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Male Gigsville Backing Track Downloads

MALE general, pop, soul, MOR and easy listening tracks in Alphabetical order or use the Search box.

Male Gigsville Backing Track Downloads
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PROUD MARY key Bb 2:44
6 bar intro (main 4 bar intro then 2 bars); vocal thru two verses, then intro break, verse and double chorus, repeat "rolling...rolling......rolling on a river" and finish.

MP3 DEMO:
GM336. PROUD MARY - Bb
key - Bb - vocal range - G to D
Revamped arrangement of this classic Creedence Clearwater Revival gem, in a manageable Male key.

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PROUD MARY key G 2:39
6 bar intro (main 4 bar intro then 2 bars); vocal thru two verses; then intro break; verse and double chorus; repeat “rolling...rolling……rolling on the river” and finish.

MP3 DEMO:
GM89. PROUD MARY - G
key - G - vocal range - E to B
Fresh take on the Creedence Clearwater Revival hit. Suitable for lower range males and higher range females.

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PROUD MARY key G 2:29
6 bar intro, vocal in at 11 seconds, vocal thru two verses; then intro break; verse and double chorus; repeat “rolling...rolling……rolling on the river” and finish.

MP3 DEMO:
GM514. PROUD MARY - G version 2
key - G - vocal range - E to B - suit lower range male & higher female range
A punchy new version of the Creedence Clearwater Revival hit, in a lower key.

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PULLING MUSSELS FROM A SHELL key C 4:08
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM345. PULLING MUSSELS FROM A SHELL
key - C - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

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QUANDO QUANDO QUANDO key A to Bb 3:23
10 bar intro and vocal pickup on the 11th bar at 14 secs, continue thru as per the Engelbert form, including the key change, with a definite ending.

MP3 DEMO:
GM293. QUANDO QUANDO QUANDO
key - A to Bb - vocal range - C# to Eb
Great version, loosely based on the Engelbert Humperdinck version but in a lower key!

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RED key E 4:07
2 bar intro; thru as per the original form; shorter ending and finish.

MP3 DEMO:
GM118. RED
key - E - vocal range - E to G#
Wonderful song from Daniel Merriweather in a cool Trio version. Original key.

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RED RED WINE key A 2:58
4 bar intro and vocal in at 9 secs, same form as the UB40 version but in a lower key, definite ending.

MP3 DEMO:
GM313. RED RED WINE - A
key - A - vocal range - D to D
Loosely based on the UB40 version of this Neil Diamond song, but in a lower key.

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RED RED WINE key G 2:58
4 bar intro and vocal in at 9 secs, same form as the UB40 version but in a much lower key, definite ending.

MP3 DEMO:
GM314. RED RED WINE - G
key - G - vocal range - C to C
Loosely based on the UB40 version of this Neil Diamond song, but in a lower key.
Same arrangement as GM313 but a tone lower.

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REMEMBER ME key F 2:17
4 bar intro and vocal in at 12 seconds, vocal through all the way, based on the version by AJ Rafael, same key.

MP3 DEMO:
GM712. REMEMBER ME (from Coco) Piano
key - F - vocal range - A to G
Gorgeous song from the Disney Pixar movie Coco. Here's a piano only arrangement that's based on a wonderful version by AJ Rafael on youtube.

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REMINISCING key G 4:26
4 bar intro, vocal in at 11 secs, continue, same form as the MADISON AVENUE version.

MP3 DEMO:
GM254. REMINISCING
key - G - vocal range - Eb to E
Cool take on the "Madison Avenue" version of Reminiscing. Summer grooves and great live feel!

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RETURN TO SENDER key C 2:21
4 bar intro and vocal in at 9 secs, same form as the Elvis version, in a lower key.

MP3 DEMO:
GM428. RETURN TO SENDER - C
key - C - vocal range - E to D
Fresh arrangement of the Elvis Classic, with the horn section taking the backing vocal sections!
The Elvis original key is Eb. This version is suitable for lower male ranges.

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RIGHT HERE WAITING key Bb 4:11
As per Richard Marx original form, a full tone lower than the original key.

MP3 DEMO:
GM38. RIGHT HERE WAITING
key - Bb - vocal range - F to F
Wonderful Richard Marx hit in a fresh arrangement, a full tone lower than the original.

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RIVERS OF BABYLON key Ab to Bb 2:54
8 bar intro and vocal in at 14 secs, continue thru same form as the Boney M version , except key change for the very last double chorus, and finish.

MP3 DEMO:
GM280. RIVERS OF BABYLON
key - Ab to Bb - vocal range - Eb to Eb (optional Ab)
Very cool arrangement of the old Boney M hit. Brighter tempo, key change for the last chorus and suitable for a higher male range.

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ROCK AND ROLL YOU'RE BEAUTIFUL key Ab 3:13
8 bar intro and vocal in at 16 secs, continue thru, double chorus and finish.

MP3 DEMO:
GM383. ROCK AND ROLL YOU'RE BEAUTIFUL - Ab
key - Ab - vocal range - Ab to C - suits lower male range
Lovely song that scored minor hits for Mike Redway and Normie Rowe in Australia. The original key is Eb.

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ROCK AND ROLL YOU'RE BEAUTIFUL key Bb 3:13
8 bar intro and vocal in at 16 secs, continue thru, double chorus and finish.

