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Male Gigsville Backing Track Downloads

MALE general, pop, soul, MOR and easy listening tracks in Alphabetical order or use the Search box.

Male Gigsville Backing Track Downloads
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SEPTEMBER MORN key Eb to F 4:08 - original key
Piano intro and vocal in at 10 secs, vocal into the main tempo at 47 secs, continue thru the same form as the original, including the key change at 2:28 after the short solo, continue thru and finish.

MP3 DEMO:
GM364. SEPTEMBER MORN - Eb to F
key - Eb to F - range - Ab to D (optional F)
Very lovely orchestral arrangement of the Neil Diamond classic.
 

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SHAKE RATTLE AND ROLL key C 2:27
4 bar intro, vocal in at 5 secs, continue thru, sax solo at 1:19, vocal back in at 1:33, continue, double chorus at the end and finish.

MP3 DEMO:
GM225. SHAKE RATTLE AND ROLL
key - C - range - C to C (suit lower ranges)
Cool version of the rock and roll classic - brighter in tempo and swingin!

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SHE BELIEVES IN ME key Bb 4:45
4 bar intro ; vocal thru as per original including the original ending.
(Nice "stop" during the last chorus).

MP3 DEMO:
GM54. SHE BELIEVES IN ME - Bb
key - Bb - range - F to Eb
Great Kenny Rogers hit ; given a nice ; slower ; laidback Livetrak arrangement.

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SHE BELIEVES IN ME key Ab 4:56
4 bar intro and vocal in at 15 seconds, vocal through as per the original Kenny Rogers version form.

MP3 DEMO:
GM642. SHE BELIEVES IN ME - Ab Piano
key - Ab - range - Eb to Db
Wonderful song that scored a massive hit for Kenny Rogers. Here is a very lovely piano only arrangement, more intimate and slower in tempo. Same arrangement as GM641 except a full tone lower.

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SHE BELIEVES IN ME key Bb 4:56
4 bar intro and vocal in at 15 seconds, vocal through as per the original Kenny Rogers version form, in the original key.

MP3 DEMO:
GM641. SHE BELIEVES IN ME - Bb Piano
key - Bb - range - F to Eb
Wonderful song that scored a massive hit for Kenny Rogers. Here is a very lovely piano only arrangement, more intimate and slower in tempo.
 

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SHE LOVES YOU key Db 2:31
chord and two bar pick up leading to chorus - "she loves you yeah yeah yeah; ;etc" ; basically the same form as the Beatles version.

MP3 DEMO:
GM103. SHE LOVES YOU
key - Db - range - Bb to Db (optional Ab falsetto)
Nice arrangement of the Beatles classic. Suit lower male ranges.

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SHE'S ALWAYS A WOMAN TO ME key C 3:28
Same form as the Billy Joel version except a tone and a half lower.

MP3 DEMO:
GM375. SHE'S ALWAYS A WOMAN TO ME - C Pianotrak
key - C - range - B to F
Lovely piano only arrangement of the Billy Joel classic, a tone and a half lower than the original key.

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SHE'S ALWAYS A WOMAN TO ME key Eb 3:28
Same form as the Billy Joel version.

MP3 DEMO:
GM374. SHE'S ALWAYS A WOMAN TO ME - Eb Pianotrak
key - Eb - range - D to Ab
Lovely piano only arrangement of the Billy Joel classic, in the original key.

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SHE'S LIKE THE WIND key F 4:06
8 bar intro; vocal form thru as the original; ad libs at the end and definite ending - back to the intro and finish.

MP3 DEMO:
GM113. SHE'S LIKE THE WIND
key - F (Dminor) - range - F to D (optional A at the very end (female BV in the original takes this)
Really cool arrangement of the Patrick Swayze hit from "Dirty Dancing".
A tone lower than than the original.

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SHE'S THE ONE key F 4:12
4 bar intro and vocal in at 12 seconds, same as the Robbie Williams form.

MP3 DEMO:
GM563. SHE'S THE ONE - F orchestral
key - F - range - C to D (optional F)
Gorgeous orchestral arrangement of the Robbie Williams big hit, in a more manageable male key.
Same arrangement as GM562 except a full tone lower.

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SHE'S THE ONE key G 4:12
4 bar intro and vocal in at 12 seconds, same as the Robbie Williams form.

MP3 DEMO:
SHE'S THE ONE - G orchestral
key - G - range - D to E (optional G falsetto)
Gorgeous orchestral arrangement of the Robbie Williams big hit, in a more manageable male key.

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SHOUT key C 3:03
piano fill and cue for vocal in; into tempo and thru as per the LULU version; same big finish!
TIP - once the track kicks in it's not easy to get the vocal in so the best option is to leave 2 beats and then come in - ie instead of singing "you know you make me wanna" simply sing"you make me wanna.." and you're in!

MP3 DEMO:
GM140. SHOUT - C
key - C - range - G to G (optional top C falsetto!!)
I know what you're thinking........... it works for the guys!! honest!
The old Lulu classic in a cool arrangement.........and a male key!!!!
EASY TIP  - once the tempo track starts then vocal could come in after the 2nd beat - "you make me wanna shout!".
 

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SIMPLE MAN key C 2:20
Same form as the original Graham Nash version, fiddle solo included.

