RAINY DAYS AND MONDAYS key F to G 4:16
5 bar intro and vocal in at 18 seconds, vocal through, short piano solo at 2:31, vocal back in at 2:46 with "funny but it seems.....", key change at 3:01 and continue through and finish as per the Carpenters version.

MP3 DEMO:
GF216. RAINY DAYS AND MONDAYS - F to G
key - F to G - vocal range - F to C
Gorgeous and fresh orchestra arrangement of this wonderful song that scored a massive hit for the Carpenters. I've slowed it down and it works much better as a ballad, at this tempo. Same arrangement as GF215 except a full tone higher.

RIVER DEEP MOUNTAIN HIGH key C (G intro) 3:19
intro, verse, chorus, intro, verse, chorus, bridge, chorus and finish.

MP3 DEMO:
GF41. RIVER DEEP MOUNTAIN HIGH
key - C - vocal range - G to B
Cool new arrangement of this Tina Turner classic.

ROCK WITH YOU key Gb/F# to G 3:38
8 bar intro and vocal in at 19 seconds, continue through as per the original Michael Jackson form in his original key, key change included for the last chorus and at 3:16 sing "rock the night away...... rock the night away....." and finish.

MP3 DEMO:
GF582. ROCK WITH YOU - Gb
key - Gb to G - vocal range - F to B
The incredible song by Rod Temperton that scored a truly massive hit for Michael Jackson. This is the original Jackson key but some charts say it's in Db to D (which is what I would have said) but the official Michael Jackson and Quincy Jones sheet music says Gb to G! This track is in the original key anyway so it's perfectly suited for a typical female pop range. It's an arrangement that is more small group based, so there isn't any brass or strings or a big production value to this. Great song and a great track by yours truly.

ROSE GARDEN key C 3:12
4 bar intro and vocal in at 6 seconds, vocal through as per the original Lynn Anderson version, in the original key.

MP3 DEMO:
GF372. ROSE GARDEN - C
key - C - vocal range - G to A
Based on the original Lynn Anderson hit version of this popular floor filler, in the original key and with a definite finish.

ROSE GARDEN key C 3:13
4 bar intro and vocal in at 6 seconds, based on a Lynn Anderson Live version, in the original key.

MP3 DEMO:
GF469. ROSE GARDEN - C version 2
key - C - vocal range - G to A
This 2022 version is based on a live Lynn Anderson version of her classic hit, in the original key.

RUN key F (starts in Dm) 4:34
4 bar intro and vocal in at 12 seconds, continue through, chorus at 1:05, 4 bar piano break at 1:57, vocal back in again at 2:08, chorus at 2:36, big piano break at 3:28, vocal back in at 3:54 with "light up light up...", continue and finish.

MP3 DEMO:
GF279. RUN - F Pianotrak
key - F - range - D to A
The massive anthem by Snow Patrol, in a piano only arrangement. Big vocal range and this key is suitable for lower female ranges.

RUN TO YOU key Ab to Bb 5:00
6 bar intro and vocal in at 22 seconds, continue through the same form as the original Whitney Houston version, same key, including the key change for the last chorus.

MP3 DEMO:
GF257. RUN TO YOU - Ab orchestral
key - Ab to Bb - range - original Whitney Houston key!
Stunning and fresh take of this wonderful Whitney Houston hit from "The Bodyguard" movie. Gorgeous orchestral arrangement with choir included.

RUN TO YOU key Ab to Bb 5:00
6 bar intro and vocal in at 22 seconds, continue through the same form as the original Whitney Houston version, same key, including the key change for the last chorus.

MP3 DEMO:
GF259. RUN TO YOU - Ab Pianotrak
key - Ab to Bb - range - Ab to F huge range (Bb top note if you're including the falsetto runs!)
Piano only arrangement of the wonderful Whitney Houston hit song from "The Bodyguard". Pretty robust playing as the track builds because it demands a big voice and a huge sing because of the huge vocal range the song has.

SAND AND WATER key Gb 4:08
8 bar intro ; vocal thru as per original.

MP3 DEMO:
GF55. SAND AND WATER
key - Gb - cover key
Absolutely gorgeous Beth Nielsen Chapman song! Lovely arrangement based on the original.

SAVE THE BEST FOR LAST key Eb 3:49
7 bar intro and vocal in at 15 seconds, continue through as per the original Vanessa Williams form, in the original key.

MP3 DEMO:
GF304. SAVE THE BEST FOR LAST - Eb
key - Eb - range - G to C
Stunning piano and orchestra arrangement, no drums at all, same form as the original hit version, in the original key.

SAVING ALL MY LOVE FOR YOU key A 3:51
As per Whitney Houston version form, in the original key.

MP3 DEMO:
GF34. SAVING ALL MY LOVE FOR YOU
key - A - vocal range - F# to E
Sticks fairly close to the original version by Whitney Houston, in the original key. Nice Realtrak sounds!

SEND ME A SONG key C 4:38
Based on the Lisa Kelly version from the show "Celtic Woman".

MP3 DEMO:
GF180. SEND ME A SONG Pianotrak
key - C - vocal range - G to D
Beautiful song from the hugely popular show "Celtic Woman", based on the Lisa Kelly version.

SHOW ME HEAVEN key E 4:04
4 bar intro and vocal in at 13 seconds, vocal continue through as per the original form. Repeat the chorus and ad libs similar to the original and at 3:41 sing the last "show me heaven please" and finish.

MP3 DEMO:
GF262. SHOW ME HEAVEN - E orchestral
key - E - range - E to B
Superb orchestral arrangement of the massive Maria McKee hit from the "Days Of Thunder" movie. Not as hugely epic sounding as the 90's original, and 2 full tones lower than the original key.

SIGNED SEALED DELIVERED key G 3:27
4 bar intro, vocal thru full song including intro break, repeat the first 2 verses, double chorus and vocal finish on "signed sealed delivered, I'm yours" - brass riff finish.

MP3 DEMO:
GF68. SIGNED SEALED DELIVERED
key - G - vocal range - B to B ( optional ad libs)
Cool new arrangement of the classic Stevie Wonder hit.

