24 SYCAMORE key C 2:50
4 bar intro and vocal in at 9 seconds, continue through as per the Gene Pitney form.

GM955. 24 SYCAMORE
key - C - vocal range - B to F
A punchy and live recorded arrangement of the Gene Pitney, Wayne Fontana song in a lower key and a lot brighter in tempo.
Original Livetrak arrangement.

49 BYE BYES key B 5:07
Based on the original Crosby Stills and Nash version.

MP3 DEMO:
GM429. 49 BYE BYES
key - B - vocal range - original key
Based on the Crosby Stills and Nash original album version, without backing vocals.

99 MILES FROM LA key A and Am 3:48
10 bar intro, vocal in at 23 secs, continue thru the song, at 2:15 acoustic guitar solo and vocal back in at 2:46 with "the windshield is covered with rain..." continue and finish.

MP3 DEMO:
GM199. 99 MILES FROM LA
key - alternates between A and Am - vocal range - E to C - suit lower male range / higher female range
Really great song from Albert Hammond and Hal David. Love the Johnny Mathis version actually but I've always loved the song anyway.

99 MILES FROM LA key Bb (Bbm at the bridge) 3:30
4 bar intro and vocal in at 9 seconds, vocal through, guitar solo at 1:58, vocal back in at 2:28 with "the windshield is covered with rain.....", continue through and finish.

MP3 DEMO:
GM903. 99 MILES FROM LA - Bb Acoustic Guitar
key - Bb (Bbm at the bridge) - vocal range - F to Db
Great song from Albert Hammond and Hal David and covered by lots of great singers and musicians. Here's a super duper latin vibed acoustic guitar arrangement, great playing and staying in tempo all the way - love it! Same arrangement as GM902 except a full tone lower.

99 MILES FROM LA key C (Cm at the bridge) 3:30
4 bar intro and vocal in at 9 seconds, vocal through, guitar solo at 1:58, vocal back in at 2:28 with "the windshield is covered with rain.....", continue through and finish.

MP3 DEMO:
GM902. 99 MILES FROM LA - C Acoustic Guitar
key - C (Cm at the bridge) - vocal range - G to Eb
Great song from Albert Hammond and Hal David and covered by lots of great singers and musicians. Here's a super duper latin vibed acoustic guitar arrangement, great playing and staying in tempo all the way - love it!

A BETTER PLACE key G 3:38
4 bar intro and vocal in at 14 secs, continue thru the song, electric piano solo at 2:17, vocal back in at 2:44 with the bridge "one thing I know...", continue thru and finish.

MP3 DEMO:
GM366 A BETTER PLACE
key - G - range - D to D
Here's a very lovely and poignant Glen Campbell song, written for his 2011 album "Ghost on the Canvas". This version is loosely based on the Albert Lee cover of the song.
Note - there are light strings included as the song builds that you won't hear in the demo.
 

A DIFFERENT CORNER key Gb 3:17
4 bar intro, vocal through - no solos at all - vocal all the way. As per George Michael version but with a groove!

MP3 DEMO:
GM29. A DIFFERENT CORNER
key - Gb - vocal range - cover key
Nicely updated arrangement of the classic George Michael song, with a groove and a shorter form - no solos.

A GENTLEMAN'S EXCUSE ME key D 4:09
4 bar intro and vocal in at 16 seconds, continue through as per the live versions by Fish from Marillion. There are many but they all stick to a similar form and key.

MP3 DEMO:
GM760. A GENTLEMAN'S EXCUSE ME Piano
key - D
Solo album track by Fish (from the band Marillion), in a piano only arrangement, of which there are many live versions by Fish on youtube.

A HARD DAY'S NIGHT key C 2:36
piano lick and 4 bar intro, vocal in at 7 secs, vocal thru, sax solo at 1:25 over a verse, vocal back in at 1:45 with "when I'm home...", continue thru, repeat the last line "will make me feel alright.." 3 times and finish.

