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Male Gigsville Backing Track Downloads

MALE general, pop, soul, MOR and easy listening tracks in Alphabetical order or use the Search box.

Male Gigsville Backing Track Downloads
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THE WANDERER key C 3:08
4 bar intro, vocal through, guitar solo, vocal back in at "well I roam from town to town...", continue; repeat the last line 3 times and finish.

MP3 DEMO:
GM105. THE WANDERER - C
key - C - vocal range - F to E
The old Dion hit in a cool and fresh arrangement.

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THE WANDERER key B 3:00
4 bar intro, vocal in at 6 secs, continue thru, Hammond solo at 1:35, vocal back in at 1:59 with "well I roam from town to town...", continue and repeat the last line and finish.

MP3 DEMO:
GM236. THE WANDERER - B
key - B - vocal range - E to D#
New version of this Dion classic hit!

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THE WAY WE WERE key Bb 4:38
4 bar intro and vocal in at 16 seconds, vocal through the song, at 2:43 go back to "could it be that it was all so simple then...", continue through and at 4:17 repeat "the way we were..." and finish.

MP3 DEMO:
GM839. THE WAY WE WERE - Bb orchestral
key - Bb - vocal range - Bb to Eb
Superb arrangement of this wonderful title song from the movie "The Way We Were", that scored a huge worldwide hit for Barbra Streisand. It's been covered by so many great male vocalists including Andy Williams, Barry Manilow, Johnny Mathis and many others. Same arrangement as GM838 except a full tone lower.

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THE WAY WE WERE key C 4:38
4 bar intro and vocal in at 16 seconds, vocal through the song, at 2:43 go back to "could it be that it was all so simple then...", continue through and at 4:17 repeat "the way we were..." and finish.

MP3 DEMO:
GM838. THE WAY WE WERE - C orchestral
key - C - vocal range - C to F
Superb arrangement of this wonderful title song from the movie "The Way We Were", that scored a huge worldwide hit for Barbra Streisand. It's been covered by so many great male vocalists including Andy Williams, Barry Manilow, Johnny Mathis and many others.

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THE WAY YOU MAKE ME FEEL key F 3:33
drum fill and 8 bar intro, vocal in at 19 seconds, continue through as per the Tommy Korberg version (same form as the original Michael Jackson version), synth solo at 1:59 for 16 bars, vocal back in at 2:34 with "I never felt so in love before...", continue through, double chorus and tight finish.

MP3 DEMO:
GM856. THE WAY YOU MAKE ME FEEL - F
key - F - vocal range - F to D
Fantastic big orchestral track, based on a live version of the Michael Jackson gem by Tommy Korberg. I've added a cool synth lead solo rather than a sax solo and there is also a No Solo version. Same arrangement as GM855 except a full tone lower.

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THE WAY YOU MAKE ME FEEL key G 3:33
drum fill and 8 bar intro, vocal in at 19 seconds, continue through as per the Tommy Korberg version in his key (same form as the original Michael Jackson version), synth solo at 1:59 for 16 bars, vocal back in at 2:34 with "I never felt so in love before...", continue through, double chorus and tight finish.

MP3 DEMO:
GM855. THE WAY YOU MAKE ME FEEL - G
key - G - vocal range - G to E
Fantastic big orchestral track, based on a live version of the Michael Jackson gem by Tommy Korberg. I've added a cool synth lead solo rather than a sax solo and there is also a No Solo version.

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WIND BENEATH MY WINGS key F 4:06
4 bar intro ; vocal thru whole song ; back to the bridge and finish.

MP3 DEMO:
G42. THE WIND BENEATH MY WINGS
key - F - vocal range - D to F
Original Livetrak arrangement of the huge Bette Midler hit from the film "Beaches".

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THE WIND BENEATH MY WINGS key Eb 3:40
4 bar intro, vocal through as per the original form - repeat the last line ("you are the wind beneath my wings..") 3 times and finish.

MP3 DEMO:
GM161. THE WIND BENEATH MY WINGS - Eb
key - Eb - vocal range - Bb to Eb
New version of this hugely popular song, in a lower key.
 

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THE WIND BENEATH MY WINGS key Eb Pianotrak 4:25
4 bar intro, vocal in at 18 secs, vocal thru - no solo - vocal back to "did you ever know that you're my hero.." at 3:17, continue thru, repeat the last line at 3:53, rall and finish.

MP3 DEMO:
GM226. THE WIND BENEATH MY WINGS - Eb Pianotrak
key - Eb - vocal range - C to Eb
Very lovely, piano only arrangement of this hugely popular hit for Bette Midler, from the movies "Beaches".
Lou Rawls was the first to achive a major hit with it, back in 1983.

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THE WIND BENEATH MY WINGS key F to Gb 4:57
8 bar intro and vocal in at 24 secs, continue thru, 4 bar intro again at 2:11, key change at 2:29 and continue with the 2nd verse and chorus, at 3:43 repeat the chorus, at 4:18 rall the last line, at 4:20 repeat again and finish.

MP3 DEMO:
GM304. THE WIND BENEATH MY WINGS - F to Gb
key - F to Gb - vocal range - D to Gb
Very lovely arrangement of this popular gem, loosely based on A Perry Como version, in a higher key.

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THE WIND BENEATH MY WINGS - Lou Rawls key F 3:49
2 bar intro - song is in 4/4 - spoken lyrics in at 5 secs, continue through as per the Lou Rawls version form with a definite ending.

MP3 DEMO:
GM340. THE WIND BENEATH MY WINGS - Lou Rawls
key - F - vocal range - C to F
This arrangement is based on the Lou Rawls version of this hugely popular song - https://www.youtube.com/watch?v=cRCS1AiAzJo
The piano is pretty quiet in the intro because there is a spoken part over it, and that really needs to be included and timed exactly the same to make it work. Check out the youtube link above..