SIMPLY THE BEST key F to G 3:50
4 bar intro and vocal in at 9 seconds, continue through as per the original form EXCEPT there is NO soloing section - the vocal goes back into the chorus after the key change - so at 3:06 you sing "better than all the rest..." and continue through and finish with "you're the best...." - original key.

MP3 DEMO:
GF415. SIMPLY THE BEST - F to G
key - F to G - vocal range - C to C (optional D)
Fresh arrangement of the worldwide hit for Tina Turner, in the original key and key change included.

SING IT BACK key Ebm 4:23
4 bar intro and vocal in at 10 seconds with "sing it back, bring it back, sing it back, bring it back to me" twice and into the verse at 25 seconds, same form and key as the original Moloko version, Trumpet solo at 3:20 for 16 bars (the vocal sings "sing it back, sing it back sing it back to me.." over the solo), at 3:53 a final chorus and finish.

MP3 DEMO:
GF461. SING IT BACK - Ebm
key - Ebm - vocal range - original key
A super cool take on the massive Moloko dance hit of 1999. My version has a trumpet solo for 16 bars but also available with the solo removed.

SNOWBIRD key A 3:01
5 bar intro and vocal in at 12 seconds, continue through 2 verses and a chorus, verse 3 in at 1:26, chorus at 1:51 and repeat the chorus at 2:14, add the end tag ("yes If i could you know that I would fly.....") at 2:39 and finish. Basically the same as the Anne Murray form but with an extra chorus added.

MP3 DEMO:
GF399. SNOWBIRD - A
key - A - vocal range - E to A
The Classic Anne Murray hit in a slower and more MOR arrangement.

SOLITAIRE key Eb 4:45
4 bar intro and vocal in at 15 seconds, continue through the song, at 4:00 sing " and solitaire's the only game in town.. and every road that takes him, takes him down...... while life goes on around him everywhere..... he's playing solitaire" and finish.

MP3 DEMO:
GF207. SOLITAIRE - Eb groove
key - Eb - vocal range - Eb to Ab
Fabulous R n B groove based reworking of this Neil Sedaka gem, with cool synth lead lines, Rhodes piano, gritty snare and a great groove.
 

SOLITAIRE key F 4:45
4 bar intro and vocal in at 15 seconds, continue through the song, at 4:00 sing " and solitaire's the only game in town.. and every road that takes him, takes him down...... while life goes on around him everywhere..... he's playing solitaire" and finish.

MP3 DEMO:
GF208. SOLITAIRE - F groove
key - F - vocal range - F to Bb
Fabulous R n B groove based reworking of this Neil Sedaka gem, with cool synth lead lines, Rhodes piano, gritty snare and a great groove. Same arrangement as GF207 except a full tone higher.

SOMEONE LIKE YOU key G 4:48
4 bar intro and the vocal in at 15 seconds, continue through as per the Adele form.

MP3 DEMO:
GF271. SOMEONE LIKE YOU - G
key - G - range - E to A (optional top note D - the album version she hits the big note, live versions she takes the lower harmony option....)
Fantastic and fresh full track arrangement of the massive Adele hit. A full tone lower than the original key.

SOMEONE LIKE YOU key A 5:19
same form as the Adele version, in the original key.

MP3 DEMO:
GF114. SOMEONE LIKE YOU Pianotrak
key - A - vocal range - F# to D (optional E) Album version.
Massive hit for Adele!
Lovely Piano only version, slightly slower than the original.

SOMEONE SHOULD TELL YOU key D to F 3:44
4 bar intro and vocal in at 13 seconds, vocal continue through as per the original Lemar version, key change included and in the original key.

MP3 DEMO:
GF337. SOMEONE SHOULD TELL YOU - D
key - D to F - range - A to A
Great ballad that scored a hit for UK soul singer Lemar (great singer!), in the original key so it's suitable for typical female ranges and very high male ranges.

SOMEONE YOU LOVED key Db 3:23
4 bar intro and vocal in at 10 seconds, con tinue through as per the original Lewis Capaldi version. Original key.

MP3 DEMO:
GF312. SOMEONE YOU LOVED - Db orchestral
key - Db - range - Eb to Bb
Intimate orchestral arrangement of the massive Lewis Capaldi hit on both sides of the atlantic!
Featuring gorgeous harp lines, beautiful string waves and subtle and flowing string changes.

SOMETHING key C 3:16
1 bar intro and vocal in at 4 seconds, based on the Beatles form, piano solo included, loosely based on the guitar solo.

MP3 DEMO:
GF295. SOMETHING - C Pianotrak
key  C - range - G to G
Piano only arrangement of the Beatles song and form, in the original key so suitable for lower female ranges, as well as higher male ranges.

SOMETHING INSIDE SO STRONG key C to Db 5:33
Intro and vocal in at 21 secs, stay in tempo all the way!, same form as the Labi Siffre version except I've removed the solo section -  so at 3:33 you simply go back to "brothers and sisters....." and continue from there as if the solo was included, continue to the key change and sing the chorus as per the Siffre version and finish.

MP3 DEMO:
GF150. SOMETHING INSIDE SO STRONG - C to Db Piano
key - C to Db - vocal range - A to A
Great song that scored a massive hit for Labi Siffre back in 1987!
Cool piano only arrangement in the cover key, so suitable for typical female ranges and high male ranges.

SOMEWHERE ONLY WE KNOW key A 3:55
8 bar intro and vocal in at 23 seconds, vocal through as per the original form and in the original Keane key.

MP3 DEMO:
GF463. SOMEWHERE ONLY WE KNOW - A orchestral
key - A - vocal range - G# to A
Stunning orchestral reworking of the massive Keane hit, in the original key so it's perfectly suitable for a female range rather than a male range (suit a tenor pop range).

SON OF A PREACHER MAN key D to G 2:26
The form is as per Dusty Springfield version.
contains Backing Vocals

MP3 DEMO:
GF4. SON OF A PREACHER MAN
Dusty Springfield hit reworked slightly.
Key - D to G - vocal range - G to C

SONGBIRD key Eb 3:23
6 bar intro and vocal in at 15 secs - same form as the original Fleetwood Mac version.