MP3 DEMO:
GM286. A HARD DAY'S NIGHT - C
key - C - vocal range - E to D
A cool new take on the Beatles classic!

A LITTLE BIT MORE key F 4:08
4 bar intro and vocal in at 12 seconds, vocal through as per the original form with a definite finish.

MP3 DEMO:
GM754. A LITTLE BIT MORE - F orchestral
key - F - vocal range - C to Eb
Gorgeous orchestral reworking of the Dr Hook 70's hit, a full tone down from the original Dr Hook key.

A LITTLE BIT MORE key G 3:54
4 bar intro and vocal in at 12 seconds, continue through as per the original form and in the original key.

MP3 DEMO:
GM756. A LITTLE BIT MORE - G
key - G - vocal range - D to F
Fresh arrangement of the classic Dr Hook hit, in the original key and form.

A PAINTER PASSING THROUGH key E 4:01
8 bar intro and vocal in at 11 seconds, continue through the same form as the original Gordon Lightfoot version, in the original key.

MP3 DEMO:
GM507. A PAINTER PASSING THROUGH
key - E - range - original key
Title song from Grdon Lightfoot's 1998 album, very similar arrangement and a tad slower..

A RAINY NIGHT IN GEORGIA key Gb 4:14
4 bar intro ; vocal thru as per ; 4 bar break after the bridge then back to a verse and chorus then repeat chorus and rall on the last line and finish.

MP3 DEMO:
GM58. A RAINY NIGHT IN GEORGIA - Gb
key - Gb - vocal range - Db to F
Fabulous song which scored a huge hit for Brook Benton and also covered by Randy Crawford. Nice Livetrak arrangement!

ABRAZAME Pianotrak key Am 4:14
5 bar intro; vocal thru as per the Julio Iglesias version; with a short piano solo; back to the bridge; continue and rall the last line and finish.

MP3 DEMO:
GM149. ABRAZAME - Am Pianotrak
key - Am - vocal range - D to F (suit higher range male)
Wonderful latin ballad, covered by Julios Iglesias and others. An intimate 2015 piano only arrangement.

ADIOS key D 3:44
Same form and similar arrangement to the Linda Ronstadt version - except in a typical male key.

MP3 DEMO:
GM259. ADIOS - D
key - D - vocal range - A to E
Male range version of the Linda Ronstadt version of the Jimmy Webb song.

ADORN key Eb 5:11
piano intro and vocal starts at 32 secs, continue thru - stays in tempo all the way with lots of pushes so a good solid vocal is needed. Loosely based on a cover version of the Miguel song, lots of ad libs at the end.

MP3 DEMO:
GM423. ADORN - Eb Pianotrak
key - Eb - vocal range - Eb to Bb (suit high male ranges)
Lovely piano only arrangement of the R & B Miguel hit from 2012. I loved the original when I heard it and equally love the piano and vocal covers on youtube by Andy Roda and Rudy Currence.

AIN'T NO STOPPIN' US NOW key Ab 3:55
16 bar intro (great opener!), vocal in at 34 seconds with "ain't no stoppin' us now...", verse starts at 51 seconds with "there's been so many things that held us down.....", continue through, bridge at 1:25 "don't you let nothing , nothing...", double chorus from 1:41, verse at 2:15, continue through, bridge at 2:48, double chorus from 3:05 and at 3:39 sing "ain't no stoppin' us now......" resolves to Abmaj7th.

MP3 DEMO:
GM921. AIN'T NO STOPPIN' US NOW - Ab
key - Ab - vocal range - (Ab) C to F (optional falsetto Bb and Ab "stand in your way...")
Here's a superb fresh arrangement of the McFadden & Whitehead 70's classic - fabulous groove going on and I've added a slight swing feel as well that just makes you want to dance. Now, it's in the original key but you do not need to do the super high "stand in your way" phrase, there is always a work around if you have the musicality to know what alternative notes to use. It's a wonderful song and it'll fill the floor everytime. Suitable for a typical pop male range.

