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Female Gigsville Backing Track Downloads

FEMALE general, pop, soul, MOR and easy listening tracks in Alphabetical order or use the Search box.

Female Gigsville Backing Track Downloads
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WALK ON BY key Db (first chord and implied key is Fm) 2:50
4 bar intro, vocal thru as per original form - ad lib ending and finish.

MP3 DEMO:
GF18. WALK ON BY
key - Db - vocal range - F to Bb
Fantastic new version of the Hal David and Burt Bacharach gem.

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WASN'T IT GOOD key C 4:36
5 bar intro and vocal in at 20 seconds, continue through as per the original Tina Arena album version, at the very end (3:36) the track goes through the 4 bar groove section 3 times and finishes on Am.

MP3 DEMO:
GF307. WASN'T IT GOOD - C Pianotrak
key - C - range - G to C
Wonderful ballad from Tina Arena's wonderful 1994 Don't Ask album, really gorgeous song and it works so well as a piano only arrangement. Same arrangement as GF306 except a full tone lower.

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WASN'T IT GOOD key D 4:36
5 bar intro and vocal in at 20 seconds, continue through as per the original Tina Arena album version, at the very end (3:36) the track goes through the 4 bar groove section 3 times and finishes on Bm.

MP3 DEMO:
GF306. WASN'T IT GOOD - D Pianotrak
key - D - range - A to D
Wonderful ballad from Tina Arena's wonderful 1994 Don't Ask album, really gorgeous song and it works so well as a piano only arrangement. Original key.

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WATERS OF MARCH key B 3:57
Cover version of the classic Sergio Mendes hit.

MP3 DEMO:
GF98. WATERS OF MARCH
key - B - vocal range - B to B
Cover arrangement of the classic Sergio Mendes tune. This version is from the "Brasil '88" album.

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WE CAN BE KIND key A to Bb 4:42
8 bar intro and vocal in at 19 seconds, continue through as per the Nancy LaMott form and keys.

MP3 DEMO:
GF374. WE CAN BE KIND - A to Bb Piano
key - A to Bb - vocal range - F# to C
Gorgeous song from David Friedman, with a superb version by Nancy LaMott.
Here's a wonderful piano only arrangement in the LaMott keys, key change included.

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WE'RE ALL ALONE key A 3:30
2 bar intro and vocal in at 9 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus from 2:08 with the tag section ("all's forgotten now... my love..."), repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

GF236. WE'RE ALL ALONE - A
key - A - vocal range - (optional E) A to C#
Gorgeous orchestral arrangement of the classic Boz Scaggs song, big hit for him and for Rita Coolidge.
Same arrangement as GF235 except a full tone higher.

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WE'RE ALL ALONE key A 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF234. WE'RE ALL ALONE - A Pianotrak
key - A - vocal range - (optional E) A to C#
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement.
Same arrangement as GF232 except a full tone higher.

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WE'RE ALL ALONE key F 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF233. WE'RE ALL ALONE - F Pianotrak
key - F - vocal range - (optional C) F to A
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement.
Same arrangement as GF232 except a full tone lower.

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WE'RE ALL ALONE key G 3:30
2 bar intro and vocal in at 9 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus from 2:08 with the tag section ("all's forgotten now... my love..."), repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

GF235. WE'RE ALL ALONE - G
key - G - vocal range - (optional D) G to B
Gorgeous orchestral arrangement of the classic Boz Scaggs song, big hit for him and for Rita Coolidge.
 

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WE'RE ALL ALONE key G 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF232. WE'RE ALL ALONE - G Pianotrak
key - G - vocal range - (optiona D) G to B
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement in the original Rita Coolidge key.

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WE'VE GOT TONIGHT key Bb 4:59
4 bar intro, vocal in at 15 seconds, continue through as per the original Bob Seger form.

MP3 DEMO:
GF426. WE'VE GOT TONIGHT - Bb
key - Bb - vocal range - F to Ab
Superb 2022 arrangement with the "band" right in with the vocal. Sticks to the original Seger form. Same arrangement as GF425 except a full tone lower.