MP3 DEMO:
GM445. SIMPLE MAN
key - C - range - original key
Cover version of the Graham Nash (from Crosby Stills and Nash fame) song.

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SIMPLY THE BEST key Ab to Bb 5:07
4 bar intro, vocal in at 9 secs, continue thru as per the original except No Sax Solo - so go right into the Chorus at the key change - you can even leave a bar before you come in, there's a great breakdown section for "audience participation" as well at 3:38. So after the key change the chorus is 3 times in total and finish.

MP3 DEMO:
GM294. SIMPLY THE BEST
key - Ab to Bb - range - Eb to Eb (optional F)
Great arrangement of the massive Tina Turner hit, in a manageable male key.
Please note this version does not contain a SAX SOLO or soloing space. Same song form without the solo section.

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SING key Bb 2:51
8 bar intro and vocal in at 14 seconds, continue through the song TWICE - staying in the same key all the way and with a definite ending.

MP3 DEMO:
GM682. SING - Bb
key - Bb - vocal range - C to Eb
Based on the original Carpenters arrangement, without the change of key to allow the kids choir to join in on the original Carpenters version - this track stays in the same key all the way so you can sing it twice through.
Same arrangement as GM681 except a full tone lower.

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SING key C 2:51
8 bar intro and vocal in at 14 seconds, continue through the song TWICE - staying in the same key all the way and with a definite ending.

MP3 DEMO:
GM681. SING - C
key - C - vocal range - D to F
Based on the original Carpenters arrangement, without the change of key to allow the kids choir to join in on the original Carpenters version - this track stays in the same key all the way so you can sing it twice through.

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SMOOTH OPERATOR key Gm 4:17
bass pickup and 8 bar intro, vocal in at 18 seconds, continue through as per the original Sade form.

MP3 DEMO:
GM484. SMOOTH OPERATOR - Gm
key - Gm - range - D to D
Classic Sade hit in a typical male range! Also available with the sax removed via the No Solo section.

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SO BEGINS THE TASK key C 3:45
Same form except for double chorus at the end and finish - no extended soloing. Original key.

MP3 DEMO:
GM446. SO BEGINS THE TASK
key - C - range - original key
Cover version of the Stephen Stills song from his 1972 album Manassas.

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SOLITAIRE key Bb 5:23
2 bar intro and vocal in at 9 secs, continue thru - vocal all the way thru the song. Repeat the chorus the at 4:03, rall the last line at 4:54 and finish.

MP3 DEMO:
GM255. SOLITAIRE - Bb Pianotrak
key - Bb - range - Bb to Eb
Neil Sedaka's songs are always a joy to play and sing, and they don't come much better than this wonderful ballad, in a very lovely piano only arrangement.

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SOLITAIRE key Db 4:45
4 bar intro and vocal in at 15 seconds, continue through the song, at 4:00 sing " and solitaire's the only game in town.. and every road that takes him, takes him down...... while life goes on around him everywhere..... he's playing solitaire" and finish.

MP3 DEMO:
GM442. SOLITAIRE - Db groove
key - Db - range - Db to Gb
Fabulous R n B groove based reworking of this Neil Sedaka gem, with cool synth lead lines, Rhodes piano, gritty snare and a great groove. Same arrangement as GF207 except a full tone lower.

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SOLITARY MAN key Dm 2:56
same form as the Neil Diamond except double chorus at the end and finish.
A full tone lower than the original version.

MP3 DEMO:
GM163. SOLITARY MAN
key - Dm - range - C to D
Neil Diamond song; fresh arrangement with a double chorus at the end and definite ending.
A tone lower than the original.
 

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SOME FANTASTIC PLACE key G 4:36
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM345. SOME FANTASTIC PLACE
key - G - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

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SOMEBODY'S BABY key B 4:00
Based on a Live cover version of the Jackson Browne song.

MP3 DEMO:
GM734. SOMEBODY'S BABY
key - B - vocal range - B to D#
Jackson Browne song, also used in the 1982 movie Fast Time At Ridgemont High. This version is based on a Cover Version on youtube by Mike Sheppard.

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SOMEONE SHOULD TELL YOU key Bb to Db 3:44
4 bar intro and vocal in at 13 seconds, vocal continue through as per the original Lemar version form, key change included. Two full tones down from the original key.

MP3 DEMO:
GM643 SOMEONE SHOULD TELL YOU - Bb
key - Bb to Db - range - F to F
Great ballad that scored a hit for UK soul singer Lemar (great singer!).

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SOMEONE SHOULD TELL YOU key C to Eb 3:44
4 bar intro and vocal in at 13 seconds, vocal continue through as per the original Lemar version form, key change included. A full tone down from the original key.

MP3 DEMO:
GM644. SOMEONE SHOULD TELL YOU - C
key - C to Eb - range - G to G
Great ballad that scored a hit for UK soul singer Lemar (great singer!). A full tone down from the original key.

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SOMEONE TO REMEMBER ME key B to Db to Eb
Based on a Russell Watson concert version, same arrangement, in lower keys.

MP3 DEMO:
GM746. SOMEONE TO REMEMBER ME - B to Db to Eb
key - B to Db to Eb - vocal range - F# to Eb (optional F)
Big song by popular UK vocalist Russell Watson. Similar orchestral arrangement in more manageable keys.
Same arrangement as GM745 except 2 full tones lower than the original.