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THE WONDER OF YOU key Eb 2:38
4 bar intro and vocal in at 12 seconds, continue through, electric guitar solo at 1:40, vocal back in at 2:00 with "I guess I'll never know.....the reason why....,", continue through and big finish.

MP3 DEMO:
GM574. THE WONDER OF YOU - Eb
key - Eb - vocal range - Bb to C (optional Eb last note, big finish)
The massive Elvis Presley hit in a big arrangement with the typical 12/8 feel.
Same arrangement as GM573 except a full tone lower.

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THE WONDER OF YOU key F 2:38
4 bar intro and vocal in at 12 seconds, continue through, electric guitar solo at 1:40, vocal back in at 2:00 with "I guess I'll never know.... the reason why....", continue through and big finish.

MP3 DEMO:
GM573. THE WONDER OF YOU - F
key - F - vocal range - C to D (optional F last note, big finish)
The massive Elvis Presley hit in a big arrangement with the typical 12/8 feel.

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AND THEN SHE KISSED ME key A 2:50
4 bar intro and vocal in at 8 seconds, vocal through the song - no solo - at 1:49 the vocal goes to "she kissed me in a way I've never been kissed before...", continue through, 3 time repeat of "and then she kissed me.." and finish.

MP3 DEMO:
GM859. AND THEN SHE KISSED ME - A
key - A - vocal range - E to D
A super punchy arrangement, from the male perspective, of the massive Crystals hit from the 60's. The Beach Boys also did a cover and called it "Then I Kissed Her" but I think Then She Kissed Me works so much better but either will work just fine.

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AND THEN SHE KISSED ME key G 2:50
4 bar intro and vocal in at 8 seconds, vocal through the song - no solo - at 1:49 the vocal goes to "she kissed me in a way I've never been kissed before...", continue through, 3 time repeat of "and then she kissed me.." and finish.

MP3 DEMO:
GM860. AND THEN SHE KISSED ME - G
key - G - vocal range - D to C
A super punchy arrangement, from the male perspective, of the massive Crystals hit from the 60's. The Beach Boys also did a cover and called it "Then I Kissed Her" but I think Then She Kissed Me works so much better but either will work just fine.
Same arrangement as GM859 except a full tone lower.

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THERE'S A KIND OF HUSH key Ab 2:48
4 bar intro and vocal in at 6 secs, continue thru as per the Herman's Hermits version and finish.

MP3 DEMO:
GM328. THERE'S A KIND OF HUSH
key - Ab - vocal range - C to Db
Arrangement loosely based on the original Herman's Hermits version, but in a lower key.

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THERE'S NO GETTIN' OVER ME key E 3:12
4 bar intro and vocal in at 9 seconds, continue through as per the original form, in the original key.

MP3 DEMO:
GM811. THERE'S NO GETTIN' OVER ME - E
key - E - vocal range - B to C# (optional F# and E ad libs)
Superb song from Ronnie Milsap, with a very cool similar arrangement, in the original key.

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THERE'S NO GETTIN' OVER ME key Gb 3:12
4 bar intro and vocal in at 9 seconds, continue through as per the original form.

MP3 DEMO:
GM812. THERE'S NO GETTIN' OVER ME - Gb
key - Gb - vocal range - Db to Eb (optional Ab and Gb ad libs)
Superb song from Ronnie Milsap, with a very cool similar arrangement. Same arrangement as GM811 except a full tone higher.

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THESE BOOTS WERE MADE FOR WALKING key C 2:42
8 bar intro, vocal in at 11 seconds, continue through as per the original Nancy Sinatra version, same form with a definite ending.

MP3 DEMO:
GM516. THESE BOOTS WERE MADE FOR WALKING - C
key - C - range - C to C
Very similar arrangement to the original Nancy Sinatra version, with full brass lines included (not on the intro and verse demo).
Same arrangement as GF264 except 2 full tones lower.

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THESE BOOTS WERE MADE FOR WALKING key D 2:42
8 bar intro, vocal in at 11 seconds, continue through as per the original Nancy Sinatra version, same form with a definite ending.

MP3 DEMO:
GM517. THESE BOOTS WERE MADE FOR WALKING - D
key - D - range - D to D
Very similar arrangement to the original Nancy Sinatra version, with full brass lines included (not on the intro and verse demo).
Same arrangement as GF264 except 1 full tone lower.

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THIS IS MY LIFE key Cm & C to Db 4:18
5 bar intro, vocal in at 15 secs, vocal thru all the way with a key change and slight rall for the last section of the chorus, finish as per the Bassey versions.

MP3 DEMO:
GM207. THIS IS MY LIFE
key - Cm & C (chorus) then Db (last chorus) - vocal range - D to F
Great arrangement of the Shirley Bassey hit, in a male key!

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THIS IS MY LIFE version 2 key Cm, C to Db 3:56
As per Malcolm Roberts version.

MP3 DEMO:
GM358. THIS IS MY LIFE version 2
key - Cm, C for the chorus and a key change to Db - range - D to F (optional Ab)
Great tune that scored a massive hit for Shirley Bassey.
This arrangement is based on the Malcolm Roberts version - https://www.youtube.com/watch?v=hBMdjIlsmjM

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THIS IS MY SONG key D to Eb 2:37
As per the Jerry Vale version.