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WE'VE GOT TONIGHT key C 4:33
Same form as the original Bob Seger version, in a female key.

MP3 DEMO:
GF103. WE'VE GOT TONIGHT - C
key - C - vocal range - G to Bb
Great song that scored a massive hit for Bob Seger,  Kenny Rodgers and Sheena Easton and a few others.
This cool LIVETRAK arrangement demo starts as the whole "band" kicks in....

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WE'VE GOT TONIGHT key C 4:59
4 bar intro, vocal in at 15 seconds, continue through as per the original Bob Seger form.

MP3 DEMO:
GF425. WE'VE GOT TONIGHT - C
key - C - vocal range - G to Bb
Superb 2022 arrangement with the "band" right in with the vocal. Sticks to the original Seger form.

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WHAT I'VE GOT IN MIND key Eb 2:52
Based on the original Billie Jo Spears version form.

MP3 DEMO:
GF357. WHAT I'VE GOT IN MIND - Eb
key - Eb - vocal range - Eb to Ab
Classic country hit for Billie Jo Spears in 1976. Same arrangement as GF356 except a full tone lower.

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WHAT I'VE GOT IN MIND key F 2:52
Based on the original Billie Jo Spears version form and same key.

MP3 DEMO:
GF356. WHAT I'VE GOT IN MIND - F
key - F - vocal range - F to Bb
Classic country hit for Billie Jo Spears in 1976. Based on the original version.

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WHAT'S GOING ON key G 3:58
8 bar intro and vocal in at 21 secs, continue thru, synth solo at 1:51, vocal back in at 2:34 with "mother mother, everybody thinks we're wrong....", continue thru - at 3:22 4 times "what's going on" and finish.

MP3 DEMO:
GF178. WHAT'S GOING ON - G
key - G - vocal range - G to B
Exceptional 80's swing funk feel to this new uber-cool arrangement of the classic Marvin Gaye song!

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WHEN YOUR LIFE WAS LOW key A 5:38
Same form, feel and tempo as the LaLa Hathaway and Joe Sample version.

MP3 DEMO:
GF136. WHEN YOUR LIFE WAS LOW
key - A (original key) - vocal range - F# to B
Wonderful ballad, this version is based on the wonderful LaLa Hathaway and Joe Sample version, from their album "The Song Lives On". A very favourite song of mine!

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WHENEVER YOU COME AROUND key B 4:12
Same form as the Vince Gill version, in a female key.

MP3 DEMO:
GF104. WHENEVER YOU COME AROUND - B
key - B - range - F# to G#
Great song from Vince Gill, in a fresh arrangement plus light strings.

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WHERE DO BROKEN HEARTS GO key C to Db 4:49
3 bar intro and vocal in at 12 seconds, vocal through as per the Whitney Houston form (key change after the bridge section).

MP3 DEMO:
GF330. WHERE DO BROKEN HEARTS GO - C Pianotrak
key - C to Db - range - G to C
Gorgeous piano only arrangement of the Whitney Houston ballad from her second album.
Same arrangement as GF329 except a full tone lower.

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WHERE DO BROKEN HEARTS GO key D to Eb 4:49
3 bar intro and vocal in at 12 seconds, vocal through as per the Whitney Houston original keys (key change after the bridge section) and form.

MP3 DEMO:
GF329. WHERE DO BROKEN HEARTS GO - D Pianotrak
key - D to Eb - range - A to D
Gorgeous piano only arrangement of the Whitney Houston ballad from her second album, in the original keys.

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WHERE DO BROKEN HEARTS GO? key D to Eb 4:25
format same as per original except it's all uptempo!!!

MP3 DEMO:
GF58. WHERE DO BROKEN HEARTS GO?
key - D to Eb ( cover key) - vocal range - A to D (option Eb)
Fabulous and fresh uptempo arrangement of the classic Whitney Houston song with some tasty chord changes thrown in!