MP3 DEMO:
GM384. ROCK AND ROLL YOU'RE BEAUTIFUL - Bb
key - Bb - vocal range - Bb to D - suits lower male range
Lovely song that scored minor hits for Mike Redway and Normie Rowe in Australia. The original key is Eb.
Same arrangement as GM383 except a full tone higher.

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ROCK AROUND THE CLOCK key E 2:14
1 bar intro for vocal in - "one two three o'clock"...; continue ; thru full song ; gtr solo ; vocal back in and continue - same form as original - and finish.

MP3 DEMO:
GM90. ROCK AROUND THE CLOCK - E
key - E - vocal range - E to D - suit lower range male
Fresh arrangement of the huge Bill Hailey hit.

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ROCKIN' PNEUMONIA AND THE BOOGIE WOOGIE FLU key Ab 2:34
2 bar intro; vocal thru; ad lib where needed and finish.

MP3 DEMO:
GM144. ROCKIN' PNEUMONIA AND THE BOOGIE WOOGIE FLU - Ab
key - Ab - vocal range - Eb to C - suit lower range male
Cool take on this old hit for Johnny Rivers; but I LOVE the Jimmy Barnes version - that lazy "New Orleans-like" feel from the band is so fantastic!
 

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ROSE GARDEN key Ab 3:12
4 bar intro and vocal in at 6 seconds, vocal through as per the original Lynn Anderson version form and with a definite finish.

MP3 DEMO:
GM719. ROSE GARDEN - Ab
key - C - vocal range - Eb to F
Based on the original Lynn Anderson hit version of this popular floor filler, and with a definite finish.

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SAVE THE LAST DANCE FOR ME key C 2:33
4 bar intro and vocal in at 7 secs, same form as the Neil Diamond version and with a definite ending.

MP3 DEMO:
GM232. SAVE THE LAST DANCE FOR ME
key - C - range - G to C (optional E)
Loosely based on the Neil Diamond version of the classic Drifters hit, hence the lower key.

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SAVE THE LAST DANCE FOR ME (Cliff Richard) key D to E 3:48
Intro and vocal in at 19 secs, continue thru, band and guitar solo at 2:23 and key change, vocal back in at 2:41 with "you can dance, go and carry on....", repeat the last line 4 times and finish.

MP3 DEMO:
GM381. SAVE THE LAST DANCE FOR ME (Cliff Richard)
key - D to E - vocal range - A to F#
Based on the Cliff Richard version from 1967, same form and keys.

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SEA OF HEARTBREAK key A 3:36
Based on a Joe Brown concert version - click on the YouTube link below to check it out. The key is a full tone higher.

MP3 DEMO:
GM281. SEA OF HEARTBREAK
key - A - vocal range - C# to F#
Arrangement based on a Joe Brown live version, but a full tone higher.

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SEALED WITH A KISS key Cm 2:45
4 bar intro and vocal in at 10 seconds, continue through - no solo - at 1:44 go back to "I'll see you in the sunlight..", continue through and at 2:31 repeat the last line and finish.

MP3 DEMO:
GM647. SEALED WITH A KISS - Cm
key - Cm - vocal range - C to C
Big orchestral arrangement of the 1962 hit for Brian Hyland. Same arrangement as GM646 except a full tone lower.

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SEALED WITH A KISS key Dm 2:45
4 bar intro and vocal in at 10 seconds, continue through - no solo - at 1:44 go back to "I'll see you in the sunlight..", continue through and at 2:31 repeat the last line and finish.

MP3 DEMO:
GM646. SEALED WITH A KISS - Dm
key - Dm - vocal range - D to D
Big orchestral arrangement of the 1962 hit for Brian Hyland.

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SEE THE CHANGES key G 3:03
Same form as the original Crosby Stills and Nash album version.

MP3 DEMO:
GM586. SEE THE CHANGES
key - G - vocal range - original key and range
Superb take on the Crosby Stills and Nash classic from the album CSN.

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SEPTEMBER MORN key Db to Eb  4:08
Piano intro and vocal in at 10 secs, vocal into the main tempo at 47 secs, continue thru the same form as the original, including the key change at 2:28 after the short solo, continue thru and finish.

MP3 DEMO:
GM365. SEPTEMBER MORN - Db to Eb
key - Db to Eb - vocal range - Gb to C (optional Eb)
Very lovely orchestral arrangement of the Neil Diamond classic. This is a full tone lower than the original recording key.

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SEPTEMBER MORN key Eb to F 4:08 - original key
Piano intro and vocal in at 10 secs, vocal into the main tempo at 47 secs, continue thru the same form as the original, including the key change at 2:28 after the short solo, continue thru and finish.

MP3 DEMO:
GM364. SEPTEMBER MORN - Eb to F
key - Eb to F - vocal range - Ab to D (optional F)
Very lovely orchestral arrangement of the Neil Diamond classic.
 

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SHAKE RATTLE AND ROLL key C 2:27
4 bar intro, vocal in at 5 secs, continue thru, sax solo at 1:19, vocal back in at 1:33, continue, double chorus at the end and finish.