MP3 DEMO:
GF189. SONGBIRD - Eb Pianotrak
key - Eb - vocal range - G to Ab
Lovely piano only version of the Fleetwood Mac hit, later covered so beautifully by Eva Cassidy.
Note - Same arrangement as GF189 except a full tone lower than the original.

SONGBIRD key F 3:23
6 bar intro and vocal in at 15 secs - same form and key as the original Fleetwood Mac version.

MP3 DEMO:
GF189. SONGBIRD - F Pianotrak
key - F - vocal range - A to Bb
Lovely piano only version of the Fleetwood Mac hit, later covered so beautifully by Eva Cassidy.

 

SPINNING AROUND & CAN'T GET YOU OUT OF MY HEAD medley original keys 5:58
Spinning Around - as per except omit last chorus then intro to Can't Get You Out Of.. - 'la la la" / verse /chorus/verse/chrous and finish.

MP3 DEMO:
GF27. SPINNING AROUND/CAN'T GET YOU OUTTA MY HEAD
keys - both original keys - cover versions of two huge Kylie hits, as a Medley.

SPOTLIGHT key Bm 4:49
8 bar intro and vocal in at 16 seconds, continue through the same form as the original Jennifer Hudson version, in the original key.

MP3 DEMO:
GF386. SPOTLIGHT - Bm
key - Bm - vocal range - A to D
Superb arrangement of the wonderful Jennifer Hudson hit, same form and in the original key.

STAND BY ME key Ab 3:44
8 bar intro and vocal in at 16 seconds, 2nd verse in at 1:09, chorus in at 1:44, very short solo at 2:03, vocal back in at 2:19 with either a verse or a double chorus, double chorus at 2:55 or ad lib and finish in tempo and let the band finish.

MP3 DEMO:
GF284. STAND BY ME - Ab
key - Ab - range - F to Ab
Lovely subtle arrangement of the classic Ben E King hit, perfect for a female vocal as well!
Piano based but with beautiful violin lines running subtly through and a good solid kit!
 

STAND BY ME key Bb 3:44
8 bar intro and vocal in at 16 seconds, 2nd verse in at 1:09, chorus in at 1:44, very short solo at 2:03, vocal back in at 2:19 with either a verse or a double chorus, double chorus at 2:55 or ad lib and finish in tempo and let the band finish.

MP3 DEMO:
GF285. STAND BY ME - Bb
key - Bb - range - G to Bb
Lovely subtle arrangement of the classic Ben E King hit, perfect for a female vocal as well!
Piano based but with beautiful violin lines running subtly through and a good solid kit!
Same arrangement as GF284 except a full tone higher.

STAY THE NIGHT key A 3:55
2 bar intro, vocal thru all the way.

MP3 DEMO:
GF111. STAY THE NIGHT
key - A - vocal range - G# to C#
Great late 70's ballad from Jane Olivor. Lovely arrangement of a quality song, a semitone higher than the original.

STEP BY STEP key G 4:18
8 bar intro and vocal in at 16 seconds, vocal through all the way, same form as the original Whitney Houston form, in the original key and a definite ending.

GF522. STEP BY STEP - G
key - G - vocal range - G to E (optional G falsetto)
Stunning new arrangement of the massive Whitney Houston hit, written by Annie Lennox. I've added a proper 8 bar intro - the original has a vocal straight in and there's nothing worse in a track than a chord and click to get in.
This is a superb track and it'll knock your clients socks off if you have the range!

STILL GOT THE BLUES key Am 4:21
4 bar intro and vocal in at 21 seconds, vocal through, piano break at 2:39, vocal back in at 3:19 with "so long........it was so long ago....", continue through staying in tempo and finish.

MP3 DEMO:
GF559. STILL GOT THE BLUES - Am Piano
key - Am - vocal range - A to A
Wonderful song from Gary Moore, in a piano only arrangement and in his original key.

SUPERSTAR key Fm 4:41
Piano fills into an orchestral intro, into tempo, vocal in at 30 seconds, continue through as per the Carpenters form, orchestral solo at 1:53, vocal back in at 2:24 with "loneliness....is such a sad affair....", continue through the verse and chorus, repeat the chorus at 3:52, continue and finish.

MP3 DEMO:
GF217. SUPERSTAR - Fm
key - Fm - vocal range - F to Ab
Gorgeous orchestral ballad arrangement of this Leon Russell gem, covered by the Carpenters, Luther Vandross and many great singers.

SUPERWOMAN key Ab 5:32
5 bar and vocal in at 18 secs, continue thru as per the Karen White form - includes the build "chant" at the end and then a chorus, rall the last line, ad libs and finish.

MP3 DEMO:
GF151. SUPERWOMAN - Ab Pianotrak
key - Ab - vocal range - Ab to C
One hit wonder Karen White scored a huge worldwide hit with this song, and while it's very cliched now it's still a great song. I remember seeing an Oprah show with Gladys Knight, Dionne Warwick, Patti Labelle and they really did a great job on it! Here's a piano only arrangement that works great.

SUPERWOMAN key Eb to E 5:36
5 bar intro and vocal in at 19 secs, continue thru, after the bridge section at 3:42 there is a key change to E - simply hold the same note - "I'm not your........superwoman" and the track will guide you thru the change, continue and include the end tag and build section.."if you feel it in your heart..", continue with the chorus,let the track rall and finish.

MP3 DEMO:
GF169. SUPERWOMAN - Eb to E
key - Eb to E - vocal range - Eb to Ab (optional C)
A one hit wonder for Karyn White and covered by Gladys Knight, Dionne Warwick and Patti LaBelle on a classic Oprah Winfrey birthday show! Here's a cool Livetrak arrangement in a much lower key, with a very cool key change.

SWEET HOME ALABAMA key F 3:47
8 bar intro and vocal in at 21 secs, continue thru - no soloing space - vocal all the way and double chorus at the end and finish.

MP3 DEMO:
GF164. SWEET HOME ALABAMA - F
key - F - vocal range - D to A (C top note for original ad libs..)
The Lynyrd Skynyrd song that scored a big hit for the band. Here's a fresh take on it, in a female key.

SWEET LOVE  key Bb 3:31
Same key and similar form as the original Anita Baker with a definite ending.