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SOMEONE TO REMEMBER ME key Eb to F to G
Based on a Russell Watson concert version, same arrangement and keys.

MP3 DEMO:
GM745. SOMEONE TO REMEMBER ME - Eb to F to G
key - Eb to F to G - vocal range - Bb to G (optional A)
Big song by popular UK vocalist Russell Watson. Similar orchestral arrangement and in the original keys.

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SOMEONE YOU LOVED Bb 3:08
4 bar intro and vocal in at 9 seconds, same form as the Lewis Capaldi version.

MP3 DEMO:
GM565. SOMEONE YOU LOVED - Bb
key - Bb - range - C to G
Full band fresh and punchy arrangement of the massive Lewis Capaldi hit.
Same arrangement as GM564 except a tone and a half lower to a more manageable male key.

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SOMEONE YOU LOVED Db 3:08
4 bar intro and vocal in at 9 seconds, same form as the Lewis Capaldi version. Original key.

MP3 DEMO:
GM564. SOMEONE YOU LOVED - Db
key - Db - range - Eb to Bb
Full band fresh and punchy arrangement of the massive Lewis Capaldi hit. Original key and also suitable for female ranges.

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SOMETHING ABOUT THE WAY YOU LOOK TONIGHT key Gb 3:46
same form as the Elton John version.

MP3 DEMO:
GM171. SOMETHING ABOUT THE WAY YOU LOOK TONIGHT
key - Gb - range - Gb to Gb
Elton John hit in the cover key. Livetrak arrangement.
 

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SOMETHING'S GOTTEN HOLD OF MY HEART key Dm 3:49
Same form as the Gene Pitney version but in a lower key.

MP3 DEMO:
GM176. SOMETHING'S GOTTEN HOLD OF MY HEART
key - Dm - range - (optional A) C# to F
Cool arrangement of this massive hit for Gene Pitney. In a much lower key; but still a big range!
 

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SOMETIMES WHEN WE TOUCH key A 4:14
3 bar intro (half time feel) and vocal in at 12 seconds, continue through the full song and finish.

MP3 DEMO:
GM506. SOMETIMES WHEN WE TOUCH - A Pianotrak
key - A - range - B to D
Lovely piano only arrangement of the classic Dan Hill worldwide hit, more suitable for a lower male range.
Same arrangement as GM505 except a full tone higher.

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SOMETIMES WHEN WE TOUCH key G 4:14
3 bar intro (half time feel) and vocal in at 12 seconds, continue through the full song and finish.

MP3 DEMO:
GM505. SOMETIMES WHEN WE TOUCH - G Pianotrak
key - G - range - A to C
Lovely piano only arrangement of the classic Dan Hill worldwide hit, more suitable for a lower male range.

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SOMEWHERE IN TIME key A 4:08
5 bar intro and vocal in at 12 seconds, continue through staying in tempo, same form as the Michael Crawford version, in a lower key.

MP3 DEMO:
GM648. SOMEWHERE IN TIME - A
key - A - vocal range - F# to E (huge vocal range)
Based on the Michael Crawford version (using all synths) of the wonderful John Barry theme from the movie "Somewhere In Time". The original key is C.

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SOMEWHERE IN TIME key G 4:08
5 bar intro and vocal in at 12 seconds, continue through staying in tempo, same form as the Michael Crawford version, in a lower key.

MP3 DEMO:
GM649. SOMEWHERE IN TIME - G
key - G - vocal range - E to D (huge vocal range)
Based on the Michael Crawford version (using all synths) of the wonderful John Barry theme from the movie "Somewhere In Time". The original key is C.
Same arrangement as GM648 except a full tone lower.

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 SONG SUNG BLUE key Db 3:38
4 bar intro, vocal thru as per the original form, back to the intro and finish.

MP3 DEMO:
GM195. SONG SUNG BLUE
key - Db - range - Ab to Db
Loosely based on the original Neil Diamond version, but with a definite ending.

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SORRY SEEMS TO BE THE HARDEST WORD key Gm 3:38
4 bar intro ; vocal thru as per "BLUE" version ; harmonica solo ; vocal back in for last verse and finish.

MP3 DEMO:
GM60. SORRY SEEMS TO BE THE HARDEST WORD
key - Gm - range - Bb to Bb (falsetto).
Really cool take on the Elton John classic - the format is based on the recent BLUE boyband version but the arrangement is all mine.
Note - high Male key and also suitable for lower Female ranges.

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SOS (STOP HER ON SIGHT) key D 2:40
6 bar intro as per the original, vocal in at 11 secs, continue thru as per the original form, 4 time repeat of "hey hey I'm sending........out an SOS" and finish.

MP3 DEMO:
GM214. SOS (STOP HER ON SIGHT)
key - D - range - A to F# (optional B falsetto)
Great arrangement of this great song from Edwin Starr, in a much lower key.
The male lead can do all the parts and sing the song right thru - no female BV's needed.

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SPACE ODDITY key Bb 4:44
4 bar intro and vocal in at 15 seconds, vocal through as per the original but with a definite ending, and the track stays in tempo all the way.

MP3 DEMO:
GM627. SPACE ODDITY - Bb
key - Bb - range - A to Eb
The David Bowie worldwide hit in a superbly fresh arrangement.
Same arrangement as GM626 except a full tone lower.