AIN'T NO SUNSHINE key Fm to F#m 2:51
3 bar intro and vocal pick up at 11 secs, continue thru - the "I know I know I know" section at 1:03 is the same length as the verses so you can ad lib and lay back a bit and let the music keep things together. Key change at 1:26 and sing the first two verses again (omit the "I know" section) and repeat "anytime she goes away" at 2:17 and at 2:30 rall and sing "anytime she goes away" again and finish.

MP3 DEMO:
GM220. AIN'T NO SUNSHINE - Fm to F#m
key - Fm to F#m - vocal range - C to Eb
Very cool new arrangement of the Bill Withers hit, in a lower key with a key change, and the band included in the "I know" bridge section!

AIN'T THAT LOVING YOU (FOR MORE REASONS THAN ONE) key G 4:32
4 bar intro and vocal in at 15 secs, continue thru as per the Luther Ingram version.

MP3 DEMO:
GM337. AIN'T THAT LOVING YOU (FOR MORE REASONS THAN ONE)
key - G - vocal range - E to G
Great song from Luther Ingram, arrangement is loosely based on the original version, but a semitone lower.

ALL AT ONCE key C & Eb 4:14
6 bar intro and vocal in at 24 seconds, continue through as per Whitney Houston form until - very short piano solo at 3:43, vocal in at 3:53 with "and it hurts me more than you know.... all at once".

MP3 DEMO:
GM632. ALL AT ONCE - C Pianotrak
key - C (Eb for the chorus) - range - D to F
Very lovely piano only arrangement of the Whitney Houston hit from her first album. Same arrangement as GF327 except a full tone higher.

ALL MY LOVING key C 2:18
4 bar intro ; vocal thru as per original form and finish.

MP3 DEMO:
GM93. ALL MY LOVING - C
key - C - vocal range - C to C (optional E) Suit lower male ranges.
Fresh arrangement of the Beatles classic.

ALL NIGHT LONG key Ab 4:18
(shorter version) 8 bar intro, vocal straight thru as per the original Lionel Richie version but with a definite finish.

MP3 DEMO:
GM1. ALL NIGHT LONG
Key - Ab - vocal range - cover key.
Shorter version of the huge Lionel Richie hit.
Note - Backing Vocals are included.

ALL OR NOTHING AT ALL key Em 4:17
12 bar intro and vocal in at 31 seconds, vocal through, synth solo at 2:28, vocal back in at 3:08 with the chorus, same finish as the live Bobby Caldwell version here.

MP3 DEMO:
GM538. ALL OR NOTHING AT ALL (Bobby Caldwell) - Em
key - Em - range - E to E
A 90's smooth jazz gem from Bobby Caldwell and the live version at the youtube link above is stunning! The track is pretty much based on the live version but with a synth lead replacing the sax lines, and in a lower key. The original is in Abm and this is 2 full tones down.

ALL SHOOK UP key Ab 2:22
4 bar intro, vocal in at 7 secs, vocal thru, short guitar solo at 1:18, vocal back in at 1:38 with "my tongue get tied when I try to speak..", continue and finish.

MP3 DEMO:
GM221. ALL SHOOK UP - Ab
key - Ab - vocal range - Eb to Eb (optional F)
Great arrangement of the Elvis hit! A full tone down from the original.

ALL THE TIME key Ab 3:10
4 bar intro, vocal thru all the way as per the original form.

MP3 DEMO:
GM189. ALL THE TIME - Ab
key - Ab - vocal range - Bb to Db
Very lovely arrangement of the Barry Manilow song, in a lower key.

ALL THE TIME key Bb 4:08
4 bar intro and the vocal in at 15 seconds, vocal continues through, oboe solo at 2:40, vocal back in at 3:08 with "all the time, all the waste of time......all the years...", continue and finish.

