HENRY key F 4:42
Based on the original Keb Mo version - shorter with a definite ending.

MP3 DEMO:
GM168. HENRY
key - F - vocal range - original recorded key.
Great song from Keb Mo, the American blues singer, guitarist, and songwriter.
 

HERO key G 4:15
4 bar intro and vocal in at 13 seconds, vocal through, chorus at 1:06, verse at 1:34, chorus at 2:02 - no solo - so at 2:31 vocal straight in with "oh.. I just want to hold you......". chorus at 2:57, repeat chorus again 3:24, at 3:50 sing "you can take my breath away...." at 3:57 finish with "I can be your hero....".

MP3 DEMO:
GM1007. HERO Enrique Iglesias - G Piano
key - G - vocal range - G to E (optional G, A B & C)
A huge hit for Enrique Iglesias back in 2001 and here is super piano and synth pad arrangement, in the original key and you don't have to do the super high last chorus, he never sings it live.

HEY BABY, THEY'RE PLAYING OUR SONG key Eb 2:42
Same form as the original, in a lower key. Definite ending.

MP3 DEMO:
GM324. HEY BABY, THEY'RE PLAYING OUR SONG - Eb
key - Eb - vocal range - C to Eb
Scored a big hit for The Buckinghams back in 1967. Same arrangement as GM323 except a full tone lower.

HEY BABY, THEY'RE PLAYING OUR SONG key F 2:42
Same form, and key as the original, but with a definite ending.

MP3 DEMO:
GM323. HEY BABY, THEY'RE PLAYING OUR SONG - F
key - F - vocal range - D to F
Scored a big hit for The Buckinghams back in 1967. Original key.

HEY GIRL key F 4:08
piano ad libs then the 4 intro starts at 17 seconds, vocal in at 30 seconds, continue through, short piano solo at 2:26, vocal back in at 2:46  with "hey girl, now sit yourself down...", continue through, ad lib the ending similar to the George Benson version and then a definite ending. Cover key.

MP3 DEMO:
GM813. HEY GIRL - F
key - F - vocal range - Eb to A
Superb arrangement of the wonderful Gerry Goffin and Carole King song that scored a hit for Freddie Scott back in 1963. The definitive version for me is the George Benson one, superb. Loads of great covers of course by Michael McDonald and Billy Joel. This is the original key for all these cover versions.

HOLD BACK THE NIGHT key B 3:30
intro same length as the original and vocal in at 39 secs, continue thru as per the original. Repeat "Hold back the night, turn on the lights, don't want to dream about you baby.." and finish on "hold back the night" - dead stop

MP3 DEMO:
GM212. HOLD BACK THE NIGHT
key - B - vocal range - B to G# (optional B) - original key
Fresh arrangement of the Trammps hit, in the original key.

HOLDING BACK THE YEARS key C 4:18
4 bar intro and vocal in at 12 seconds, continue through, 2nd verse at 38 seconds, chorus at 1:03, 3rd verse in at 1:29, "I've wasted all my tears.." at 1:55, chorus at 2:20, no solo - vocal back to "I've wasted all my tears.." at 2:46, continue through and chorus at 3:12 and repeat chorus / ad lib vocal at 3:37 and finish.

MP3 DEMO:
GM464. HOLDING BACK THE YEARS - C
key - C - vocal range - G to G (optional A based on the original Simply Red vocal range)
There are lots of great versions of this classic song from Simply Red. This very cool arrangement is loosely based on the Etta James version's groove, feel and form, same key so this will suit higher male ranges.

HOME & EVERYTHING dance Medley keys - G and D to E 6:42
8 bar intro - both songs through as per orginal forms - joined together.

MP3 DEMOS:
GM111. HOME - EVERYTHING dance medley

GM111. HOME - EVERYTHING dance medley
New dance medley of 2 Michael Buble songs - COVER KEYS

HOME LOVIN' MAN key Bb 3:44
4 bar intro and vocal in at 13 seconds, vocal through all the way, repeat the chorus ("I know I'm gonna miss"....) at 2:50 and then repeat the last line ("I'm a home lovin' man.....and home is where you are....") at 3:23 and finish.

