TOO MARVELOUS FOR WORDS (TOO MARVELLOUS FOR WORDS) key F 2:17
8 bar intro, vocal thru twice - no solo - tag the ending like the Sinatra ending and finish.

MP3 DEMO:
M874. TOO MARVELOUS FOR WORDS
key - F - vocal range - A to D (optional F top note)
Lovely mid tempo TRIO arrangement of this great standard. 

TOO MARVELOUS FOR WORDS (TOO MARVELLOUS FOR WORDS) key G 2:27
4 bar intro and vocal in at 7 seconds, vocal through, guitar solo at 1:05, vocal back in at 1:34 with "you're much too much...and oh so very very.....", continue through and at 1:57 sing "to tell you that you're marvelous... tell you that you're marvelous.... tell you that you're marvelous.. too.. mar......ve.....lous.... for words" and finish.

MP3 DEMO:
M2669. TOO MARVELOUS FOR WORDS - G Acoustic Guitar
key - G - vocal range - B to D (optional E at the end tag)
Superb acoustic guitar arrangement of the classic standard that's been covered by all the best singers and musicians of the day.

TOO MARVELOUS FOR WORDS (TOO MARVELLOUS FOR WORDS) key G 2:18
4 bar intro and vocal in at 6 seconds, vocal through, electric piano at 1:02, vocal back in at 1:28 with "you're much too much... and oh so very very.....", continue through and at 1:49 sing "to tell you that you're marvelous... tell you that you're marvelous.... tell you that you're marvelous.. too.. mar......ve.....lous.... for words" and finish.

MP3 DEMO:
M2671. TOO MARVELOUS FOR WORDS - G Electric Piano
key - G - vocal range - B to D (optional E at the end tag)
Gorgeous electric piano arrangement of this classic standard, the plugin is the Arturia Stage 73 v2. Wonderful!

TOO YOUNG key Bb 3:32
4 bar intro ; vocal thru ; solo ; vocal in at " and yet ... we're not too young to know..." ; continue ; tag the last line and finish.

MP3 DEMO:
M51. TOO YOUNG
key - Bb - vocal range - D to Eb
Another huge hit for Nat King Cole. An original Livetrak arrangement.

TOO YOUNG key Bb 4:16
8 bar intro and vocal in at 25 seconds, vocal through, at 2: 06 synth solo, vocal back in at 2:31 with "they say that loves a word...", continue through, at 3:45 repeat the last line "we were not....too young....at all..."and finish.

MP3 DEMO:
M2282. TOO YOUNG - Bb smooth
key - Bb - vocal range - D to Eb
Superb smooth jazz arrangement of the classic Nat King Cole hit, with wonderful synth pads, a wonderful synth lead weaving lines through the vocal and a great groove.

TOO YOUNG key Bb 2:47
4 bar intro and vocal in at 9 seconds , vocal through twice - no solo, tag the last line and finish.

MP3 DEMO:
M2545. TOO YOUNG - Bb Trio
key - Bb - vocal range - D to Eb
Gorgeous old standard in a really lovely Trio arrangement, slightly brighter in tempo with some great piano fills and classic comping to lift your performance.

TOO YOUNG TO GO STEADY key C 4:41
piano intro & vocal pickup - thru 1st verse piano & vocal only ; then into tempo ; continue ; tenor sax & harmonica solo ; vocal back in at "can't she realise..." ; continue ; rall the last line and finish.

MP3 DEMO:
M250. TOO YOUNG TO GO STEADY
key - C - vocal range - B to C
Totally sublime and yet such a simple tune! Please check out the awesome Kurt Elling version of this Nat Cole hit. Realtrak piano only for one verse then the trio kicks in plus guests!

TOP HAT WHITE TIE AND TAILS key G (verse) & C (main theme) 2:26
4 bar intro and vocal in at 6 seconds with the verse "I've just had an invitation...", main theme at 32 seconds, continue through - no solo - at 1:27 go back to "I'm putting on my top hat....", continue through and finish.

MP3 DEMO:
M2284. TOP HAT WHITE TIE AND TAILS - G & C Piano
key - G & C  vocal range - D to E
Wonderful Irving Berlin gem, (the quirky syncopation in the 1st line of the verse is astonishing for its time), in a super piano only arrangement that includes the verse and the main theme at just the right tempo.

TRUE key G 5:32
Same form as the original Spandau Ballet version, original key and key change to solo, piano solo included, repeat the last line a few times and finish.

MP3 DEMO:
M1630. TRUE - G
key - G - vocal range - G to G (optional A falsetto)
Wonderful TRIO arrangement of the huge Spandau Ballet hit song. Original key and form.

TRUE LOVE key G 3:07
8 bar intro ; vocal thru ; french horn & piano solo ; vocal back in at " for you and I..." ; continue ; tag the last line; rall and finish.

MP3 DEMO:
M422. TRUE LOVE
key - G - vocal range - C# to C
Realtrak orchestral arrangement of this huge Bing Crosby hit!

TRUE LOVE key G 3:10
4 bar intro and vocal in at 9 seconds with the verse "suntanned, windblown, honeymooners at last alone...", into the main theme at 40 seconds, vocal through, main theme again at 1:43 - no solo, continue through, tag the last line and finish.

MP3 DEMO:
M2323. TRUE LOVE - G Trio
key - G - vocal range - C# to C
Lovely and simple Trio arrangement, with the verse included. Perfect tempo for a ballroom modern waltz.

TRUE LOVE WAYS key Ab 3:39
4 bar intro and vocal in 12 seconds, vocal through - no solo - at 2:12 the vocal goes back to "through out the days, or true love ways...", continue through, at 3:12 repeat the last few lines - "then you'll know why, just you and I, know true love ways.." and finish.

MP3 DEMO:
M2479. TRUE LOVE WAYS - Ab Piano
key - Ab - vocal range - G to Db
Very lovely piano only arrangement of the classic Buddy Holly hit. Same arrangement as M2478 except a full tone lower.

TRUE LOVE WAYS key Bb 3:22
4 bar intro and vocal in at 12 seconds, vocal through - no solo - at 2:01 go back to "throughout the day... our true love ways..", continue through, at 2:56 repeat "and we'll know why.. just you and I....know true love ways..." and finish.

MP3 DEMO:
M1999. TRUE LOVE WAYS - Bb orchestral
key - Bb - vocal range - A to Eb
Very lovely orchestral arrangement of the Buddy Holly hit song. Also covered by Cliff Richard and many others.