MP3 DEMO:
GF177. SWEET LOVE
key - Bb - vocal range - F to Eb (huge range!!)
Fabulous new groove arrangement of the classic Anita Baker 80's hit!

TAKE ANOTHER LITTLE PIECE OF MY HEART key D 3:49
8 bar intro, vocal thru as per, 8 bar solo, vocal back in at "each time I tell myself...", continue, and finish.
INCLUDES Backing vocals.

MP3 DEMO:
GF20. TAKE ANOTHER LITTLE PIECE OF MY HEART
key - D - range - F# to B
Country version of the old ERMA FRANKLIN hit. This track is old and heavily compressed, hence the sale price.

TALKING IN YOUR SLEEP key Ab 3:24
4 bar intro and vocal in at 15 seconds, vocal through all the way, same form as the original Crystal Gayle version. Last line in at 3:03 and finish.

MP3 DEMO:
GF230. TALKING IN YOUR SLEEP - Ab
key - Ab - vocal range - F to Bb
Gorgeously fresh arrangement of the lovely Crystal Gayle hit, original key and form.

TEARDROPS key Abm 3:53
8 bar intro and vocal in at 14 seconds, vocal through as per the original Womack & Womack form and finish with "she cries on every tune... every tune... every tune!"

MP3 DEMO:
GF528. TEARDROPS - Abm
key - Abm - vocal range - Ab to B
Super punchy arrangement of the classic Womack & Womack hit, in the original key.

TELL HIM key G#m 4:33
2 bar piano intro and vocal/s through as per original. Different feel and faster tempo but works well.

MP3 DEMO:
GF37. TELL HIM - DUET
key - G#m (original key) - vocal range - B to Eb - suitable only for high female ranges!
Awesome ballad that was a massive hit for Celine Dion & Barbra Streisand.
I've upped the tempo a touch and given a slightly different feel to it. check out the demo. An Original Livetrak arrangement.

THANK YOU (FOR BEING YOU) key A 3:47
4 bar intro and vocal in at 15 seconds, continue through as per the original Norman Newell & Roger Webb song, in the original key. Sax Solo not included.

MP3 DEMO:
GF560. THANK YOU (FOR BEING YOU) - A
key - A - vocal range - A to B
Gorgeous song from Norman Newell and Roger Webb, and played at the end of the Bobby Caldwell 1991 Parliament American Blue Concert. Here's a very similar copy version.

THAT'S WHAT FRIENDS ARE FOR key Eb 3:39
4 bar intro as per original and continue through as per with double chorus last time and then a turnaround and sing again" that's what friends are for" - easy to pickup!

MP3 DEMO:
GF70. THAT'S WHAT FRIENDS ARE FOR
key - Eb - vocal range - G to C
Absolutely gorgeous ballad that scored a huge hit for Dionne Warwick, Gladys Knight, Stevie Wonder and Elton John. I love this song! Fab and fresh arrangement with a proper ending.

THAT'S WHAT FRIENDS ARE FOR key C 3:41
Same form as the original version but with a definite ending and lower key.
Finish with "that's......what.......friends........are.........for".

MP3 DEMO:
GF115. THAT'S WHAT FRIENDS ARE FOR - C
key - C - vocal range - E to A
Lovely Livetrak arrangement of this classy 80's hit; in a lower key and with a definite ending.

THAT'S WHAT FRIENDS ARE FOR key Eb 3:55
4 bar intro ; continue thru as per original ; slight ralls throughout and end with double chorus and last line repeat with the piano and finish.

MP3 DEMO:
GF71. THAT'S WHAT FRIENDS ARE FOR - Pianotrak
key - Eb - vocal range - G to C
Intimate take on the fab song. If you want to lay the sentiment on thick or just want to sing from the heart then this is a lovely way to do it! Nice arrangement with ralls that are easy to catch.

THE AIR THAT I BREATHE key C 5:01
4 bar intro and the vocal in at 14 seconds, continue through as per the Hollies form, chorus at 1:56, at 2:40 the short break between the chorus and the next verse included - vocal back in at 2:53, chorus at 3:20, and again at 4:04, and finish.

MP3 DEMO:
GF281. THE AIR THAT I BREATHE - C orchestral
key - C - range - G to G
Gorgeously EPIC arrangement of the classic Hollies hit. Slower tempo, BIG Orchestra, big drums, choir included! Would suit a big female voice with a not so big range.

FUNKY DUDE MEDLEY -
8 bar intro ;
Dance Yourself Dizzy(verse/chorus) ;
1 bar intro to Disco Inferno(verse/chorus) ;
8 bar intro to Somebody Else's Guy (verse/chorus)
8 bar intro to Car Wash (verse/chorus) ;
after the bass break straight into Lost In Music - (chorus)
1 bar change into We Are Family (chorus/verse/chorus) ;
straight into I Will Survive (same key) ;
8 bar intro to Gonna Get Along without You Now
- (chorus/verse/chorus) ;
6 bar intro to I Love The Nightlife (verse/chorus)
playing time is 8:17.

MP3 DEMO:
GF15. THE FUNKY DUDE MEDLEY
Medley :- Dance Yourself Dizzy; Disco Inferno; Somebody Else's Guy; Car Wash; Lost In Music; We Are Family; I Will Survive; Gonna Get Along without You Now; I Love The Nightlife - total playing time is 8:17.
(No backing vocals).

The full vocal range is generally for a mid range female voice - G(bottom note) - A (top note).
Note - the track is very old and very heavily compressed, hence the reduced price.

THE GREATEST LOVE OF ALL key G 5:15
piano pickup with 2 bar intro, vocal thru as per the original form. Slow the  last line and finish.

MP3 DEMO:
GF30. THE GREATEST LOVE OF ALL
key - G - range - G to C
An Original Livetrak arrangement of the George Benson & Whitney Houston hit.

THE GREATEST LOVE OF ALL key G 5:14
2 bar intro, vocal in at 11 seconds, vocal through all the way, slow the last line down and finish.

MP3 DEMO:
GF222. THE GREATEST LOVE OF ALL - G Pianotrak
key - G - vocal range - G to D
Very lovely piano only arrangement of this hugely popular song that scored massive hits for George Benson and Whitney Houston.