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SPACE ODDITY key C 4:44
4 bar intro and vocal in at 15 seconds, vocal through as per the original but with a definite ending, original key and the track stays in tempo all the way.

MP3 DEMO:
GM626. SPACE ODDITY - C
key - C - range - B to F
The David Bowie worldwide hit in a superbly fresh arrangement, in the original key.

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SPANISH EYES key A to B to Ab 3:14
Orchestral intro and vocal in 14 secs, continue thru as per the Jerry Vale version.

MP3 DEMO:
GM357. SPANISH EYES
key - A to B then Ab - range - B to F#
Based on the Jerry Vale arrangement, which is really very good with a good use of key changes.
https://www.youtube.com/watch?v=9a1gL9-AMtc

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SPEED OF THE SOUND OF LONELINESS key A 3:26
16 bar intro and vocal in at 23 seconds, continue through as per the original John Prine form, guitar solo at 1:56, vocal back in at 2:18 with the last verse and chorus, repeat the last line 3 times and finish.

MP3 DEMO:
GM460. SPEED OF THE SOUND OF LONELINESS - A
key - A - range - E to C#
John Prine song from his album "German Afternoons".
Same arrangement as GM459 except a full tone higher.

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SPEED OF THE SOUND OF LONELINESS key G 3:26
16 bar intro and vocal in at 23 seconds, continue through as per the original John Prine form, guitar solo at 1:56, vocal back in at 2:18 with the last verse and chorus, repeat the last line 3 times and finish. Original key.

MP3 DEMO:
GM459. SPEED OF THE SOUND OF LONELINESS - G
key - G - range - D to B
John Prine song from his album "German Afternoons".

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SPOOKY key Dm 3:07
8 bar intro (4 bar pickup then 4 for the key and groove to settle!); vocal thru as per; SOLO moves to Gm - gtr solo -  then back to Dm for the vocal to come back in; continue; tag the last line/ad lib the ending and finish.

MP3 DEMO:
GM104. SPOOKY - Dm
key Dm - range - D to D
Great tune - groovy vibe!
 

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SPOTLIGHT key Dbm 4:49
8 bar intro and vocal in at 16 seconds, continue through the same form as the original Jennifer Hudson version, in the original key.

MP3 DEMO:
GM747. SPOTLIGHT - Dbm
key - Dbm - vocal range - B to E
Superb arrangement of the wonderful Jennifer Hudson hit, same form and in a typical male key.
Same arrangement as GF386 except a full tone higher.

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STAGGER LEE key Bb 2:41
piano intro into the colla verse and into tempo ; same form as the original and finish.

MP3 DEMO:
GM128. STAGGER LEE - Bb
key - Bb - range - F to D
Huge r'n'b hit back in the 50's for Lloyd Price; in a lower male key.

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STAIRWAY OF LOVE key F to F# 2:01
8 bar intro and vocal in at 9 secs, continue thru - no solo - back to the bridge at 1:17, key change for the last verse, repeat "the stairway of love" 3 times and finish.

MP3 DEMO:
GM282. STAIRWAY OF LOVE
key F to F# - range - C to D#
Corny old hit covered by Marty Robbins, Alma Coogan and Michael Holliday.

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STAND BY ME key Eb 3:05
8 bar intro; vocal thru - same form as the original version; includes the short string instrumental;
continue with the chorus and finish.

MP3 DEMO:
GM147. STAND BY ME - Eb
key - Eb - range - Eb to Eb
The classic Ben E King hit in a cool fresh arrangement.
 

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STARS key Eb 4:22
8 bar intro and vocal in at 21 seconds, vocal through, same form as the Simply Red version.

MP3 DEMO:
GM567. STARS - Eb
key - Eb - range - Bb to F (optional G falsetto)
Great pop trio arrangement of the Simply Red classic 90's hit. Great feel, nice breakdowns, slightly slower tempo and a groove!
Same arrangement as GM566 except a full tone lower.

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STARS key F 4:22
8 bar intro and vocal in at 21 seconds, vocal through, same form as the Simply Red version. A full tone lower than the original key.

MP3 DEMO:
GM566. STARS - F
key - F - range - C to G (optional A falsetto)
Great pop trio arrangement of the Simply Red classic 90's hit. Great feel, nice breakdowns, slightly slower tempo and a groove!
 

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STOP CRYING YOUR HEART OUT key C 3:44
2 bar intro and vocal in at 5 seconds, continue through as per the OASIS version form in the original key, with a definite finish.

MP3 DEMO:
GM686. STOP CRYING YOUR HEART OUT - C
key - C - vocal range - A to E
Wonderful piano and orchestral arrangement of the Oasis hit.
Same arrangement as GM685 except a full tone lower.

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STOP CRYING YOUR HEART OUT key D 3:44
2 bar intro and vocal in at 5 seconds, continue through as per the OASIS version form in the original key, with a definite finish.

MP3 DEMO:
GM685. STOP CRYING YOUR HEART OUT - D
key - D - vocal range - B to F#
Wonderful piano and orchestral arrangement of the Oasis hit, original key.

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STOP LOVING ME ; STOP LOVING YOU key F 4:41
chord - vocal straight in with chorus ; format the same as the Daryl Hall version. Solo included. Double chorus at the end and finish.

MP3 DEMO:
SM5. STOP LOVING ME STOP LOVING YOU
key -F - range - C to F
obscure Marvin Gaye hit; also sung by Daryl Hall on the 'SOUL ALONE" album.