MP3 DEMO:
GM225. SHAKE RATTLE AND ROLL
key - C - vocal range - C to C (suit lower ranges)
Cool version of the rock and roll classic - brighter in tempo and swingin!

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SHE BELIEVES IN ME key Bb 4:45
4 bar intro ; vocal thru as per original including the original ending.
(Nice "stop" during the last chorus).

MP3 DEMO:
GM54. SHE BELIEVES IN ME - Bb
key - Bb - vocal range - F to Eb
Great Kenny Rogers hit ; given a nice ; slower ; laidback Original Livetrak arrangement.

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SHE BELIEVES IN ME key Ab 4:56
4 bar intro and vocal in at 15 seconds, vocal through as per the original Kenny Rogers version form.

MP3 DEMO:
GM642. SHE BELIEVES IN ME - Ab Piano
key - Ab - vocal range - Eb to Db
Wonderful song that scored a massive hit for Kenny Rogers. Here is a very lovely piano only arrangement, more intimate and slower in tempo. Same arrangement as GM641 except a full tone lower.

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SHE BELIEVES IN ME key Bb 4:56
4 bar intro and vocal in at 15 seconds, vocal through as per the original Kenny Rogers version form, in the original key.

MP3 DEMO:
GM641. SHE BELIEVES IN ME - Bb Piano
key - Bb - vocal range - F to Eb
Wonderful song that scored a massive hit for Kenny Rogers. Here is a very lovely piano only arrangement, more intimate and slower in tempo.
 

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SHE LOVES YOU key Db 2:31
chord and two bar pick up leading to chorus - "she loves you yeah yeah yeah; ;etc" ; basically the same form as the Beatles version.

MP3 DEMO:
GM103. SHE LOVES YOU
key - Db - vocal range - Bb to Db (optional Ab falsetto)
Nice arrangement of the Beatles classic. Suit lower male ranges.

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SHE'S ALWAYS A WOMAN TO ME key C 3:28
Same form as the Billy Joel version except a tone and a half lower.

MP3 DEMO:
GM375. SHE'S ALWAYS A WOMAN TO ME - C Pianotrak
key - C - vocal range - B to F
Lovely piano only arrangement of the Billy Joel classic, a tone and a half lower than the original key.

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SHE'S ALWAYS A WOMAN TO ME key Eb 3:28
Same form as the Billy Joel version.

MP3 DEMO:
GM374. SHE'S ALWAYS A WOMAN TO ME - Eb Pianotrak
key - Eb - vocal range - D to Ab
Lovely piano only arrangement of the Billy Joel classic, in the original key.

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SHE'S LIKE THE WIND key F 4:06
8 bar intro; vocal form thru as the original; ad libs at the end and definite ending - back to the intro and finish.

MP3 DEMO:
GM113. SHE'S LIKE THE WIND
key - F (Dminor) - vocal range - F to D (optional A at the very end (female BV in the original takes this)
Really cool arrangement of the Patrick Swayze hit from "Dirty Dancing".
A tone lower than than the original.

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SHE'S THE ONE key F 4:12
4 bar intro and vocal in at 12 seconds, same as the Robbie Williams form.

MP3 DEMO:
GM563. SHE'S THE ONE - F orchestral
key - F - vocal range - C to D (optional F)
Gorgeous orchestral arrangement of the Robbie Williams big hit, in a more manageable male key.
Same arrangement as GM562 except a full tone lower.

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SHE'S THE ONE key G 4:12
4 bar intro and vocal in at 12 seconds, same as the Robbie Williams form.

MP3 DEMO:
SHE'S THE ONE - G orchestral
key - G - vocal range - D to E (optional G falsetto)
Gorgeous orchestral arrangement of the Robbie Williams big hit, in a more manageable male key.

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SHOUT key C 3:03
piano fill and cue for vocal in; into tempo and thru as per the LULU version; same big finish!
TIP - once the track kicks in it's not easy to get the vocal in so the best option is to leave 2 beats and then come in - instead of singing "you know you make me wanna" simply sing"you make me wanna.." and you're in!

MP3 DEMO:
GM140. SHOUT - C
key - C - vocal range - G to G (optional top C falsetto!)
I know what you're thinking........... it works for the guys!! honest!
The old Lulu classic in a cool arrangement.........and a male key!
EASY TIP  - once the tempo track starts then vocal could come in after the 2nd beat - "you make me wanna shout!".
 

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SIMPLE MAN key C 2:20
Same form as the original Graham Nash version, fiddle solo included.

MP3 DEMO:
GM445. SIMPLE MAN
key - C - vocal range - original key
Cover version of the Graham Nash (from Crosby Stills and Nash fame) song.

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SIMPLY THE BEST key Ab to Bb 5:07
4 bar intro, vocal in at 9 secs, continue thru as per the original except No Sax Solo - so go right into the Chorus at the key change - you can even leave a bar before you come in, there's a great breakdown section for "audience participation" as well at 3:38. So after the key change the chorus is 3 times in total and finish.

MP3 DEMO:
GM294. SIMPLY THE BEST
key - Ab to Bb - vocal range - Eb to Eb (optional F)
Great arrangement of the massive Tina Turner hit, in a manageable male key.
Please note this version does not contain a SAX SOLO or soloing space. Same song form without the solo section.

