I'M NOT ANYONE key G 4:49
4 bar intro and vocal in at 13 seconds, same form and key as the Sammy Davis Jnr live version, except with a definite ending.

MP3 DEMO:
GM689. I'M NOT ANYONE - G
key - G - vocal range - E to E (optional A top note)
A live version of the Paul Anka song by the wonderful Sammy Davis Jnr, very similar arrangement and the same key.

I'M STILL STANDING key A & Am 3:03
8 bar intro and vocal in at 12 seconds, continue through as per the Elton John version and includes the guitar solo,  no fade - definite ending ends on "I'm still standing".

MP3 DEMO:
GM909. I'M STILL STANDING - A (& Am)
key - A & Am (chorus goes to Am) - vocal range - E to G
The Elton John classic in a superb new arrangement, and a semitone down from the original Elton John key.

I'M TALKING TO YOU BABY key Dm 4:16
Same form and key as the Jeff Cascaro version.

MP3 DEMO:
GM297. I'M TALKING TO YOU BABY
key - Dm - vocal range - D to A  (optional D top note)
Great smooth groove and cool song from Jeff Cascaro. Cover key.

I'VE DONE ENOUGH DYING TODAY key D 4:12
8 bar intro and vocal in at 18 seconds, vocal through all the way - same form and similar arrangement as the original Larry Gatlin & The Gatlin Brothers version except in a much lower key.

MP3 DEMO:
GM457. I'VE DONE ENOUGH DYING TODAY - D
key - D - vocal range - G to D (suit lower male ranges)
Wonderful song from Larry Gatlin, the original version is wonderful, later versions not so (huge vibrato). Here's an arrangement that is loosely based on the original album version. Note - The 2nd verse has strings added, like the original version.
The original key was A, with an A top note falsetto.

I'VE DONE ENOUGH DYING TODAY key E 4:12
8 bar intro and vocal in at 18 seconds, vocal through all the way - same form and similar arrangement as the original Larry Gatlin & The Gatlin Brothers version except in a much lower key.

MP3 DEMO:
GM458. I'VE DONE ENOUGH DYING TODAY - E
key - E - vocal range - A to E
Wonderful song from Larry Gatlin, the original version is wonderful, later versions not so (huge vibrato). Here's an arrangement that is loosely based on the original album version. Note - The 2nd verse has strings added, like the original version.
The original key was A, with an A top note falsetto.
Same arrangement as GM457 except a full tone higher.

IDOL key G 4:22
The form is as per the live George Michael version from his Symphonica album.

MP3 DEMO:
GM310. IDOL
key - G original key
Elton John song that George Michael recently covered on his Symphonica tour, and album. an exceptional track, Loosely based on the live Geroge Michael version.

IF key Eb 5:10
4 bar intro ; vocal thru ; short piano solo - vocal back in at "you come...... and pour ....." ; continue through the song and finish.

MP3 DEMO:
GM57. IF - Eb
key - Eb - vocal range - Bb to Eb
Wonderful song by the marvellous David Gates and given a totally fresh and original REALTRAK groove arrangement that really updates the song.

IF key F 3:15
4 bar intro; vocal through all the way - no solo - and really rall the last line and finish.

MP3 DEMO:
GM154. IF - F
key - F - vocal range - C to F
Wonderful David Gates song in an Original Livetrak arrangement.

IF TOMORROW NEVER COMES key G 3:52
2 bar intro and vocal in at 5 seconds, vocal through - no solo, at 3:26 slow the last few lines and finish.

MP3 DEMO:
GM618. IF TOMORROW NEVER COMES - G
key - G - range - D to D
Great fresh arrangement of the Garth Brooks worldwide hit, and covered by all the major artists.

IF TOMORROW NEVER COMES key G to Ab 5:07
Piano intro and vocal in at 11 seconds, vocal through verse and chorus, piano break and vocal back in with the 2nd verse at 1:58, chorus at 2:49, piano break and change of key at 3:38, vocal back in at 3:48 with the chorus, at 4:39 add the tag section, "so tell that someone that you love.... just what you're thinking of.....incase tomorrow never comes......".

MP3 DEMO:
GM994. IF TOMORROW NEVER COMES - G to Ab Piano
key - G to Ab - vocal range - D to Eb
Loosely based on a Barry Manilow version of the Garth Brooks song, with the key change included.