MP3 DEMO:
GM455. HOME LOVIN' MAN - Bb
key - Bb - vocal range - D to F
Great song that scored a big hit for Andy Williams back in 1970. Here's a lovely new arrangement, in a more manageable key.

HOME key G 3:50
4 bar intro and vocal in at 16 seconds, vocal through, short 4 bar piano solo at 1:47 and vocal back in at 2:01 with "and I feel just like i'm living....", continue through as per the Michael Buble version, slow the last few lines and finish.

MP3 DEMO:
GM1009. HOME Michael Buble - G Piano
key - G - vocal range - D to E (optional G)
The wonderful hit from Michael Buble in a piano only arrangement, original key.

HONEY COME BACK key C 3:04
4 bar intro, spoken vocal in at 11 secs, continue thru as per the Glen Campbell version, with a definite finish.

MP3 DEMO:
GM235. HONEY COME BACK - C
key - C - vocal range - B to Bb
Written by Jimmy Webb, this song was a huge hit for Glen Campbell back in 1970. This version is in a much lower key but is loosely based on the Glen Campbell arrangement. Suitable for lower Male ranges, and higher female ranges - it was also covered by a few major female artists!

HOUND DOG key Bb 2:48
3 bar intro and vocal in on the 4th bar - 6 secs, vocal thru 2 verses and back to the 1st one again, Hammond organ solo at 1:12, vocal back in at 1:33 with the 2 verses and 1st one again and finish.

MP3 DEMO:
GM241. HOUND DOG - Bb
key - Bb - vocal range - G to Db (optional F and ad libs)
Pretty Cool arrangement of the classic early R n B blues song. First covered by Big Mama Thornton and then the world went wild for the Elvis Presley version. Same arrangement as GM240 but in a higher key.

HOUND DOG key G 2:48
3 bar intro and vocal in on the 4th bar - 6 secs, vocal thru 2 verses and back to the 1st one again, guitar solo at 1:12, vocal back in at 1:33 with the 2 verses and 1st one again and finish.

MP3 DEMO:
GM240. HOUND DOG - G
key - G - vocal range - E to Bb (optional D blues vocals..)
Pretty Cool arrangement of the classic early R n B blues song. First covered by Big Mama Thornton and then the world went wild for the Elvis Presley version.

HOW CAN YOU MEND A BROKEN HEART key E 5:02
8 bar intro, vocal in at 36 secs, vocal thru all the way, similar form to the Al Green version - triple chorus at the end, rall and finish.

MP3 DEMO:
GM319. HOW CAN YOU MEND A BROKEN HEART - E
key - E - vocal range - E to E (original key)
Classic Bee Gees song, but the definitive version has to be by Al Green - simply wonderful!
Here's a very lovely arrangement, brighter in tempo than the Al Green version.

HOW DO I KNOW I LOVE YOU key F to Gb 4:23
intro and vocal in at 11 seconds, continue thorugh as per the Howard Hewett (lead vocalist of Shalamar) form, original key.

MP3 DEMO:
GM1028. HOW DO I KNOW I LOVE YOU
key - F to Gb - vocal range - original key.
Lovely ballad from Howard Hewett, of Shalamar fame, 1995 "It's Time" album. The album track has a big production but my track is more small group sounding, but still with punchy drums as the track builds. It has a hefty upper vocal range so good vocal chops are the order of the day!

HOW DO YOU KEEP THE MUSIC PLAYING key Eb 4:18
4 bar intro and vocal in at 14 secs, vocal thru - no solo - at 2:46 go back to "I know... the way I feel for you...", continue thru, for the ending - "with any luck then I suppose......(hold this note from 3:41 to 3:45), 3:45 - "the music.. never........... ends..........." and finish.