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SING key Bb 2:51
8 bar intro and vocal in at 14 seconds, continue through the song TWICE - staying in the same key all the way and with a definite ending.

MP3 DEMO:
GM682. SING - Bb
key - Bb - vocal range - C to Eb
Based on the original Carpenters arrangement, without the change of key to allow the kids choir to join in on the original Carpenters version - this track stays in the same key all the way so you can sing it twice through.
Same arrangement as GM681 except a full tone lower.

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SING key C 2:51
8 bar intro and vocal in at 14 seconds, continue through the song TWICE - staying in the same key all the way and with a definite ending.

MP3 DEMO:
GM681. SING - C
key - C - vocal range - D to F
Based on the original Carpenters arrangement, without the change of key to allow the kids choir to join in on the original Carpenters version - this track stays in the same key all the way so you can sing it twice through.

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SMOOTH OPERATOR key Gm 4:17
bass pickup and 8 bar intro, vocal in at 18 seconds, continue through as per the original Sade form.

MP3 DEMO:
GM484. SMOOTH OPERATOR - Gm
key - Gm - vocal range - D to D
Classic Sade hit in a typical male range! Also available with the sax removed via the No Solo section.

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SNOWBIRD key C 3:01
5 bar intro and vocal in at 12 seconds, continue through 2 verses and a chorus, verse 3 in at 1:26, chorus at 1:51 and repeat the chorus at 2:14, add the end tag ("yes If i could you know that I would fly.....") at 2:39 and finish. Basically the same as the Anne Murray form but with an extra chorus added.

MP3 DEMO:
GM776. SNOWBIRD - C
key - C - vocal range - G to C
The Classic Anne Murray hit in a slower and more MOR arrangement.

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SNOWBIRD key D 3:01
5 bar intro and vocal in at 12 seconds, continue through 2 verses and a chorus, verse 3 in at 1:26, chorus at 1:51 and repeat the chorus at 2:14, add the end tag ("yes If i could you know that I would fly.....") at 2:39 and finish. Basically the same as the Anne Murray form but with an extra chorus added.

MP3 DEMO:
GM777. SNOWBIRD - D
key - D - vocal range - A to D
The Classic Anne Murray hit in a slower and more MOR arrangement.
Same arrangement as GM776 except a full tone higher.

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SO BEGINS THE TASK key C 3:45
Same form except for double chorus at the end and finish - no extended soloing. Original key.

MP3 DEMO:
GM446. SO BEGINS THE TASK
key - C - vocal range - original key
Cover version of the Stephen Stills song from his 1972 album Manassas.

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SOLITAIRE key Bb 5:23
2 bar intro and vocal in at 9 secs, continue thru - vocal all the way thru the song. Repeat the chorus the at 4:03, rall the last line at 4:54 and finish.

MP3 DEMO:
GM255. SOLITAIRE - Bb Pianotrak
key - Bb - vocal range - Bb to Eb
Neil Sedaka's songs are always a joy to play and sing, and they don't come much better than this wonderful ballad, in a very lovely piano only arrangement.

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SOLITAIRE key Db 4:45
4 bar intro and vocal in at 15 seconds, continue through the song, at 4:00 sing " and solitaire's the only game in town.. and every road that takes him, takes him down...... while life goes on around him everywhere..... he's playing solitaire" and finish.

MP3 DEMO:
GM442. SOLITAIRE - Db groove
key - Db - vocal range - Db to Gb
Fabulous R n B groove based reworking of this Neil Sedaka gem, with cool synth lead lines, Rhodes piano, gritty snare and a great groove. Same arrangement as GF207 except a full tone lower.

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SOLITARY MAN key Dm 2:56
same form as the Neil Diamond except double chorus at the end and finish.
A full tone lower than the original version.

MP3 DEMO:
GM163. SOLITARY MAN
key - Dm - vocal range - C to D
Neil Diamond song; fresh arrangement with a double chorus at the end and definite ending.
A tone lower than the original.
 

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SOME FANTASTIC PLACE key G 4:36
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM345. SOME FANTASTIC PLACE
key - G - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

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SOMEBODY'S BABY key B 4:00
Based on a Live cover version of the Jackson Browne song.

MP3 DEMO:
GM734. SOMEBODY'S BABY
key - B - vocal range - B to D#
Jackson Browne song, also used in the 1982 movie Fast Time At Ridgemont High. This version is based on a Cover Version on youtube by Mike Sheppard.

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SOMEONE SHOULD TELL YOU key Bb to Db 3:44
4 bar intro and vocal in at 13 seconds, vocal continue through as per the original Lemar version form, key change included. Two full tones down from the original key.

MP3 DEMO:
GM643 SOMEONE SHOULD TELL YOU - Bb
key - Bb to Db - range - F to F
Great ballad that scored a hit for UK soul singer Lemar (great singer!).

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SOMEONE SHOULD TELL YOU key C to Eb 3:44
4 bar intro and vocal in at 13 seconds, vocal continue through as per the original Lemar version form, key change included. A full tone down from the original key.

MP3 DEMO:
GM644. SOMEONE SHOULD TELL YOU - C
key - C to Eb - range - G to G
Great ballad that scored a hit for UK soul singer Lemar (great singer!). A full tone down from the original key.

