TAKE THAT MEDLEY - Could It Be Magic & Relight My Fire
keys - both in D - 5:44
8 bar intro, vocal through the full version of COULD IT BE MAGIC ( including the 4 bar break between verses), intro for RELIGHT MY FIRE, verse, chorus, 4 bar break, verse, chorus twice - extend the last line - key change and sing "COULD IT BE MAGIC" twice with music, key change again to original key and sing "COULD IT BE MAGIC" twice again then full chorus for COULD IT BE MAGIC. Finish with " could it be magic................. now!!".
( it's actually easy to catch,honest!!)

MP3 DEMOS:
GM70. TAKE THAT MEDLEY - COULD IT BE MAGIC demo - key - both in D - range - F# to F# (suit high male range)
GM70. TAKE THAT MEDLEY - RELIGHT MY FIRE demo - A Medley of two of TAKE THAT's biggest hits in the 90's.

TELL IT LIKE IT IS key F 3:16
Piano arpeggio and vocal in at 4 seconds, continue through as per the original Aaron Neville version, in the original key, with a definite ending.

MP3 DEMO:
GM508. TELL IT LIKE IT IS - F
key - F - range - F to F (optional A falsetto)
Big hit for Aaron Neville back in 1967, similar arrangement in the original key.

TEMPTED key B 4:04
Same form and key as the original SQUEEZE version.

MP3 DEMO:
GM347. TEMPTED
key - B - ORIGINAL KEY
SQUEEZE (the band) song. The track is based on the original version and form but doesn't have any guitars included at all so is perfect for a guitarist and singer!

TENNESSEE WHISKEY key D 2:54
Based on the David Allan Coe version of the country hit song, same key.

MP3 DEMO:
GM659. TENNESSEE WHISKEY - D
key - D - vocal range - A to B (optional D)
Classic country song, this version is loosely based on the David Allan Coe version.

THANKS GOD I'M A COUNTRY BOY key F 3:07
4 bar intro; vocal thru as per the John Denver version with a shorter definite ending.

MP3 DEMO:
GM180. THANK GOD I'M A COUNTRY BOY
key - F - vocal range  - F to D
Massive John Denver hit, in a lower key, in a fresh arrangement with the long pauses at the end (in tempo) and a definite ending.

THANK YOU key D 4:17
8 bar intro and vocal in at 27 seconds, vocal through, 4 bar break at 1:45, vocal back in at 1:59 and continue through.  Based on the Chris Cornell acoustic version - https://www.youtube.com/watch?v=4OiL7H262EU

MP3 DEMO:
GM463. THANK YOU
Key - D - vocal range - E to A (optional B) - big range!
Acoustic guitars only, based on the unplugged Chris Cornell cover version of the Led Zeppelin song, original key.
 

THAT GIRL BELONGS TO YESTERDAY key C 2:51
4 bar intro and vocal in at 8 seconds, continue through the song, instrumental at 1:56, vocal back in at 2:11 with "I learned my lesson well...", continue through and repeat the last line - "that girl belongs to yesterday.." - 3 times and finish.

MP3 DEMO:
GM964. THAT GIRL BELONGS TO YESTERDAY
key - C - vocal range - C to E
A big Livetrak arrangement of the Gene Pitney song, a full tone lower than the original key. Original Livetrak arrangement.

THAT IS ALL key Bb 4:41
4 bar intro and vocal in at 12 secs, continue thru as per the Andy Williams version. Definite ending.

MP3 DEMO:
GM206. THAT IS ALL
key - Bb - vocal range - D to G
Andy Williams cover of a George Harrison song, from his 1973 "Solitaire" album. This arrangement is loosely based on that version.

THAT'S ALRIGHT MAMA key Eb 2:23
4 bar intro; vocal thru 2 verses and chorus; Hammond solo; vocal back in with 3 verses and chorus and finish!

MP3 DEMO:
GM123. THAT'S ALRIGHT MAMA - Eb
key - Eb - vocal range - Eb to Eb
Really cool and funky arrangement of the old Elvis blues hit!

THAT'S THE WAY GOD PLANNED IT key C 4:30
Loosely based on Billy Preston's live performance from the 1971 Concert for Bangladesh at New York City's Madison Square Gardens. Original key and definite ending.