TRUE LOVE WAYS key Bb 3:39
4 bar intro and vocal in 12 seconds, vocal through - no solo - at 2:12 the vocal goes back to "through out the days, or true love ways...", continue through, at 3:12 repeat the last few lines - "then you'll know why, just you and I, know true love ways.." and finish.

MP3 DEMO:
M2478. TRUE LOVE WAYS - Bb Piano
key - Bb - vocal range - A to Eb
Very lovely piano only arrangement of the classic Buddy Holly hit.
 

TRUST IN ME key Eb 2:59
4 bar intro and vocal in at 10 seconds, vocal through, piano solo at 1:19, vocal back in at 1:59 with "while there's a moon on high...", continue through and tag the last line from 2:33, repeat the last line and finish.

MP3 DEMO:
M1570. TRUST IN ME - Eb
key - Eb - vocal range - C to C
Lighlty swinging Trio arrangement of this classic standard. Hits for Eddie Fisher and Etta James but the very best version is by Ernestine Anderson and George Shearing on Concord records. Same arrangement as M1569 except a full tone lower.

TRUST IN ME key F 2:59
4 bar intro and vocal in at 10 seconds, vocal through, piano solo at 1:19, vocal back in at 1:59 with "while there's a moon on high...", continue through and tag the last line from 2:33, repeat the last line and finish.

MP3 DEMO:
M1569. TRUST IN ME - F
key - F - vocal range - D to D
Lighlty swinging Trio arrangement of this classic standard. Hits for Eddie Fisher and Etta James but the very best version is by Ernestine Anderson and George Shearing on Concord records.
 

TRY A LITTLE TENDERNESS key Eb 3:32
4 bar intro and vocal in at 15 secs, continue thru, no solo - vocal back to "it's not just.....sentimental..." at 2:11, continue thru,
rall the last line and finish.

MP3 DEMO:
M1054. TRY A LITTLE TENDERNESS - Eb
key - Eb - vocal range - D to F
Gorgeous new TRIO arrangement of this great song, in a higher male key.

TRY A LITTLE TENDERNESS key C to Db 3:27
4 bar intro, vocal thru, solo, vocal back in at " it's not just..sentimental..", continue, key change at "you won't regret it..", continue and finish.

MP3 DEMO:
M381. TRY A LITTLE TENDERNESS Piano
key - C to Db - vocal range - B to Eb
Classy 2015 Pianotrak arrangement of this timeless old standard. Forget the recent film versions, this is how it was meant to be done! Singers include Sinatra and co!

TRY A LITTLE TENDERNESS Trio key C 3:32
4 bar intro and vocal in at 16 secs, continue thru - no solo, back to "it's not just sentimental.." at 2:13, continue thru and finish.

MP3 DEMO:
M1043. TRY A LITTLE TENDERNESS Trio
key - C - vocal range - B to D
Beautifully intimate trio arrangement of this great old standard.

TRY TO REMEMBER key E to F 4:18
4 bar intro and vocal in at 9 secs, continue thru, sing "follow" 4 times, 2nd verse at 1:30, continue and shorten the "follow section to twice then right into the key change to F at 2:42, continue thru, sing "follow..." 3 times and finish.

MP3 DEMO:
M1055. TRY TO REMEMBER
key - E to F - vocal range - G# to C
Very lovely orchestral arrangement of this timeless waltz. Loosely based on a Perry Como version.
Suit lower range male and higher range female.

TWISTED key Eb 2:29
2 bar intro ; vocal through as per original version - same form, different feel!

MP3 DEMO:
M419. TWISTED - Eb
key - Eb - vocal range - Gb to F
Awesome psuedo TAKE 6 arrangement of this Lambert Hendricks and Ross classic. Checkout the demo!

TWO DIFFERENT WORLDS key C 3:04
4 bar intro ; vocal thru - no solo - back to the bridge section -"when will they learn..." ; continue ;rall the last line and finish.

MP3 DEMO:
M460. TWO DIFFERENT WORLDS
key - C - vocal range - B - E
Gorgeous ballad in a really lovely Bossa Realtrak. Singers include Dick Haymes.

TWO FOR THE ROAD key G 3:58
piano intro ; vocal and piano thru the first verse ; into to tempo and continue ; piano and string solo ; vocal in at "two for the road.... we'll travel down the years..."; continue ; no repeat/finish.

MP3 DEMO:
M557. TWO FOR THE ROAD
key - G - vocal range - B to D
Gorgeous gem from Henry Mancini and Leslie Bricusse, in a Livetrak arrangement with a lovely piano and voice intro then picking up into tempo. Check out the Vic Damone version or the Carmen McRae and George Shearing take.

TWO FOR THE ROAD key G 4:01
6 bar intro and vocal in at 18 seconds, vocal through, short piano solo at 2:02, vocal back in at 2:26 with 'two for the road, we'll travel down the years...", continue through and finish.

MP3 DEMO:
M2182. TWO FOR THE ROAD - G Piano
key - G - vocal range - B to D
Beautiful Henry Mancini and Leslie Bricusse gem in a very lovely piano only arrangement.

TWO SLEEPY PEOPLE key Eb 4:06
piano intro and into tempo / vocal thru ; piano solo over the first "A" section only then vocal back in at the bridge ; continue ; rall the last line and finish.

MP3 DEMO:
M326. TWO SLEEPY PEOPLE
key - Eb - vocal range - Bb to D
Absolutely gorgeous song and a really lovely Livetrak arrangement to boot!

UNCHAIN MY HEART key Gm 2:56
4 bar intro; vocal thru as per Ray Charles version; trumpet solo; vocal back in at 'I'm under your spell..." ; continue ; 3 time tag and finish.

MP3 DEMO:
M696. UNCHAIN MY HEART - Gm
key - Gm - vocal range - G to D (optional F)
Great arrangement of this really cool tune, loosely based on the Ray Charles version.

UNCHAINED MELODY key G 3:28
8 bar intro and vocal in at 20 secs, continue thru - at 1:20 the bridge the vocal halves in tempo, back into the verse at 2:00 again - no solo - and finish or ad lib the few bars of instrumental.

MP3 DEMO:
M1160. UNCHAINED MELODY - G demo 1
M1160. UNCHAINED MELODY - G DEMO 2
key - G - vocal range - C to D - suit lower range male
Very lovely TRIO arrangement of this popular song. The arrangement is different than the 12/8 feel normally associated with this song and the bridge timing is extended so be sure to check out both demo 1 for the verse feel , and demo 2 below for the bridge feel.

UNCHAINED MELODY key G 4:00
4 bar intro and vocal in at 14 seconds, vocal though once only, staying in tempo all the way.