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SOMEONE TO REMEMBER ME key B to Db to Eb
Based on a Russell Watson concert version, same arrangement, in lower keys.

MP3 DEMO:
GM746. SOMEONE TO REMEMBER ME - B to Db to Eb
key - B to Db to Eb - vocal range - F# to Eb (optional F)
Big song by popular UK vocalist Russell Watson. Similar orchestral arrangement in more manageable keys.
Same arrangement as GM745 except 2 full tones lower than the original.

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SOMEONE TO REMEMBER ME key Eb to F to G
Based on a Russell Watson concert version, same arrangement and keys.

MP3 DEMO:
GM745. SOMEONE TO REMEMBER ME - Eb to F to G
key - Eb to F to G - vocal range - Bb to G (optional A)
Big song by popular UK vocalist Russell Watson. Similar orchestral arrangement and in the original keys.

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SOMEONE YOU LOVED Bb 3:08
4 bar intro and vocal in at 9 seconds, same form as the Lewis Capaldi version.

MP3 DEMO:
GM565. SOMEONE YOU LOVED - Bb
key - Bb - range - C to G
Full band fresh and punchy arrangement of the massive Lewis Capaldi hit.
Same arrangement as GM564 except a tone and a half lower to a more manageable male key.

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SOMEONE YOU LOVED Db 3:08
4 bar intro and vocal in at 9 seconds, same form as the Lewis Capaldi version. Original key.

MP3 DEMO:
GM564. SOMEONE YOU LOVED - Db
key - Db - range - Eb to Bb
Full band fresh and punchy arrangement of the massive Lewis Capaldi hit. Original key and also suitable for female ranges.

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SOMETHING ABOUT THE WAY YOU LOOK TONIGHT key Gb 3:46
Same form and key as the Elton John version.

MP3 DEMO:
GM171. SOMETHING ABOUT THE WAY YOU LOOK TONIGHT
key - Gb - vocal range - Gb to Gb
Elton John hit in the cover key. Original Livetrak arrangement.
 

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SOMETHING'S GOTTEN HOLD OF MY HEART key Dm 3:49
Same form as the Gene Pitney version but in a lower key.

MP3 DEMO:
GM176. SOMETHING'S GOTTEN HOLD OF MY HEART
key - Dm - vocal range - (optional A) C# to F
Cool arrangement of this massive hit for Gene Pitney. In a much lower key; but still a big range!
 

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SOMETIMES WHEN WE TOUCH key A 4:14
3 bar intro (half time feel) and vocal in at 12 seconds, continue through the full song and finish.

MP3 DEMO:
GM506. SOMETIMES WHEN WE TOUCH - A Pianotrak
key - A - range - B to D
Lovely piano only arrangement of the classic Dan Hill worldwide hit, more suitable for a lower male range.
Same arrangement as GM505 except a full tone higher.

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SOMETIMES WHEN WE TOUCH key G 4:14
3 bar intro (half time feel) and vocal in at 12 seconds, continue through the full song and finish.

MP3 DEMO:
GM505. SOMETIMES WHEN WE TOUCH - G Pianotrak
key - G - range - A to C
Lovely piano only arrangement of the classic Dan Hill worldwide hit, more suitable for a lower male range.

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SOMEWHERE IN TIME key A 4:08
5 bar intro and vocal in at 12 seconds, continue through staying in tempo, same form as the Michael Crawford version, in a lower key.

MP3 DEMO:
GM648. SOMEWHERE IN TIME - A
key - A - vocal range - F# to E (huge vocal range)
Based on the Michael Crawford version (using all synths) of the wonderful John Barry theme from the movie "Somewhere In Time". The original key is C.

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SOMEWHERE IN TIME key G 4:08
5 bar intro and vocal in at 12 seconds, continue through staying in tempo, same form as the Michael Crawford version, in a lower key.

MP3 DEMO:
GM649. SOMEWHERE IN TIME - G
key - G - vocal range - E to D (huge vocal range)
Based on the Michael Crawford version (using all synths) of the wonderful John Barry theme from the movie "Somewhere In Time". The original key is C.
Same arrangement as GM648 except a full tone lower.

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 SONG SUNG BLUE key Db 3:38
4 bar intro, vocal thru as per the original form, back to the intro and finish.

MP3 DEMO:
GM195. SONG SUNG BLUE
key - Db - vocal range - Ab to Db
Loosely based on the original Neil Diamond version, but with a definite ending.

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SORRY SEEMS TO BE THE HARDEST WORD key Gm 3:38
4 bar intro ; vocal thru as per "BLUE" version ; harmonica solo ; vocal back in for last verse and finish.

MP3 DEMO:
GM60. SORRY SEEMS TO BE THE HARDEST WORD
key - Gm - vocal range - Bb to Bb (falsetto).
Really cool take on the Elton John classic - the format is based on the BLUE boyband version but the arrangement is all mine.
Note - high Male key and also suitable for lower Female ranges.

Price:
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SOS (STOP HER ON SIGHT) key D 2:40
6 bar intro as per the original, vocal in at 11 secs, continue thru as per the original form, 4 time repeat of "hey hey I'm sending........out an SOS" and finish.