MP3 DEMO:
GM404. THAT'S THE WAY GOD PLANNED IT
key - C - vocal range - original key
Great version that's loosely based on the live 1971 concert version from the album The Concert For Bangladesh".

THE AIR THAT I BREATHE key Bb 4:04
4 bar intro ; format as per the original Hollies version ; with a double chorus including the break between ; track finishes after the break.

MP3 DEMO:
GM65. THE AIR THAT I BREATHE
key - Bb - vocal range - D to F
Great Realtrak groove version of this 70's classic. Scored a huge hit for The Hollies.

THE BLUES BROTHERS medley keys Bb to C to Bb 4:28
8 bar intro - omit the talking intro, vocal in at 9 secs with "EVERYBODY NEEDS SOMEBODY" - continue thru the verse ,  "sometimes i feel..." at 42 secs, continue thru, brass instrumental break and vocal back in at 1:12 with "sometimes I feel..", continue thru and end on I Need You at 1:32, drum fill and intro into "GIMME SOME LOVIN", vocal in at 1:57, continue thru a verse and chorus and finish on "everyday", fill and into the electric piano riff for "SHAKE YOUR TAIL FEATHER" at 2:29, continue thru verse and chorus, build again "bend over let me see you shake your tail feather.."back to the chorus at 3:44, continue thru and finish!

MP3 DEMOS:
GM410. THE BLUES BROTHERS MEDLEY - 3 demos below:
          EVERYBODY NEEDS SOMEBODY - Bb - vocal range - G to F
          GIMME SOME LOVIN - C - vocal range - A to Eb
          SHAKE YOUR TAIL FEATHER - Bb - vocal range - F to F

Uber cool medley of the 3 big big songs from The Blues Brothers movie, in lower keys! 3 demos to check out, cool sounds, biting Horn sections, cool grooves and licks!

THE DOCK OF THE BAY key F 3:56
4 bar intro ; vocal thru ; back to the bridge - "looks like.... nothing's gonna change.." ; continue ; ad lib ending ( whistle is included!!) and finish.

MP3 DEMO:
GM71. THE DOCK OF THE BAY
key - F - vocal range - D to F
Classic song by Otis Reading, in a fab new arrangement.

THE DOCK OF THE BAY key Eb 4:00
4 bar intro ; vocal thru full song - no solo - back to the bridge ("looks like ... nothing's gonna change.."); continue ; ad lib ending (the whistle ;etc) and finish.

MP3 DEMO:
GM84. THE DOCK OF THE BAY - Eb
key - Eb - vocal range - C to Eb
New version of the soul classic, in a lower key.

THE GREATEST LOVE OF ALL key Bb 5:26
short intro and vocal in at 12 secs, stay in tempo all the way! - no solo, as per the original form and finish.

MP3 DEMO:
GM965. THE GREATEST LOVE OF ALL - Bb Pianotrak
key - Bb - vocal range - Bb to Eb
Really lovely piano only arrangement of this great hit for George Benson and Whitney Houston. A few tasty chord changes from yours truly... Same arrangement as GM211 except a full tone lower.

THE GREATEST LOVE OF ALL key C 5:26
short intro and vocal in at 12 secs, stay in tempo all the way! - no solo, as per the original form and finish.

MP3 DEMO:
GM211. THE GREATEST LOVE OF ALL - C Pianotrak
key - C - vocal range - C to F
Really lovely 2016 piano only arrangement of this great hit for George Benson and Whitney Houston.
A few tasty chord changes from yours truly...
 

THE GREEN FIELDS OF FRANCE key F 5:54
Loosely based on the High Kings version of this song written by Singer-songwriter Eric Bogle.

MP3 DEMO:
GM405. THE GREEN FIELDS OF FRANCE
key - F - vocal range - C to D
Lovely version of the Eric Bogle song. Light percussion added.

THE GREEN GREEN GRASS OF HOME key Bb 3:35
4 bar intro and vocal in at 12 secs, vocal thru all the way, rall the last line and finish.

MP3 DEMO:
GM302. THE GREEN GREEN GRASS OF HOME
key - Bb - vocal range - D to F
Original Livetrak arrangement of the classic Tom Jones hit.