MP3 DEMO:
GM518. ALL THE TIME - Bb
key - Bb - vocal range - C to Eb
Wonderful 2018 arrangement of the Barry Manilow song. A full tone lower than the original Manilow key.
 

ALL THE TIME key C 3:08
4 bar intro ; vocal thru as per original format - no solo - and finish.

MP3 DEMO:
GM94. ALL THE TIME Pianotrak
key - C - vocal range - D to F
Lovely Piano only arrangement of this wonderful Barry Manilow gem, original key.

ALL THE WAY (Journey) key C 3:49
Cover version of the classic Journey song - cover key.

MP3 DEMO:
GM142. ALL THE WAY (Journey)
key - C - vocal range - G to A (optional C's) - suit higher range male vocal!
Cover version of the classic Journey song, in the original key. Also available with the guitar solo removed.

 

ALL YOU WANNA DO IS DANCE key G 3:47
Copy version of the Billy Joel song from his 1976 album "Turnstiles", original key and with a definite ending.

MP3 DEMO:
GM394. ALL YOU WANT TO DO IS DANCE
key - G - vocal range - D to E
Copy version of the Billy Joel song from the album "Turnstiles".

ALMOST HOME key Bb 3:09
Similar arrangement to the original Stephen Bishop song from the Netflix 2018 movie "Benji - A Hero Comes Home"

MP3 DEMO:
GM778. ALMOST HOME
key - Bb - vocal range - original key
Theme song from the 2018 Netflix movie "Benji - A Hero Comes Home". Written by the wonderful Stephen Bishop of Tootsie ("It Might Be You") fame, one of my very favourite songs.

ALWAYS & FOREVER - key D 4:56
4 bar intro, vocal through as per the original form - no solo, big build over 1 bar and vocal goes back to "take time to tell me....", continue, ad lib and finish.

MP3 DEMO:
GM2. ALWAYS AND FOREVER
Key - D - vocal range A to F# - BV's included
Slower Livetrak arrangement of this superb Heatwave 70's ballad. Original Livetrak arrangement.

ALWAYS AND FOREVER key D 3:30
2 bar intro and vocal in at 10 seconds, vocal through the song, from 2:56 the ad lib section is only 4 bars, slow down and finish.

MP3 DEMO:
GM999. ALWAYS AND FOREVER - D Piano
key - D - vocal range - A to F#
A wonderful hit for Heatwave back in 1977, covered by various great singers including Luther Vandross. Here's a piano only arrangement without the extended ad lib section (the falsetto section), in the original key.

AMANDA key Eb to E 3:16
4 bar intro and thru as per the original form.

MP3 DEMO:
GM188. AMANDA orchestral version
key - Eb to E - vocal range - Bb to E
Wonderful song that scored a UK hit for Stuart Gillies in the 70's. This version is loosely based on that original version.

AMAZING GRACE key F to G 3:40
4 bar intro; vocal thru 2 verses; back to the 4 bar intro; bluesy piano solo over a verse; vocal back in after the key change for the last verse and finish.

MP3 DEMO:
GM129. AMAZING GRACE - F to G
key - F to G - vocal range - C to D
WONDERFUL smooth arrangement of this classic song - worship or otherwise.
Arranged with a 12/8 feel, smooth sounds and cool musicality, this really is a great track!
Key change for the very last verse.

AMERICA key - F to G to A 3:38
8 bar intro and vocal in at 17 seconds, continue through as per the original form in the original key, all key changes included.

MP3 DEMO:
GM794. AMERICA -  F to G to A Neil Diamond
key - F to G to A - vocal range - D to F (top note A briefly)
Superb arrangement, based on a live Neil Diamond version without the long orchestral intro. Original keys.

AMIGOS PARA SIEMPRE key C to Db 4:40
Same form and similar arrangement as the Des O'Connor version, in a lower key.