MP3 DEMO:
M1815. UNCHAINED MELODY - G Vocalville
key - G - vocal range - B to D
Stunning "vocal only" arrangement, lots of subtle changes, passing chords etc normally associated with the very classiest of jazz vocal groups.

I'VE GOT YOU UNDER MY SKIN (swing version) - key - Eb 3:30
8 bar bass intro, vocal through, bass & piano solo, vocal back at the bridge and ad lib ending.

MP3 DEMO:
M95. UNDER MY SKIN (I've got you)
key - Eb - vocal range - Bb to F
Brighter swing version of this Cole Porter classic. The Sinatra/Nelson Riddle version has to be the definitive take. An original Livetrak arrangement.

UNFORGETTABLE key Bb (starts in F) 3:19
4 bar intro; vocal intro; short solo; vocal in and finish.

MP3 DEMO:
M47. UNFORGETTABLE
key - Bb - starts in the key of F and ends in Bb - vocal range - Bb to D
One of Nat King Cole's biggest hits. An original Livetrak arrangement.

UNFORGETTABLE key C 3:32
4 bar intro and vocal in at 12 seconds, vocal through, piano solo at 1:44, vocal back in at 2:08 with "like a song of love that clings to me..", continue through and finish.

MP3 DEMO:
M1527. UNFORGETTABLE - C Pianotrak
key - C (the song starts in G) - vocal range - C to E
Very lovely piano only arrangement of the classic Nat King Cole gem.

UNFORGETTABLE key C (starts in G) 2:44
4 bar intro ; vocal thru ; short piano solo ; vocal back in at "like a song of love that clings to me..." ; continue and finish.

MP3 DEMO:
M593. UNFORGETTABLE version 2
key - C (starts in G) - vocal range - C to E 
A cool and swinging Livetrak arrangement that works great. A massive hit for the wonderful Nat King Cole.

UNLESS key Eb 2:51
4 bar intro and vocal in at 9 seconds, vocal through, piano solo at 1:16, vocal back in at 1:50 with "unless.... my presence can make you glad...", continue through, tag the last line and finish.

MP3 DEMO:
M2547. UNLESS - Eb Trio
key - Eb - vocal range - Eb to F
Wonderful Waltz that scored a hit for Eddie Fisher and Guy Mitchell back in the 50's. Here's a gorgeous Trio arrangement that's perfect as a Ballroom modern waltz.

UP ON THE ROOF key F 4:07
6 bar intro and vocal in at 16 secs, continue thru, piano solo at 2:06, vocal back in at 2:36 with "at night the stars put on a show...", continue thru, ad lib "up on the roof.." etc and finish.

MP3 DEMO:
M1279. UP ON THE ROOF
key - F - vocal range - C to D
Utterly gorgeous laidback arrangement of this Drifters classic written by Carole King and Gerry Goffin, with trio plus strings.

UP ON THE ROOF key F 3:21
4 bar intro and vocal in at 9 seconds, vocal through similar to the Steve Tyrell version, with a similar arrangement, original key.

MP3 DEMO:
M2138. UP ON THE ROOF - F Steve Tyrell
key - F - vocal range - C to D
Arrangement based on the Steve Tyrell version but with brass and horns replacing the backing vocals.

VAYA CON DIOS key C 4:03
8 bar intro and vocal in at 15 seconds, vocal through  no solo - at 2:25 go back to "wherever you may be I'll be beside you...", continue through and at 3:30 repeat the last two lines and finish.

MP3 DEMO:
M2372. VAYA CON DIOS - C
key - C - vocal range - C to D
Very lovely orchestral arrangement of the old Les Paul and Mary Ford hit and covered by many including Freddie Fender, Connie Francis, Al Martino and many others.

VAYA CON DIOS key C 4:00
4 bar intro and vocal in at 7 seconds, vocal through - no solo - at 2:23 the vocal goes back to "wherever you may be I'll be beside you...", continue through and at repeat the last two lines and finish.

MP3 DEMO:
M2374. VAYA CON DIOS - C Acoustic Guitar
key - C - vocal range - C to D
Stunningly intimate acoustic guitar arrangement of this lovely old Les Paul and Mary Ford hit, and covered by many of the best singers of the day.

VIA VENETO key Bb to B 2:12
Same form as the Dean Martin version but vocal all the way!

MP3 DEMO:
M1139. VIA VENETO
key - Bb to B - vocal range - D to C#
Loosely based on the original Dean Martin version from 1963, in the original key.

VIOLETS FOR YOUR FURS key F 3:33
4 bar intro and vocal in at 15 seconds, vocal through, flute solo at 2:13, vocal back in at 2:42 with "you smiled at me completely.", continue through, slow the last line down and finish.

MP3 DEMO:
M1951. VIOLETS FOR YOUR FURS - F orchestral
key - F - vocal range - C to D
Wonderful classic ballad in a gorgeous orchestral arrangement. I love the 1958 Billie Holiday version, even towards the end of her turbulent life, this version and the complete Lady In Satin album are definitive examples of great singing, great arranging and of course the best musicianship, at any level.

VOLARE key Bb 2:35
1 bar intro and vocal pick up; continue thru; short sax solo ; vocal back in "let's fly away to the clouds...; (or the Italian words if you know them!); continue; sing - "no wonder my happy heart sings... your love has given me wings...." then -   "your love......... has ... giv..en...me..wings..." and finish!

MP3 DEMO:
M661. VOLARE - Bb
key - Bb - vocal range - F to D 
Cool arrangement of this popular song. Singers include Dean Martin; Sinatra; Al Martino; etc

VOLARE key Bb 2:37
4 bar intro and vocal in at 7 seconds, continue through, electric guitar solo at 1:14, vocal back in at 1:36 with "we can sing in the glow....", continue through, from 2:14 we're going to tag the last line so sing "no wonder my happy heart sings.. your love has given me wings(2:19)...", your love (2:21).........has given me wings....." and finish.

MP3 DEMO:
M1530. VOLARE - Bb smooth
key - Bb - vocal range - F to D
Cool Smooth groove arrangement of this classic song covered by Dean Martin and many others!
Same arrangement as M1529 except a full tone lower.

VOLARE key Bb to B 2:43
4 bar intro and vocal in at 7 seconds, continue through and KEY CHANGE at 1:13 - no prompt but easy to catch!, continue through again ( even use the Italian lyrics..), repeat the last line twice then extend the last line from 2:24 - your love.........has ...giv.....en me........wings......." and finish.