MP3 DEMO:
GM214. SOS (STOP HER ON SIGHT)
key - D - vocal range - A to F# (optional B falsetto)
Great arrangement of this great song from Edwin Starr, in a much lower key.
The male lead can do all the parts and sing the song right thru - no female BV's needed.

Price:
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SPACE ODDITY key Bb 4:44
4 bar intro and vocal in at 15 seconds, vocal through as per the original but with a definite ending, and the track stays in tempo all the way.

MP3 DEMO:
GM627. SPACE ODDITY - Bb
key - Bb - range - A to Eb
The David Bowie worldwide hit in a superbly fresh arrangement.
Same arrangement as GM626 except a full tone lower.

Price:
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SPACE ODDITY key C 4:44
4 bar intro and vocal in at 15 seconds, vocal through as per the original but with a definite ending, original key and the track stays in tempo all the way.

MP3 DEMO:
GM626. SPACE ODDITY - C
key - C - range - B to F
The David Bowie worldwide hit in a superbly fresh arrangement, in the original key.

Price:
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SPANISH EYES key A to B to Ab 3:14
Orchestral intro and vocal in 14 secs, continue thru as per the Jerry Vale version.

MP3 DEMO:
GM357. SPANISH EYES
key - A to B then Ab - vocal range - B to F#
Based on the Jerry Vale arrangement, which is really very good with a good use of key changes.
https://www.youtube.com/watch?v=9a1gL9-AMtc

Price:
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SPEED OF THE SOUND OF LONELINESS key A 3:26
16 bar intro and vocal in at 23 seconds, continue through as per the original John Prine form, guitar solo at 1:56, vocal back in at 2:18 with the last verse and chorus, repeat the last line 3 times and finish.

MP3 DEMO:
GM460. SPEED OF THE SOUND OF LONELINESS - A
key - A - vocal range - E to C#
John Prine song from his album "German Afternoons".
Same arrangement as GM459 except a full tone higher.

Price:
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SPEED OF THE SOUND OF LONELINESS key G 3:26
16 bar intro and vocal in at 23 seconds, continue through as per the original John Prine form, guitar solo at 1:56, vocal back in at 2:18 with the last verse and chorus, repeat the last line 3 times and finish. Original key.

MP3 DEMO:
GM459. SPEED OF THE SOUND OF LONELINESS - G
key - G - vocal range - D to B
John Prine song from his album "German Afternoons".

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SPOOKY key Dm 3:07
8 bar intro (4 bar pickup then 4 for the key and groove to settle!); vocal thru as per; the SOLO moves to Gm - guitar solo -  then back to Dm for the vocal to come back in; continue; tag the last line/ad lib the ending and finish.

MP3 DEMO:
GM104. SPOOKY - Dm
key Dm - vocal range - D to D
Great tune in a cool arrangement.
 

Price:
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SPOTLIGHT key Dbm 4:49
8 bar intro and vocal in at 16 seconds, continue through the same form as the original Jennifer Hudson version, in the original key.

MP3 DEMO:
GM747. SPOTLIGHT - Dbm
key - Dbm - vocal range - B to E
Superb arrangement of the wonderful Jennifer Hudson hit, same form and in a typical male key.
Same arrangement as GF386 except a full tone higher.

Price:
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STAGGER LEE key Bb 2:41
piano intro into the colla verse and into tempo ; same form as the original and finish.

MP3 DEMO:
GM128. STAGGER LEE - Bb
key - Bb - vocal range - F to D
Huge R'n'B hit back in the 50's for Lloyd Price, in a lower male key.

Price:
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STAIRWAY OF LOVE key F to F# 2:01
8 bar intro and vocal in at 9 secs, continue thru - no solo - back to the bridge at 1:17, key change for the last verse, repeat "the stairway of love" 3 times and finish.

MP3 DEMO:
GM282. STAIRWAY OF LOVE
key F to F# - vocal range - C to D#
Corny old hit covered by Marty Robbins, Alma Coogan and Michael Holliday.

Price:
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STAND BY ME key Eb 3:05
8 bar intro; vocal thru - same form as the original version; includes the short string instrumental;
continue with the chorus and finish.

MP3 DEMO:
GM147. STAND BY ME - Eb
key - Eb - vocal range - Eb to Eb
The classic Ben E King hit in a cool fresh arrangement.
 

Price:
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STARS key Eb 4:22
8 bar intro and vocal in at 21 seconds, vocal through, same form as the Simply Red version.

MP3 DEMO:
GM567. STARS - Eb
key - Eb - range - Bb to F (optional G falsetto)
Great pop trio arrangement of the Simply Red classic 90's hit. Great feel, nice breakdowns, slightly slower tempo and a groove!
Same arrangement as GM566 except a full tone lower.

Price:
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STARS key F 4:22
8 bar intro and vocal in at 21 seconds, vocal through, same form as the Simply Red version. A full tone lower than the original key.

MP3 DEMO:
GM566. STARS - F
key - F - range - C to G (optional A falsetto)
Great pop trio arrangement of the Simply Red classic 90's hit. Great feel, nice breakdowns, slightly slower tempo and a groove!
 

Price:
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STOP CRYING YOUR HEART OUT key C 3:44
2 bar intro and vocal in at 5 seconds, continue through as per the OASIS version form in the original key, with a definite finish.