IF YOU COULD READ MY MIND key C 3:32
This version is a cover of the dance version that was out a couple of years back. No fade out - dead stop ending.

MP3 DEMO:
GM32. IF YOU COULD READ MY MIND
key - C - vocal range - E to E
Dance based version of the Gordon Lightfoot hit that was released a few years back.

IF YOU EVER BELIEVED key B to C 3:48
8 bar intro and vocal in at 18 secs, continue thru as per the Andy Williams version.

MP3 DEMO:
GM420. IF YOU EVER BELIEVED
key - B to C - vocal range - original key
Andy Williams song from his 1976 album "Andy".
 

IF YOU REALLY LOVE ME key C to Db 2:59
4 bar intro ;whole chorus - then same format as Stevie Wonder ; includes key change after 2nd time verses ; repeat chorus/ad lib and nice fresh ending - easy to catch once you've heard it. Stays uptempo all the way!

MP3 DEMO:
GM67. IF YOU REALLY LOVE ME
key - C to Db - vocal range - C to F(optional G) suit higher male ranges.
Absolutely wonderful Stevie Wonder gem in a fab fresh arrangement - stays in tempo all the way and works so well!

IF YOU WERE HERE TONIGHT key Fm 4:52
8 bar intro ; vocal thru as per original Alexander O'Neal version.

MP3 DEMO:
SM9. IF YOU WERE HERE TONIGHT
KEY - Fm - vocal range - Ab to Ab (optional)
Alexander O'Neil gem and a favourite of mine, original key but also suitable for low female range.

IMAGINE key C 3:58
4 bar intro and vocal in at 15 secs, continue thru, 4 bar break at 2:06, vocal back in at 2:21 with "imagine no possessions...", continue thru and finish.

MP3 DEMO:
GM424. IMAGINE - C
key - C - vocal range - G to E (optional G - "ah ha..")
Beautiful and tasteful orchestral arrangement of the John Lennon classic.

IN DREAMS key Bb 4:05
2 bar intro in tempo - the verse stays in tempo - vocal in at 6 seconds, vocal through as per the original form, not original key.

MP3 DEMO:
GM758. IN DREAMS - Bb orchestral
key - Bb - vocal range - G to Bb falsetto (huge range!)
Gorgeous orchestral arrangement of the Roy Orbison hit song. Slower in tempo and much more subtle, it's also suitable for a higher female range, it just means changing octaves at the verse, chorus, etc - it works fine this way if you can hit a Bb in chest voice.

IN MY LIFE key A 2:51
4 bar intro and vocal in at 10 seconds, continue through as per the Beatles form, original key.

MP3 DEMO:
GM788. IN MY LIFE - A Piano
key - A - vocal range - E to E
Lovely piano only arrangement of the Beatles tune, slower and more melancholy in style but includes the rather pompous classical based solo that seems so out of place.

IN THE COLD LIGHT OF DAY key Bb 2:59
4 bar intro; vocal through as per the Gene Pitney version but with a definite ending.

MP3 DEMO:
GM182. IN THE COLD LIGHT OF DAY
key - Bb - vocal range - C to Eb
A hit for Gene Pitney back in 1966. This arrangement is a full tone lower than the original key.
 

IN  THE GHETTO key D 3:38
2 bar intro and vocal in at 6 secs; continue thru as per the Ronan Keating version.

MP3 DEMO:
GM184. IN THE GHETTO
key - D - vocal range - D to D (optional F)
Massive hit for Elvis but this version is based on the Ronan Keating version. Includes backing vocals. Optional No BVs version as well..
 

IN THE MIDNIGHT HOUR key G 2:36
6 bar intro, vocal in at and continue through as per the original form (brass section solo included), with a definite ending.

MP3 DEMO:
GM603. IN THE MIDNIGHT HOUR - G 2019
key - G - vocal range - F to D
Wonderful 2019 arrangement of the Wilson Pickett classic, covered by all the great soul singers, sticking more to the original tempo and original form but in a much lower key and suitable for lower male ranges.

IN THE MIDNIGHT HOUR key G to Ab 2:51
Same form as the Wilson Pickett version except I've included a KEY CHANGE after the Brass solo, continue, ad lib ending and finish with the INTRO.