MP3 DEMO:
GM320. HOW DO YOU KEEP THE MUSIC PLAYING - Eb
key - Eb - vocal range - C to Eb (optional F)
This wonderful song has been covered by so many great singers. The hit version came from Patti Austin and James Ingram but it's been covered by all the very best singers, including Tony Bennett, Sinatra, Shirley Bassey, George Benson to name a few. Here's a very lovely arrangement!

HOW DO YOU KEEP THE MUSIC PLAYING?  key Gb 4:46
4 bar intro, vocal thru - no solo - back to the bridge section - "I know.... the way I feel for you....", continue and finish.

MP3 DEMO:
GM150. HOW DO YOU KEEP THE MUSIC PLAYING? - Gb Pianotrak
key - Gb - vocal range - Eb to Gb (Ab optional top note).
2016 Pianotrak arrangement of this wonderful Marilyn and Alan Bergman song.

HOW GREAT THOU ART key C to Db 5:51
5 bar intro and vocal in at 14 seconds with "oh lord my god...", continue thru 2st verse then full band in on the 2nd verse and 3rd verse (of your choice), key change and repeat the chorus and finish - let the band finish on this one!

MP3 DEMOS:
Demo 1 - intro and opening verse feel:
GM130. HOW GREAT THOU ART - C to Db demo 1

Demo 2 - from the 2nd verse, full band and groove:
GM130. HOW GREAT THOU ART - C to Db demo 2
key - C to Db - range - D to Gb (big range!)
Another wonderful smooth arrangement of a classic worship song - some soulful musicality, groove and feel are there only to enhance an already lovely song! Have a listen!

HOW I LOVE YOU key Dm 4:35
8 bar intro and vocal in at 24 seconds, continue through as per the Engelbert Humperdinck version, original key and with a definite ending  - at 4:17 sing "how I love you" and again at 4:20 and finish.

MP3 DEMO:
GM708. HOW I LOVE YOU - Dm
key - Dm - vocal range - C# to F
Engelbert Humperdinck released this in 1993, with a very typical 90's big and bold synth arrangement, huge drums, very much of the time. Here's a very similar arrangement in the original key.

HOW LONG key Bm/D 3:12
8 bar intro ; vocal thru from chorus ; verse ; chorus ; synth solo ( over verse) ; verse ; chorus three times /ad lib and finish.

MP3 DEMO:
GM69. HOW LONG
key - Bm/D - vocal range - D to F#
Fabulous old hit from ACE ( with the awesome Paul Carrack on vocals). Reworked and re-grooved slightly.

HOW LONG key Gm/Bb 3:23
12 bar intro ; vocal thru as per the original; synth solo ; vocal back to 1st verse ; continue ; repeat chorus and finish.

MP3 DEMO:
GM85. HOW LONG version 2
key - Gm/Bb - vocal range - Bb to D
New version of this great ACE hit, in a lower key.

HOW SWEET IT IS key G 3:30
1 bar pickup and then into the chorus - "how sweet it is to be..", continue thru the song, trumpet solo, vocal back in at "you were better to me than I've been to myself.", continue with a double chorus and finish.

MP3 DEMO:
GM187. HOW SWEET IT IS
key - G - vocal range - D to E
Fresh arrangement of the wonderful song by the Motown songwriting team of Holland-Dozier-Holland.
Loosely based on the form of the James Taylor version.
 

HUMAN NATURE key Bb 4:01
4 bar intro and vocal in at 11 secs, continue thru as per the Michael Jackson form.

MP3 DEMO:
GM275. HUMAN NATURE - Bb
key - Bb - vocal range - C to D
Fresh arrangement of the Michael Jackson hit, in a much lower key.

HUMAN NATURE key Db 4:01
4 bar intro and vocal in at 11 secs, continue thru as per Michael Jackson form.

MP3 DEMO:
GM276. HUMAN NATURE - Db
key - Db - vocal range - Eb to F
Same arrangement as GM275, but in a higher key.

HUNGRY EYES key C 3:56
12 bar intro and vocal in at 27 seconds, vocal through, 8 bar hard sax solo at 2:46, vocal back in at 3:04 with a double chorus and finish with "but did I take you by surprise..." and finish.