THE HUNGRY YEARS key Eb to Gb 4:29
2 bar intro, vocal in at 8 secs, continue thru as per the original form.

MP3 DEMO:
GM233. THE HUNGRY YEARS Pianotrak
key - Eb to Gb - vocal range - G to Eb (big range!)
Lovely Pianotrak arrangement of this wonderful Neil Sedaka song, in a more manageable male range.

THE HUNGRY YEARS key Eb to Gb 4:14
1 bar intro and vocal in at 4 secs, continue thru as per the original form, repeat the last line and finish.

MP3 DEMO:
GM290. THE HUNGRY YEARS version 2
key - Eb to Gb - vocal range - G to Eb
Lovely full arrangement of the Neil Sedaka classic, in a more manageable key.

THE IN CROWD key G 2:57
4 bar intro and vocal in at 10 seconds, vocal through as per the Dobie Gray version form.

MP3 DEMO:
GM668. THE IN CROWD - G
key - G - vocal range - F to E
Cool arrangement loosely based on the classic Dobie Gray version from 1963. A full tone down from the original key.

THE LEAVING OF LIVERPOOL key C 2:32
4 bar intro and vocal in at 4 seconds, 3 verses and choruses - no solo, at 1:59 repeat the chorus, at 2:17 sing "but my darling when I think of thee" and finish.

MP3 DEMO:
GM543. THE LEAVING OF LIVERPOOL
key - C - vocal range - C to D
The classic folk song in a punchy arrangement - 3 verses/choruses only and in a mangeable male key.
 

THE LIVING YEARS key G 6:11
4 bar intro; vocal thru as per the original - double chorus at the end - and finish.

MP3 DEMO:
GM185. THE LIVING YEARS - G
key - G - vocal range - G to G (optional falsettos)
Wonderful song from Mike and the Mechanics (featuring the incredible Paul Carrack on lead vocals). This version is slightly slower in feel and doesn't build like the original, and is a semitone down from the original - no huge gated drums; etc - but a very nice version non the less!
 

THE LONG AND WINDING ROAD key Eb 3:45
2 bar intro, vocal thru as per the Beatles version.

MP3 DEMO:
GM151. THE LONG AND WINDING ROAD - Eb
key - Eb - vocal range - Eb to F
New version of this Beatles ballad, in the Beatles key and the same form.

THE LOST BOY key G 3:46
2 bar intro and vocal in at 5 secs, continue thru as per the original Greg Holden version.

MP3 DEMO:
GM406. THE LOST BOY
key - G - vocal range - original key
Lovely acoustic version based on the Greg Holden song used in "Sons of Anarchy".

THE LOVE I LOST key G 3:30
8 bar piano intro and piano and vocals for first section ; everything kicks in at the chorus ; then verse ; chorus and repeat " I will never ; never.... love again " 3 times ; short 8 bar instrumental break then chorus and repeat " I will never... no never.. love again " 3 times and finish.

MP3 DEMO:
GM63. THE LOVE I LOST
key - G - vocal range - G (below mid C) to E. Big range but suitable for average male range.
Nice piano intro to this great 70's hit , leading to a cool and live sounding track!
This version is based on the early 90's version by Sybil.

THE MIRACLE SONG key F 4:57
2 bar intro ; vocal thru as per Neil Sedaka version.

MP3 DEMO:
G39. THE MIRACLE SONG
key - F - vocal range - Bb to F (optional A top note)
Neil Sedaka hit; given a slightly different feel and arrangement.

THE MORE I SEE YOU keys - Eb to E 3:31
9 bar intro, vocal in at 17 secs, continue thru, key change at 1:19 and Trumpet solo, vocal back in at 1:48 with "can you imagine...", continue, back to the full song again at 2:21 - basically the same form as the Peter Allen version and with a definite finish.

MP3 DEMO:
GM329.THE MORE I SEE YOU - Eb to E
key - Eb to E - range - Bb to E
Loosely based on the Peter Allen version from 1976, which is similar to the 1966 Chris Montez version! Note the lower key...

THE MORE I SEE YOU keys - F to Gb 3:31
9 bar intro, vocal in at 17 secs, continue thru, key change at 1:19 and Trumpet solo, vocal back in at 1:48 with "can you imagine...", continue, back to the full song again at 2:21 - basically the same form as the Peter Allen version and with a definite finish.