MP3 DEMO:
GM359. THIS IS MY SONG
key D to Eb - vocal range - E to F
Very lovely version of the Petula Clark hit, written by Charlie Chaplin. The arrangement is based on the Jerry Vale version and doesn't include the verse, only the main theme. https://www.youtube.com/watch?v=I6owm3fG_Io

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THIS IS THE MOMENT key Eb to E 3:49
3 bar intro ; vocal thru - this is the short version - verse and straight into the bridge section ( "for all these years..."); continue ; key change for last verse ; big finish. Track has smooth ralls and kick phrases in certain parts - easy to catch.

MP3 DEMO:
GM73. THIS IS THE MOMENT
key - Eb to E - vocal range - Bb to G ( big range - suit high male range).
Hugely popular show tune. Every cabaret and solo act does it, you've heard it a hundred times, but check out this fabulously cool and different version - new feel, subtle, tasty chord changes and quality samples used - it does pay to be different!

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THIS LAND IS YOUR LAND keys D to E 2:46
Loosely based on the Lee Greenwood version, including the key change, but 2 1/2 tones down from the original key.

MP3 DEMO:
GM376. THIS LAND IS YOUR LAND - D to E
key - D to E - vocal range - C# to E
Cool arrangement of this Patriotic song, based on the Lee Greenwood version but in a much lower key!
 

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THIS OLD HEART OF MINE key D 4:12
8 bar intro and vocal in at 15 seconds, continue through as per the Rod Stewart version form.

MP3 DEMO:
GM677. THIS OLD HEART OF MINE - D
key - D - vocal range - D to D
Based on the Rod Stewart version of the Isley Brothers classic, in a typical male range.
Same arrangement as GM676 except a full tone lower.

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THIS OLD HEART OF MINE key E 4:12
8 bar intro and vocal in at 15 seconds, continue through as per the Rod Stewart version form.

MP3 DEMO:
GM676. THIS OLD HEART OF MINE - E
key - E - vocal range - E to E
Based on the Rod Stewart version of the Isley Brothers classic, in a typical male range.

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THIS OLD HOUSE key Eb 2:25
8 bar intro, vocal through verse and chorus and straight into next verse and chorus, very short 8 bar violin break, vocal back in for verse and chorus; repeat "Ain't a-gonna need this house no longer, he's a-gettin' ready to meet the saints"... and big finish!

MP3 DEMO:
GM109. THIS OLD HOUSE - Eb
key - Eb - vocal range - C to Eb
This version is loosely based on the Boxcar Willie version  - very "country" and pretty bright in tempo - but it works!

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THIS THING OF OURS key F & Ab 3:32
Piano and string intro and vocal in at 19 secs, same form as the Ray Price version.

MP3 DEMO: 
GM315. THIS THING OF OURS
key - F to Ab and back to F - original key
Very lovely Ray Price song, from his last album.

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THUNDER ROAD key F 5:28
Based on classic 1975 Bruce Springsteen live version, same form and key. https://www.youtube.com/watch?v=6O3MO2y30fU

MP3 DEMO:
GM650. THUNDER ROAD
key - F - vocal range - original key
Bruce Springsteen is known for his incredible concerts and this is based on the definitive live 1975 version of his song Thunder Road.

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TICKET TO RIDE key Eb 3:12
4 bar intro; vocal thru as per the Beatles version - no solo - vocal back to "I don't know why she's riding so high"; continue; optional falsetto end or ad lib and finish.

MP3 DEMO:
GM101 TICKET TO RIDE - Eb
key - Eb - vocal range - Bb to Db (optional Ab falsetto ending!)
Fresh arrangement of the Beatles hit, in an easy key.

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TICKET TO RIDE groove key F 3:46
4 bar intro, vocal in at 10 secs and continue thru the song and go back to " I don't know why she's riding so high.." at 2:21 and continue, then a piano solo from 2:43 to 3:01 and vocal back in with "she's got a ticket to ride......" ,continue and ad lib the ending and finish.

MP3 DEMO:
GM198. TICKET TO RIDE groove
key - F - vocal range - C to Eb (optional F)
Fantastic groove arrangement based on Brazilian singer Tiago Lorc's take on the Beatles hit, just a tad slower.

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TIE A YELLOW RIBBON ROUND THE OLD OAK TREE key E 2:26
8 bar intro; same format as original except definite ending and stays in tempo all the way at the end tag.

MP3 DEMO:
GM110. TIE A YELLOW RIBBON ROUND THE OLD OAK TREE - E
key - E - vocal range - C# to E
Nice arrangement of the old DAWN 70's hit.

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TILL key Db 3:24
4 bar intro and vocal in at 13 seconds, vocal through - no solo, at 2:02 go back to "you are my reason to live...", continue and slight pause at 2:44 and sing "til then I'm.. yours (2:48).... be (2:52) mine..." - it all falls into place.

MP3 DEMO:
GM665. TILL - Db Piano
key - Db - vocal range - A to Eb
Wonderful big ballad that scored a huge hit for Tom Jones, covered by Engelbert Humperdinck and many others. Here's a piano only arrangement in a typical male key. Same arrangement as GM664 except a full tone lower.

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TILL key Eb 3:24
4 bar intro and vocal in at 13 seconds, vocal through - no solo, at 2:02 go back to "you are my reason to live...", continue and slight pause at 2:44 and sing "til then I'm.. yours (2:48).... be (2:52) mine..." - it all falls into place.

MP3 DEMO:
GM664. TILL - Eb Piano
key - Eb - vocal range - B to F
Wonderful big ballad that scored a huge hit for Tom Jones, covered by Engelbert Humperdinck and many others. Here's a piano only arrangement in a typical male key.

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TIME IN A BOTTLE key Dm (and D major) 2:46
8 bar intro and vocal in at 16 seconds, vocal through as per the Jim Croce form, in the original key.