MP3 DEMO:
GM779. HUNGRY EYES - C
key - C - vocal range - E to F
Fresh arrangement of the Eric Carmen classic from Dirty Dancing, in a much more manageable key. The original key was F.

HUNGRY HEART key A 3:03
8 bar intro and vocal in at 18 secs, continue thru as per the Bruce Springsteen version, definite finish.

MP3 DEMO:
GM354. HUNGRY HEART - A
key - A - vocal range - E to C# (optional E and F# ad libs)
Great song from Bruce Springsteen, from his album The River. No BV's but organ solo included!
Same arrangement as GM353 except 2 full tones lower.

HUNGRY HEART key Db 3:03
8 bar intro and vocal in at 18 secs, continue thru as per the Bruce Springsteen version, definite finish.

MP3 DEMO:
GM353. HUNGRY HEART - Db
key - Db - vocal range - Ab to F (optional Ab and Bb ad libs)
Great song from Bruce Springsteen, from his album The River, in the original key. No BV's but organ solo included!

HURT key C 3:16
4 bar intro and vocal in at 14 seconds, vocal through - no solo - at 2:02 go back to "I'm hurt... much more than you'll ever know...", continue through and finish.

MP3 DEMO:
GM601. HURT - C orchestral
key - C - vocal range - D to E
Rich, moody and expressive Orchestral arrangement of this worldwide hit for Timi Yuro. Covered by so many great singers in various styles.

I AM WHAT I AM key Bb to Db 4:41
5 bar intro and vocal in at 17 secs, continue thru as per the Dorothy Squires version -
https://www.youtube.com/watch?v=ZeAQDl1Kklg except in a male key! Key changes at each verse - Bb, B, C and finishing on Db.

MP3 DEMO:
GM389. I AM WHAT I AM  - Bb to Db
keys - Bb to Db inclusive of key changes - vocal range - A to F (optional Ab)
Based on the Dorothy Squires version of the massive hit from "La Cage Aux Folles", in a male key.

I BELIEVE I CAN FLY key Bb to B 4:48
string intro leading into slow tempo for verse ; dance tempo kicks in on ' there's nothing to it.." ; continue thru as per ; ad lib ending aka R Kelly version, or ad lib and finish.

MP3 DEMO:
GM47. I BELIEVE I CAN FLY
key - Bb to B - vocal range - D to F# (optional ad libs). Not original key.
Nice Dance version of the R Kelly hit. First verse slow then tempo kicks in @ the chorus.

I CAN'T HELP MYSELF key C 3:20
1 bar piano fill and 6 bar intro, vocal in at 16 seconds, continue through as per the original form, piano solo at 1:08, vocal back in at 1:26, continue through, repeat the first verse at 2:50 and finish.

GM439. I CAN'T HELP MYSELF - C Pianotrak
key - C - vocal range - C to G (original key)
Very cool piano arrangement of the classic Four Tops hit. Slower, bluesy licks and a gospel feel that's perfect for a laidback vocal.

I CAN'T MAKE YOU LOVE ME key F 4:53
8 bar intro ; vocal thru as per Bonnie Raitt version. Ad lib ending.

MP3 DEMO:
GM31. I CAN'T MAKE YOU LOVE ME
key - F - vocal range - C to F
Absolutely gorgeous ballad from Bonnie Raitt. Also covered by George Michael and many others.

I CAN'T MAKE YOU LOVE ME key F 4:45
8 bar intro and vocal in at 32 seconds, vocal through as per the Bonnie Raitt form, short piano break at 2:02 and vocal in at 2:18, continue through and finish with the piano outro.

MP3 DEMO:
GM501. I CAN'T MAKE YOU LOVE ME  - F Pianotrak
key - F - vocal range - C to F
Beautiful piano only arrangement of the Bonnie Raitt classic, covered by artists including George Michael to Nancy Wilson.