MP3 DEMO:
M1984. VOLARE - Bb to B
key - Bb to B - vocal range - F to D#
Superb arrangement of the classic Italian favourite, at a great tempo. Main theme only.
Same arrangement as M1983 except a full tone lower.

VOLARE key C 2:37
4 bar intro and vocal in at 7 seconds, continue through, electric guitar solo at 1:14, vocal back in at 1:36 with "we can sing in the glow....", continue through, from 2:14 we're going to tag the last line so sing "no wonder my happy heart sings.. your love has given me wings(2:19)...", your love (2:21).........has given me wings....." and finish.

MP3 DEMO:
M1529. VOLARE - C smooth
key - C - vocal range - G to E
Cool Smooth groove arrangement of this classic song covered by Dean Martin and many others! Suit higher male ranges.

VOLARE key C to Db 2:43
4 bar intro and vocal in at 7 seconds, continue through and KEY CHANGE at 1:13 - no prompt but easy to catch!, continue through again ( even use the Italian lyrics..), repeat the last line twice then extend the last line from 2:24 - your love.........has ...giv.....en me........wings......." and finish.

MP3 DEMO:
M1983. VOLARE - C to Db
key - C to Db - vocal range - G to F (suit higher male / lower female ranges)
Superb arrangement of the classic Italian favourite, at a great tempo. Main theme only.

WAIT TILL YOU SEE HER key C 3:19
2 bar intro and vocal in at 6 seconds, continue through, piano solo at 1:35, vocal back in at 2:05 with "wait till you feel the warmth of her glance....", continue through and finish.

MP3 DEMO:
M1651. WAIT TILL YOU SEE HER - C Pianotrak
key - C - vocal range - A to D
Sublime song from Rodgers and Hart in a very lovely piano only arrangement.

WALK AWAY key C 4:07
4 bar intro and vocal in at 13 seconds, vocal through the song - no solo - at 2:42 the vocal goes to "If I heard your voice...", continue through and finish like the Matt Monro version (different feel of course).

MP3 DEMO:
M2751. WALK AWAY - C 6/8 Trio
key - C - vocal range - C to E
Superbly fresh 6/8 Trio arrangement of the Matt Monro gem from 1964.  The Kitty Lester "Love Letters" feel always springs to mind when playing in 6/8 and everything flows great in this arrangement. The band are punchy and lively so a good expressive vocal is needed!

WALK AWAY key C 4:41
8 bar intro and vocal in at 13 seconds, vocal through the song - no solo - at 3:02 the vocal goes back to "If I heard your voice... I'd beg you to stay...", continue through as per the Matt Monro ending and finish.

MP3 DEMO:
M2749. WALK AWAY- C orchestral
key - C - vocal range - C to E
Wonderful orchestral arrangement of the Matt Monro hit from 1964.

WALK BETWEEN THE RAINDROPS key Bb 2:40
Same form as the original Donald Fagan version.

MP3 DEMO: 
M601. WALK BETWEEN THE RAINDROPS
key - Bb - vocal range - F to G 
Fabulous song from Donald Fagan's classic NightFly album. Can you sit still..........love it!! This is a full tone down from the original.

WALK ON BY key G  3:34
Based on the Steve Tyrell version from his album "Back to Bacharach" but with a definite ending, same key.

MP3 DEMO:
M2184. WALK ON BY - G
key - G - vocal range - B to E
Similar arrangement of the Steve Tyrell version from his album "Back to Bacharach" but with a definite ending, same key.

WALK ON BY (Dean Martin) key Bb 2:48
4 bar intro and vocal in at 7 seconds, continue through as per the Dean Martin version, in the original key.

MP3 DEMO:
M1416. WALK ON BY (Dean Martin)
key - Bb - vocal range - A to Bb
Loosely based on the Dean Martin version of the Leroy Van Dyke country hit.

WALK ON THE WILD SIDE key F 3:19
16 bar intro; vocal thru - same form as The Pedlers version! Includes short Hammond solo.

MP3 DEMO:
M771. WALK ON THE WILD SIDE - F
key - F - vocal range - F to F (optional ad libs Ab;etc)
Cool organ trio of Elmer Bernstein & Hal David's 'Walk on the Wild Side' and NOT the Lou Reed tune. 
Loosely based on The wonderful Pedlers 1970's version ( check them out on YouTube).

WALK RIGHT BACK key C 2:43
8 bar intro and vocal in at 15 secs, vocal thru twice - no solo - repeat the last line 3 times and finish.

MP3 DEMO:
M924. WALK RIGHT BACK
key - C - vocal range - B to D
Laidback LIVETRAK quartet arrangement of the Everly Brothers hit.

WALK RIGHT IN key G to Ab 2:24
4 bar intro and vocal in at 8 seconds, vocal through the song twice, key change to Ab and a flute solo at 1:08, vocal back in at 1:38 and repeat the song, at 2:08 repeat the last line 3 times and finish.

MP3 DEMO:
M1633. WALK RIGHT IN
key - G to Ab - vocal range - D to B
Cool full band arrangement of the 1963 hit by The Rooftop Singers. In a very manageable male key and suitable for a higher female voice too.

WALKIN' AFTER MIDNIGHT key E to F 2:38
4 bar intro and vocal in at 9 secs, continue solo, short guitar solo at 1:27, vocal back in at 1:45 with "I stop to see a weeping willow....", continue and key change at 2:04, continue and finish.

MP3 DEMO:
M1223. WALKIN' AFTER MIDNIGHT
key - E to F - vocal range - B to D
Cool swinging arrangement of the hugely popular Patsy Cline hit.

WALKING MY BABY BACK HOME key B 3:12
acoustic guitar 4 bar intro and vocal in at 10 seconds, continue through, human whistle solo at 1:28, vocal back in at 2:06 with "we stop for a while... she gives me a smile..", continue through and repeat the last line 3 times, slowing down for the last time and finish.

MP3 DEMO:
M1388. WALKING MY BABY BACK HOME - B
key - B - vocal range - A# to C#
Based on the James Taylor version, in his key, but with an intro and extended whistle solo (over the two "A" sections). Lovely laidback arrangement of this old standard.

WALKING MY BABY BACK HOME key C to Db 2:31
4 bar introduction, vocals through, short piano and brass solo over the 2nd “A” section, vocals back in at “we stop for a while” (or the alternate lyrics as per Nat King Cole version), key change leading to “after I.. kinda straighten my tie” etc, continue through and finish.

MP3 DEMO:
M709. WALKING MY BABY BACK HOME - C to Db
key - C to Db - vocal range - B to D
Superb band arrangement, loosely based on the classic Nat King Cole version.