THE HUNGRY YEARS key A 4:29
2 bar intro and vocal in at 8 seconds, vocal through as per the original Neil Sedaka form, original key.

MP3 DEMO:
GF453. THE HUNGRY YEARS - A
key - A (& C) - vocal range - C# to A
Gorgeous arrangement of the wonderful Neil Sedaka song from 1974. This is the original key so it's very much suited to lower female ranges.

THE JOURNEY key Ab 4:30
4 bar intro and vocal in at 20 secs, continue thru as per the original version - a full tone down from the original key.

MP3 DEMO:
GF172. THE JOURNEY - Ab
key - Ab - vocal range - Eb to C
Very lovely song, from the 3rd album by Lea Salonga, who won huge acclaim and various awards playing Kim in "Miss Saigon". She also provided the singing voice of two official Disney Princesses: Jasmine in Aladdin (1992), and Fa Mulan in Mulan (1998).
This arrangement is based on the original version, but one full tone down.

THE JOURNEY key Bb 4:30
4 bar intro and vocal in at 20 secs, continue thru as per the original version.

MP3 DEMO:
GF171. THE JOURNEY - Bb
key - Bb - vocal range - F to D
Very lovely song, from the 3rd album by Lea Salonga, who won huge acclaim and various awards playing Kim in "Miss Saigon". She also provided the singing voice of two official Disney Princesses: Jasmine in Aladdin (1992), and Fa Mulan in Mulan (1998).
Arrangement in the original key and based on the original version.

THE LOOK OF LOVE key Am 3:46
4 bar intro; vocal thru; short solo; vocal back in at " the look of love... is saying so much more than........."; rall the last line and finish.

MP3 DEMO:
GF19. THE LOOK OF LOVE - Am
key - Am - vocal range - E to G
low female key or high male key.
Superbly funky groove based arrangement of this wonderful Bacharah and David gem.

THE LOOK OF LOVE key Am 2:41
4 bar intro and vocal in at 9 seconds, vocal through once - follow the song form and finish.

MP3 DEMO:
GF476. THE LOOK OF LOVE - Am Piano
key - Am - vocal range - E to A
Superb piano only arrangement of the classic song by Burt Bacharach and Hal David and covered by zillions of great singers and musicians.

THE MORE I SEE YOU keys - A to Bb 3:32
9 bar intro, vocal in at 17 secs, continue thru, key change at 1:19 and Trumpet solo, vocal back in at 1:48 with "can you imagine...", continue, back to the full song again at 2:21 - basically the same form as the Peter Allen version and with a definite finish.

MP3 DEMO:
GF170. THE MORE I SEE YOU - A to Bb
key  A to Bb - vocal range - E to Bb
Same arrangement as GM329, based on a Peter Allen 1976 version, but in a female key.

THE OLD SONGS key B to C 4:23
Same form as the original Barry Manilow version, with a definite ending.

MP3 DEMO:
GF125. THE OLD SONGS
key - B to C - vocal range - E to C
Wonderful Barry Manilow song in a lovely fresh arrangement.

THE ROSE key C 3:16
2 bar intro and the vocal in at 6 seconds, continue through 3 verses, slow the last line down and finish.

MP3 DEMOS: 2 demos below of the same track, Demo 1 is the intro 1st verse and Demo 2 is how the track builds for the rest of the track.
GF273. THE ROSE - C demo 1

GF273 THE ROSE - C demo 2

key - C - range - G to G (A optional top note)

Epic, Cinematic, choir included and Huge! A fresh take on the huge Bette Midler hit, something very different to help you stand out from the crowd!

THE ROSE key C to Db to D 3:53
4 bar intro; vocal thru all the way with key changes for each verse; ral lthe last line and finish.

MP3 DEMO:
GF91. THE ROSE - CtoDbtoD Pianotrak
key - C to Db to D - vocal range - G to A
Huge hit for Bette Midler; in an intimate and classy piano only arrangement.

THE ROSE key D 3:16
2 bar intro and the vocal in at 6 seconds, continue through 3 verses, slow the last line down and finish.

MP3 DEMOS: 2 demos below of the same track, Demo 1 is the intro 1st verse and Demo 2 is how the track builds for the rest of the track.
GF274. THE ROSE - D demo 1

GF274 THE ROSE - D demo 2

key - D - range - A to A (B optional top note)

Epic, Cinematic, choir included and Huge! A fresh take on the huge Bette Midler hit, something very different to help you stand out from the crowd! Same arrangement as GF273 except a full tone higher.

THE ROSE key F 3:27
2 bar piano intro, piano only first verse, drums kick in, 2 bars between verses, no solo, slow down for the last line and finish.

MP3 DEMOS: 2 demos below of the same track, Demo 1 is the intro and piano only and Demo 2 is how the track builds for the last verse.
GF29. THE ROSE - F demo 1

GF29. THE ROSE - F demo 2
key - F - range - C to C
An Original Livetrak arrangement of the Bette Midler hit. Suitable for high female range and lower Male ranges.

THE WAY WE WERE key F 4:36
4 bar intro and vocal in at 14 seconds, vocal through the song - no solo - at 2:42 the vocal goes back to "could it be that it was all so simple then...", continue through, build, repeat the last line twice and finish.

GF444. THE WAY WE WERE - F orchestral
key - F - vocal range - F to Bb
Stunning song by Alan and Marilyn Bergman, and Marvin Hamlisch from the movie of the same name and it scored a massive hit for Barbra Streisand, although I love the Gladys Knight version. Wonderful orchestral arrangement with that special 70's vibe.

THE WINNER TAKES IT ALL key Db 4:04
Same form as the original Abba version, in a much lower key.

MP3 DEMO:
GF117. THE WINNER TAKES IT ALL - Db Pianotrak
key - Db - vocal range - Eb to Ab
Updated 2024 piano only arrangement of the ABBA hit, in a lower key.

THE WINNER TAKES IT ALL key Eb 4:04
Same form as the original Abba version, in a lower key.

MP3 DEMO:
GF556. THE WINNER TAKES IT ALL - Eb Pianotrak
key - Eb - vocal range - F to Bb
Updated 2024 piano only arrangement of the ABBA hit, in a lower key.
Same arrangement as GF117 except a full tone higher.

