru, short acoustic guitar solo at 1:07, vocal back in at 1:21 with "it's so cosy in the park tonight..", continue thru and finish as per the Dakota Staton version.

MP3 DEMO:
F1313. THE LATE LATE SHOW - Db
key - Db - vocal range - A to B (Dakota Staton version range A to E)
Loosely based on the Dakota Staton version from her classic Capitol album of the same title. This arrangement is a small group quartet consisting of piano, acoustic guitar, upright and drums.

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THE LOOK OF LOVE - key Dm 4:03
4 bar intro, vocal thru, short hammond solo, back in at "the look of love is saying so much...." continue and end.

MP3 DEMO:
F56. THE LOOK OF LOVE
key - Dm - vocal range - A to C
An original Livetrak arrangement of this wonderful Bacharach and Hal David gem. These two guys brought a touch of class to the 60's.

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THE LOOK OF LOVE key Am 3:56
8 bar intro and vocal in at 19 seconds, vocal through, piano solo at 2:28, vocal back in at 3:09 with "I can hardly wait to hold you...", continue through to the "don't ever go..." end section and finish.

MP3 DEMO:
F1835. THE LOOK OF LOVE - Am Trio
key - Am - vocal range - (E) A to A
Wonderful Trio plus percussion arrangement of this exceptional Burt Bacharach and Hal David gem. Same arrangement as F1834 except a full tone higher.

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THE LOOK OF LOVE key Cm 3:45
8 bar intro and vocal in at 17 seconds, vocal through including a 6 bar "don't ever go.." section (basically an ad lib) , short 8 bar piano solo at 2:22, vocal back in at 2:40 with "be mine tonight....let this be just the start.." continue and add the 6 bar end tag and finish.

MP3 DEMO:
F1845. THE LOOK OF LOVE - Cm swing
key - Cm - vocal range - G to Bb
Superb Trio arrangement of the Burt Bacharah and Hal David classic, lightly swinging and with phrasing that keeps to the song form plus some really classy substitutions thrown in. Same arrangement as M2110 except a full tone lower.

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THE LOOK OF LOVE key Gm 3:56
8 bar intro and vocal in at 19 seconds, vocal through, piano solo at 2:28, vocal back in at 3:09 with "I can hardly wait to hold you...", continue through to the "don't ever go..." end section and finish.

MP3 DEMO:
F1834. THE LOOK OF LOVE - Gm Trio
key - Gm - vocal range - (D) G to G
Wonderful Trio plus percussion arrangement of this exceptional Burt Bacharach and Hal David gem.

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THE LOVE OF A BOY key Bb 3:03
Same form as the original Julie Rogers version, in the original key.

MP3 DEMO:
F1370. THE LOVE OF A BOY
key - Bb - vocal range - F to C
Big hit in 1964 for Julie Rogers with this arrangement keeping pretty close to her version.

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THE MAN I LOVE key Ab 3:20
8 bar intro ; vocal thru ; solo ; vocal back in at " maybe I shall meet him..." ; continue ; repeat the last line/ad lib and finish.

MP3 DEMO:
F221. THE MAN I LOVE
key - Ab - vocal range - Ab to Ab
Super cool Realtrak trio version of this great Gershwin classic. This arrangement is based on a live version by Ella Fitzgerald that was so groovy!!

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THE MAN I LOVE key A 4:01
4 bar intro and vocal in at 20 seconds, vocal through - no solo - at 2:36 the vocal goes back to "maybe I shall meet him one day..", continue through, slow the last line down and finish.

MP3 DEMO:
F1949. THE MAN I LOVE - A Trio
key - A - vocal range - A to A
Gorgeous Trio reworking of the Gershwins' classic, with some subtle chord substitutions thrown in.
Same arrangement as F1948 except a full tone higher.

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THE MAN I LOVE key G 4:01
4 bar intro and vocal in at 20 seconds, vocal through - no solo - at 2:36 the vocal goes back to "maybe I shall meet him one day..", continue through, slow the last line down and finish.

MP3 DEMO:
F1948. THE MAN I LOVE - G Trio
key - G - vocal range - G to G
Gorgeous Trio reworking of the Gershwins' classic, with some subtle chord substitutions thrown in.

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THE MAN I LOVE key Ab 4:03
piano intro into tempo and vocal in ; continue - no solo - vocal back to "maybe I shall meet him Sunday, maybe Monday, maybe not..." ; continue and finish.

MP3 DEMO:
F568. THE MAN I LOVE Ab ballad
key - Ab - vocal range - Ab to Ab
Wonderful Gershwin gem ; this time in a dreamy slow ballad arrangement with cool chord changes. Check out the Carmen McRae version from the album "Can't Hide Love" - sublime!

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THE MAN THAT GOT AWAY key Bb 4:36
4 bar intro and vocal in at 13 secs, vocal thru - no solo - vocal back to " good riddance goodbye....." at 3:05, continue thru, rall the last line and finish.

MP3 DEMO:
F1212. THE MAN THAT GOT AWAY
key - Bb - vocal range - F to A
Lighlty swinging TRIO arrangement of this Harold Arlen gem that became synonymous with Judy Garland.

Price:
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THE MAN WITH THE HORN key Ab 4:16
same key and form as the Anita O Day version.
Available with the sax removed.

MP3 DEMO:
F818. THE MAN WITH THE HORN
key - Ab - vocal range - Eb to Bb
Same key and form as the Anita O Day version, although a little slower. Trio arrangement with sax obligatos.
Also available with the sax removed.

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