MP3 DEMO:
GM330. THE MORE I SEE YOU - F to Gb
key - F to Gb - vocal range - C to Gb
Loosely based on the Peter Allen version from 1976, which is similar to the 1966 Chris Montez version! Note the lower key...
Same arrangement as GM329, except a full tone higher.

THE MUSIC OF THE NIGHT key Db 5:10
Same form as the Michael Crawford version..

MP3 DEMO:
GM309. THE MUSIC OF THE NIGHT
key - Db - vocal range - Ab to Ab 
Big arrangement of the Andrew Lloyd Webber big song from The Phantom Of The Opera musical.

THE OLD MAN key Bb 4:42
6 bar intro and vocal in at 16 seconds, continue through as per the John McDermott live version, same key.

MP3 DEMO:
GM610. THE OLD MAN - Bb orchestral
key - Bb - range - A to C
Lovely Irish song, covered by The Fureys, Phil Coulter and a very lovely version by John McDermott and orchestra, on which this version is based on.

THE OLD MAN key G 3:52
6 bar intro (half time feel) and vocal in at 13 seconds, continue through as per the Fureys version form, in the original key.

MP3 DEMO:
GM628. THE OLD MAN - G acoustic version
key - G - range - F# to A
Very lovely Irish gem, this version is loosely based on the Fureys version.

THE OLD RUGGED CROSS keys - Ab to A to Bb 6:12
gospel 3/4 feel.
8 bar intro; 4 bar break between verses except for the key change to Bb; which has a 2 bar break.
The form is 2 verses in Ab; one in A and last one in Bb opens up a bit to a jazz like feel.
Nice stops throughout for impact.

MP3 DEMO:
GM135. THE OLD RUGGED CROSS
key - Ab to A to Bb - vocal range - C to Eb
Wonderful smooth arrangement of this well known worship song, with 2 key changes.
 

THE ONLY COUPLE ON THE FLOOR key Ab 3:31
Acoustic guitar pickup and 4 bar intro; vocal thru as per - no solo - continue and finish.

MP3 DEMO:
GM186. THE ONLY COUPLE ON THE FLOOR
key - Ab - vocal range - Eb to Db
Sinatra covered this cheesy old gem. This version is loosely based on the Irish singer Dominic Kirwan's version.
 

THE POOR SIDE OF TOWN key Eb 3:44
8 bar intro; vocal thru - same form as the original version.

MP3 DEMO:
GM145. THE POOR SIDE OF TOWN - Eb
key - Eb - vocal range - Eb to Eb
A hit for Johnny Rivers back in 1966.

 

THE SEA OF LOVE key F 2:54
4 bar intro and vocal in at 12 secs, short guitar solo at 1:40, vocal in at 2:03 with the bridge and continue thru and finish.

MP3 DEMO:
GM278. THE SEA OF LOVE - F
key - F - vocal range - C to D
The Marty Wilde hit, a full tone down from his and in a similar arrangement and feel.

THE SMILE HAS LEFT YOUR EYES Pianotrak key D to E 3:09
4 bar intro and vocal in at 8 secs, continue thru as per the original form, including the key change.

MP3 DEMO:
GM385. THE SMILE HAS LEFT YOUR EYES Piano
key - D to E - vocal range - D to G# (big range)
Lovely ballad from the band Asia, which scored a big hit for them back in 1983.
 

THE THRILL IS GONE key Bm 3:07
4 bar intro and vocal in at 10 secs, continue thru 2 verses, Hammond organ solo over one verse at 1:05, vocal back in at 1:33 with verses 3 and 4, back to the 1st verse again at 2:29 and finish.

MP3 DEMO:
GM256. THE THRILL IS GONE
key - Bm - vocal range - B to A
Fresh arrangement of the B B King blues classic!

THE WANDERER key C 3:08
4 bar intro, vocal through, guitar solo, vocal back in at "well I roam from town to town...", continue; repeat the last line 3 times and finish.

MP3 DEMO:
GM105. THE WANDERER - C
key - C - vocal range - F to E
The old Dion hit in a cool and fresh arrangement.