I DON'T WANT TO key Ab to Bb 3:38
4 bar intro ; vocal thru as per Toni Braxton version ; double chorus at the end and finish.

MP3 DEMO:
SM14. I DON'T WANT TO
key - Ab to Bb - vocal range - Eb to F
Dance version of the huge Toni Braxton hit.

I DON'T WANT TO BE ALONE key Eb 4:02
Copy version of the Billy Joel song from his 1980 album "Glass Houses". Same key and definite ending.

MP3 DEMO:
GM398. I DON'T WANT TO BE ALONE
key - Eb - vocal range - Eb to G
Fantastic copy arrangement of the Billy Joel song.

I DON'T WANT TO TALK ABOUT IT (I DON'T WANNA TALK ABOUT IT) key E to F 4:30
4 bar intro and vocal in at 16 seconds, vocal through as per the Rod Stewart & Amy Belle Live version form in a general male key, with a sax solo included, solo is not based on the youtube version.

MP3 DEMOS:
GM741. I DON'T WANT TO TALK ABOUT IT - E to F demo 1

GM741. I DON'T WANT TO TALK ABOUT IT - E to F demo 2
key - E to F - vocal range - B to D
A fresh take on the classic Rod Stewart hit and this arrangement is based on the live version form, in a general male key, with 2 demos to show how the track builds. Same form as the Rod Stewart and Amy Belle youtube version above.

I DREAMED A DREAM key E to F# 3:51
4 bar intro, vocal in at 16 secs, continue thru as per the original form, rall the last line and repeat it at 3:27 and finish.

MP3 DEMO:
GM224. I DREAMED A DREAM - E to F#
key - E to F# - vocal range - G to C# (suit lower male ranges and a higher female range)
I'm not a fan of musical theatre, but I love a few of the songs from Les Miserables. Here's a very lovely arrangement of one of the best songs from the musical.

I FEEL FINE key Eb 2:17
Based on the same form as the Beatles version. Not original key.

MP3 DEMO:
GM98. I FEEL FINE - Eb
key - Eb - vocal range - D to Db
Cool version of the Beatles tune, in a more maneagable male key.

I FEEL GOOD key C 2:29
intro riff and vocal through - verse twice ; break / bridge / verse / break / bridge / verse - repeat " so good --- so good ----- I got you" three times and finish.

MP3 DEMO:
SM18. I FEEL GOOD - C
key - C - vocal range - high male key / easy female key
James Brown classic reworked, a tone lower than the original key.

I GOT A NAME key Eb 3:30
Intro and vocal in at 7 secs, contine thru as per the Jim Croce version, acoustic guitar solo at 1:37 and vocal back in at 2:00, continue thru as per and finish.

MP3 DEMO:
GM350. I GOT A NAME
key - Eb - vocal range - Bb to Eb
Based on the original version of the Jim Croce hit, but with a latin feel to the arrangement. A semitone lower than the original.

I GUESS THAT'S WHY THEY CALL IT THE BLUES key C 4:58
4 bar intro and vocal in at 12 seconds, same form as the original, in the original key, except a definite professional ending.

MP3 DEMO:
GM925. I GUESS THAT'S WHY THEY CALL IT THE BLUES - C
key - C - vocal range - D to F
Wonderful Elton John song in a fesh new arrangement that sticks to the original feel, with a harmonica solo also included (not a copy of the original Harmonica solo).

I HEAR YOU KNOCKING key E 3:09
4 bar intro and vocal in at 10 seconds, continue through 2 verses/chorus, guitar solo at 1:04, back in at 1:32 with "you better get back to your......used to be...", continue, at 1:59 verse is " I told you way back in '52.." and then REPRISE the 1st verse again at 2:26 and finish.

MP3 DEMO:
GM764. I HEAR YOU KNOCKING - E
key - E - vocal range - E to G
Superb arrangement of this hugely popular song, the original version was in 1955 by Smiley Lewis, but the Dave Edmunds was the crowd pleasing version, with this version in the Edmunds original key. Here's my take with a punchy groove and great sounds - all plugins and great playing!