MP3 DEMO:
GM341. AMIGOS PARA SIEMPRE
key - C to Db - vocal range - G to Db
Lovely Des O'Connor track from his album "Portrait". This is a tone and a half down from his version. Also covered by Jose Carreras and Sarah Brightman.

ANGEL key A 3:56
4 bar intro ; vocal thru as per the Lionel Richie original version form, extended bridge section, ad lib ending and finish on "you're all I need to know -------------- tonight".

MP3 DEMO:
GM13. ANGEL
key - A - vocal range - D to F#
Lionel Richie dance tune from his album Renaissance.

ANGEL key Db to D to Eb 2:28
4 bar intro (latin feel), vocal thru, key change and short organ solo, vocal back in at "If I said I love you"..., continue, repeat "Angel", ad lib and finish.

MP3 DEMO:
GM148. ANGEL (Cliff Richard)
key - Db to D to Eb - vocal range - Bb to D
A typically 60's song, originally sung by Elvis but this version is very loosely based on the Cliff Richard version.
 

ANGEL FLYING TOO CLOSE TO THE GROUND key A 4:18
4 bar intro and vocal in at 13 seconds, continue through, acoustic guitar solo at 1:59, vocal back in at 2:52 with "fly on, fly on past, the speed of sound.....I'd rather see you up than see you down..", continue through, at 3:43 repeat - "so leave me if you need to...... I will always love you...... you're my angel....flying too close.....to the ground.." and finish.

MP3 DEMO:
GM614. ANGEL FLYING TOO CLOSE TO THE GROUND - A
key - A - range - A to D
Great arrangement of the Willie Nelson classic ballad, in his original key.

ANGELS (Robbie Williams) key C 4:04
2 bar intro and vocal in at 5 seconds, continue through as per the Robbie Williams form except at 2:54 the piano solo is only 7 bars long so the vocal comes back in at 3:16 with the chorus ("and through it all..")... continue and finish.

MP3 DEMO:
GM492. ANGELS (Robbie Williams) - C Pianotrak
key - C - range - (G optional lowest note) C to E
Superb piano only arrangement of the huge Robbie Williams hit.
Same arrangement as GM491 except a full tone lower.

ANGELS (Robbie Williams) key D 4:04
2 bar intro and vocal in at 5 seconds, continue through as per the Robbie Williams form except at 2:54 the piano solo is only 7 bars long so the vocal comes back in at 3:16 with the chorus ("and through it all..")... continue and finish.

MP3 DEMO:
GM491. ANGELS (Robbie Williams) - D Pianotrak
key - D - range - (A optional lowest note) D to F#
Superb piano only arrangement of the huge Robbie Williams hit.
 

ANGRY key Ab 2:00
4 bar intro and vocal in at 5 seconds, short guitar solo at 50 seconds, vocal back in at 1:02, same form as the original Frank Pisani version.

MP3 DEMO:
GM519. ANGRY
key - Ab - range - Eb to C
Great 1957 rock n roll gem from Frank Pisani. Original key and form

 

ANNIE GET YOUR GUN key D 3:26
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM342. ANNIE GET YOUR GUN
key - D - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

ANOTHER DAY IN PARADISE key Fm 4:34
8 bar intro and vocal in at 22 seconds, vocal through as per the original form, in the original key and with a definite finish.

MP3 DEMO:
GM723. ANOTHER DAY IN PARADISE - Fm
key - Fm - vocal range - F to F
Stunning orchestral and cinematic arrangement of this Phil Collins worldwide hit from 1989, slower in tempo and in the original key.

ANOTHER DAY IN PARADISE key Fm 4:08
8 bar intro and vocal in at 19 seconds, vocal through as per the Phil Collins form, in the original key.

MP3 DEMO:
GM992. ANOTHER DAY IN PARADISE - Fm Piano
key - Fm - vocal range - F to F
Superb piano only arrangement of the huge Phil Collins hit from 1989, in the original key.