MP3 DEMO:
GM81. IN THE MIDNIGHT HOUR - G to Ab
key - G - vocal range - F to D (optional ad libs) suit lower male ranges
Fresh and groovy arrangement of the huge Wilson Pickett hit , and covered by everybody.

IN THIS LIFE key A 3:56
cover of the RONAN KEATING version. Includes the bridge section.

MP3 DEMO:
GM33. IN THIS LIFE
key - A - vocal range - E to F#
Lovely country ballad. Singers include Vince Gill and Ronan Keating.

IN YOUR EYES key C to D 3:15
opening chord ; intro ; vocal through - basically the same as the George Benson version with a slightly different feel.

MP3 DEMO:
SM25. IN YOUR EYES
key - C to D - vocal range - G to F
Nice arrangement of the George Benson ballad a full tone lower than the original version.

IN YOUR EYES key D to E 3:44
4 bar intro and vocal in at 16 seconds, vocal through as per the original form, in the original key.

MP3 DEMO:
GM808. IN YOUR EYES - D to E Electric Piano
key - D to E - vocal range - A to G
Gorgeous and very 80's sounding electric piano arrangement of the wonderful George Benson ballad, in the opriginal key.

IN YOUR EYES key C to D 3:48
Same form as the George Benson version..

MP3 DEMO:
GM308. IN YOUR EYES Pianotrak
key - C to D - vocal range - G to F
Great song that scored a worldwide hit for George Benson. This is a full tone lower and in a lovely piano only arrangement.

INDIAN SUMMER key C to D 3:48
4 bar intro and vocal in at 10 seconds, continue through as per the Roy Orbison and Gatlin Brothers version.

MP3 DEMO:
GM740. INDIAN SUMMER - C to D
key - C to D - vocal range - C to B (huge range, lots of falsetto)
Roy Orbison with the Gatlin Brothers and Barry Gibb, also suitable for female ranges.
Same arrangement as GM739 except a full tone lower.

INDIAN SUMMER key D to E 3:48
4 bar intro and vocal in at 10 seconds, continue through as per the Roy Orbison and Gatlin Brothers version, original keys.

MP3 DEMO:
GM739. INDIAN SUMMER - D to E
key - D to E - vocal range - D to C# (huge range, lots of falsetto)
Roy Orbison with the Gatlin Brothers and Barry Gibb, original keys, also suitable for female ranges.
 

IS THIS THE WAY TO AMARILLO key F to F# 2:56
6 bar intro, vocal in at 11 secs, continue thru as per the original version, key change at 2:28 for the very last "sha la la", and sing the last line 3 times then dead stop.

MP3 DEMO:
GM222. IS THIS THE WAY TO AMARILLO
key - F to F# - vocal range - Bb to D
Great arrangement of the Tony Christie wordlwide hit, written by the wonderful Neil Sedaka, super talented guy - his royalty cheque must be huge based on this one song only! Suits lower male ranges.

GM231. ISLANDS IN THE STREAM key Bb 3:36
4 bar intro and vocal in at 10 secs, continue thru - no solo - same form as the Bee Gees version.

MP3 DEMO:
GM231. ISLANDS IN THE STREAM
key Bb - vocal range - Bb to Eb
Cool arrangement of the huge Kenny Rogers and Dolly Parton hit, loosely based on the Bee Gees version, so no key change, and they actually wrote it, in a lower key.

ISN'T SHE LOVELY key Gb 2:37
8 bar intro; vocal thru; short harmonica solo; vocal back in at "I can't believe what God has done"; continue with the last verse and a definite finish on the riff!

MP3 DEMO:
GM160. ISN'T SHE LOVELY - Gb
key - Gb - vocal range - Db to Db
Cool new arrangement of the Stevie Wonder song; in a much lower key for lower male ranges.
 

IT DOESN'T MATTER ANYMORE key G to Ab 4:28
Based on a  live Paul Anka version, same keys, soprano sax solo included.

MP3 DEMO:
GM727. IT DOESN'T MATTER ANYMORE - G to Ab
keys - G to Ab - vocal range - D to D
Arrangement is based on a live Paul Anka version (he wrote the song) of the huge Buddy Holly hit, same keys.