I HONESTLY LOVE YOU key D to Eb 3:45
4 bar intro and vocal in at 16 seconds, vocal through as per the original form, staying in tempo all the way and key change included for the very last verse.

MP3 DEMO:
GM834. I HONESTLY LOVE YOU - D to Eb
key - D to Eb - vocal range - D to E
This song scored a huge hit for Olivia Newton John but it's been covered by great male artists like Peter Allen, Glen Campbell, and many more. Here's a superb arrangement that keeps to the original song form, once through, key change included.

I JUST CAN'T HELP BELIEVING key F 3:26
4 bar intro, vocal in at 8 secs, continue thru the song, band solo at 2:17, vocal back in at 2:45 with "for more than just a day..", continue thru as per the B J Thomas live version :
https://www.youtube.com/watch?v=_gRZOvSVSps

MP3 DEMO:
GM412. I JUST CAN'T HELP BELIEVING - F
key - F - vocal range - C to F
Based on the B J Thomas live version - same key,  form and ending. Check out the youtube link above.

I JUST DON'T WANT TO BE LONELY key F 2:57
8 bar intro and vocal in at 26 seconds, vocal through - there is no break section so from 1:58 repeat " I'd rather be loved... needed... depended on....." section twice and then finish.

MP3 DEMO:
GM781. I JUST DON'T WANT TO BE LONELY - F
key - F - vocal range - F to G
Wonderful hit for Ronnie Dyson back in 1973 and a bigger hit for The Main Ingredient in 1974. Here's a superb arrangement that keeps to the Dyson version intro but with a great groove and feel. Original key.

I LOVE YOU MORE THAN YOU'LL EVER KNOW key Bb 4:19
4 bars plus 2/4 bar and vocal in at 17 seconds, vocal through as per this Michael Ruff song version form.

MP3 DEMO:
GM683. I LOVE YOU MORE THAN YOU'LL EVER KNOW - Bb
key - Bb - vocal range - Eb to G
I've loved this song since i heard Natalie Cole cover it but any of the original songwriter Michael Ruff's versions are simply wonderful. This is a gorgeous piano and orchestral arrangement in the original Michael Ruff key.

I MADE IT THRU (THROUGH) THE RAIN key Bb to C 3:56
piano intro ; vocal pickup and into tempo ; continue as per Barry Manilow version. No reprise on the ending.

MP3 DEMO:
GM49. I MADE IT THRU THE RAIN
key - Bb to C - vocal range - Eb to F
Great Gerard Kenny song which scored a massive hit for Barry Manilow. Original Livetrak arrangement.

I MADE IT THRU (THROUGH) THE RAIN key G to A 4:08
Same form as the Manilow version but with a definite ending.

MP3 DEMO:
GM190. I MADE IT THRU THE RAIN - G to A
key - G to A - vocal range - C to D
Lovely arrangement of this great song, in a lower key. Written by Gerard Kenny, the massive worldwide hit went to Barry Manilow.
 

I NEVER DREAMED YOU'D LEAVE IN SUMMER key Ab to Bb 3:56
2 bar intro, (half time feel), vocal thru, solo over the first verse, vocal back in "you said there would be one love in springtime...." ; continue through and finish.

MP3 DEMO:
SM19. I NEVER DREAMED YOU'D LEAVE IN SUMMER
key - Ab to Bb - vocal range - Eb to G
Stevie Wonder ballad with a cool groove twist. Not original key.

I NEVER DREAMED YOU'D LEAVE IN SUMMER key Ab to Bb 3:02
4 bar intro and vocal in at 12 seconds, continue through as per the Stevie Wonder form, including the key change. Not original key.

MP3 DEMO:
GM560. I NEVER DREAMED YOU'D LEAVE IN SUMMER - Ab to Bb Pianotrak
key - Ab to Bb - vocal range - Eb to G
Classy piano only arrangement of the Stevie Wonder classic, in a higher male key. (The original Stevie key is C to D!)