ANOTHER DONE SOMEBODY WRONG SONG key Eb 3:41
colla intro - easy to catch - same form as the original.

MP3 DEMO:
GM152. ANOTHER DONE SOMEBODY WRONG SONG
key - Eb - vocal range - Ab to Db ( suit lower male range)
Cool fresh arrangement of the BJ Thomas hit.
 

ANOTHER SATURDAY NIGHT key E 2:56
8 bar intro ; vocal into the chorus ; verse ; chorus ; verse ; chorus ; SOLO ; chorus ; verse ; double chorus and finish.

MP3 DEMO:
GM83. ANOTHER SATURDAY NIGHT
key - E - vocal range - E to C#
Loosely based on the Jimmy Buffett version, but in a lower key - suitable for lower ranges.

ANYWAY key E 3:39
As per the Keb Mo version of his song - same form.

MP3 DEMO:
GM167. ANYWAY
 key - E - vocal range - as per the original Keb Mo version.
Really lovely song; written and performed by the great American blues singer, guitarist, and songwriter.
Lovely arrangement!

 

ARE YOU READY FOR LOVE key D 3:28
9 bar intro and vocal in at 19 seconds, continue through as per the original Elton John 1979 album version form with a definite ending. Original key.

MP3 DEMO:
GM607. ARE YOU READY FOR LOVE - D
key - D - range - D to F#
Fresh arrangement of the Elton John and the Spinners (of Detroit Spinners fame) hit song, in the original key.

AS I COME OF AGE key C 2:42
Based on the Stephen Stills original version.

MP3 DEMO:
GM430. AS I COME OF AGE
key - C - vocal range - original key
Based on the original Stephen Stills album version, no backing vocals.

AS key B 4:20
1 bar intro then "doooooooo..." as per Stevie version or let the piano take the full intro and vocal starts at 10 secs, vocal thru all the way - same form,continue,  at 3:53 back to the intro ("doooooo.. doooo doooo.."etc) and finish.

MP3 DEMO:
GM326. AS - Pianotrak
key - B - vocal range - Original Stevie Wonder key! (also suit female ranges)
Cool piano only arrangement of the Stevie Wonder gem, from his incredible album "Songs In The Key Of Life". Also covered by George Michael with Mary J Blige.. The original version is pretty long due to the extended choruses so this track is shortened, and an outro added.

AT THE HOP key Bb 2:42
4 bar intro then the "aaaaaaah's" section; continue; same format as the original and definite ending.

MP3 DEMO:
GM158. AT THE HOP
key - Bb - vocal range - D to D
Corny typical 50's tune, a masive hit for Danny and the Juniors.
New version in a lower key than the original.

AUBREY key G 3:52
4 bar intro and vocal in at 15 seconds, vocal through as per the original Bread form, same key.

MP3 DEMO:
GM530. AUBREY - G
key - G - range - D to G
Beautiful song from the wonderful David Gates of Bread, original key.
Very much based on the original arrangement.

BABY COME BACK key Eb 3:17
9 bar intro and vocal in at 26 seconds, vocal through and form as per the Stan Taylor & Brother Stone & the Get Down version, except no extra soloing and a definite finish. Original key.

MP3 DEMO:
GM1034. BABY COME BACK - Eb
key - Eb - vocal range - G to G (Bb & C falsetto section with an Eb and F super high falsetto!)
Wonderful song from the band Player who had a no.1 US hit in 1978. This arrangement is based on a really great  cover version, basically the same form, same original key with some small changes thrown in. It would suit a typical pop range and the bridge section can be taken down the octave vocally because the falsettos are super high. A great cover of a cover of a great song!

BABY I LOVE YOUR WAY key E to F 4:40
Same form as the Big Mountain version, same keys and key change, and a definite ending.