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WHO'S CRYING NOW key Bm 4:31
8 bar intro, vocal thru as per the form (verse/chorus twice), bridge section, guitar solo, vocal back in for double chorus and finish.

MP3 DEMO:
GF81. WHO'S CRYING NOW
key - Bm - vocal range - B to D (suit higher female range)
Great song! Big hit for Journey but this cool version is based on Randy Crawford's.

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WILL YOU STILL LOVE ME TOMORROW key C to Db 4:20
4 bar intro ; vocal thru ; no solo - back to " tonight with words..." ; key change and last verse ; repeat last line and finish.

MP3 DEMO:
GF42. WILL YOU STILL LOVE ME TOMORROW
key - C to Db - vocal range - A to Bb
This popular 60's classic is given a reworked, classy and slower Realtrak arrangement with a cool key change for the very last verse.

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WILL YOU STILL LOVE ME TOMORROW key Bb 4:21
4 bar intro, vocal in at 9 secs, vocal thru - no solo - at 2:32 go back to "tonight with words unspoken...", continue thru, repeat the last line 3 times and finish.

MP3 DEMO:
GF157. WILL YOU STILL LOVE ME TOMORROW - Bb
key - Bb - vocal range - G to G 
Another lovely Livetrak arrangement of this popular Carole King song. Here's a more laidback take on it....

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WITHOUT YOU key Eb 3:37
2 bar intro and vocal in at 7 seconds, continue through, 2/4 bar at 1:44 and vocal back in at 1:45 with "no I can't forget..", continue and build the vocal, chorus from 2:18, continue, repeat the chorus again from 2:49, continue and finish.

MP3 DEMO:
GF349. WITHOUT YOU - Eb orchestral
key - Eb - vocal range - C to Ab (huge vocal range)
Wonderful orchestral arrangement of the Harry Nilsson hit. Same arrangement as GF348 except a full tone lower.

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WITHOUT YOU key Eb 3:38
2 bar intro and vocal in at 7 seconds, continue through as per the Nillson form, repeat the chorus again at 2:47 and finish.

MP3 DEMO:
GF351. WITHOUT YOU - Eb Piano
key - Eb - vocal range - C to Ab
Wonderful piano only arrangement of the superb Nilsson hit that also scored a massive hit for Mariah Carey. The track builds in intensity as the song builds. Same arrangement as GF350 except a full tone lower.

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WITHOUT YOU key F 3:37
2 bar intro and vocal in at 7 seconds, continue through, 2/4 bar at 1:44 and vocal back in at 1:45 with "no I can't forget..", continue and build the vocal, chorus from 2:18, continue, repeat the chorus again from 2:49, continue and finish.

MP3 DEMO:
GF348. WITHOUT YOU - F orchestral
key - F - vocal range - D to Bb (huge vocal range)
Wonderful orchestral arrangement of the Harry Nilsson hit.

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WITHOUT YOU key F 3:38
2 bar intro and vocal in at 7 seconds, continue through as per the Nillson form, repeat the chorus again at 2:47 and finish.

MP3 DEMO:
GF350. WITHOUT YOU - F Piano
key - F - vocal range - D to Bb
Wonderful piano only arrangement of the superb Nilsson hit that also scored a massive hit for Mariah Carey. The track builds in intensity as the song builds.

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WORKING MAN key Db to D 4:49
4 bar intro and thru as per the original form with a key change for the last chorus, repeat the last line and finish.

MP3 DEMO:
GF123. WORKING MAN - Db to D
key - Db to D - vocal range - Ab to A
Lovely arrangement of the Rita McNeil hit, in a lower key. Key change for the very last time chorus.

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YESTERDAY ONCE MORE key - E to F 4:26
4 bar intro and vocal in at 9 seconds, vocal through as per the Carpenters version except at 3:13 there is a key change for a full  chorus reprise, so at 3:39 continue singing "all my best memories....." to the end of the chorus, from 3:55 repeat the last line "it's yesterday once more" 3 times and finish.