I RECALL A GYPSY WOMAN key Bb to C 2:59
8 bar intro and vocal in at 10 seconds, continue through 2 verses and chorus, at 1:13 there's a 4 bar break and vocal back in at 1:19 with "soft breezes blow...", continue and at 1:39 there's a key change to C for the last verse and into the chorus at 2:02, repeat the chorus again at 2:22, continue through, at 2:44 sing.. "and the taste........ of life's sweet wine" and finish.

MP3 DEMO:
GM800. I RECALL A GYPSY WOMAN - Bb to C
keys - Bb to C - vocal range - Bb to C (optional D)
Fresh and punchy arrangement of the Don Williams country classic.

I SWEAR key Db 4:25
8 bar intro and vocal in at 25 seconds, continue through 2 verses and 2 choruses, synth solo from 3:05, chorus again from 3:27 and finish.

MP3 DEMO:
GM783. I SWEAR - Db
key - Db - vocal range - Db to Gb
Superb and fresh arrangement of the massive country hit for John Michael Montgomery, and also covered 90's RnB boyband All-4-One.

I SWEAR key Db 4:33
8 bar intro and vocal in at 25 seconds, vocal through as per the John Michael Montgomery versions' form, 8 bar Piano solo at 3:11, vocal back in at 3:33 with a chorus and finish.

MP3 DEMO:
GM1012. I SWEAR - Db Piano
key - Db - vocal range - Db to Gb
Great song from John Michael Montgomery in a piano only arrangement, in his original key.

I TOLD YOU SO key A 4:17
4 bar intro and the vocal in at 13 seconds, continue through as per the same form as the original Randy Travis version, in the original key, slower in tempo.

MP3 DEMO:
GM731. I TOLD YOU SO - A
key - A - vocal range - A to D
A fresh arrangement of the Randy Travis country hit. More easy listening than country with lovely string lines, electric and acoustic piano fills but the same form as the Randy Travis version and an intro included.

I WALK THE LINE keys F, Bb and Eb - original keys 2:24
14 bar intro and vocal in at 16 secs, continue thru - 4 bars between verses/key changes (listen for the fills leading you in..)..thru as per the Johnny Cash form.

MP3 DEMO:
GM367. I WALK THE LINE
keys - F, Bb and Eb (back and forth!) - vocal range - F to D
Fresh, more structured arrangement in the original Johnny Cash keys, with a definite finish.

I WISH - key Am 4:13
4 bar pickup/ 4 bar big intro ; vocal in ; thru as per Stevie Wonder version - remember to add the break between full song format - " I love em so ..--da do da do....... " ; (2 times full song format); break / solo / vocal back in at " try the best to bring the water.....etc ? ;chorus twice ; break ; TIP -- vocally end on "I love em so".

MP3 DEMO:
SM24. I WISH
key - Am - vocal range - G to E
The genius of Stevie Wonder in a much more general key but with a different, more "live" feel.
Original Livetrak arrangement.

I WISH & ISN'T SHE LOVELY Medley key C#m & D 5:00
8 bar intro, vocal in 18 secs, continue thru the song, breakdown at 2:56 and then the tempo and feel changes at 3:05 for Isn't She Lovely - 4 bar intro and vocal in at 3:13, short Harmonica solo at 3:44 and vocal back in at 4:18 with the main theme again and finish.

MP3 DEMOS:
GM252. I WISH & ISN'T SHE LOVELY medley
keys - C#m and D - vocal range - A to A (down a full tone from Stevie's keys)
Two great Stevie Wonder classics in a superb medley. It's based on a live version so there's a few different pushes and fills there!

I WISH I WAS EIGHTEEN AGAIN key Bb 3:38
4 bar intro and vocal in at 8 secs, continue thru, same form as the Ray Price version, repeat the last line and finish. 

MP3 DEMO:
GM321. I WISH I WAS EIGHTEEN AGAIN
key - Bb - vocal range - Bb to G
Based on the Ray Price version from his final album.