IT MIGHT BE YOU key - Eb 3:56
6 bar intro ; then as per Roberta Flack version ; short piano solo ;vocal back in @ " and there's so much more..." ; repeat last line 3 times and finish.

MP3 DEMO:
SM17. IT MIGHT BE YOU
key - Eb - range - Bb to F
The wonderful Stephen Bishop theme song from the film "Tootsie". The arrangement is based on a version by Roberta Flack, but in a male key.

IT NEVER RAINS IN SOUTHERN CALIFORNIA key A to Bb 4:02
8 bar intro and vocal in at 16 seconds, vocal through as per the Albert Hammond form, 8 bar instrumental break at 1:57, continue, at 3:19 there is a key change and simply repeat the chorus and finish.

MP3 DEMO:
GM661. IT NEVER RAINS IN SOUTHERN CALIFORNIA - A to Bb
key - A to Bb - vocal range - E to F
Great arrangement of the wonderful Albert Hammond 70's hit, with a key change for a chorus reprise.

IT WAS ALMOST LIKE A SONG key C to Db 4:14
8 bar intro and vocal in at 34 seconds, vocal through, short 8 bar instrumental at 2:33 and key change, vocal back in at 3:04, continue through and finish.

MP3 DEMO:
GM932. IT WAS ALMOST LIKE A SONG - C to Db
key - C to Db - vocal range - B to Gb (optional Ab top note)
Great song, scored a Billboard number 1 for Ronnie Milsap, and covered by singers like johnny Mathis, Johnny Hartman, Joe Longthorne and others. Here's a superb big orchestral arrangement that builds wonderfully.

IT'S ALL GOING TO POT key G 3:04
Same form and key as the original version.

MP3 DEMO:
GM349. IT'S ALL GOING TO POT
key - G - vocal range - G to A (suitable lower range male) - Original key.
Based on the album track from the collaborative album, Django and Jimmie by Willie Nelson and Merle Haggard.

IT'S ALL IN THE GAME key Eb 2:52
2 bar intro and vocal pick up in at 5 secs, continue thru as per the same form as the original Tommy Edwards version, in the original key.

MP3 DEMO:
GM407. IT'S ALL IN THE GAME - Eb
key - Eb - vocal range - Bb to D
Lovely track, very much based on the original 1958 Tommy Edwards version but with a 2 bar and vocal pickup.

ALL IN THE GAME key F 3:38
4 bar intro ; vocal thru twice ; ad lib the ending and finish.

MP3 DEMO:
GM12. IT'S ALL IN THE GAME
key - F - vocal range - C to E
Fresh and groove based version of the Tomy Edwards 1958 hit, but it's been covered by artists like Nat King Cole, Van Morrison, The Four Tops and many many more.

IT'S ALL IN THE GAME key F to Gb 3:14
4 bar intro - vocal in on the 4th bar at 13 secs, continue thru as per the Jerry Vale version.

MP3 DEMO:
GM355. IT'S ALL IN THE GAME - F to Gb
key - F to Gb - vocal range - C to F
Classic old standard, loosely based on the Jerry Vale 12/8 arrangement.

IT'S ALL OVER NOW key E 3:48
8 bar intro and vocal in at 9 secs, vocal thru, guitar solo at 1:25 and vocal back in at 2:02 with the last verse and then repeat the first verse again at 2:40, sing the last line 4 times and finish.

MP3 DEMO:
GM268. IT'S ALL OVER NOW - E
key - E - vocal range - E to D# (F#)
Massive hit for The Rolling Stones back in 1964. Here's a cool version, in a lower key.

IT'S ALRIGHT key Bb 2:27
4 bar intro and vocal in at 10 seconds, continue through the song - no solo, finish and slow the last two lines down with a gospel feel!

MP3 DEMO:
GM443. IT'S ALRIGHT Pianotrak
key - Bb - vocal range - F to G (A optional top note)
Fabulous and happy Curtis Mayfield gem, in a very gospel tinged piano only arrangement. Based on the Phil Collins live version form, but slower in tempo.

IT'S NOT UNUSUAL key Eb 2:04
8 bar intro ; thru as per the original with a definite ending.