MP3 DEMO:
GM485. TIME IN A BOTTLE - Dm
key - Dm (and D major) - vocal range - A to C
Gorgeous orchestral arrangement of the Jim Croce hit from 1973.

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TIME IN A BOTTLE key Em (and E major) 2:46
8 bar intro and vocal in at 16 seconds, vocal through as per the Jim Croce form.

MP3 DEMO:
GM486. TIME IN A BOTTLE - Em
key - Em (and E major) - range - B to D
Gorgeous orchestral arrangement of the Jim Croce hit from 1973.
Same arrangement as GM485 except a full tone higher.

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TIME WON'T LET ME key A 3:10
bar drum fill and 8 bar intro, vocal in at 14 secs, continue thru as per the original form with a definite ending.

MP3 DEMO:
GM311. TIME WON'T LET ME - A
key - A - vocal range - A to F# (optional G#) original key
Big hit in the US for The Outsiders back in 1966.

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TIME WON'T LET ME key F 3:10
1 bar drum fill and 8 bar intro, vocal in at 14 secs, continue thru as per the original form with a definite ending.

MP3 DEMO:
GM312. TIME WON'T LET ME - F
key - F - vocal range - F to D (optional E)
Big hit in the US for The Outsiders back in 1966. Same arrangement as GM311 except 2 full tones down.

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TO LOVE SOMEBODY key G 3:28
4 bar intro; vocal through all the way, repeat the chorus and rall the last line and finish.

MP3 DEMO:
GM141. TO LOVE SOMEBODY - G
key - G -vocal  range - D to E (optional G)
Original Livetrak arrangement of this cool Bee Gees song.

 

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TO MAKE YOU FEEL MY LOVE key Eb 3:47
8 bar intro; vocal thru; short piano solo; vocal back in at "the storms are raging on the rolling sea.."; continue and finish.

MP3 DEMO:
GM172. TO MAKE YOU FEEL MY LOVE - Eb
key - Eb - vocal range - D to Eb
Lovely Livetrak arrangement of the great Bob Dylan song.
 

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TO WHERE YOU ARE key Bb 3:56
Based on the Josh Groban arrangement, original key.

MP3 DEMO:
G40. TO WHERE YOU ARE
key - Bb - cover key
Awesome ballad from Josh Groban. Check out the original at www.joshgroban.com

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TOGETHER AGAIN (Janet Jackson) key Eb to Gb 3:44
8 bar intro and vocal in at 17 seconds, continue through verses and chorus with shorter 8 bar breaks after the chorus at 1:16, verses again at 1:33, 8 bar break at 2:33 and key change at 2:47 for the last verse and a double chorus at 3:04 and tight finish.

MP3 DEMO:
GM613. TOGETHER AGAIN (Janet Jackson) - Eb to Gb
key - Eb to Gb - range - C to F
Great pop song from 1997 that scored a massive hit for Janet Jackson. Here's a fresh arrangement for a typical Male pop range, great sounds and great bass grooves. Same arrangement as GM612 except a full tone lower.

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TOGETHER AGAIN (Janet Jackson) key F to Ab 3:44
8 bar intro and vocal in at 17 seconds, continue through verses and chorus with shorter 8 bar breaks after the chorus at 1:16, verses again at 1:33, 8 bar break at 2:33 and key change at 2:47 for the last verse and a double chorus at 3:04 and tight finish.

MP3 DEMO:
GM612. TOGETHER AGAIN (Janet Jackson) - F to Ab
key - F to Ab - range - D to G
Great pop song from 1997 that scored a massive hit for Janet Jackson. Here's a fresh arrangement for a typical Male pop range, great sounds and great bass grooves.

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TOM JONES MEDLEY (IT'S NOT UNUSUAL & HELP YOURSELF)
keys A & Eb to E 4:42
8 bar intro ; vocal thru full song ; 8 bar intro to HELP YOURSELF ; thru full song ; including key change as per Tom Jones version ; rall the last line and finish.

MP3 DEMO:
GM64. TOM JONES MEDLEY - demo 1
IT'S NOT UNUSUAL (key - A) HELP YOURSELF (key - Eb to E) - range - original keys.
A medley of two of Tom Jones's biggest hits. Suitable for high Male ranges.
Download the HELP YOURSELF demo below.

GM64. TOM JONES MEDLEY - 2nd part demo - HELP YOURSELF

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TOO SHY TO SAY key E 2:52
4 bar intro ; vocal thru as per - key change for reprise chorus and finish.

MP3 DEMO:
GM45. TOO SHY TO SAY
key - E - (chorus in D plus key change for last chorus) - vocal range - E to Eb.
Wonderful Stevie Wonder ballad, given a really cool groove and stripped back piano, bass and keys. Lovely!
Also sung by Hue and Cry.

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TOUT DE TOI key A 3:47
4 bar intro (2/4 bar at bar 4); same form as the Julio Iglesias version.

MP3 DEMO:
GM174. TOUT DE TOI Pianotrak
key - A - vocal range - E to E
French hit for Julio Iglesias. Arranged for piano only and in a higher key; the original is in F.
 

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TOWER OF SONG key B 4:06
8 bar intro and vocal in at 16 seconds, continue through as per the Tom Jones version, same key.

MP3 DEMO:
GM792. TOWER OF SONG - B
key - B - vocal range - B to D#
Superb and atmospheric arrangement that is loosely based on the Tom Jones version of this Leonard Cohen song, some extra magic added!

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TOWER OF SONG key Db 4:06
8 bar intro and vocal in at 16 seconds, continue through as per the Tom Jones version.

MP3 DEMO:
GM793. TOWER OF SONG - Db
key - Db - vocal range - Db to F
Superb and atmospheric arrangement that is loosely based on the Tom Jones version of this Leonard Cohen song, some extra magic added! Same arrangement as GM792 except a full tone higher.