THERE YOU'LL BE key Ab 3:36
4 bar intro and vocal in at 14 seconds, vocal through as per the original Faith Hill form, in the original key.

MP3 DEMO:
GF488. THERE YOU'LL BE - Ab
key - Ab - vocal range - Ab to Eb
Stunning 2nd version of this wonderful song from the movie "Pearl Harbor". Written by Diane Warren, this scored a huge hit for Faith Hill. Here's a bigger arrangement, drums added, nice bass lines, superb string lines and epic choir. So, if you've got the vocal chops then here's a great track for a great vocal!

THERE YOU'LL BE key Ab 3:41
4 bar intro and vocal in at 15 seconds, continue through as per the original Faith Hill form and in the original key.

MP3 DEMO:
GF338. THERE YOU'LL BE - Ab orchestral
key - Ab - range - Ab to Eb
Gorgeous orchestral arrangement of the Faith Hill hit song from the movie "Pearl Harbor", in the original key.

THESE BOOTS WERE MADE FOR WALKING key E 2:42
8 bar intro, vocal in at 11 seconds, continue through as per the original Nancy Sinatra version, same form with a definite ending and in the original key.

MP3 DEMO:
GF264. THESE BOOTS WERE MADE FOR WALKING - E
key - E - range - E to E (original key)
Very similar arrangement to the original Nancy Sinatra version, with full brass lines included (not on the intro and verse demo).

THINK key Ab to A 2:26
4 bar intro and vocal in at 10 secs, continue thru as per the Aretha version, key change at 58 secs, continue, ad lib the ending and at 2:15 sing "you had better stop and think about it  (pause) THINK!

MP3 DEMO:
GF134. THINK
key - Ab to A - vocal range - Ab to E (a full tone lower than the Aretha original version)
A cool fresh arrangement of the iconic Aretha song - brighter in tempo but keeping to the same form and adding the cool ending used in the "Blues Brothers" movie version - best of both worlds!

THINK TWICE key D 4:51
4 bar intro and vocal in at 17 seconds, continue through as per the original Celine Dion form (you can leave out the "no no no no" part because that 2nd stop is not included), and finish with a definite finish on the Bm.

MP3 DEMO:
GF407. THINK TWICE - D
key - D - vocal range - G to B (optional D)
A fresh take on the massive Celine Dion hit, in a much more manageable female key, 3 semitones lower than the original key.

THIS IS THE MOMENT key Bb to B 4:34
3 bar intro and vocal in at 11 seconds, vocal through the full song, key change included for the last verse.

MP3 DEMO:
GF431. THIS IS THE MOMENT - Bb to B
key - Bb to B - vocal range - F to C# (optional D)
Superb orchestral arrangement of this gem from the musical "Jekyll and Hyde".

THROUGH THE FIRE key G (Em) 4:34
4 bar intro, vocal thru as per original form, ad lib ending and dead stop - "through the fire!"

MP3 DEMO:
GF74. THROUGH THE FIRE
key - G (Em) vocal range - G to D (huge range)
Great song which proved a big hit for Chaka Khan. Cool arrangement!

TO EACH HIS OWN key Gb 3:08
Same form as the original Faith Hope and Charity version but with a definite ending.

MP3 DEMO:
GF241. TO EACH HIS OWN (Faith Hope and Charity)
key - Gb - range - original key
An early US disco favourite by group Faith Hope and Charity back in 1975.

TO MAKE YOU FEEL MY LOVE key Bb 3:52
8 bar intro; vocal thru - same key and form as the Adele version - short piano solo and vocal back in at the bridge section; continue; repeat the last line and finish.

MP3 DEMO:
GF101. TO MAKE YOU FEEL MY LOVE - Bb Pianotrak
key - Bb - vocal range - A to Bb
Another version of this lovely Bob Dylan song, in the same key as the Adele version. Lovely Pianotrak intimacy!

TO MAKE YOU FEEL MY LOVE key C 3:48
8 bar intro, vocal through, short piano solo, vocal back in at "the storms are raging on the rolling sea..", continue and finish.

MP3 DEMO:
GF116. TO MAKE YOU FEEL MY LOVE - C
key - C - vocal range - B to C
Livetrak arrangement of this hugely popular Bob Dylan song; slower in tempo.

TO MAKE YOU FEEL MY LOVE key C 3:48
8 bar intro, vocal in at 26 secs, continue thru as per the Adele version form.

MP3 DEMO:
GF166. TO MAKE YOU FEEL MY LOVE - C Pianotrak
key - C - vocal range - B to C
Very lovely piano only arrangement, a full tone up from the Adele key.

TO MAKE YOU FEEL MY LOVE key G 3:57
8 bar intro; vocal thru - same form as the Adele version - short piano solo and vocal back in at the bridge section; continue; repeat the last line and finish.

MP3 DEMO:
GF99. TO MAKE YOU FEEL MY LOVE - G Pianotrak
key - G - vocal range - F# to G (suit lower range female)
Lovely ballad, written by Bob Dylan, and covered by Adele and Garth Brooks...
Intimate Pianotrak arrangement.

TO MAKE YOU FEEL MY LOVE key G 3:46
8 bar intro; vocal thru - same form as the Adele version - short piano solo and vocal back in at the bridge section; continue; repeat the last line and finish.

MP3 DEMO:
GF100. TO MAKE YOU FEEL MY LOVE version 2 - G Pianotrak
key -  G - vocal range - key - G - range - F# to G (suit lower range female)
Great Bob Dylan ballad.
Version 2, this time recorded live direct to audio, with a brighter tempo and more rubato than version 1.

TO SIR WITH LOVE key F 3:26
4 bar intro and vocal in at 12 secs, continue thru  - no solo - double chorus, outro and finish.

MP3 DEMO:
GF141. TO SIR WITH LOVE - F Livetrak
key - F - vocal range - E to F
Cool Livetrak "band" arrangement, more in keeping with the original style of the Lulu hit, but in a lower key. Original Livetrak arrangement.
 

TOGETHER WE ARE BEAUTIFUL key Bb 3:38
4 bar intro and vocal in at 11 seconds, vocal through as per the original form, in the original key, with a definite ending. Synth solo included.