MP3 DEMO:
GM102. IT'S NOT UNUSUAL - Eb
key - Eb - vocal range - Bb to Eb
The Tom Jones smash hit in a much lower key. Suitable for lower range male or high female range.

IT'S TOO LATE key F 3:21
4 bar intro; vocal through, basically the same form as the original Carole King version with a definite ending.

MP3 DEMO:
GM146. IT'S TOO LATE - F
key - F - vocal range - D to D
Wonderful Carole King song, in a cool arrangement. The same form as the original version, in a male key.

 

IT'S TOO LATE key F 3:39
4 bar intro and vocal in at 11 seconds, continue through as per the Carole King version form, solo included.

MP3 DEMO:
GM438. IT'S TOO LATE - F Pianotrak
key - F - vocal range - D to D
Piano only arrangement of the Carole King classic, in a more manageable male key.
 

IT'S YOUR LOVE key F 3:53
4 bar intro and vocal in at 13 seconds, continue through as per the original version form.

MP3 DEMO:
GM621. IT'S YOUR LOVE - F
key - F - range - Bb to D
Great country hit for Tim McGraw and Faith Hills (on backing vocals). Fresh arrangement, superb slide guitar lines, rich strings and a great overall vibe. Same arrangement as GM620 except a full tone lower.

IT'S YOUR LOVE key G 3:53
4 bar intro and vocal in at 13 seconds, continue through as per the original version form, orginal key.

MP3 DEMO:
GM620. IT'S YOUR LOVE - G
key - G - range - C to E
Great country hit for Tim McGraw and Faith Hills (on backing vocals). Fresh arrangement, superb slide guitar lines, rich strings and a great overall vibe.

JAILHOUSE ROCK key C 2:38
4 bar intro and vocal in at 6 secs, continue thru as per the Elvis Presley form.

MP3 DEMO:
GM426. JAILHOUSE ROCK - C
key - C - vocal range - A to Eb
Fresh arrangement of the Elvis Presley hit, in a lower key. The original key is Eb.

JAMBALAYA key D 2:40
4 bar intro and vocal in at 5 seconds, continue through the song, double chorus from 1:33 (1st time chorus breaks down, 2nd time chorus is big), repeat the last line three times from 2:12 and finish.

MP3 DEMO:
GM830. JAMBALAYA - D
key - D - vocal range - D to D
A super punchy arrangement that's based on a Paul Anka live version, in a more manageable key.
 

JAMBALAYA and OH LONESOME ME Medley key E 4:10
4 bar intro and vocal in at 5 seconds - sing 2 verses of Jambalaya before the chorus, which starts at 48 seconds, repeat chorus again 1:10, striaght into Oh Lonesome Me at 1:33, continue through the full song and back to "I bet she's not like me..." at 3:01, continue through again, last verse at 3:23, continue, repeat the last line 3 times and finish.

MP3 DEMO:
JAMBALAYA and OH LONESOME ME Medley
key - E - vocal range - E to E
GM450. Demo 1 - intro and into Jambalaya
GM450. Demo 2 - end of Jambalaya into Oh Lonesome Me
Fabulous medley of 2 classic country songs in a cool arrangement with a great feel, based on a Paul Anka live version.

JAMBALAYA version 2 key C 2:55
8 bar intro and vocal in at 9 seconds, vocal through verse and chorus, verse and chorus, lap steel guitar solo at 1:32, vocal back in at 1:51 with a chorus (or you can use a verse, same form), chorus at 2:12, continue through, repeat the last line 3 times and finish.

MP3 DEMO:
GM934. JAMBALAYA version 2 - C
key - C - vocal range - C to C
Super punchy country arrangement of the classic Hank Williams song.

Jamming (Jammin') key Am 3:17
Same form as the original Bob Marley version except a full tone lower.

MP3 DEMO:
GM482. Jamming (Jammin') - Am
key - Am - vocal range - A to F
The Bob Marley classic, very similar arrangement but a full tone lower than the original key.
 

JE T'AIME key Bbm 4:17
Arrangement based on the original Lara Fabian form but in a male key. Piano only.

MP3 DEMO:
GM169. JE T'AIME Pianotrak
key - Bbm - vocal range - top note F (optional Gb)
Pianotrak based on the Lara Fabian song that scored a big French hit, but In a male range.
 