THE WANDERER key B 3:00
4 bar intro, vocal in at 6 secs, continue thru, Hammond solo at 1:35, vocal back in at 1:59 with "well I roam from town to town...", continue and repeat the last line and finish.

MP3 DEMO:
GM236. THE WANDERER - B
key - B - vocal range - E to D#
New version of this Dion classic hit!

THE WAY WE WERE key C 4:38
4 bar intro and vocal in at 16 seconds, vocal through the song, at 2:43 go back to "could it be that it was all so simple then...", continue through and at 4:17 repeat "the way we were..." and finish.

MP3 DEMO:
GM838. THE WAY WE WERE - C orchestral
key - C - vocal range - C to F
Superb arrangement of this wonderful title song from the movie "The Way We Were", that scored a huge worldwide hit for Barbra Streisand. It's been covered by so many great male vocalists including Andy Williams, Barry Manilow, Johnny Mathis and many others.

THE WAY YOU MAKE ME FEEL key G 3:33
drum fill and 8 bar intro, vocal in at 19 seconds, continue through as per the Tommy Korberg version in his key (same form as the original Michael Jackson version), synth solo at 1:59 for 16 bars, vocal back in at 2:34 with "I never felt so in love before...", continue through, double chorus and tight finish.

MP3 DEMO:
GM855. THE WAY YOU MAKE ME FEEL - G
key - G - vocal range - G to E
Fantastic big orchestral track, based on a live version of the Michael Jackson gem by Tommy Korberg. I've added a cool synth lead solo rather than a sax solo and there is also a No Solo version.

WIND BENEATH MY WINGS key F 4:06
4 bar intro ; vocal thru whole song ; back to the bridge and finish.

MP3 DEMO:
G42. THE WIND BENEATH MY WINGS
key - F - vocal range - D to F
Original Livetrak arrangement of the huge Bette Midler hit from the film "Beaches".

THE WIND BENEATH MY WINGS key Eb 3:40
4 bar intro, vocal through as per the original form - repeat the last line ("you are the wind beneath my wings..") 3 times and finish.

MP3 DEMO:
GM161. THE WIND BENEATH MY WINGS - Eb
key - Eb - vocal range - Bb to Eb
New version of this hugely popular song, in a lower key.
 

THE WIND BENEATH MY WINGS key Eb Pianotrak 4:25
4 bar intro, vocal in at 18 secs, vocal thru - no solo - vocal back to "did you ever know that you're my hero.." at 3:17, continue thru, repeat the last line at 3:53, rall and finish.

MP3 DEMO:
GM226. THE WIND BENEATH MY WINGS - Eb Pianotrak
key - Eb - vocal range - C to Eb
Very lovely, piano only arrangement of this hugely popular hit for Bette Midler, from the movies "Beaches".
Lou Rawls was the first to achive a major hit with it, back in 1983.

THE WIND BENEATH MY WINGS key F to Gb 4:57
8 bar intro and vocal in at 24 secs, continue thru, 4 bar intro again at 2:11, key change at 2:29 and continue with the 2nd verse and chorus, at 3:43 repeat the chorus, at 4:18 rall the last line, at 4:20 repeat again and finish.

MP3 DEMO:
GM304. THE WIND BENEATH MY WINGS - F to Gb
key - F to Gb - vocal range - D to Gb
Very lovely arrangement of this popular gem, loosely based on A Perry Como version, in a higher key.

THE WIND BENEATH MY WINGS - Lou Rawls key F 3:49
2 bar intro - song is in 4/4 - spoken lyrics in at 5 secs, continue through as per the Lou Rawls version form with a definite ending.

MP3 DEMO:
GM340. THE WIND BENEATH MY WINGS - Lou Rawls
key - F - vocal range - C to F
This arrangement is based on the Lou Rawls version of this hugely popular song - https://www.youtube.com/watch?v=cRCS1AiAzJo
The piano is pretty quiet in the intro because there is a spoken part over it, and that really needs to be included and timed exactly the same to make it work. Check out the youtube link above..

THE WONDER OF YOU key F 2:38
4 bar intro and vocal in at 12 seconds, continue through, electric guitar solo at 1:40, vocal back in at 2:00 with "I guess I'll never know.... the reason why....", continue through and big finish.