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TRACES key C to Db 3:06
same form as the original with a definite finish.

MP3 DEMO:
GM159. TRACES - C to Db
key - C to Db - vocal range - B to Eb
Huge hit for the Classics IV - note - this version is a full tone down from the original.

 

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TURN AROUND LOOK AT ME key Ab 3:01
4 bar intro and vocal in at 18 secs - same form as the Glen Campbell version, except in a lower key.

MP3 DEMO:
GM237. TURN AROUND LOOK AT ME
key - Ab - range - F (below middle C) to Eb (optional F top note) (huge range!) suitable for lower range male
Lovely song that scored a hit for Glen Campbell. Fresh arrangement in a much lower key.

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TURN BACK THE PAGES key E 4:10
Same form and original key as the Stephen Stills "Stills"album version.

MP3 DEMO:
GM587. TURN BACK THE PAGES
key - E - range - original key and range
Superb version based on the original Stephen Stills album version from 1975.
 

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TURN OUT THE LAMPLIGHT key Eb 4:10
As per George Benson version from the "GIVE ME THE NIGHT" album.

MP3 DEMO:
SM22. TURN OUT THE LAMPLIGHT
key - Eb - vocal range - Bb to F
Wonderful ballad from the George Benson album " Give Me The Night".
Livetrak arrangement.

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TURN YOUR LOVE AROUND key C 3:24
8 bar intro ; as per Benson version. 4 bars break ; repeat Chorus twice ; at the very end after the push/stab -sing "TURN YOUR LOVE AROUND " and finish.

MP3 DEMO:
SM11. TURN YOUR LOVE AROUND
key - C - vocal range - F to A - high male key, also suitable for low female range.
George Benson classic! Track is very old and heavily EQ-ed and compressed, hence the Sale price.

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TURN YOUR LOVE AROUND key Bb 3:38
8 bar intro, vocal in at 20 secs, continue thru - 4 bar break leading into the 2nd verse and vocal back in at 1:35, continue thru the original form and finish!

MP3 DEMO:
GM332. TURN YOUR LOVE AROUND - Bb
key - Bb - vocal range - Eb to G
Livetrak version of the classic George Benson hit! A full tone down from the original key.

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TURNING TABLES key Gm 4:02
Same form as the Adele version, in a male key.

MP3 DEMO:
GM368. TURNING TABLES - Gm
key - Gm - vocal range - G to G
The Adele song, in a male key.

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TWISTIN' THE NIGHT AWAY key A 2:42
The form basically as per the original; sax solo; verse; chorus TWICE and finish.
ORIGINAL KEY.

MP3 DEMO:
GM120. TWISTIN' THE NIGHT AWAY - A
key - A - vocal range - A to F#
Sam Cooke gem in the original key.

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TWISTIN' THE NIGHT AWAY key F 2:42
4 bar intro, vocal through, sax solo, verse, chorus twice and finish. 2 full tones lower than the original key.

MP3 DEMO:
GM119. TWISTIN' THE NIGHT AWAY - F
key - F - vocal range - F to D
Cool arrangement of the Sam Cooke classic, in a lower key.
 

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GM244 UNBREAK MY HEART key Am (chorus goes to Cm) 4:08
8 bar intro, vocal in at 16 secs, continue thru the song - the solo break is a tad longer than the original version - starts at 2:22 and ends at 2:36, vocal back in and continue thru and ad lib as per the Braxton version - end with "say you love me.....say you love me......tell me you love me.....unbreak my heart......".

MP3 DEMO:
GM244. UNBREAK MY HEART - Am
key - Am - vocal range - C to G (optional Bb falsetto!)
Uptempo Livetrak arrangement of the Toni Braxton hit. It really has a massive range, but you can get away with keeping to the main Chorus theme and not going for the massive ending that Ms Braxton goes for.
Suitable also for lower female ranges (but you'll need to be in your boots for the bottom notes and then up on your toes for the higher notes).

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UNCHAINED MELODY - key Bb 4:04
4 bar intro ; vocal in ; same format as original just different feel.

MP3 DEMO:
SM7. UNCHAINED MELODY
Original Livetrak arrangement of this hugely popular ballad, featured heavily in the movie "Ghost".
key - Bb - vocal range - D to F

Price:
£5.00
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UNCHAINED MELODY key C 3:47
2 bar intro; vocal through all the way and finish.

MP3 DEMO:
GM156. UNCHAINED MELODY - C
key - C - vocal range - E to G (higher male range)
Livetrak arrangement of this popular song, keeping to the 12/8 feel.

 

Price:
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UNDER THE BOARDWALK key C 3:09
4 bar intro and vocal in at 8 seconds, vocal through the song, trumpet solo at 2:02, vocal back in at 2:19 with "under the boardwalk.. down by the sea...", continue through the chorus and finish with "boardwalk... boardwalk"

MP3 DEMO:
GM631. UNDER THE BOARDWALK - C
key - C - range - G to C (optional E)
Laidback latin MOR arrangement of the Drifters classic, covered by everyone, in a more manageable male key.
Same arrangement as GM630 except a full tone lower.

Price:
£5.00
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UNDER THE BOARDWALK key D 2:39
4 bar intro and vocal in at 6 secs, continue thru as per the original, short solo at 1:45 and vocal back in at 1:58, chorus at 2:14 and finish.

MP3 DEMO:
GM234. UNDER THE BOARDWALK - D
key - D - vocal range - A to D (optional F#)
Great arrangement of this classic Drifters song, in a more manageable male key.