WALTZ FOR DEBBY key F 4:06
8 bar intro and vocal in at 14 seconds, vocal through - no solo - at 2:29 go back to "in the night.. she dances to silent music..", continue through and finish.

MP3 DEMO:
M1872. WALTZ FOR DEBBY - F Pianotrak
key - F - vocal range - E to F
A pretty special Bill Evans tune with wonderful lyrics by Gene Lees, in a more moody piano only arrangement with some very lovely changes included. Real Book chart and key.

WANDRIN' STAR key Eb 3:47
4 bar intro and vocal in 11 seconds, vocal through, piano solo at 1:56, vocal back in at 2:15 with "mud can make you prisoner...", continue through the song and finish.

MP3 DEMO:
M3026. WANDRIN' STAR - Eb
key - Eb - vocal range - C to Eb
The classic Lee Marvin song from "Paint Your Wagon". It's actually a great song so forget about the Lee Marvin drawl and sing it with this wonderful Quartet arrangement!

WATCH WHAT HAPPENS key Eb 2:58
4 bar intro, vocal in at 8 secs, continue thru, piano solo at 1:21, vocal in at 1:53 with "cold, no I won't believe your heart is cold...", continue thru and at 2:32 repeat "let someone give his heart....someone who cares like me" and finish.

MP3 DEMO:
M81. WATCH WHAT HAPPENS - Eb
key - Eb - vocal range - C to C
New 2017 TRIO arrangement of this classic Michel Legrand song. Sung by all the very best singers and crooners!

WATER UNDER BRIDGES key Eb 3:33
4 bar intro and vocal in at 16 seconds, continue through the same form as the Gregory Porter album version, same key.

MP3 DEMO:
M1571. WATER UNDER BRIDGES - Eb Pianotrak
key - Eb - vocal range - B to F (optional Gb)
Very lovely piano only arrangement of the gorgeous Gregory Porter song from his album "Liquid Spirit".

WAVE key F 3:14
8 bar intro, vocal thru - no solo - back to "when I saw you first the time was", continue and ad lib the ending and finish.

MP3 DEMO:
M870. WAVE - F
key - F - vocal range - F to D 
Livetrak arrangement of this wonderful Antonio Carlos Jobim Bossa Nova.

WAVE key F 2:47
4 bar intro, vocal thru - no solo - back to "when I saw you first the time was....", continue, ad lib the ending and finish.

MP3 DEMO:
M871. WAVE - F swing
key - F - vocal range - F to D (suit lower range male)
Livetrak TRIO swing arrangement of the Jobim Bossa Nova.

WE KISS IN A SHADOW key F 3:34
piano intro and vocal pickup into tempo ; vocal thru ; short piano solo ; vocal back in at " alone in our secret..." ; continue ; rall the last line and finish.

MP3 DEMO:
M545. WE KISS IN A SHADOW
key - F - vocal range - C to D
Absolutely gorgeous song from Rodgers and Hammerstein and in a lovely Livetrak arrangement.

WE'LL BE TOGETHER AGAIN key C 3:59
4 bar intro, vocal through, no solo - back to "times when I know you'll be lonesome", continue, rall the last line and finish.

MP3 DEMO:
M272. WE'LL BE TOGETHER AGAIN - C
key - C - vocal range - C to D
Original Livetrak arrangement of this fabulous torch song standard. Singers include Mark Murphy, Lou Rawls, Sinatra.

WE'LL MEET AGAIN key F 2:29
4 bar intro, vocal in at 12 seconds, continue through - no solo, vocal back to "so won't you please say hello.. to the folks..." at 1:27, continue through, tag the last line and finish.

MP3 DEMO:
M1619. WE'LL MEET AGAIN - F
key - F - vocal range - B to C (optional D top note)
Great Big Band arrangement of this classic WW2 gem, made famous by Vera Lynn.

WE'LL MEET AGAIN key G 3:45
8 bar intro and vocal in at 23 seconds, continue through as per the Frank Sinatra and Robert Farnon version, original key.

MP3 DEMO:
M2613. WE'LL MEET AGAIN - G Frank Sinatra
key - G - vocal range - C# to D
A Near copy version of the sublime Robert Farnon arrangement for Sinatra. The album was "Sinatra Sings Great Songs From Great Britain" and i have to say every arrangement, and song, is a gem and Robert Farnon's writing, particularly for strings, is absolutely gorgeous.

WE'VE ONLY JUST BEGUN version 1 key Eb 4:12
5 bar intro, vocal in on the 5th bar at 17 secs, continue thru - no solo, vocal back to the bridge "sharing horizons that are new to us.." at 2:35, continue thru, rall the last line and finish.

MP3 DEMO:
M1098. WE'VE ONLY JUST BEGUN version 1 - Eb Pianotrak
key - Eb - vocal range - Bb to Eb
Beautifully intimate piano only arrangement of the massive Carpenters hit.

WE'VE ONLY JUST BEGUN version 2 key Eb 4:12
5 bar intro and vocal in on the 5th bar at 16 secs, vocal thru - no solo, back to "sharing horizons that are new to us..." at 2:31, continue thru, repeat the last line 2 times and finish.

MP3 DEMO:
M1099. WE'VE ONLY JUST BEGUN version 2 - Eb Pianotrak
key - Eb - vocal range - Bb to Eb
Version 2 of the Carpenters hit, piano only again but a bit more adventurous with some subtle chord substitutions and a slightly more "groove" based feel.

WELCOME TO MY WORLD key Ab to A 3:16
4 bar intro; vocal thru; slide gtr solo; vocal back in at "knock.. and the door will open"; continue; key change for the last time verse - "I'll be waiting here..." ; rall the last line and finish.

MP3 DEMO:
M666. WELCOME TO MY WORLD
key - Ab to A - vocal range - C to C#
The Jim Reeves hit in a fresh arrangement with a key change for the last chorus.

WHAT A DIFFERENCE A DAY MADE key F 4:33
piano intro and pick up ; vocal thru ; short solo ; vocal back in at " my yesterdays were blue dear..." ; continue ; rall the last line and finish.

MP3 DEMO:
M296. WHAT A DIFFERENCE A DAY MADE - F
key - F - vocal range - C to C
Lovely old standard, covered by al lthe best sngers of the day, in an Original Livetrak moody arrangement.

WHAT A DIFFERENCE A DAY MADE key F 5:09
8 bar intro and vocal in at 27 seconds, vocal through as per the Jamie Cullum form, piano solo at 2:26, vocal back in at 2:53 with "my yesterdays were blue dear...", continue through - note the long break for the vocal only and then back into tempo for finish.