MP3 DEMO:
GM686. STOP CRYING YOUR HEART OUT - C
key - C - vocal range - A to E
Wonderful piano and orchestral arrangement of the Oasis hit.
Same arrangement as GM685 except a full tone lower.

Price:
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STOP CRYING YOUR HEART OUT key D 3:44
2 bar intro and vocal in at 5 seconds, continue through as per the OASIS version form in the original key, with a definite finish.

MP3 DEMO:
GM685. STOP CRYING YOUR HEART OUT - D
key - D - vocal range - B to F#
Wonderful piano and orchestral arrangement of the Oasis hit, original key.

Price:
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STOP LOVING ME STOP LOVING YOU key F 4:41
chord - vocal straight in with chorus ; format the same as the Daryl Hall version. Solo included. Double chorus at the end and finish.

MP3 DEMO:
SM5. STOP LOVING ME STOP LOVING YOU
key - F - vocal range - C to F
Obscure Marvin Gaye hit, also sung by Daryl Hall on the 'SOUL ALONE" album.

Price:
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STOP ME FROM STARTING THIS FEELING key Db 4:30
12 bar intro and vocal in at 25 seconds, same form as the original Lou Rawls hit and with a definite ending.

MP3 DEMO:
GM699. STOP ME FROM STARTING THIS FEELING - Db
key - Db - vocal range - Db to Eb
Wonderful hit for Lou Rawls back in 1986. Here's a very cool and new arrangement but keeping to the original form and with a definite ending. Same arrangement as GM698 except a full tone lower.

Price:
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STOP ME FROM STARTING THIS FEELING key Eb 4:30
12 bar intro and vocal in at 25 seconds, same form and key as the original Lou Rawls hit and with a definite ending.

MP3 DEMO:
GM698. STOP ME FROM STARTING THIS FEELING - Eb
key - Eb - vocal range - Eb to F
Wonderful hit for Lou Rawls back in 1986. Here's a very cool and new arrangement but keeping to the original form and key and with a definite ending.

Price:
£5.00
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STREETS OF LONDON key E 3:13
intro and vocal in at 13 secs, continue, next verse at 1:03, short solo break at 1:53, vocal back in at 2:06 with the last verse, repeat the last line "I'll show you something.. .that'll make you change your mind.." at 2:56 and finish.

MP3 DEMO:
GM215. STREETS OF LONDON - E
key - E - vocal range - B to B
Wonderful Ralph McTell song in a lower key. Suit lower male ranges.
This arrangement is loosely based on a Glen Campbell arrangement.

Price:
£5.00
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STUCK ON YOU key Eb 4:19
8 bar intro (half time feel) and vocal in at 16 seconds, continue through as per the original version except at 2:52 go back to the bridge section ("oh I'm leavin' on that midnight train tomorrow..."), continue through  - at 3:52 there is an extra bar (similar to the original version if it was finishing) and finish.

MP3 DEMO:
GM786. STUCK ON YOU - Eb
key - Eb - vocal range - Bb to Eb
Superb reggae arrangement of the Lionel Richie hit. Same arrangement as GM785 except a full tone lower.

Price:
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STUCK ON YOU key F 4:19
8 bar intro (half time feel) and vocal in at 16 seconds, continue through as per the original version except at 2:52 go back to the bridge section ("oh I'm leavin' on that midnight train tomorrow..."), continue through  - at 3:52 there is an extra bar (similar to the original version if it was finishing) and finish.

MP3 DEMO:
GM785. STUCK ON YOU - F
key - F - vocal range - C to F
Superb reggae arrangement of the Lionel Richie hit, original key.

Reg. Price:
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SUDDENLY key Am 3:12
4 bar intro ; vocal thru as per Billy Ocean version, in the original key. There is no chorus repeat at the end.

MP3 DEMO:
SM15. SUDDENLY
key - Am - vocal range - D to G
Billy Ocean ballad in an Original Livetrak arrangement.

Price:
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SUMMER IN DUBLIN key Cm 4:35
Loosely based on the Nathan Carter live version, same form and tempo changes.

MP3 DEMOS:
key - Cm - vocal range - C to Eb
GM462. DEMO 1
GM462. DEMO 2
GM462. DEMO 3

Big song from the hugely popular Irish star Nathan Carter. 3 demos to check out, showing the different feels in the song but check out the live version on YouTube, click the link above.
Same arrangement as GM461 except two full tones lower.

Price:
£5.00
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SUMMER IN DUBLIN key Em 4:35
Loosely based on the Nathan Carter live version, same form and tempo changes, original key.

MP3 DEMOS:
key - Em - range - E to G
GM461. DEMO 1
GM461. DEMO 2
GM461. DEMO 3

Big song from the hugely popular Irish star Nathan Carter, in the original live key. 3 demos to check out, showing the different feels in the song but check out the live version on YouTube, click the link above.

 

Price:
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SUMMER, HIGHLAND FALLS key F 3:19
Copy version of the Billy Joel song from his1976 album "Turnstiles". Original key with a definite ending.

MP3 DEMO: 2 demos here - Demo 1 is the piano intro, Demo 2 is the main song.
GM403. SUMMER, HIGHLAND FALLS Demo 1
GM403. SUMMER, HIGHLAND FALLS Demo 2
key - F - vocal range - F to G
Fantastic copy version of this Billy Joel classic.