Price:
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UNDER THE BOARDWALK key D 3:09
4 bar intro and vocal in at 8 seconds, vocal through the song, trumpet solo at 2:02, vocal back in at 2:19 with "under the boardwalk.. down by the sea...", continue through the chorus and finish with "boardwalk... boardwalk"

MP3 DEMO:
GM630. UNDER THE BOARDWALK - D version 2
key - D - range - A to D (optional F#)
Laidback latin MOR arrangement of the Drifters classic, covered by everyone, in a more manageable male key.
 

Price:
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UNTIL YOU COME BACK TO ME key Ab 4:30
Same form as the Bobby Caldwell version, except a full tone lower.

MP3 DEMO:
GM306. UNTIL YOU COME BACK TO ME - Ab
key - Ab - vocal range - Ab to Ab (suit higher male ranges)
Cool arrangement, based on the Bobby Caldwell version of this soul classic, same form with ad libs.
Same arrangement as GM305 except a full tone lower.

Price:
£5.00
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UNTIL YOU COME BACK TO ME key Bb 4:29
Same form as the Bobby Caldwell version, original key.

MP3 DEMO:
GM305. UNTIL YOU COME BACK TO ME - Bb
key - Bb - vocal range - Bb to Bb (suit really high male!)
Cool arrangement, based on the Bobby Caldwell version of this soul classic, same form with ad libs, in his key.

Price:
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UP THE JUNCTION key E 3:16
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM348. UP THE JUNCTION
key - E - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

Price:
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UP WHERE WE BELONG key C to Db 4:48
Based on the live Williams Brothers version, simialr arrangement, form and extended ending.

MP3 DEMO:
GM807. UP WHERE WE BELONG - C
key - C to Db - vocal range - G to F (big range!)
Originally a duet for Jennifer Warnes and Joe Cocker, this version is based on the Williams Brothers Live version, a gospel tinged arrangement that can be done by one vocal, although it's a big range! Same arrangement as GM806 except a full tone lower.

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UP WHERE WE BELONG key D to Eb 4:48
Based on the live Williams Brothers version, similar arrangement, same key, form and extended ending.

MP3 DEMO:
GM806. UP WHERE WE BELONG - D
key - D to Eb - vocal range - A to G (big range!)
Originally a duet for Jennifer Warnes and Joe Cocker, this version is based on the Williams Brothers Live version, a gospel tinged arrangement that can be done by one vocal, although it's a big range!
 

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VENUS key C 2:34
Based on the same form as the Frankie Avalon version.

MP3 DEMO:
GM106. VENUS
key - C - vocal range - C to E
Frankie Avalon hit in a cool arrangement.

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VENUS key Bb 2:23
4 bar intro and vocal in at 10 seconds, vocal through - no solo - at 1:18 with "venus...goddess of all that you are...", continue through, from 1:52 sing "oh venus..." etc and finish.

MP3 DEMO:
GM866. VENUS - Bb 2022
key - Bb - vocal range - Bb to D
Punchy and big arrangement of the Frankie Avalon hit from the 50's. Same arrangement as GM865 except a full tone lower.

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VENUS key C 2:23
4 bar intro and vocal in at 10 seconds, vocal through - no solo - at 1:18 with "venus...goddess of all that you are...", continue through, from 1:52 sing "oh venus..." etc and finish.

MP3 DEMO:
GM865. VENUS - C 2022
key - C - vocal range - C to E
Punchy and big arrangement of the Frankie Avalon hit from the 50's.

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VINCENT key F 5:23
piano intro and vocal in at 22 seconds, continue through, 2nd verse in at 1:43, at 2:59 "for they could not love you...", continue through, at 3:29 "this world was never meant for one..",  3rd verse in at 3:42 (more intimate sounding), continue through and finish.

GM569. VINCENT - F
key - F - vocal range - C to D
Stunning arrangement of the Don McLean classic. Very open and rubato but very easy to catch if you know the song well. Stunning string pads and evolving top end string lines really add a uniqueness to this wonderful song, and the piano voicings really shine! Same arrangement as GM568 except a full tone lower.

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VINCENT key G 5:23
piano intro and vocal in at 22 seconds, continue through, 2nd verse in at 1:43, at 2:59 "for they could not love you...", continue through, at 3:29 "this world was never meant for one..",  3rd verse in at 3:42 (more intimate sounding), continue through and finish.

GM568. VINCENT - G
key - G - vocal range - D to E
Stunning arrangement of the Don McLean classic. Very open and rubato but very easy to catch if you know the song well. Stunning string pads and evolving top end string lines really add a uniqueness to this wonderful song, and the piano voicings really shine!

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WALK ON BY key Gb (first chord and implied key is Bbm) 2:54
4 bar intro, vocal in at 11 seconds, vocal through verse and chorus, 2nd verse and chorus in at 1:01, brass break at 1:51, vocal back in at 2:05 with the chorus, continue through, no extended vocal ad libs and finish on Fmaj7.

GM557. WALK ON BY - Bbm
key - Gb - vocal range - Bb to Eb
Cool new arrangement of the classic Burt Bacharach and Hal David song, scored a massive hit for Dionne Warwick. Different vibe in the arrangement, more funkiness, nice 80's inspired electric pianos, cool brass licks and an upfront kit.
Same arrangement as GM556 except a full tone lower.

Price:
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WALK ON BY key Ab (first chord and implied key is Cm) 2:54
4 bar intro, vocal in at 11 seconds, vocal through verse and chorus, 2nd verse and chorus in at 1:01, brass break at 1:51, vocal back in at 2:05 with the chorus, continue through, no extended vocal ad libs and finish on Fmaj7.