MP3 DEMO:
GM573. THE WONDER OF YOU - F
key - F - vocal range - C to D (optional F last note, big finish)
The massive Elvis Presley hit in a big arrangement with the typical 12/8 feel.

THEME FROM A SUMMER PLACE key Bb 2:57
2 bar intro and vocal in at 8 seconds, vocal through, strings and electric guitar solo at 1:27, vocal back in at 2:03 with "there are no gloomy skies....", continue through and finish.

MP3 DEMO:
GM938. THEME FROM A SUMMER PLACE - Bb
key - Bb - vocal range - D to Eb
Loosely based on the most well known arrangement by Percy Faith, in a typical male range.

AND THEN SHE KISSED ME key A 2:50
4 bar intro and vocal in at 8 seconds, vocal through the song - no solo - at 1:49 the vocal goes to "she kissed me in a way I've never been kissed before...", continue through, 3 time repeat of "and then she kissed me.." and finish.

MP3 DEMO:
GM859. AND THEN SHE KISSED ME - A
key - A - vocal range - E to D
A super punchy arrangement, from the male perspective, of the massive Crystals hit from the 60's. The Beach Boys also did a cover and called it "Then I Kissed Her" but I think Then She Kissed Me works so much better but either will work just fine.

THERE'S A KIND OF HUSH key Ab 2:48
4 bar intro and vocal in at 6 secs, continue thru as per the Herman's Hermits version and finish.

MP3 DEMO:
GM328. THERE'S A KIND OF HUSH
key - Ab - vocal range - C to Db
Arrangement loosely based on the original Herman's Hermits version, but in a lower key.

THERE'S NO GETTIN' OVER ME key E 3:12
4 bar intro and vocal in at 9 seconds, continue through as per the original form, in the original key.

MP3 DEMO:
GM811. THERE'S NO GETTIN' OVER ME - E
key - E - vocal range - B to C# (optional F# and E ad libs)
Superb song from Ronnie Milsap, with a very cool similar arrangement, in the original key.

THIS IS MY LIFE key Cm & C to Db 4:18
5 bar intro, vocal in at 15 secs, vocal thru all the way with a key change and slight rall for the last section of the chorus, finish as per the Bassey versions.

MP3 DEMO:
GM207. THIS IS MY LIFE
key - Cm & C (chorus) then Db (last chorus) - vocal range - D to F
Great arrangement of the Shirley Bassey hit, in a male key!

THIS IS MY LIFE version 2 key Cm, C to Db 3:56
As per Malcolm Roberts version.

MP3 DEMO:
GM358. THIS IS MY LIFE version 2
key - Cm, C for the chorus and a key change to Db - range - D to F (optional Ab)
Great tune that scored a massive hit for Shirley Bassey.
This arrangement is based on the Malcolm Roberts version - https://www.youtube.com/watch?v=hBMdjIlsmjM

THIS IS MY SONG key D to Eb 2:37
As per the Jerry Vale version.

MP3 DEMO:
GM359. THIS IS MY SONG
key D to Eb - vocal range - E to F
Very lovely version of the Petula Clark hit, written by Charlie Chaplin. The arrangement is based on the Jerry Vale version and doesn't include the verse, only the main theme. https://www.youtube.com/watch?v=I6owm3fG_Io

THIS IS THE MOMENT key Eb to E 3:49
3 bar intro ; vocal thru - this is the short version - verse and straight into the bridge section ( "for all these years..."); continue ; key change for last verse ; big finish. Track has smooth ralls and kick phrases in certain parts - easy to catch.

MP3 DEMO:
GM73. THIS IS THE MOMENT
key - Eb to E - vocal range - Bb to G ( big range - suit high male range).
Hugely popular show tune. Every cabaret and solo act does it, you've heard it a hundred times, but check out this fabulously cool and different version - new feel, subtle, tasty chord changes and quality samples used - it does pay to be different!

THIS LAND IS YOUR LAND keys D to E 2:46
Loosely based on the Lee Greenwood version, including the key change, but 2 1/2 tones down from the original key.

MP3 DEMO:
GM376. THIS LAND IS YOUR LAND - D to E
key - D to E - vocal range - C# to E
Cool arrangement of this Patriotic song, based on the Lee Greenwood version but in a much lower key!
 