MP3 DEMO:
M2549. WHAT A DIFFERENCE A DAY MADE - F Trio
key - F - vocal range - C to D
Based on the form, similar tempo, feel and same key of the very lovely Jamie Cullum live version, with a longer intro.

WHAT A DIFFERENCE A DAY MADE key G 2:36
4 bar intro, vocal in at 6 secs, vocal thru, short piano solo at 1:10, vocal back in at 1:26 with "my yesterdays were blue dear.......", continue thru, repeat "the difference is you....." or ad lib and finish.

MP3 DEMO:
M1119. WHAT A DIFFERENCE A DAY MADE - G
key - G - vocal range - D to E
Great mid tempo TRIO arrangement of the old classic, most associated with Dinah Washington, Esther Phillips had a big disco hit with it and the talented Jamie Cullum did a fresh take on it too.

WHAT A LITTLE MOONLIGHT CAN DO key C 2:35
8 bar intro and vocal in at 9 seconds, vocal through twice and finish.

M2166. WHAT A LITTLE MOONLIGHT CAN DO - C Trio
key - C - vocal range - B to D
Superb Trio arrangement of this old standard, made famous by Billie Holiday but covered by all the very best female and male singers.

WHAT A WONDERFUL WORLD key Eb 4:32
8 bar intro and vocal in at 17 seconds, continue through and include the tag - no solo - at 2:50 the vocal goes back to "the colours of the rainbow...", continue through, at 3:56 slow the last 2 lines down ("yes, I think to myself.... what a wonderful world...") and finish.

MP3 DEMO:
M1767. WHAT A WONDERFUL WORLD - Eb waltz
key - Eb - vocal range - Bb to C
Gorgeous reworking of the Louis Armstrong classic hit, in 3/4 time! a classy Trio arrangement that works great as a waltz.
Same arrangement as M1766 except a full tone lower.

WHAT A WONDERFUL WORLD - key F 4:19
4 bar intro and vocal in at 15 seconds, continue through the song - no solo, vocal goes back to "the colours of the rainbow.." at 2:40, continue through and add the tag last line from 3:36, slow down and finish.

MP3 DEMO:
M88. WHAT A WONDERFUL WORLD - F 2017
key - F - vocal range - C to D
Beautiful new 2017 orchestral arrangement of this wonderful Louis Armstrong gem!

WHAT A WONDERFUL WORLD key F 3:55
"I can sing a rainbow" intro and then the vocal starts at 12 secs with the bridge section - "the colours of the rainbow.. so pretty in the sky..", continue thru the bridge and then go back to the beginning of the song at 50 secs, thru the full song and add the last line tag, rall the last line and finish.

MP3 DEMO:
M1113. WHAT A WONDERFUL WORLD - F Pianotrak
key - F - vocal range - C to D
Gorgeous arrangement of this massive Louis Armstrong hit (my dad's favourite song!), beautiful feel and perfect for an intimate vocal! The intro is a gentle nod to "I can sing a rainbow" before the vocal comes in at "the colours of the rainbow..." at 12 secs... classy!!

WHAT A WONDERFUL WORLD key F 4:32
8 bar intro and vocal in at 17 seconds, continue through and include the tag - no solo - at 2:50 the vocal goes back to "the colours of the rainbow...", continue through, at 3:56 slow the last 2 lines down ("yes, I think to myself.... what a wonderful world...") and finish.

MP3 DEMO:
M1766. WHAT A WONDERFUL WORLD - F waltz
key - F - vocal range - C to D
Gorgeous reworking of the Louis Armstrong classic hit, in 3/4 time! a classy Trio arrangement that works great as a waltz.

WHAT A WONDERFUL WORLD Pianotrak key Eb 3:55
4 bar intro ; vocal thru ; include the tag at the end ; no solo - vocal back to the colours of the rainbow..." ; continue ; and finish.

MP3 DEMO:
M490. WHAT A WONDERFUL WORLD Eb Pianotrak
key - Eb - vocal range - Bb to D
This special song works so well as a Pianotrak - this and a quality vocal will appeal to any discerning listener.

WHAT A WONDERFUL WORLD key F 2:53
8 bar intro ; vocal thru song (including end tag) - no solo - back to "the colours of the rainbow..." ; continue; sing again "yes ; I think to my self..."and rall and finish.

MP3 DEMO:
M570. WHAT A WONDERFUL WORLD - swing
key - F - vocal range - C to D
Really cool Livetrak version of the Louis Armstrong gem. Works well at this tempo ....... and swings..!

WHAT ARE YOU DOING THE REST OF YOUR LIFE - key Gm 5:07
4 bar intro - vocal pickup and thru whole song ; no solo - back to " I want to see your face..." ; continue ; stays in tempo right until the end.

MP3 DEMO:
M134. WHAT ARE YOU DOING THE REST OF YOUR LIFE?
key - Gm - vocal range - A to D
Wonderful Michel Legrand gem in a new Realtrak extended arrangement! Sung by Jack Jones ; Sarah Vaughan and other greats.

WHAT ARE YOU DOING THE REST OF YOUR LIFE Pianotrak key Am 5:36
Piano introduction and vocals in at 23 seconds, continue through the song – no solo - the vocal goes back to “I want to see your face…” at 3:14, continue through, rall thru last line and finish.

MP3 DEMO:
M1179. WHAT ARE YOU DOING THE REST OF YOUR LIFE Pianotrak
key - Am  vocal range - B to E
This is a gorgeous and expressive piano only arrangement of this classic song, with lyrics by Alan and Marilyn Bergman and music by Michel Legrand.

WHAT I DID FOR LOVE key C 3:33
pick up and 8 bar intro ; vocal thru ; no solo - vocal back to " gone...... love is never gone......" ; continue to end (leave out the last "what i did for love" tags) then repeat - "won't forget.. can't regret... what I did for love.........." and finish.

MP3 DEMO:
M597. WHAT I DID FOR LOVE swing
key - C - vocal range - D to E 
Cool and swinging Livetrak arrangement of this huge hit from "A CHORUS LINE". Works great and there's no 2/4 bars - swings all the way and easy to catch.

WHAT IS THERE TO SAY? key Eb 2:52
4 bar intro ; vocal thru ; no solo - vocal back to " you are so loveable..." ; continue ; rall the last line and finish.

MP3 DEMO:
M465. WHAT IS THERE TO SAY?
key - Eb - vocal range - Bb - Eb
Wonderful ballad in a gorgeous fresh arrangement! Singers include Mel Torme, Nat King Cole and many others.