GM556. WALK ON BY - Cm
key - Ab - vocal range - C to F
Cool new arrangement of the classic Burt Bacharach and Hal David song, scored a massive hit for Dionne Warwick. Different vibe in the arrangement, more funkiness, nice 80's inspired electric pianos, cool brass licks and an upfront kit.

Price:
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WALKING BACK TO HAPPINESS  key E to F 2:27
Guitar strum and vocal in right away at 1 sec with the verse, tempo kick in at 15 secs and continue thru as per the song form, KEY CHANGE to F at 1:54 and vocal back in with the last verse, repeat " I shared with you" 3 times and finish.

MP3 DEMO:
GM251. WALKING BACK TO HAPPINESS
key - E to F - vocal range - C# to F
Cool arrangement of the Helen Shapiro hit, in a male key!

Price:
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WASN'T IT GOOD key Eb 4:22
5 bar intro and vocal in at 21 seconds, continue through as per the Tina Arena original form. At 3:36 the 4 bar groove section repeats twice and finishes on Dm.

MP3 DEMO:
GM585. WASN'T IT GOOD - Eb Pianotrak
key - Eb - vocal range - Bb to Eb
Stunning ballad from Tina Arena's 1994 Don't Ask album. (Different piano arrangement from GF306).
Same arrangement as GM584 except a full tone lower.

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WASN'T IT GOOD key F 4:22
5 bar intro and vocal in at 21 seconds, continue through as per the Tina Arena original form. At 3:36 the 4 bar groove section repeats twice and finishes on Dm.

MP3 DEMO:
GM584. WASN'T IT GOOD - F Pianotrak
key - F - vocal range - C to F
Stunning ballad from Tina Arena's 1994 Don't Ask album. (Different piano arrangement from GF306).
 

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WASTED DAYS AND WASTED NIGHTS key C 2:48
Piano arpeggio and vocal in at 3 seconds, continue through as per the Freddie Fender form, electric guitar solo at 1:30, vocal back in at 1:53 with "don't you remember the day...", continue through and finish.

MP3 DEMO:
GM488.
WASTED DAYS AND WASTED NIGHTS - C
key - C - vocal range - B to D
The Freddie Fender hit in a similar arrangement (with a guitar solo replacing the original synth solo), a full tone lower than the original version. Same arrangement as GM487 except a full tone lower.

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WASTED DAYS AND WASTED NIGHTS key D 2:48
Piano arpeggio and vocal in at 3 seconds, continue through as per the Freddie Fender form, electric guitar solo at 1:30, vocal back in at 1:53 with "don't you remember the day...", continue through and finish.

MP3 DEMO:
GM487.
WASTED DAYS AND WASTED NIGHTS - D
key - D - vocal range - C# to E
The Freddie Fender hit in a similar arrangement (with a guitar solo replacing the original synth solo), a full tone lower than the original version.

Price:
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WATCHING THE RIVER RUN key G 3:31
original key, form and similar arrangement.

MP3 DEMO:
GM409. WATCHING THE RIVER RUN
key - G - vocal range - D to E
Loggins and Messina song from their 1973 album "Full Sail".

Price:
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WATERLOO SUNSET key Db 3:32
8 bar intro and vocal in at 16 seconds, vocal through all the way, from 3:03 sing "waterloo sunset's fine" four times and finish.

MP3 DEMO:
GM490. WATERLOO SUNSET - Db
key - Db - vocal range - Ab to F (big range)
The Kinks hit, loosely based on the 1996 Cathy Dennis version.
Same arrangement as GM489 except a tone and a half lower.
 

Price:
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WATERLOO SUNSET key E 3:32
8 bar intro and vocal in at 16 seconds, vocal through all the way, from 3:03 sing "waterloo sunset's fine" four times and finish.

MP3 DEMO:
GM489. WATERLOO SUNSET - E
key - E - vocal range - B to G# (big range)
The Kinks hit, in the original key but loosely based on the 1996 Cathy Dennis version.

Price:
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WE CAN BE KIND key C to Db 4:42
8 bar intro and vocal in at 19 seconds, continue through as per the Nancy LaMott form.

MP3 DEMO:
GM722. WE CAN BE KIND - C to Db Piano
key - C to Db - vocal range - A to Eb
Gorgeous song from David Friedman, with a superb version by Nancy LaMott.
Here's a wonderful piano only arrangement in a typical male range, key change included.
Same arrangement as GF374 except 3 semitones higher.

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WE DON'T TALK ANYMORE key Bb 4:21
8 bar intro and vocal in at 18 seconds, vocal through as per the original Cliff Richards version with a definite ending.

MP3 DEMO:
GM701. WE DON'T TALK ANYMORE - Bb
key - Bb - vocal range - F to G (optional A and D falsetto!)
Wonderful hit for Cliff Richards back in the late 70's and here's an arrangement that keeps pretty much to the original version.
Same arrangement as GM700 except a full tone lower.

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WE DON'T TALK ANYMORE key C 4:21
8 bar intro and vocal in at 18 seconds, vocal through as per the original Cliff Richards version, original key and a definite ending.

MP3 DEMO:
GM700. WE DON'T TALK ANYMORE - C
key - C - vocal range - G to A (optional B and E falsetto!)
Wonderful hit for Cliff Richards back in the late 70's and here's an arrangement that keeps pretty much to the original version.

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WE'RE IN THIS LOVE TOGETHER key Bb to C 3:37
4 bar intro, vocal in at 14 secs, continue thru, key change and sax solo at 2:03, vocal back in at 2:30, continue looping the chorus 4 times and finish.

MP3 DEMO:
GM250. WE'RE IN THIS LOVE TOGETHER
key - Bb to C - vocal range - (C) F to G original key
Wonderful Al Jarreau gem with a fabulous laidback groove!