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STOP ME FROM STARTING THIS FEELING key Db 4:30
12 bar intro and vocal in at 25 seconds, same form as the original Lou Rawls hit and with a definite ending.

MP3 DEMO:
GM699. STOP ME FROM STARTING THIS FEELING - Db
key - Db - vocal range - Db to Eb
Wonderful hit for Lou Rawls back in 1986. Here's a very cool and new arrangement but keeping to the original form and with a definite ending. Same arrangement as GM698 except a full tone lower.

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STOP ME FROM STARTING THIS FEELING key Eb 4:30
12 bar intro and vocal in at 25 seconds, same form and key as the original Lou Rawls hit and with a definite ending.

MP3 DEMO:
GM698. STOP ME FROM STARTING THIS FEELING - Eb
key - Eb - vocal range - Eb to F
Wonderful hit for Lou Rawls back in 1986. Here's a very cool and new arrangement but keeping to the original form and key and with a definite ending.

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STREETS OF LONDON key E 3:13
intro and vocal in at 13 secs, continue, next verse at 1:03, short solo break at 1:53, vocal back in at 2:06 with the last verse, repeat the last line "I'll show you something.. .that'll make you change your mind.." at 2:56 and finish.

MP3 DEMO:
GM215. STREETS OF LONDON - E
key - E - range - B to B
Wonderful Ralph McTell song in a lower key.
This arrangement is loosely based on a Glen Campbell version.

 

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SUDDENLY key Am 3:12
4 bar intro ; vocal thru as per Billy Ocean version -there is no chorus repeat at the end.

MP3 DEMO:
SM15. SUDDENLY
KEY - Am - range - D to G
Billy Ocean ballad

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SUMMER IN DUBLIN key Cm 4:35
Loosely based on the Nathan Carter live version, same form and tempo changes.

MP3 DEMOS:
key - Cm - range - C to Eb
GM462. DEMO 1
GM462. DEMO 2
GM462. DEMO 3

Big song for the hugely popular Irish star Nathan Carter. 3 demos to check out, showing the different feels in the song but check out the live version on YouTube, click the link above.
Same arrangement as GM461 except two full tones lower.

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SUMMER IN DUBLIN key Em 4:35
Loosely based on the Nathan Carter live version, same form and tempo changes, original key.

MP3 DEMOS:
key - Em - range - E to G
GM461. DEMO 1
GM461. DEMO 2
GM461. DEMO 3

Big song for the hugely popular Irish star Nathan Carter, in the original live key. 3 demos to check out, showing the different feels in the song but check out the live version on YouTube, click the link above.

 

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SUMMER, HIGHLAND FALLS key F 3:19
Copy version of the Billy Joel song from his1976 album "Turnstiles". Original key with a definite ending.

MP3 DEMO: 2 demos here - demo 1 is the piano intro, demo 2 is the main song.
GM403. SUMMER, HIGHLAND FALLS demo 1
GM403. SUMMER, HIGHLAND FALLS demo 2

key - F - range - F to G
Fantastic copy version of this Billy Joel classic.

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SUPERSTAR key Dm 4:41
Piano fills into an orchestral intro, into tempo, vocal in at 30 seconds, continue through as per the Carpenters form, orchestral solo at 1:53, vocal back in at 2:24 with "loneliness....is such a sad affair....", continue through the verse and chorus, repeat the chorus at 3:52, continue and finish.

MP3 DEMO:
GM447. SUPERSTAR - Dm
key - Dm - range - D to F
Gorgeous orchestral ballad arrangement of this Leon Russell gem, covered by the Carpenters, Luther Vandross and many great singers.
Same arrangement as GF217 except 3 semitones lower. Suitable for higher male ranges.

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SUSPICIOUS MINDS key Db 3:29
2 bar intro; vocal thru all the way; same form as the Elvis version; chorus repeats and rall the last line - phrase with the band - and finish.

MP3 DEMO:
GM121. SUSPICIOUS MINDS Db
key - Db - range - Db to Db
The massive Elvis hit in a lower key!

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SWEET CAROLINE key A 3:37
Same form as the original Neil Diamond version. End with "Sweet .......Caroline" at 3:14 and finish.

MP3 DEMO:
GM271. SWEET CAROLINE - A
key - A - range - (E!) B to D - suit lower male range
Neil Diamond must have made his fortune from this one song! Seems everyone in the world knows it...
This arrangement is loosely based on the original but with a definite ending.

Price:
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SWEET CAROLINE key C 3:37
Same form as the original Neil Diamond version. End with "Sweet .......Caroline" at 3:14 and finish.

MP3 DEMO:
GM272. SWEET CAROLINE - C
key - C - range - (G) D to F - typical male key.
Same arrangement and form as GM271 but in a higher key. Loosely based on the original version but with a definite ending.

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SWEET HOME ALABAMA key Bb (Eb) 3:44
8 bar intro and vocal in at 21 secs, continue thru - no soloing space - vocal all the way and double chorus at the end and finish.

MP3 DEMO:
GM269. SWEET HOME ALABAMA - Bb
key - Bb (Eb for the purist fans..) - range - G to D (F ad libs...)
The Lynyrd Skynyrd song that scored a big hit for the band. Here's a fresh take on it, in a lower key - the original key is D.
For the purists out there - I know there's a conflict about whether the original is in the key of D or G, suffice to say I'm hearing it resolve on D.....