WHAT IS THIS THING CALLED LOVE key C 2:07
8 bar intro ; vocal twice ; solo ; vocal back in at " I saw you there" ; and repeat "what is this thing called love" 3 times and finish.

MP3 DEMO:
M175. WHAT IS THIS THING CALLED LOVE - C
key - C - vocal range - C to F
REALTRAK version as M156 except using "swing" brushes.

WHAT IS THIS THING CALLED LOVE - key - C 2:07
8 bar intro ; vocal twice ; solo ; vocal back in at " I saw you there" ; and repeat "what is this thing called love" 3 times and finish.

MP3 DEMO:
M156. WHAT IS THIS THING CALLED LOVE - C smooth
key - C - vocal range - C to F
Fender Rhodes Trio, with a cool half time feel on the drums.

WHAT KIND OF FOOL AM I key C 4:11
4 bar intro, vocal through, short harmonica solo, vocal back in at " what kind of man is this....", continue, tag the last section - "why can't I fall in love...", and finish.

MP3 DEMO:
M289. WHAT KIND OF FOOL AM I
key - C - vocal range - G to Eb
Awesome Leslie Bricusse and Anthony Newley song that's been covered by all the greats. Original Livetrak arrangement.

WHAT KIND OF FOOL AM I  key Bb to C 3:28
Piano intro and vocal in at 13 secs, continue thru piano and voice only until the key change at 2:02 vocal cue ("what kind of clown am I..") and then into tempo with the band at 2:07, build and rall the last lines and big finish!

MP3 DEMO:
M974. WHAT KIND OF FOOL AM I - Bb to C
key - Bb to C - vocal range - F to Eb (optional E)
Loosely based on a live Sammy Davis Jnr version of this great song (M975 is the original key), written by Leslie Bricusse and Anthony Newley.
Starts with a very lovely piano accompaniment first time through, then a key change into a big orchestral finale.
2 demos below..
M974 WHAT KIND OF FOOL AM I - Bb to C demo 1
M974 WHAT KIND OF FOOL AM I - Bb to C demo 2

WHAT KIND OF FOOL AM I key C to D 3:28
Piano intro and vocal in at 13 secs, continue thru piano and voice only until the key change at 2:02 vocal cue ("what kind of clown am I..") and then into tempo with the band at 2:07, build and rall the last lines and big finish!

MP3 DEMO:
M975. WHAT KIND OF FOOL AM I - C to D
key - C to D - vocal range - G to F (optional E)
Loosely based on a live Sammy Davis Jnr version of this great song (in the original key), written by Leslie Bricusse and Anthony Newley.
Starts with a very lovely piano accompaniment first time through, then a key change into a big orchestral finale.
2 demos below..     Same arrangement as M974 except a full tone higher.
M975 WHAT KIND OF FOOL AM I - C to D demo 1
M975 WHAT KIND OF FOOL AM I - C to D demo 2

WHAT MATTERS MOST key Db 2:26
piano intro and vocal pick up into song - easy to catch and to follow... - short piano solo and vocal back in at "It's not how many summertimes we had to give to fall..."; continue and finish.

MP3 DEMO:
M731. WHAT MATTERS MOST - Db
key - Db - vocal range - Ab to Eb
Gorgeous song from the movie "The Champ", written by the wonderful Dave Grusin and lyrics by Alan Bergman.

WHAT NOW MY LOVE key F 2:44
8 bar intro ; vocal through full song - no solo - 3 time repeat on "only my last... goodbye..." and finish.

MP3 DEMO:
M571. WHAT NOW MY LOVE
key - F - vocal range - F to D (optional F) 
Super Livetrak swinging arrangement of this great tune! No key changes - stays in "F" all the way. My favourite version has to the Jack Jones one from the 60's.

WHAT THE WORLD NEEDS NOW key G 2:47
4 bar intro and the vocal in at 6 seconds, vocal through the full song - no solo - and finish.

MP3 DEMO:
M2325. WHAT THE WORLD NEEDS NOW - G Piano
key - G - vocal range - D to D
The classic Burt Bacharach and Hal David 60's classic in a cool piano only arrangement, with the tempo lifted slightly and a brighter piano used.

WHAT'LL I DO key C 2:43
Harmonica 8 bar intro ; vocal thru ; short harmonica solo over 2nd " A " section ; vocal back in at "what'll I do.. with just a .." ; continue ; repeat last line 3 times and finish.

MP3 DEMO:
M447. WHAT'LL I DO - C
key- C - vocal range - C to D (optional top E)
Gorgeous Livetrak arrangement of this Irving Berlin evergreen!

WHATEVER LOLA WANTS key Dm 2:38
4 bar intro; vocal through; trombone solo; vocal back in at "she always gets.... what she came for....."; continue and finish.

MP3 DEMO:
M755. WHATEVER LOLA WANTS
key - Dm - vocal range - (A)C# to Eb 
Cool Livetrak arrangement of this old standard. I love the Mel Torme version and it scored a big hit for Sarah Vaughan.

WHEN I FALL IN LOVE key C 4:08
4 bar intro; vocal thru twice - no solo - continue and finish.

MP3 DEMO:
M727. WHEN I FALL IN LOVE - C
key - C - vocal range - G to B
Wonderful evergreen tune the scored a massive hit for Nat King Cole and covered by everyone. Lovely arrangement in a lower male key. 

WHEN I FALL IN LOVE key Eb 3:49
Intro and vocal in at 23 secs, continue thru the song, short solo at 2:08 and vocal back in at 2:30 with "when I give my heart...", continue thru and rall the line and finish.

MP3 DEMO:
M1114. WHEN I FALL IN LOVE - Eb Piano
key - Eb - vocal range - Bb to D
Another beautiful standard, covered by every quality singer and musician, in a sensitive piano only arrangement.

WHEN I FALL IN LOVE key Eb 3:55
4 bar intro, vocal through, synth solo, vocal back in @ " in a restless world..." and continue.Tag the last line and end.

MP3 DEMO:
M124. WHEN I FALL IN LOVE - Eb smooth
key - Eb - vocal range - Bb to D
Groove version of this Nat King Cole timeless classic. An original Livetrak arrangement.

WHEN I FALL IN LOVE key F 4:32
4 bar intro and vocal in at 16 seconds, vocal through the song, Electric Piano solo at 2:17, vocal back in at 2:45 with " in a restless world... like this is...", continue through and finish - no tag.