MP3 DEMO:
GF218. YESTERDAY ONCE MORE
key - E to F - vocal range - E to A
Wonderful Carpenters hit in a gorgeous orchestral arrangement. Original key.

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YOU AND I key Bb 4:11
4 bar intro ; then as per the Stevie version - 4 bar break between verses - the ending is based on the ending of "Overjoyed".It's just a matter of phrasing with the 'band" and finishing on the same last note.

MP3 DEMO:
GF31. YOU AND I - Bb
key - Bb - vocal range - F to D
Stevie Wonder at his ballad best! An incredible song for any incredible singer with the range to sing it. Checkout the demo. I've given it a nice groove and a cool Realtrak arrangement.

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YOU AND ME AGAINST THE WORLD key A 3:10
Based on the Helen Reddy version, same key.


MP3 DEMO:
GF409. YOU AND ME AGAINST THE WORLD - A
key - A - vocal range - F# to A
Arrangement based on the Helen Reddy version of this Paul Williams song.

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YOU AND ME AGAINST THE WORLD key B 3:10
Based on the Helen Reddy version.


MP3 DEMO:
GF410. YOU AND ME AGAINST THE WORLD - B
key - B - vocal range - G# to B
Arrangement based on the Helen Reddy version of this Paul Williams song. Same arrangement as GF409 except a full tone higher.

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YOU ARE THE SUNSHINE OF MY LIFE key C to Db 3:08
8 bar intro, vocal in at 15 seconds, continue through the full song - no solo, at 2:38 repeat "forever you'll stay in my heart..", and again at 2:46 and let the outro finish.

MP3 DEMO:
GF283. YOU ARE THE SUNSHINE OF MY LIFE - C to Db smooth
key - C to Db - range - E to A (optional Bb)
Cool groove and smooth arrangement of the iconic Stevie Wonder gem, timeless 80's inspired electric piano, kicking funky bass and a solid driving kit!

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YOU CAN'T HURRY LOVE key A 3:30
Check out the Acoustic version that the track is based on : https://www.youtube.com/watch?v=G5eu7G6DvD0
4 bar intro and vocal in at 15 seconds with "I need love love .....to ease my mind..", continue and 1 bar guitar hit count in at 31 seconds to get you into tempo, continue through in tempo, slows down again after "causes my heart to break..." for a REPEAT of the 1st verse again at 1:41 and 1 bar guitar hit count in at 1:55, into tempo again ("you can't hurry love....... ") and continue through again and slow down after "cause my heart to break..." and back to 1st verse again at 3:04 and finish with "my mama said.......".

MP3 DEMO:
GF440. YOU CAN'T HURRY LOVE - A
key - A - vocal range - F# to A
The classic Motown hit in an arrangement based on an Acoustic version by Sara Ciancetta on YouTube, where the form is a bit mixed up and repetitive but if you follow my notes it works perfectly and the overall vibe and feel is great.
I have extended the form to lengthen the track - basically twice through the Sara Ciancetta version and finish with the 1st verse again and slow the last line down. Same arrangement as GF439 except a full tone higher.

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YOU CAN'T HURRY LOVE key G 3:30
Check out the Acoustic version that the track is based on : https://www.youtube.com/watch?v=G5eu7G6DvD0
4 bar intro and vocal in at 15 seconds with "I need love love .....to ease my mind..", continue and 1 bar guitar hit count in at 31 seconds to get you into tempo, continue through in tempo, slows down again after "causes my heart to break..." for a REPEAT of the 1st verse again at 1:41 and 1 bar guitar hit count in at 1:55, into tempo again ("you can't hurry love....... ") and continue through again and slow down after "cause my heart to break..." and back to 1st verse again at 3:04 and finish with "my mama said.......".