THIS OLD HEART OF MINE key E 4:12
8 bar intro and vocal in at 15 seconds, continue through as per the Rod Stewart version form.

MP3 DEMO:
GM676. THIS OLD HEART OF MINE - E
key - E - vocal range - E to E
Based on the Rod Stewart version of the Isley Brothers classic, in a typical male range.

THIS OLD HOUSE key Eb 2:25
8 bar intro, vocal through verse and chorus and straight into next verse and chorus, very short 8 bar violin break, vocal back in for verse and chorus; repeat "Ain't a-gonna need this house no longer, he's a-gettin' ready to meet the saints"... and big finish!

MP3 DEMO:
GM109. THIS OLD HOUSE - Eb
key - Eb - vocal range - C to Eb
This version is loosely based on the Boxcar Willie version  - very "country" and pretty bright in tempo - but it works!

THIS THING OF OURS key F & Ab 3:32
Piano and string intro and vocal in at 19 secs, same form as the Ray Price version.

MP3 DEMO: 
GM315. THIS THING OF OURS
key - F to Ab and back to F - original key
Very lovely Ray Price song, from his last album.

THROUGH THE YEARS key D to Eb 4:52
4 bar intro and vocal in at 16 seconds, vocal through as per the original Kenny Rogers form - not original key.

MP3 DEMO:
GM883. THROUGH THE YEARS - D to Eb
key - D to Eb - vocal range - A to Eb
Lovely song from Kenny Rogers, on his 1981 "Share The Love" album. The arrangement is based on the album version but with a definite finish, no fade. The original key is G to Ab.

THUNDER ROAD key F 5:28
Based on classic 1975 Bruce Springsteen live version, same form and key. https://www.youtube.com/watch?v=6O3MO2y30fU

MP3 DEMO:
GM650. THUNDER ROAD
key - F - vocal range - original key
Bruce Springsteen is known for his incredible concerts and this is based on the definitive live 1975 version of his song Thunder Road.

TICKET TO RIDE key Eb 3:12
4 bar intro; vocal thru as per the Beatles version - no solo - vocal back to "I don't know why she's riding so high"; continue; optional falsetto end or ad lib and finish.

MP3 DEMO:
GM101 TICKET TO RIDE - Eb
key - Eb - vocal range - Bb to Db (optional Ab falsetto ending!)
Fresh arrangement of the Beatles hit, in an easy key.

TICKET TO RIDE groove key F 3:46
4 bar intro, vocal in at 10 secs and continue thru the song and go back to " I don't know why she's riding so high.." at 2:21 and continue, then a piano solo from 2:43 to 3:01 and vocal back in with "she's got a ticket to ride......" ,continue and ad lib the ending and finish.

MP3 DEMO:
GM198. TICKET TO RIDE groove
key - F - vocal range - C to Eb (optional F)
Fantastic groove arrangement based on Brazilian singer Tiago Lorc's take on the Beatles hit, just a tad slower.

TIE A YELLOW RIBBON ROUND THE OLD OAK TREE key E 2:26
8 bar intro; same format as original except definite ending and stays in tempo all the way at the end tag.

MP3 DEMO:
GM110. TIE A YELLOW RIBBON ROUND THE OLD OAK TREE - E
key - E - vocal range - C# to E
Nice arrangement of the old DAWN 70's hit.

TILL key Eb 3:24
4 bar intro and vocal in at 13 seconds, vocal through - no solo, at 2:02 go back to "you are my reason to live...", continue and slight pause at 2:44 and sing "til then I'm.. yours (2:48).... be (2:52) mine..." - it all falls into place.

MP3 DEMO:
GM664. TILL - Eb Piano
key - Eb - vocal range - B to F
Wonderful big ballad that scored a huge hit for Tom Jones, covered by Engelbert Humperdinck and many others. Here's a piano only arrangement in a typical male key.

TIME IN A BOTTLE key Dm (and D major) 2:46
8 bar intro and vocal in at 16 seconds, vocal through as per the Jim Croce form, in the original key.

MP3 DEMO:
GM485. TIME IN A BOTTLE - Dm
key - Dm (and D major) - vocal range - A to C
Gorgeous orchestral arrangement of the Jim Croce hit from 1973.