MP3 DEMO:
GM713. BABY I LOVE YOUR WAY - E to F
key - E to F - vocal range - E to F#
Great Peter Frampton song, with this arrangement based on the Big Mountain reggae version from 1994, same keys, key change included.

BACK IN LOVE AGAIN key D 4:52
Long intro at 18 bars , vocal in at 43 secs, same form and key as the Jeffrey Osborne live version of the L.T.D hit, without the extended ending.

MP3 DEMO:
GM361. BACK IN LOVE AGAIN
key - D - vocal range - original key
Very cool and funky arrangement, loosely based on a Jeffrey Osborne live version!
Checkout the Live version here: https://www.youtube.com/watch?v=Ypp-WWcRVtk

BACK IN STRIDE AGAIN key F 4:36
Same form as the MINT CONDITION version on youtube - see link below.. Definite ending.

MP3 DEMO:
GM307. BACK IN STRIDE AGAIN
key - F - vocal range - F to Ab (optional C!) suitable for high male ranges
Fabulous MAZE song but this arrangement is based on the MINT CONDITION version - check out the youtube link..
Great arrangement with a very cool but brief piano solo by yours truly..

BACKSTAGE key Eb 2:59
6 bar intro and vocal in at 12 seconds, vocal through - short instrumental break at 1:05 and into the bridge section at 1:12, continue through as per the form and at 1:57 instrumental break again and into the bridge again at 2:05, continue through, into the chorus and finish - leave out the big falsetto ending.

MP3 DEMO:
GM956. BACKSTAGE
key - Eb - vocal range - Eb to F
Punchy live recorded arrangement of the Geme Pitney hit, same key but a lot brighter in tempo. Orignal Livetrak arrangement.

BAD BAD LEROY BROWN key G 3:09
8 bar intro; vocal thru as per the Jim Croce version - no solo.

MP3 DEMO:
GM183. BAD BAD LEROY BROWN - Jim Croce
key - G - vocal range - D to B
This arrangement is loosely based on the Jim Croce version - same form and no key changes.
 

BAD MOON RISING key G 2:21
4 bar intro; vocal thru as per the same form as the original and finish.

MP3 DEMO:
GM124. BAD MOON RISING - G
key - G - vocal range - G to C (suit lower ranges)
Massive hit for Creedence Clearwater Revival. Cool and fresh arrangement in a much lower male key.

BEAUTIFUL key F (original key) 3:28
4 bar intro and vocal in at 15 secs, based on the same form and feel as the Bill Medley version.

MP3 DEMO:
GM245. BEAUTIFUL
key - F - vocal range - C to D
Lovely song, loosely based on the version covered by Bill Medley, original key.

BEAUTY AND THE BEAST key F to G 4:13
intro and vocal in at 15 secs, continue, short solo at 1:40 and vocal back in at 2:05 with "ever just the same.........ever a surprise......", continue and key change, vocal in at 2:37, vocal continues with a verse as per the original, rall the last line and finish.

MP3 DEMO:
GM200. BEAUTY AND THE BEAST
key - F to G - vocal range - A to D
Gorgeous song from the Disney animated movie of the same name. A really lovely arrangement with an easy key change and in a manageable male key.

BECAUSE IT'S REALLY LOVE key E 6:01
Arrangement is based on the Luther Vandross version, a semitone lower and a definite ending.

MP3 DEMO:
GM157. BECAUSE IT'S REALLY LOVE
key - E - vocal range - B to G# (optional A)
Great song from Luther Vandross - this key is a semitone down from his version.

BED OF ROSES key F 6:50
8 bar intro and vocal in at 35 seconds, continue through as per the Bon Jovi song form , in the original key.

MP3 DEMO:
GM1001. BED OF ROSES - F Piano
key - F - vocal range - F to Bb
Great song from Bon Jovi, in a piano only arrangement! Super high pop male range of course but equally suited to a female range.

BED OF ROSES key G 3:39
Based on the Kenny Rogers song, same form and key.