MP3 DEMO:
GF524. TOGETHER WE ARE BEAUTIFUL - Bb
key - Bb - vocal range - Bb to C (optional falsettos as per Fern Kinney)
Superb and fresh arrangement of the massive hit for Fern Kinney, in the original key. You don't have to do the falsettos or super high notes, it's a great song and a floor filler.

TORN key F 4:04
4 bar intro and vocal in 12 seconds, continue through as per the original Natalie Imbruglia version form, with a definite ending. Original key.

MP3 DEMO:
GF204. TORN - F
key - F - vocal range - F to Bb
Fabulously fresh arrangement of the massive Natalie Imbruglia hit. The breakdown bridge section has some great band hits and fills!

TWO OUT OF THREE AIN'T BAD key A 5:29
4 bar intro and vocal in at 12 seconds, continue through as per the Meatloaf form and same key.

MP3 DEMO:
GF346. TWO OUT OF THREE AIN'T BAD - A
key - A - vocal range - A to B
Fantastic and fresh full band arrangement of the Meatloaf classic hit.

TWO OUT OF THREE AIN'T BAD key A 5:29
4 bar intro and vocal in at 12 seconds, continue through as per the Meatloaf form and same key.

MP3 DEMO:
GF344. TWO OUT OF THREE AIN'T BAD - A Piano
key - A - vocal range - A to B
The Meatloaf classic hit in a piano only arrangement.

UNCHAINED MELODY key Eb 3:37
2 bar intro, vocal through as per original form.

MP3 DEMO:
GF43. UNCHAINED MELODY - Eb
Key - Eb - vocal range - G to Bb
Classic Righteous Brothers hit. This Original Livetrak arrangement keeps to the 12/8 feel.

UNDER THE BOARDWALK key A 3:05
4 bar intro and vocal in at 8 seconds, vocal through the verse and chorus twice, mellow synth solo at 2:01, vocal back in at 2:19 with "under the boardwalk.....", continue through into the chorus and finish with "boardwalk...... boardwalk....".

GF572. UNDER THE BOARDWALK - A
key - A - vocal range - E to A (optional B & C#)
A superbly fresh arrangement of the Ben E King classic, slower in tempo and some great sounds going on..

UNTIL YOU COME BACK TO ME  key G 4:08
4 bar intro and vocal in at 9 secs, continue thru the song - no solo - vocal back to the bridge section ("living for you my dear..") at 2:35, continue, repeat the last line 3 times - "'til you come back to me.....that's what I'm gonna do.." and finish.

MP3 DEMO:
GF128. UNTIL YOU COME BACK TO ME - G
key - G - vocal range - G to A (optional Bb)
Great song, co written and sung by Stevie Wonder, that gave a massive top 10 hit for Aretha Franklin in the early 70's.
Here's my arrangement of it, in a more manageable female key.

VINCENT key C 5:02
4 bar intro and vocal in at 11 seconds, continue through the original form - stays in tempo all the way.

MP3 DEMO:
GF423. VINCENT - C Acoustic Guitar
key - C - vocal range - G to A
Wonderful song from Don McLean in a superb Acoustic Guitar arrangement. Stays in tempo all the way and lots of movement in the picking and strums. The guitar plugin used is Orangetree's Steel Strings.

VINCENT key C 4:43
4 bar intro then thru as per the same form as the original.

MP3 DEMO:
GF78. VINCENT - C Pianotrak
key - C - vocal range - G to A
2015 Pianotrak arrangement of this really lovely song by Don Maclean.
Very much "tell the story" as opposed to just singing it. Lots of rubato and slight tempo changes but it's easy to catch if you think about how you'd say it, rather than sing it... You'll see what I mean once you hear the demo....

WALK ON BY key C (first chord and implied key is Em) 3:13
8 bar intro; vocal thru as per ; string instr break ; vocal back in with "walk on by......walk on by...." ;etc. Same form as the hit version jsut a different feel.

MP3 DEMO:
GF107. WALK ON BY - Em
key - C - vocal range - E to A
Cool Livetrak contemporary arrangement of this Bacharach and David song.

WALK ON BY key Db (first chord and implied key is Fm) 2:50
4 bar intro, vocal thru as per original form - ad lib ending and finish.

MP3 DEMO:
GF18. WALK ON BY
key - Db - vocal range - F to Bb
Fantastic new version of the Hal David and Burt Bacharach gem.

WALKING ON SUNSHINE key Bb 3:13
8 bar intro and vocal in at 12 seconds, vocal through as per the original Katrina and the Waves form, in the original key.
At 3:05 finish with "and don't it feel good!".

MP3 DEMO:
GF455. WALKING ON SUNSHINE - Bb
key - Bb - vocal range - G to C (optional D)
A huge hit for Katrina and the Waves back in 1985 and such a popular feel good song for every generation. Here's a fresh arrangement, in the original key, bright and super punchy.

WASN'T IT GOOD key D 4:36
5 bar intro and vocal in at 20 seconds, continue through as per the original Tina Arena album version, at the very end (3:36) the track goes through the 4 bar groove section 3 times and finishes on Bm.

MP3 DEMO:
GF306. WASN'T IT GOOD - D Pianotrak
key - D - range - A to D
Wonderful ballad from Tina Arena's wonderful 1994 Don't Ask album, really gorgeous song and it works so well as a piano only arrangement. Original key.

WATERS OF MARCH key B 3:57
Cover version of the classic Sergio Mendes hit.

MP3 DEMO:
GF98. WATERS OF MARCH
key - B - vocal range - B to B
Cover arrangement of the classic Sergio Mendes tune. This version is from the "Brasil '88" album.

WE CAN BE KIND key A to Bb 4:42
8 bar intro and vocal in at 19 seconds, continue through as per the Nancy LaMott form and keys.

MP3 DEMO:
GF374. WE CAN BE KIND - A to Bb Piano
key - A to Bb - vocal range - F# to C
Gorgeous song from David Friedman, with a superb version by Nancy LaMott.
Here's a wonderful piano only arrangement in the LaMott keys, key change included.