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WE'VE GOT TONIGHT key A 4:18
4 bar intro and as per Bob Seger original version.

MP3 DEMO:
G41. WE'VE GOT TONIGHT
key - A - cover key. High male key and also suitable for low female range
Wonderful Bob Seger hit ballad in an Original Livetrak arrangement.

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WELCOME HOME key F to F# 3:44
pickup and 4 bar intro, vocal in at 9 secs, continue thru as per the original version arrangement and form.

MP3 DEMO:
GM386. WELCOME HOME
key - F to F# - vocal range - C to F
Based on the original Peters and Lee massive hit from 1973, in the original key.
 

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WHAT A FRIEND WE HAVE IN JESUS key A 4:55
8 bar intro; verses thru 3 times with 4 bar break between each verse; organ solo in F then the 4 bar break; back to A for the last verse; repeat "everything to God in prayer" and finish.

MP3 DEMO:
GM136. WHAT A FRIEND WE HAVE IN JESUS - A
key - A - vocal range - E to F#
Wonderfully fresh arrangement of the cool worship song - any time I've heard this it's been such a dirge!
Here's something more Bossa based with cool chord changes and a Hammond solo in the key of F - classy yet tasteful.
 

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WHAT A FRIEND WE HAVE IN JESUS key F 3:24
4 bar intro; vocal thru 3 verses with 4 bar breaks between each verse; no solo - repeat "everything to God in prayer" and finish.

MP3 DEMO:
GM164. WHAT A FRIEND WE HAVE IN JESUS - F
key - F - vocal range - C to D
Wonderful version based on GM136 but in a lower key and shorter - no solo at all.
 

Price:
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WHAT A WONDERFUL WORLD key Ab 3:06
4 bar intro and vocal in at 8 secs, continue thru the song, short organ solo at 1:42, vocal back in at 1:58 with "but I do know one and one is two..." continue thru again into bridge at 2:09, continue and finish.

MP3 DEMO:
WHAT A WONDERFUL WORLD (Sam Cooke) - Ab
key - Ab - vocal range - Eb to F
Fresh arrangement of the wonderful Sam Cooke hit, in a lower key.

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WHAT A WONDERFUL WORLD key F 3:06
4 bar intro and vocal in at 8 secs, continue thru the song, short organ solo at 1:42, vocal back in at 1:58 with "but I do know one and one is two..." continue thru again into bridge at 2:09, continue and finish.

MP3 DEMO:
WHAT A WONDERFUL WORLD (Sam Cooke) - F
key - F - vocal range - C to D
Fresh arrangement of the wonderful Sam Cooke hit, in a much lower key, suitable for general male ranges.

Price:
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WHAT A WONDERFUL WORLD key F 2:43
2 bar intro and vocal in at 6 secs, continue thru - no solo - back to the 1st verse only -  "I see trees of green....." at 1:43 and then repeat the last line 3 times - "I think to myself.....what a wonderful world..." -  from 2:08 and ad lib the ending.

MP3 DEMO:
GM217. WHAT A WONDERFUL WORLD reggae
key - F - vocal range - C to D
Cool reggae arrangement of the classic Louis Armstrong hit. Loosely based on the Ziggy Marley version.

Price:
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WHAT I'VE GOT IN MIND key C 2:52
Based on the original Billie Jo Spears version form.

MP3 DEMO:
GM678. WHAT I'VE GOT IN MIND - C
key - C - vocal range - C to F
Classic country hit for Billie Jo Spears in 1976. Based on the original version, in a male key!

Price:
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WHAT MORE CAN I DO key Am 4:04
Piano riff and vocal in at 2 seconds, continue through as per the Jack Savoretti official version, same form and key but piano only.

MP3 DEMO:
GM544. WHAT MORE CAN I DO - Am Pianotrak
key - Am - range - A to G (the vocal doesn't need to start the octave lower as in the original version, but it still has a hefty range, so it's suitable for higher male ranges)
Big Jack Savoretti hit in 2019, great song and a great retro vibe to it. Here's a great piano only version based on the hit version form and key.

Price:
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WHAT MORE CAN I DO key Gm 4:04
Piano riff and vocal in at 2 seconds, continue through as per the Jack Savoretti official version, same form but piano only.

MP3 DEMO:
GM545. WHAT MORE CAN I DO - Gm Pianotrak
key - Gm - range - G to F (the vocal doesn't need to start the octave lower as in the original version, but it still has a hefty range.)
Big Jack Savoretti hit in 2019, great song and a great retro vibe to it. Here's a great piano only version based on the hit version form. Same arrangement as GM544 except a full tone lower.

Price:
£5.00
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WHAT THE WORLD NEEDS NOW key A 3:53
2 bar intro and vocal in at 4 seconds with "what the world needs now.. is love.. sweet love..", continue through as per the Luther Vandross version, in the original key and without the long extended ending, no fades.

MP3 DEMO:
GM596. WHAT THE WORLD NEEDS NOW - A
key - A - range - E to F# (optional G# falsetto)
Cool arrangement, loosely based on the Luther Vandross version from his 1994 Songs album, without the vocal and drums only intro and the long extended ad lib ending. Original key.

Price:
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WHAT THE WORLD NEEDS NOW key G 3:53
2 bar intro and vocal in at 4 seconds with "what the world needs now.. is love.. sweet love..", continue through as per the Luther Vandross version, without the long extended ending, no fades.

MP3 DEMO:
GM597. WHAT THE WORLD NEEDS NOW - G
key - G - range - D to E (optional F# falsetto)
Cool arrangement, loosely based on the Luther Vandross version from his 1994 Songs album, without the vocal and drums only intro and the long extended ad lib ending. Same arrangement as GM596 except a full tone lower.

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