MP3 DEMO:
GM670. BED OF ROSES Kenny Rogers - G
key - G - vocal range - D to F
An album track from the Kenny Rogers 1991 album Back Home Again, same arrangement and same key.

BEESWING key F 3:55
Intro and vocal in at 12 seconds and continue through as per the Nathan Carter version, same arrangement and original key.

MP3 DEMO:
GM844. BEESWING
key - F - vocal range - D to D
Popular Irish song by Richard Thompson. This version is based on the Nathan Carter version.

BEFORE THE NEXT TEARDROP FALLS key G 3:24
4 bar intro and vocal in at 11 seconds, continue through - no solo - at 2:19 vocal goes back to "I'll be there anytime...", continue and at 3:01 repeat the last line and finish.

MP3 DEMO:
GM570. BEFORE THE NEXT TEARDROP FALLS - G
key - G - range - C to E
Fresh arrangement of the 1974 Freddy Fender hit. The original Freddy Fender key is Bb, this version is a tone and a half lower.

BETTER DAYS ARE COMING key D 3:36
Same form and key as the original Jimmy Cliff version.

MP3 DEMO:
GM749. BETTER DAYS ARE COMING
key - D - vocal range - A to B
Very similar arrangement to the original Jimmy Cliff version. Suit higher male pop ranges and typical female ranges.

BLUE ANGEL key Db 3:24
4 bar intro and vocal in at 4 seconds with 'when we were kids..", continue through as per the Gene Pitney version, slight slow down after the bridge at 2:06  "I found in your disguise......" at 2:12 there is a kick drum to get you back into the "lalalala" section, continue through the chorus and repeat the last line "you will always be a good old friend of mine" twice and then at 3:04 sing "you will always be (1 bar fill) and in with "a good old friend of mine" and finish.

MP3 DEMO:
GM957. BLUE ANGEL
key - Db - vocal range - Db to Eb
Gene Pitney hit in a punchy live recorded arrangement, and brighter in tempo than the original. Original Livetrak arrangement.

BLUE BAYOU key Eb 3:31
4 bar intro and vocal in at 9 seconds, vocal through the song, at 2:11 8 bar guitar instrumental and vocal back in to the chorus at 2:28, continue through and at 3:03 sing "I'll never be blue...my dreams come true...... on blue....... bayou....." and finish.

MP3 DEMO:
GM958. BLUE BAYOU - Eb
key - Eb - vocal range - Bb to F
Superb live recorded arrangement of the Roy Orbison massive hit, a full tone down from his key. Original Livetrak Arrangement.

BLUE SUEDE SHOES key F 2:09
4 bar intro; vocal thru verse and chorus twice ; guitar solo ; vocal back in for verse and chorus ; another guitar break; vocal back in for verse and chorus; then "blue blue...... blue suede shoes....; etc and finish.

MP3 DEMO:
GM108. BLUE SUEDE SHOES - F
key - F - vocal range - C to Eb (suit lower range male)
Cool arrangement of the Elvis hit, in a manageable male key.

BORN TO BE WITH YOU key G to Ab 2:42
guitar chord and vocal in at 3 seconds, into tempo on "you" at 14 seconds, vocal through, solo at 1:05, vocal back in at 1:28, continue and key change for the reprise at 1:49, continue and finish as per the Foster and Allen version.

MP3 DEMO:
GM449. BORN TO BE WITH YOU
key - G to Ab - vocal range - D to F
Arrangement based on the Foster and Allen version - https://www.youtube.com/watch?v=QO5MGuiEx_M
The original version was by Sonny James.

BRANDY (looking glass) key E 3:17
8 bar intro and vocal in at 15 seconds, continue through as per the original Looking Glass version form and original key, with a definite professional ending.

MP3 DEMO:
GM923. BRANDY - E
key - E - vocal range - B to E
Great arrangement of the 1972 hit for Looking Glass, in the original key, with the brass taking the backing vocal lines.