TIME WON'T LET ME key A 3:10
bar drum fill and 8 bar intro, vocal in at 14 secs, continue thru as per the original form with a definite ending.

MP3 DEMO:
GM311. TIME WON'T LET ME - A
key - A - vocal range - A to F# (optional G#) original key
Big hit in the US for The Outsiders back in 1966.

TIME WON'T LET ME key F 3:10
1 bar drum fill and 8 bar intro, vocal in at 14 secs, continue thru as per the original form with a definite ending.

MP3 DEMO:
GM312. TIME WON'T LET ME - F
key - F - vocal range - F to D (optional E)
Big hit in the US for The Outsiders back in 1966. Same arrangement as GM311 except 2 full tones down.

TO LOVE SOMEBODY key G 3:28
4 bar intro; vocal through all the way, repeat the chorus and rall the last line and finish.

MP3 DEMO:
GM141. TO LOVE SOMEBODY - G
key - G -vocal  range - D to E (optional G)
Original Livetrak arrangement of this cool Bee Gees song.

 

TO MAKE YOU FEEL MY LOVE key Eb 3:47
8 bar intro; vocal thru; short piano solo; vocal back in at "the storms are raging on the rolling sea.."; continue and finish.

MP3 DEMO:
GM172. TO MAKE YOU FEEL MY LOVE - Eb
key - Eb - vocal range - D to Eb
Lovely Livetrak arrangement of the great Bob Dylan song.
 

TO WHERE YOU ARE key Bb 3:56
Based on the Josh Groban arrangement, original key.

MP3 DEMO:
G40. TO WHERE YOU ARE
key - Bb - cover key
Awesome ballad from Josh Groban. Check out the original at www.joshgroban.com

TOGETHER AGAIN (Janet Jackson) key F to Ab 3:44
8 bar intro and vocal in at 17 seconds, continue through verses and chorus with shorter 8 bar breaks after the chorus at 1:16, verses again at 1:33, 8 bar break at 2:33 and key change at 2:47 for the last verse and a double chorus at 3:04 and tight finish.

MP3 DEMO:
GM612. TOGETHER AGAIN (Janet Jackson) - F to Ab
key - F to Ab - range - D to G
Great pop song from 1997 that scored a massive hit for Janet Jackson. Here's a fresh arrangement for a typical Male pop range, great sounds and great bass grooves.

TOM JONES MEDLEY (IT'S NOT UNUSUAL & HELP YOURSELF)
keys A & Eb to E 4:42
8 bar intro ; vocal thru full song ; 8 bar intro to HELP YOURSELF ; thru full song ; including key change as per Tom Jones version ; rall the last line and finish.

MP3 DEMO:
GM64. TOM JONES MEDLEY - demo 1
IT'S NOT UNUSUAL (key - A) HELP YOURSELF (key - Eb to E) - range - original keys.
A medley of two of Tom Jones's biggest hits. Suitable for high Male ranges.
Download the HELP YOURSELF demo below.
GM64. TOM JONES MEDLEY - 2nd part demo - HELP YOURSELF

TOO SHY TO SAY key E 2:52
4 bar intro ; vocal thru as per - key change for reprise chorus and finish.

MP3 DEMO:
GM45. TOO SHY TO SAY
key - E - (chorus in D plus key change for last chorus) - vocal range - E to Eb.
Wonderful Stevie Wonder ballad, given a really cool groove and stripped back piano, bass and keys. Lovely!
Also sung by Hue and Cry.

TOUT DE TOI key A 3:47
4 bar intro (2/4 bar at bar 4); same form as the Julio Iglesias version.

MP3 DEMO:
GM174. TOUT DE TOI Pianotrak
key - A - vocal range - E to E
French hit for Julio Iglesias. Arranged for piano only and in a higher key; the original is in F.
 

TOWER OF SONG key B 4:06
8 bar intro and vocal in at 16 seconds, continue through as per the Tom Jones version, same key.

MP3 DEMO:
GM792. TOWER OF SONG - B
key - B - vocal range - B to D#
Superb and atmospheric arrangement that is loosely based on the Tom Jones version of this Leonard Cohen song, some extra magic added!