MP3 DEMO:
GF439. YOU CAN'T HURRY LOVE - G
key - G - vocal range - E to G
The classic Motown hit in an arrangement based on an Acoustic version by Sara Ciancetta on YouTube, where the form is a bit mixed up and repetitive but if you follow my notes it works perfectly and the overall vibe and feel is great.
I have extended the form to lengthen the track - basically twice through the Sara Ciancetta version and finish with the 1st verse again and slow the last line down.

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YOU DON'T BRING ME FLOWERS key C 3:54
intro and vocal in at 12 secs, continue thru as per the original form.

MP3 DEMO:
GF165. YOU DON'T BRING ME FLOWERS - C
key - C - vocal range - G to C
Lovely song that scored a massive hit for Barbra Streisand and Neil Diamond. Here's a gorgeous piano only arrangement, loosely based on a version by Sissel on youtube.

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YOU MIGHT NEED SOMEBODY key Em 3:34
4 bar intro (shorter than original), vocal thru as per original, ad lib ending then finish with "you might need somebody too!" ( phrase with the Brass section).

MP3 DEMO:
GF38. YOU MIGHT NEED SOMEBODY
key - Em - vocal range - A to C. Would also suit low range male.
An Original Livetrak arrangement of this wonderful Randy Crawford gem.

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YOU NEVER CAN TELL (C'EST LA VIE) key G 2:44
2 bar intro and vocal in at 3 secs, vocal thru, piano solo at 1:17, vocal back in at 1:42, repeat the first verse at 2:07 and finish.

MP3 DEMO:
GF158. YOU NEVER CAN TELL (C'est La Vie) - G
key - G - vocal range - A to G (optional B)
Chuck Berry song that was a surprise hit in the movie "Pulp Fiction".

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YOU REALLY GOT A HOLD ON ME key C 3:34
Same form, key and feel as the Sheryl Crow and Smokey Robinson live version.

MP3 DEMO:
GF138. YOU REALLY GOT A HOLD ON ME - C
key - C - vocal range - G to A (optional C)
Really cool duet version of the classic Motown tune.
Based on the Sheryl Crow and Smokey Robinson live version, same key and form.

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YOU'RE THE BEST THING THAT EVER HAPPENED TO ME key A to B 4:27
4 bar intro; vocal thru all the way as per the original.

MP3 DEMO:
GF110. YOU'RE THE BEST THING THAT EVER HAPPENED TO ME
key - A to B - vocal range - A to C#
Gladys Knight and her Pips scored a massive hit with this great song.
Fresh arrangement to boot!

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YOU'RE THE BEST THING THAT EVER HAPPENED TO ME key G to A 4:28
4 bar intro and vocal in at 11 seconds, vocal through as per the Gladys Knight version, key change included.

GF268. YOU'RE THE BEST THING THAT EVER HAPPENED TO ME - G to A
key - G to A - vocal range - G to B
The wonderful Gladys Knight and the Pips hit song in a 2018 updated arrangement.
Same arrangement as GF110 except a full tone lower.
 

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YOU'VE GOT A FRIEND key G 4:01
4 bar intro; vocal thru as per the original form; no solo; ad lib ending and finish.

MP3 DEMO:
GF5. YOU'VE GOT A FRIEND
key - Em (G) - vocal range - G to B
Groovy and funky arrangement of this classic tune, sung by James Taylor, Carol King; the Brand New Heavies to name just a few.

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YOU'VE GOT TO GIVE ME ROOM key C 4:27
Form as per Oleta Adams version.

MP3 DEMO:
GF7. YOU'VE GOT TO GIVE ME ROOM
key - C - original key
From Oleta Adams' first album. A wonderful ballad great lyrics - a great womans' song.

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YOUNG HEARTS RUN FREE key Eb 4:15
4 bar intro ; vocal thru as per original format - double full chorus at the end and finish.

MP3 DEMO:
GF63. YOUNG HEARTS RUN FREE
key - Eb - vocal range - Bb to C
Great new arrangement of this classic disco tune by Candi Staton, in a more manageable key, (the original is in F).

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