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SWEET SOUL MUSIC key F 2:12
same intro and same form as the Wilson Pickett version. Back to the intro for the finish.

MP3 DEMO:
GM132. SWEET SOUL MUSIC - F
key - F - range - C to D (suit lower male range)
The classic soul hit in a more manageable key!
 

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TAKE GOOD CARE OF MY BABY key D to Eb 2:36
piano pickup and into the verse ("my tears have fallen..") at 3 seconds, drum fill and into tempo and vocal into the main theme at 23 seconds, continue through as per the original Bobby Vee form except with a definite ending.

MP3 DEMO:
GM635. TAKE GOOD CARE OF MY BABY - D to Eb
key - D to Eb - range - B to C#
Cool arrangement of the Bobby Vee hit from 1961, 2 full tones lower than the original keys.

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TAKE GOOD CARE OF MY BABY key E to F 2:36
piano pickup and into the verse ("my tears have fallen..") at 3 seconds, drum fill and into tempo and vocal into the main theme at 23 seconds, continue through as per the original Bobby Vee form except with a definite ending.

MP3 DEMO:
GM636. TAKE GOOD CARE OF MY BABY - E to F
key - E to F - range -C# to Eb
Cool arrangement of the Bobby Vee hit from 1961, a full tone lower than the original keys.

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TAKE IT TO THE LIMIT key E 4:04
8 bar intro and vocal in at 16 seconds, vocal through, 8 bar break and into the 2nd verse at 1:48, chorus at 2:53, continue as per the Eagles version - "take it to the limit.... take it to the limit....take it to the limit.... one more time...." repeats and finish.

MP3 DEMO:
GM657. TAKE IT TO THE LIMIT - E
key - E - vocal range - E to C# (optional E)
Classic Eagles hit in a cool arrangement, in a much more manageable key.

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TAKE IT TO THE LIMIT key G 4:04
8 bar intro and vocal in at 16 seconds, vocal through, 8 bar break and into the 2nd verse at 1:48, chorus at 2:53, continue as per the Eagles version - "take it to the limit.... take it to the limit....take it to the limit.... one more time...." repeats and finish.

MP3 DEMO:
GM658. TAKE IT TO THE LIMIT - G
key - G - vocal range - G to E (optional G)
Classic Eagles hit in a cool arrangement, in a much more manageable key. The original Eagles key is B.
Same arrangement as GM657 except a tone an half higher.

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TAKE ME I'M YOURS key Gm 2:58
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM346. TAKE ME I'M YOURS
key - Gm - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

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TAKE ME TO THE RIVER key D 3:29
8 bar intro and vocal in at 16 seconds, vocal through all the way and finish as per this live Al Green version.

MP3 DEMO:
GM721. TAKE ME TO THE RIVER - D
key - D - vocal range - F to F#
Classic Al Green but this arrangement is based on a superb live version.
Same arrangement as GM720 except a full tone lower.

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TAKE ME TO THE RIVER key E 3:29
8 bar intro and vocal in at 16 seconds, vocal through all the way and finish as per this live Al Green version, same key.

MP3 DEMO:
GM720. TAKE ME TO THE RIVER - E
key - E - vocal range - G to G#
Classic Al Green but this arrangement is based on a superb live version, same key.

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TAKE THAT MEDLEY - Could It Be Magic & Relight My Fire
keys - both in D - 5:44
8 bar intro ; vocal thru the full version of COULD IT BE MAGIC ( including the 4 bar break between verses) ;intro for RELIGHT MY FIRE ; verse ; chorus ; 4 bar break ; verse ; chorus twice - extend the last line - key change and sing " COULD IT BE MAGIC" twice with music ; key change again to original key and sing " COULD IT BE MAGIC" twice again then full chorus for COULD IT BE MAGIC. Finish with " could it be magic................. now!!".
( it's actually easy to catch!! honest!!)

MP3 DEMOS:
GM70. TAKE THAT MEDLEY - COULD IT BE MAGIC demo - key - both in D - range - F# to F# (suit high male range)
GM70. TAKE THAT MEDLEY - RELIGHT MY FIRE demo - A Medley of two of TAKE THAT's biggest hits in the 90's.

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TELL IT LIKE IT IS key D 3:16
Piano arpeggio and vocal in at 4 seconds, continue through as per the original Aaron Neville version, with a definite ending.

MP3 DEMO:
GM509. TELL IT LIKE IT IS - D
key - D - range - D to D (optional F# falsetto)
Big hit for Aaron Neville back in 1967, similar arrangement.
Same arrangement as GM508 except a tone and a half lower.

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TELL IT LIKE IT IS key F 3:16
Piano arpeggio and vocal in at 4 seconds, continue through as per the original Aaron Neville version, in the original key, with a definite ending.

MP3 DEMO:
GM508. TELL IT LIKE IT IS - F
key - F - range - F to F (optional A falsetto)
Big hit for Aaron Neville back in 1967, similar arrangement in the original key.

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TEMPTED key B 4:04
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM347. TEMPTED
key - B - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

Price:
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TENNESSEE WHISKEY key D 2:54
Based on the David Allan Coe version of the country hit song, same key.