Price:
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SUNSHINE ON MY SHOULDERS key Bb 5:21
Based on the original John Denver version, in the original key.

MP3 DEMO:
GM787. SUNSHINE ON MY SHOULDERS
key - Bb - vocal range - original key
Similar arrangement to the original version of the John Denver song.

Price:
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SUPERSTAR key Dm 4:41
Piano fills into an orchestral intro, into tempo, vocal in at 30 seconds, continue through as per the Carpenters form, orchestral solo at 1:53, vocal back in at 2:24 with "loneliness....is such a sad affair....", continue through the verse and chorus, repeat the chorus at 3:52, continue and finish.

MP3 DEMO:
GM447. SUPERSTAR - Dm
key - Dm - vocal range - D to F
Gorgeous orchestral ballad arrangement of this Leon Russell gem, covered by the Carpenters, Luther Vandross and many great singers. Same arrangement as GF217 except 3 semitones lower. Suitable for higher male ranges.

Price:
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SUSPICIOUS MINDS key Db 3:29
2 bar intro; vocal thru all the way; same form as the Elvis version; chorus repeats and rall the last line - phrase with the band - and finish.

MP3 DEMO:
GM121. SUSPICIOUS MINDS - Db
key - Db - vocal range - Db to Db
The massive Elvis hit in a super arrangement and a lower key.

Price:
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SWEET CAROLINE key A 3:37
Same form as the original Neil Diamond version. End with "Sweet .......Caroline" at 3:14 and finish.

MP3 DEMO:
GM271. SWEET CAROLINE - A
key - A - vocal range - (E) B to D - suit lower male range
Neil Diamond must have made his fortune from this one song! Seems everyone in the world knows it...
This arrangement is loosely based on the original but with a definite ending and in a lower key.

Price:
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SWEET CAROLINE key C 3:37
Same form as the original Neil Diamond version. End with "Sweet .......Caroline" at 3:14 and finish.

MP3 DEMO:
GM272. SWEET CAROLINE - C
key - C - vocal range - (G) D to F - typical male key.
Same arrangement and form as GM271 but in the original key. Loosely based on the original version but with a definite ending.

Price:
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SWEET HOME ALABAMA key Bb (Eb) 3:44
8 bar intro and vocal in at 21 secs, continue thru - no soloing space - vocal all the way and double chorus at the end and finish.

MP3 DEMO:
GM269. SWEET HOME ALABAMA - Bb
key - Bb (Eb for the purist fans..) - vocal range - G to D (F ad libs...)
The Lynyrd Skynyrd song that scored a big hit for the band. Here's a fresh take on it, in a lower key - the original key is D.
For the purists out there - I know there's a conflict about whether the original is in the key of D or G, suffice to say I'm hearing it resolve on D.....

Price:
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SWEET SOUL MUSIC key F 2:12
same intro and same form as the Wilson Pickett version. Back to the intro for the finish.

MP3 DEMO:
GM132. SWEET SOUL MUSIC - F
key - F - vocal range - C to D (suit lower male range)
The classic soul hit in a more manageable key.
 

Price:
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TAKE GOOD CARE OF MY BABY key D to Eb 2:36
piano pickup and into the verse ("my tears have fallen..") at 3 seconds, drum fill and into tempo and vocal into the main theme at 23 seconds, continue through as per the original Bobby Vee form except with a definite ending.

MP3 DEMO:
GM635. TAKE GOOD CARE OF MY BABY - D to Eb
key - D to Eb - range - B to C#
Cool arrangement of the Bobby Vee hit from 1961, 2 full tones lower than the original keys.

Price:
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TAKE GOOD CARE OF MY BABY key E to F 2:36
piano pickup and into the verse ("my tears have fallen..") at 3 seconds, drum fill and into tempo and vocal into the main theme at 23 seconds, continue through as per the original Bobby Vee form except with a definite ending.

MP3 DEMO:
GM636. TAKE GOOD CARE OF MY BABY - E to F
key - E to F - range -C# to Eb
Cool arrangement of the Bobby Vee hit from 1961, a full tone lower than the original keys.

Price:
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TAKE IT TO THE LIMIT key E 4:04
8 bar intro and vocal in at 16 seconds, vocal through, 8 bar break and into the 2nd verse at 1:48, chorus at 2:53, continue as per the Eagles version - "take it to the limit.... take it to the limit....take it to the limit.... one more time...." repeats and finish.

MP3 DEMO:
GM657. TAKE IT TO THE LIMIT - E
key - E - vocal range - E to C# (optional E)
Classic Eagles hit in a cool arrangement, in a much more manageable key.

Price:
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TAKE IT TO THE LIMIT key G 4:04
8 bar intro and vocal in at 16 seconds, vocal through, 8 bar break and into the 2nd verse at 1:48, chorus at 2:53, continue as per the Eagles version - "take it to the limit.... take it to the limit....take it to the limit.... one more time...." repeats and finish.

MP3 DEMO:
GM658. TAKE IT TO THE LIMIT - G
key - G - vocal range - G to E (optional G)
Classic Eagles hit in a cool arrangement, in a much more manageable key. The original Eagles key is B.
Same arrangement as GM657 except a tone an half higher.

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