I WON'T LET GO key Gb to Ab 3.57
2 bar intro, vocal in at 8 secs and continue thru as per the live radio version:
Check YouTube: Rascal Flatts - "I Won't Let Go" - 95.5 WPLJ

MP3 DEMO:
GM197. I WON'T LET GO
key - Gb to Ab - vocal range - Db to F (optional Ab top)
Rascal Flatts song and the arrangement is based on a live radio version, in a lower key.
Check YouTube: Rascal Flatts - "I Won't Let Go" - 95.5 WPLJ
 

I WONDER WHY key Bb 4:20
14 bar intro then as per the original form. Definite ending.

MP3 DEMO:
GM79. I WONDER WHY
key - Bb to C - vocal range - D to F (optional G)
Curtis Stigers' breakthrough hit. Awesome song in a great fresh arrangement but sticking to the form of the original and a definite ending.

I WRITE THE SONGS key F to A to Bb 4:15
4 bar intro and vocal in at 15 seconds, continue through as per the Barry Manilow original version form. Original key.

MP3 DEMO:
GM710. I WRITE THE SONGS - F
keys - F to A to Bb - vocal range - D to F (optional F#)
Wonderful song that scored a massive hit for Barry Manilow. Here's a wonderful BIG arrangement complete with vocal ooo's and aah's and a superb build for the final two key changed choruses. Original keys.

I'D RATHER LEAVE WHILE I'M IN LOVE key C 3:44
4 bar intro ; vocal thru ; solo ; vocal back in at " too many times I've seen the rose die..." ; continue ; tag the last line and finish.

MP3 DEMO:
GM50. I'D RATHER LEAVE WHILE I'M IN LOVE - C
key - C - vocal range - C to D
Really lovely song - a big hit for Rita Coolidge and suitable also for high female range. Lovely Original Livetrak arrangement.

I'LL BE THERE key G 3:40
4 bar intro ; as per original ; just a different groove. Double chorus at the end and rall for the last line. Nice stop on the 2nd verse!

MP3 DEMO:
GM48. I'LL BE THERE
key - G - vocal range - (G optional low note) to G
Really cool version of the Jackson's hit. Also suitable as a male/female duet.

I'LL HAVE TO SAY I LOVE YOU IN A SONG key Eb 2:41
8 bar intro; vocal thru; short guitar solo; vocal back in at " 'cause every time I tried to tell you".......; continue; intro to finish.

MP3 DEMO:
GM112. I'LL HAVE TO SAY I LOVE YOU IN A SONG - Eb
key - Eb - vocal range - Eb to D (suit lower range male)
Nice version of the Jim Croce song.

I'M A BELIEVER key E 2:58
Loosely based on the Neil Diamond 1967 version, same key but with a definite ending.

MP3 DEMO:
GM399. I'M A BELIEVER
key - E - vocal range - C# to C# (optional E)
Great track that's loosely based on the original Neil Diamond version.

I'M GONNA MAKE YOU LOVE ME key Bb 3:36
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar synth solo at 2:05, vocal back in at 2:27 with "every night every day....", continue through and repeat the chorus at 3:01 and finish.

MP3 DEMO:
GM594. I'M GONNA MAKE YOU LOVE ME  - Bb
key - Bb - range - Bb to Gb
Fabulous arrangement of this wonderful soul classic. Big range and a big chorus but what a song! Classic 80's vibe, wonderful synth sounds and a cool groove.

I'M GONNA MAKE YOU LOVE ME key Bb 3:36
4 bar intro and vocal in at 11 seconds, vocal through, 8 bar piano solo at 2:04, vocal back in at 2:26 with "every night every day...", continue through, repeat the chorus at 3:01 and finish.

MP3 DEMO:
GM592. I'M GONNA MAKE YOU LOVE ME - Bb Pianotrak
key - Bb - range - Bb to Gb
Wonderful soul classic in a classy piano only arrangement. Big vocal range but perfectly manageable for a typical gigging male range.