MP3 DEMO:
GM659. TENNESSEE WHISKEY - D
key - D - vocal range - A to B (optional D)
Classic country song, this version is loosely based on the David Allan Coe version.

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TENNESSEE WHISKEY key F 2:54
Based on the David Allan Coe version of the country hit song.

MP3 DEMO:
GM660. TENNESSEE WHISKEY - F
key - F - vocal range - C to D (optional F)
Classic country song, this version is loosely based on the David Allan Coe version.
Same arrangement as GM659 except a tone and a half higher.

Price:
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THANKS GOD I'M A COUNTRY BOY key F 3:07
4 bar intro; vocal thru as per the John Denver version with a shorter definite ending.

MP3 DEMO:

GM180. THANK GOD I'M A COUNTRY BOY
key - F - range  - F to D
Massive John Denver hit; in a lower key; in a fresh arrangement with the long pauses at the end (in tempo) and a definite ending.

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THANK YOU key D 4:17
8 bar intro and vocal in at 27 seconds, vocal through, 4 bar break at 1:45, vocal back in at 1:59 and continue through.  Based on the Chris Cornell acoustic version - https://www.youtube.com/watch?v=4OiL7H262EU

MP3 DEMO:
GM463. THANK YOU
Key - D - range - E to A (optional B) - big range!
Acoustic guitars only, based on the unplugged Chris Cornell cover version of the Led Zeppelin song, original key.
 

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THAT IS ALL key Bb 4:41
4 bar intro and vocal in at 12 secs, continue thru as per the Andy Williams version. Definite ending.

MP3 DEMO:
key - Bb - range - D to G
Andy Williams cover of a George Harrison song, from his 1973 "Solitaire" album. This arrangement is loosely based on that version.
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THAT'S ALRIGHT MAMA key Eb 2:23
4 bar intro; vocal thru 2 verses and chorus; Hammond solo; vocal back in with 3 verses and chorus and finish!

MP3 DEMO:
GM123. THAT'S ALRIGHT MAMA - Eb
key - Eb - range - Eb to Eb
Really cool and funky arrangement of the old Elvis blues hit!

Price:
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THAT'S THE WAY GOD PLANNED IT key C 4:30
Loosely based on Billy Preston's live performance from the 1971 Concert for Bangladesh at New York City's Madison Square Gardens. Original key and definite ending.

MP3 DEMO:
GM404. THAT'S THE WAY GOD PLANNED IT
key - C - range - original key
Great version that's loosely based on the live 1971 concert version from the album The Concert For Bangladesh".

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THE AIR THAT I BREATHE key Bb 4:04
4 bar intro ; format as per the original Hollies version ; with a double chorus including the break between ; track finishes after the break.

MP3 DEMO:
GM65. THE AIR THAT I BREATHE
key - Bb - range - D to F
Great Realtrak groove version of this 70's classic. Scored a huge hit for The Hollies.

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THE AIR THAT I BREATHE key Bb 5:01
4 bar intro and the vocal in at 14 seconds, continue through as per the Hollies form, chorus at 1:56, at 2:40 the short break between the chorus and the next verse included - vocal back in at 2:53, chorus at 3:20, and again at 4:04, and finish.

MP3 DEMO:
GM542. THE AIR THAT I BREATHE - Bb orchestral
key - Bb - range - F to F
Gorgeously EPIC arrangement of the classic Hollies hit. Slower tempo, BIG Orchestra, big drums, choir included! Would suit a big male voice with a tenor range.

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THE BLUES BROTHERS medley keys Bb to C to Bb 4:28
8 bar intro - omit the talking intro, vocal in at 9 secs with "EVERYBODY NEEDS SOMEBODY" - continue thru the verse ,  "sometimes i feel..." at 42 secs, continue thru, brass instrumental break and vocal back in at 1:12 with "sometimes I feel..", continue thru and end on I Need You at 1:32, drum fill and intro into "GIMME SOME LOVIN", vocal in at 1:57, continue thru a verse and chorus and finish on "everyday", fill and into the electric piano riff for "SHAKE YOUR TAIL FEATHER" at 2:29, continue thru verse and chorus, build again "bend over let me see you shake your tail feather.."back to the chorus at 3:44, continue thru and finish!

MP3 DEMOS:
GM410. THE BLUES BROTHERS MEDLEY - 3 demos below:
          EVERYBODY NEEDS SOMEBODY - Bb - range - G to F
          GIMME SOME LOVIN - C - range - A to Eb
          SHAKE YOUR TAIL FEATHER - Bb - range - F to F

Uber cool medley of the 3 big big songs from The Blues Brothers movie, in lower keys! 3 demos to check out, cool sounds, biting Horn sections, cool grooves and licks!

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THE BLUES BROTHERS medley keys G to A to G 4:28
8 bar intro - omit the talking intro, vocal in at 9 secs with "EVERYBODY NEEDS SOMEBODY" - continue thru the verse ,  "sometimes i feel..." at 42 secs, continue thru, brass instrumental break and vocal back in at 1:12 with "sometimes I feel..", continue thru and end on I Need You at 1:32, drum fill and intro into "GIMME SOME LOVIN", vocal in at 1:57, continue thru a verse and chorus and finish on "everyday", fill and into the electric piano riff for "SHAKE YOUR TAIL FEATHER" at 2:29, continue thru verse and chorus, build again "bend over let me see you shake your tail feather.."back to the chorus at 3:44, continue thru and finish!