JEALOUS OF THE ANGELS key F 4:06
Same form and tempo as the original Jenn Bostic version, except in a male key.

MP3 DEMO:
GM210. JEALOUS OF THE ANGELS
key - F - vocal range - C to F
Popular song from Jenn Bostic, check it out on youtube, arranged in a male key.

JESSIE key G 5:32
8 bar intro and vocal in at  29 seconds, continue through as per the full Joshua Kadison form version, in the original key.

MP3 DEMO:
GM766. JESSIE - G Piano
key - G - vocal range - C to C
Big hit for Joshua Kadison back in 1993, not much vocal range but a nice song nevertheless. Here is an intimate piano only arrangement.

JESUS LOVES ME key C (then Eb section) to Db 4:40
drums pick up and into the chorus "yes, jesus loves me..."; thru 2 verses and chorus; key change to Eb for a verse and back down to C for the chorus; another key change to Db and repeat the chorus; ad lib and repeat the last line and listen to where the BAND is leading you  and finish!!

MP3 DEMO:
GM131. JESUS LOVES ME
key - C - (key change to Eb for another verse or possible solo?); back to C and then a key change to Db for the last chorus. - vocal range - C to Eb
Fabulously fresh arrangement of the worship song - I first heard a smooth version in the movie The Bodyguard sung by Whitney Houston but was more gobsmacked by the wonderful arrangement. Mine has an r'n'b swing groove and works great..... and a classy ending! Well worth the effort to learn!
 

JOHNNY B GOOD key F 2:43
4 bar gtr pickup and then 8 bars and vocal in for verse ; continue thru song ; instrumental break ; vocal back in for verse/chorus and finish.

MP3 DEMO:
GM91. JOHNNY B GOOD - F
key - F - vocal range - F to C (suit lower male range)
The Chuck Berry song in a cool Realtrak arrangement.

JOHNNY B GOOD key G 2:43
4 bar gtr pickup and then 8 bars and vocal in for verse ; continue thru song ; instrumental break ; vocal back in for verse/chorus and finish.

MP3 DEMO:
GM122. JOHNNY B GOOD - G
key - G - vocal range - G to D
The Chuck Berry song in a cool Realtrak arrangement. Same arrangement as GM91 except a full tone higher.
Also available without the lead gtrs and solos.

JOHNNY'S GARDEN key G 2:56
Original form and key of Stephen Stills album version.

MP3 DEMO:
GM663. JOHNNY'S GARDEN
key - G - vocal range - original key
The Stephen Stills song from the 1972 album "Manassas".

JUST ANOTHER DAY key F 5:20
8 bar intro and vocal in at 19 seconds, vocal through, chorus at 1:19, verse at 2:04, chorus at 2:53, short instrumental at 3:13, vocal back in at 3:38 with "give me the reason....give me the reason...", chorus twice and finish.

MP3 DEMO:
GM622. JUST ANOTHER DAY - F
key - F - range - C to F (optional A)
Superb new arrangement of the wonderful Jon Secada worldwide hit. Slower in tempo, a funkier groove, great sounds and a wonderful feel. (a semitone down from the original key of F#, although he sings it live in Eb)

JUST THE TWO OF US key Fm 3:49
8 bar intro and vocal in at 21 secs, continue thru as per the original form, sax break at 1:40, intro again at 2:02, verse back in at 2:22, chorus at 2:42, chorus twice again and tight stop and finish.

MP3 DEMO:
GM288. JUST THE TWO OF US
key - Fm - vocal range - G to F
Cool arrangement of the classic Bill Wither's hit, in the original key.

JUST THE WAY YOU ARE key D 4:38
4 bar intro and vocal in at 9 seconds, vocal through as per the Billy Joel original form, SYNTH SOLO at 3:12, vocal back in 3:43 with "I don't want clever conversation...", continue and finish with the outro..

MP3 DEMO:
GM536. JUST THE WAY YOU ARE - D Gigsville
key - D - vocal range - Bb to F#
The incredible Billy Joel song in a totally fresh groove and a punchy synth arrangement!

JUST THE WAY YOU ARE key D 4:53
Same form as the original Billy Joel version.
Note - Not the original solo lines included but a solo is included.