WE'RE ALL ALONE key A 3:30
2 bar intro and vocal in at 9 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus from 2:08 with the tag section ("all's forgotten now... my love..."), repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

GF236. WE'RE ALL ALONE - A
key - A - vocal range - (optional E) A to C#
Gorgeous orchestral arrangement of the classic Boz Scaggs song, big hit for him and for Rita Coolidge.
Same arrangement as GF235 except a full tone higher.

WE'RE ALL ALONE key A 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF234. WE'RE ALL ALONE - A Pianotrak
key - A - vocal range - (optional E) A to C#
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement.
Same arrangement as GF232 except a full tone higher.

WE'RE ALL ALONE key F 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF233. WE'RE ALL ALONE - F Pianotrak
key - F - vocal range - (optional C) F to A
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement.
Same arrangement as GF232 except a full tone lower.

WE'RE ALL ALONE key G 3:30
2 bar intro and vocal in at 9 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus from 2:08 with the tag section ("all's forgotten now... my love..."), repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

GF235. WE'RE ALL ALONE - G
key - G - vocal range - (optional D) G to B
Gorgeous orchestral arrangement of the classic Boz Scaggs song, big hit for him and for Rita Coolidge.
 

WE'RE ALL ALONE key G 3:30
2 bar intro and vocal in at 8 seconds, continue through, chorus at 1:08, "once a story's told" at 1:40, continue through, chorus with the tag section ("all's forgotten now... my love...") from 2:08, repeat the chorus at 2:42, at 3:02 finish with "learn how to pretend.....".

MP3 DEMO:
GF232. WE'RE ALL ALONE - G Pianotrak
key - G - vocal range - (optiona D) G to B
Superlative song from Boz Scaggs, big hit for him and for Rita Coolidge. Here's a wonderful piano only arrangement in the original Rita Coolidge key.

WE'VE GOT TONIGHT key C 4:33
Same form as the original Bob Seger version, in a female key.

MP3 DEMO:
GF103. WE'VE GOT TONIGHT - C
key - C - vocal range - G to Bb
Great song that scored a massive hit for Bob Seger,  Kenny Rodgers and Sheena Easton and a few others.
This cool LIVETRAK arrangement demo starts as the whole "band" kicks in....

WE'VE GOT TONIGHT key C 4:59
4 bar intro, vocal in at 15 seconds, continue through as per the original Bob Seger form.

MP3 DEMO:
GF425. WE'VE GOT TONIGHT - C
key - C - vocal range - G to Bb
Superb 2022 arrangement with the "band" right in with the vocal. Sticks to the original Seger form.

WE'VE GOT TONIGHT key C 3:56
4 bar intro and vocal in at 15 seconds, vocal through as per the Bob Seger form except repeat chorus at the end (no breakdown) and at 3:31 go to "oh ohhhhhh, ohhhhhhh, why don't you stay...." and finish.

MP3 DEMO:
GF536. WE'VE GOT TONIGHT - C Acoustic Guitar
key - C - vocal range - G to Bb
Very lovely acoustic guitar arrangement of the massive Bob Seger gem, a bit brighter in tempo and with a slight latin vibe going on..

WHAT I'VE GOT IN MIND key F 2:52
Based on the original Billie Jo Spears version form and same key.

MP3 DEMO:
GF356. WHAT I'VE GOT IN MIND - F
key - F - vocal range - F to Bb
Classic country hit for Billie Jo Spears in 1976. Based on the original version.

WHAT'S GOING ON key G 3:58
8 bar intro and vocal in at 21 secs, continue thru, synth solo at 1:51, vocal back in at 2:34 with "mother mother, everybody thinks we're wrong....", continue thru - at 3:22 4 times "what's going on" and finish.

MP3 DEMO:
GF178. WHAT'S GOING ON - G
key - G - vocal range - G to B
Exceptional 80's swing funk feel to this new uber-cool arrangement of the classic Marvin Gaye song!

WHEN YOUR LIFE WAS LOW key A 5:38
Same form, feel and tempo as the LaLa Hathaway and Joe Sample version.

MP3 DEMO:
GF136. WHEN YOUR LIFE WAS LOW
key - A (original key) - vocal range - F# to B
Wonderful ballad, this version is based on the wonderful LaLa Hathaway and Joe Sample version, from their album "The Song Lives On". A very favourite song of mine!

WHENEVER YOU COME AROUND key B 4:12
Same form as the Vince Gill version, in a female key.

MP3 DEMO:
GF104. WHENEVER YOU COME AROUND - B
key - B - range - F# to G#
Great song from Vince Gill, in a fresh arrangement plus light strings.

WHERE DO BROKEN HEARTS GO key D to Eb 4:49
3 bar intro and vocal in at 12 seconds, vocal through as per the Whitney Houston original keys (key change after the bridge section) and form.

MP3 DEMO:
GF329. WHERE DO BROKEN HEARTS GO - D Pianotrak
key - D to Eb - range - A to D
Gorgeous piano only arrangement of the Whitney Houston ballad from her second album, in the original keys.

WHERE DO BROKEN HEARTS GO? key D to Eb 4:25
format same as per original except it's all uptempo!!!

MP3 DEMO:
GF58. WHERE DO BROKEN HEARTS GO?
key - D to Eb ( cover key) - vocal range - A to D (option Eb)
Fabulous and fresh uptempo arrangement of the classic Whitney Houston song with some tasty chord changes thrown in!

WHO'S CRYING NOW key Bm 4:31
8 bar intro, vocal thru as per the form (verse/chorus twice), bridge section, guitar solo, vocal back in for double chorus and finish.

MP3 DEMO:
GF81. WHO'S CRYING NOW
key - Bm - vocal range - B to D (suit higher female range)
Great song! Big hit for Journey but this cool version is based on Randy Crawford's.

WILL YOU STILL LOVE ME TOMORROW key C to Db 4:20
4 bar intro ; vocal thru ; no solo - back to " tonight with words..." ; key change and last verse ; repeat last line and finish.

MP3 DEMO:
GF42. WILL YOU STILL LOVE ME TOMORROW
key - C to Db - vocal range - A to Bb
This popular 60's classic is given a reworked, classy and slower Realtrak arrangement with a cool key change for the very last verse.