MP3 DEMOS:
GM410. THE BLUES BROTHERS MEDLEY - 3 demos below:
          EVERYBODY NEEDS SOMEBODY - G - range -E to D
          GIMME SOME LOVIN - A - range -F# to C
          SHAKE YOUR TAIL FEATHER - G - range - D to D

Uber cool medley of the 3 big big songs from The Blues Brothers movie, in lower keys! 3 demos to check out, cool sounds, biting Horn sections, cool grooves and licks!
Same arrangement as GM410 except a tone and a half lower! Would also suit higher female ranges.
 

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THE DOCK OF THE BAY key F 3:56
4 bar intro ; vocal thru ; back to the bridge - "looks like.... nothing's gonna change.." ; continue ; ad lib ending ( whistle is included!!) and finish.

MP3 DEMO:
GM71. THE DOCK OF THE BAY
key - F - range - D to F
Classic song by Otis Reading ; in a fab new arrangement.

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THE DOCK OF THE BAY key Eb 4:00
4 bar intro ; vocal thru full song - no solo - back to the bridge ("looks like ... nothing's gonna change.."); continue ; ad lib ending (the whistle ;etc) and finish.

MP3 DEMO:
GM84. THE DOCK OF THE BAY Eb
key - Eb - range - C to Eb
New version of the soul classic, in a lower key.

Price:
£3.00
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THE GREATEST LOVE OF ALL key C 5:26
short intro and vocal in at 12 secs, stay in tempo all the way! - no solo, as per the original form and finish.

MP3 DEMO:
GM211. THE GREATEST LOVE OF ALL - C Pianotrak
key - C - range - C to F
Really lovely 2016 piano only arrangement of this great hit for George Benson and Whitney Houston.
A few tasty chord changes from yours truly...
 

Price:
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THE GREEN FIELDS OF FRANCE key F 5:54
Loosely based on the High Kings version of this song written by Singer-songwriter Eric Bogle.

MP3 DEMO:
GM405. THE GREEN FIELDS OF FRANCE
key - F - range - C to D
Lovely version of the Eric Bogle song. Light percussion added.

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THE GREEN GREEN GRASS OF HOME key Bb 3:35
4 bar intro and vocal in at 12 secs, vocal thru all the way, rall the last line and finish.

MP3 DEMO:
GM302. THE GREEN GREEN GRASS OF HOME
key - Bb - range - D to F
Livetrak arrangement of the classic Tom Jones hit.

Price:
£3.00
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THE HUNGRY YEARS key Eb to Gb 4:29
2 bar intro, vocal in at 8 secs, continue thru as per the original form.

MP3 DEMO:
GM233. THE HUNGRY YEARS Pianotrak
key - Eb to Gb - range - G to Eb (big range!)
Lovely Pianotrak arrangement of this wonderful Neil Sedaka song, in a more manageable male range.

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THE HUNGRY YEARS key Eb to Gb 4:14
1 bar intro and vocal in at 4 secs, continue thru as per the original form, repeat the last line and finish.

MP3 DEMO:
GM290. THE HUNGRY YEARS version 2
key - Eb to Gb - range - G to Eb
Lovely full arrangement of the Neil Sedaka classic, in a more manageable key.

Price:
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THE IN CROWD key F 2:57
4 bar intro and vocal in at 10 seconds, vocal through as per the Dobie Gray version form.

MP3 DEMO:
GM669. THE IN CROWD - F
key - F - vocal range - Eb to D
Cool arrangement loosely based on the classic Dobie Gray version from 1963.
Same arrangement as GM668 except 2 full tones down from the original key.

Price:
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THE IN CROWD key G 2:57
4 bar intro and vocal in at 10 seconds, vocal through as per the Dobie Gray version form.

MP3 DEMO:
GM668. THE IN CROWD - G
key - G - vocal range - F to E
Cool arrangement loosely based on the classic Dobie Gray version from 1963. A full tone down from the original key.

Price:
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THE LAST GREAT LOVE SONG key D 3:32
4 bar intro and vocal in at 10 seconds, vocal through as per the Finbar Furey live version, solo included. Original key.

MP3 DEMO:
GM528. THE LAST GREAT LOVE SONG
key - D - range - A to B
Very lovely song in a gorgeous arrangement based on a live Finbar Furey version, see youtube link above.

Price:
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THE LEAVING OF LIVERPOOL key C 2:32
4 bar intro and vocal in at 4 seconds, 3 verses and choruses - no solo, at 1:59 repeat the chorus, at 2:17 sing "but my darling when I think of thee" and finish.

MP3 DEMO:
GM543. THE LEAVING OF LIVERPOOL
key - C - range - C to D
The classic folk song in a punchy arrangement - 3 verses/choruses only and in a mangeable male key.
 

Price:
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THE LIVING YEARS key G 6:11
4 bar intro; vocal thru as per the original - double chorus at the end - and finish.

MP3 DEMO:
GM185. THE LIVING YEARS - G
key - G - range - G to G (optional falsettos)
Wonderful song from Mike and the Mechanics (featuring the incredible Paul Carrack on lead vocals). This version is slightly slower in feel and doesn't build like the original; and is a semitone down from the original - no huge gated drums; etc - but a very nice version non the less!
 

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