GM414. JUST THE WAY YOU ARE - D Pianotrak
key - D - vocal range - D (optional Bb) to F#
Classy and inspiring Fender Rhodes piano only track of this wonderful Billy Joel song, in the original key. Fabulous sound with cool fills and licks.

JUST THE WAY YOU ARE (Bruno Mars) key E 3:19
Same form as the Bruno Mars version.

MP3 DEMO:
GM170. JUST THE WAY YOU ARE (Bruno Mars)
key - E - vocal range - G# to A (B falsetto). cover key and suit female range as well.
Livetrak version of the massive Bruno Mars song.
 

JUST THE WAY YOU ARE key C 3:25
8 bar intro; vocal thru as per the original but without the falsetto section ("the way you arrrrrrrreeee") at the end - sing a double chorus and finish.

MP3 DEMO:
GM179. JUST THE WAY YOU ARE (Bruno Mars) - C
key - C - vocal range - E to F (optional G)
New, shorter arrangement of the massive Bruno Mars hit ; in a much more manageable key and without the very high falsetto section at the end. It would be basically a double chorus at the end and finish.
 

KISS ON MY LIST key C 4:10
Same form as the Hall and Oates song, original key and with a definite ending.

MP3 DEMO:
GM691. KISS ON MY LIST - C
key - C - vocal range - G to Ab (optional Bb)
Great arrangement of the Daryl Hall & John Oates hit, very much based on the original version, same key.

KNOCK ON WOOD key A 3:05
4 bar intro ; thru as per original; including ad libs - "knock knock knock on wood" - then intro and finish.

MP3 DEMO:
GM82. KNOCK ON WOOD - A
key - A - vocal range - F# to C# (optional falsettos for the brass riff)
Great old Soul classic in a key suitable for lower male ranges. Cool arrangement.

KNOCK ON WOOD key A 3:01
4 bar intro and vocal in at 8 seconds, vocal through as per the original form (include end ad libs) and definite finish.

MP3 DEMO:
GM605. KNOCK ON WOOD - A 2019
key - A - vocal range - F# to C# (optional falsettos for the brass riff)
Uber funky and punchy 2019 arrangement of this soul classic! Suitable for lower range males.
 

KNOCK ON WOOD key B 3:01
4 bar intro and vocal in at 8 seconds, vocal through as per the original form (include end ad libs) and definite finish.

MP3 DEMO:
GM606. KNOCK ON WOOD - B
key - B - vocal range - G#to D# (optional falsettos for the brass riff)
Uber funky and punchy 2019 arrangement of this soul classic! Suitable for lower range males.
Same arrangement as GM605 except a full tone higher.

KNOCKS ME OFF MY FEET key C 3:35
Electric piano pickup into a 4 bar intro, vocal through all the way as per the original form, repeat chorus (no key change) and finish.

MP3 DEMO:
GM66. KNOCKS ME OFF MY FEET
key - C - vocal range - E to G
One of my favourite Stevie Wonder songs. This is a cool arrangement with an easy groove!
 

L'EXISTENCE SE DANCE key A 3:09
intro and vocal in at 17 secs; continue thru as per the Julio Iglesias version and finish.

MP3 DEMO:
GM181. L'EXISTENCE SE DANSE
key - A - vocal range - E to E
Gorgeous song covered by Julio Iglesias, Ioana Sandu and others, in an intimate Pianotrak arrangement.
 

L'IMPORTANT C'EST LA ROSE / Lo Importante Es la Rosa key C to D 3:38
5 bar intro and vocal in at 22 seconds, continue through as per the Dyango version , similar arrangment and included key change but in a lower key - the original Dyango key is F to G.

MP3 DEMO:
GM735. L'IMPORTANT C'EST LA ROSE
key - C to D - vocal range - C to E
Very lovely Gilbert Becaud song and this arrangement is based on the Dyango version but in a much lower key.

LA BAMBA key Ab 2:27
4 bar intro, vocal in at 5 secs, continue thru, guitar solo at 1:04, vocal back in at 1:28, continue thru a verse, chorus at 1:53, repeat and ad libs and finish.

MP3 DEMO:
GM369. LA BAMBA - Ab
key - Ab - vocal range - Eb to Db
Based on the Richie Valens version, 2 full tones lower.