MP3 DEMO:
M2677 smooth. WHEN I FALL IN LOVE - F 12/8 smooth
key - F - vocal range - C to E
A gorgeous arrangement of the classic standard. The wonderfully playable OrangeTree Samples Electric Piano, gorgeously supportive sub bass, wonderful pads, a 12/8 feel that moves nicely and a great arrangement - what's not to like!

WHEN I FALL IN LOVE key F 3:25
8 bar intro and vocal in at 12 seconds, vocal through twice - no solo - at 2:52 sing "when I fall in love......... when I fall in love.......when I fall in love...... with....... you....." and finish.

MP3 DEMO:
M2857. WHEN I FALL IN LOVE - F Acoustic Guitar
key - F - vocal range - C to E
Stunning acoustic guitar track, in a double tempo latin feel that works superbly, and some subtle chord changes thrown in for good measure.

WHEN I FALL IN LOVE key Eb 4:20
4 bar intro, vocal through, short tenor sax solo, vocal back in at " in a restless world...", continue, rall the last line and finish.

MP3 DEMO:
M325. WHEN I FALL IN LOVE Eb ballad version
key - Eb - vocal range - Bb to D
Lovely Livetrak version of this gorgeous standard. The definitive version has to be Nat King Cole's, with that gorgeous arrangement by Gordon Jenkins.

WHEN I GROW TOO OLD TO DREAM key F 2:36
8 bar intro; vocal thru; piano solo; vocal back in at "so kiss me my sweet..."; continue; repeat the last line and finish.

MP3 DEMO:
M836. WHEN I GROW TOO OLD TO DREAM - F
key-  F - vocal range - F to F
Swinging Livetrak "Big Band" arrangement of this old chestnut.

WHEN I TAKE MY SUGAR TO TEA key Eb 2:26
4 bar intro and vocal in at 7 seconds, vocal through twice, end as per the Nat King Cole version and finish.

MP3 DEMO:
M2817. WHEN I TAKE MY SUGAR TO TEA - Eb
key - Eb - vocal range - Bb to C (optional Db)
Superb Quartet arrangement of the Nat King Cole hit, loosely based on his version, in the original key.

WHEN I TAKE MY SUGAR TO TEA key F 2:59
4 bar intro and vocal in at 11 seconds, vocal through, band solo at 1:32, vocal back in at 1:55 with "every Sunday afternoon...", continue through, repeat the last line 3 times and finish.

MP3 DEMO:
M2081. WHEN I TAKE MY SUGER TO TEA - F Big Band
key - F - vocal range - D to D
Cool Big Band arrangement of this classic old standard.

WHEN IRISH EYES ARE SMILING key Bb 3:24
8 bar intro ; vocal thru twice ; short solo ;vocal back in at " when Irish hearts are happy..." ; continue and finish.

MP3 DEMO: 
M560. WHEN IRISH EYES ARE SMILING - Bb
key - Bb - vocal range - Bb to D
Here's a popular old evergreen with some nice changes and a cool arrangement to boot.

WHEN JOANNA LOVED ME - key F 3:43
4 bar intro ; vocal thru ; solo ; vocal back in at "when Joanna left me ..." ; continue ; and finish.

MP3 DEMO:
M145. WHEN JOANNA LOVED ME
key - F - vocal range - E to E
Wonderful Tony Bennett ballad. An original Livetrak arrangement.

WHEN JOANNA LOVED ME key D 4:15
4 bar intro; vocal thru twice; rall the last line and finish.

MP3 DEMO:
M749. WHEN JOANNA LOVED ME - D
key - D - vocal range - C# to C#
Wonderful song that scored a massive hit for Tony Bennett. Gorgeous Trio arrangement.

WHEN JOANNA LOVED ME key F 3:45
4 bar intro and vocal in at 14 seconds with "when Joanna loved me..", continue through - no solo, at 2:22 go back to "when Joanna left me..", continue through, slow the last line down and finish.

MP3 DEMO:
M1607. WHEN JOANNA LOVED ME - F Pianotrak
key - F - vocal range - E to E
Beautifully intimate piano only arrangement of the main theme, the verse is not included.

WHEN LOVE WAS KING key Am 6:54
piano intro and vocal in at 10 seconds with the verse, into the main theme at 1:05, vocal through as per the Gregory Porter version, short piano solo at 4:07 and vocal back in at 4:30, continue through and finish.

MP3 DEMO:
M1803. WHEN LOVE WAS KING - Am
key - Am - range - E to F (optional top note A - huge huge range!)
From the Gregory Porter album Liquid Spirit, the super slow ballad has a really huge range - Gregory Porter always love to show his bottom end off on nearly all his songs, you need to go sooo low and soo high. Very much a mood song, very slow Trio arrangement loosely based on his version. Original key.

WHEN MY SHIP COMES IN key Bb 3:29
4 bar intro and into the verse at 12 seconds, main theme starts at 47 seconds, continue through - no solo - back to the bridge section at 2:23 and continue through, tag the last line and finish.

MP3 DEMO:
M2168. WHEN MY SHIP COMES IN - Bb
key - Bb - vocal range - F to C
Loosely based on the George Melly version of this really old standard but a quartet arrangement, wirthout the extended soloing section. Verse included and same key.

WHEN SUNNY GETS BLUE key Eb 4:37
4 bar intro, vocal through, solo, vocal back in at "people used to love... to hear...", continue, rall and finish.

MP3 DEMO:
M288. WHEN SUNNY GETS BLUE
key - Eb - vocal range - Bb to Db
Wonderful ballad sung by Nat King Cole, Johnny Mathis, Nancy Wilson, Barbra Streisand et al. Original Livetrak arrangement.

WHEN THE RED RED ROBIN (Comes Bob, Bob, Bobbin' Along) key D 2:41
4 bar intro and vocal in at 6 seconds with the verse, continue through as per the 1947 Al Jolson recording, original key.

MP3 DEMO:
M2859. WHEN THE RED RED ROBIN (Comes Bob, Bob, Bobbin' Along) - D
key - D - vocal range - A to C
Superb copy version of the Al Jolson 1947 version, original key.

WHEN THE RED RED ROBIN key Eb 2:56
4 bar intro and the vocal in at 6 secs, continue thru the song twice, piano solo at 1:50 and vocal back in at 2:16 with "what if I've been blue now I'm walkin' through fields of flowers..", continue thru, repeat the last line and finish.

MP3 DEMO:
M1257. WHEN THE RED RED ROBIN - Eb
key - Eb - vocal range - Bb to Db
Cool arrangement of this old corny gem, covered by Al Jolson, Dean Martin, Doris Day, Bing Crosby and lots of other great singers.