HEY GOOD LOOKING! key Eb 2:21
2 BAR intro - vocal in with "Hey...... Good Looking..." in tempo and the band's back in; continue thru song; piano solo; vocal back to "I got a hot rod Ford..."; continue; tag the last line and finish.

MP3 DEMO:
M675. HEY GOOD LOOKING - Eb swing
key Eb - vocal range - G to F (suit higher male range)
Great Livetrak swing arrangement in the style of Ray Charles.
 

HEY GOOD LOOKING key C to Db 3:06
4 bar intro; vocal thru TWICE; slide gtr and gtr solo; vocal back in at "I got a hot rod ford..."; KEY CHANGE for the very last verse and repeat the last line.

MP3 DEMO:
M669. HEY GOOD LOOKING - C to Db
key - C to Db - vocal range - D to Eb 
More of a country take on this old country song!
 

HEY JUDE key F 4:26
2 bar intro and into the song at 6 seconds, continue through as per the original Beatles form and in the original key. From 3:21 it's the "na..na.. na...." section - repeat 4 times and finish.

MP3 DEMO:
M2288. HEY JUDE - F
key - F - vocal range - E to G
Great Beatles song in a punchy Trio arrangement, in the original key. Stays pretty safe, piano chords all the way!

HEY LAURA key D 3:33
4 bar intro and vocal in at 10 seconds, continue through  as per the Gregory Porter version in the original key, piano solo at 1:48, vocal back in at 2:11, continue through and finish.

MP3 DEMO:
M1552. HEY LAURA - D
key - D - vocal range - E to B (suit baritone ranges)
Gregory Porter gem, in the original key (bottom E to hit..most guys will struggle to get down there..). Actually, not much of a vocal range but it's that voice of course, and such a lovely song. Superb Trio only arrangement.
 

HEY LAURA key E 3:33
4 bar intro and vocal in at 10 seconds, continue through  as per the Gregory Porter version in the original key, piano solo at 1:48, vocal back in at 2:11, continue through and finish.

MP3 DEMO:
M1553. HEY LAURA - E
key - E - vocal range - F# to C# (suit baritone ranges)
Gregory Porter gem, (bottom F# to hit..most guys will struggle to get down there..). Actually, not much of a vocal range but it's that voice of course, and such a lovely song. Superb Trio only arrangement.
Same arrangement as M1552 except a full tone higher.

HEY LOOK ME OVER key G to Ab to A 2:14
8 bar intro (in 6/8) and vocal in at 9 seconds - continue through in G, key change to Ab at 43 seconds and through again then drum break in 4/4 at 1:16 and key change to A for a reprise again from 1:20, build and slight tempo changes as the big band builds, at 1:55 repeat "I'm a little bit short of the elbow room, so let me get me some, and look out......... world......... here........ I .............come.." and finish.

MP3 DEMOS:
2 demos - Demo 1 showcases the 6/8 feel and Demo 2 showcases the change to the bright 4/4 feel:
M2362. HEY LOOK ME OVER - GtoAbtoA Demo 1
M2362. HEY LOOK ME OVER - GtoAbtoA Demo 2
key - G to Ab to A - vocal range - D to F# (suit higher male ranges)
Superb arrangement of this gem from the musical Wildcat. Big Band feel in 6/8 and then a bright swinging 4/4 reprise that really kicks!

HEY THERE key Eb 3:36
4 bar intro; vocal thru; short piano solo; vocal back in at "hey there!.... you on that high flying cloud..."; continue; STAY IN TEMPO and let the "band" phrase over you!; continue - no tag - and finish.

MP3 DEMO:
M713. HEY THERE - Eb
key - Eb - vocal range - D to D (optional Eb top note)
Wonderful trio arrangement - piano, gtr and bass - of this classy tune covered by all the greats. I love the Sammy Davis Jnr version!

HEY THERE LONELY GIRL key A to Bb 3:59
5 bar intro and vocal in at 21 seconds with "hey there, lonely girl....", continue through a verse, chorus and a verse and then at repeat the line "the way I will." with the key change 2nd time at 2:42 and into the chorus at 2:48, and at 3:22 repeat the last line "hey there lonely girl, lonely girl, (pause) don't you know this lonely boy......... loves you....." and finish.

MP3 DEMO:
M2708. HEY THERE LONELY GIRL - A to Bb Piano
key - A to Bb - vocal range - D to D
The Eddie Holman classic in a piano only arrangement. These are the original recorded keys but you just sing it in your natural vocal range and it works perfectly as a crooner ballad.

HEY THERE LONELY GIRL key Bb to B 3:49
4 bar intro and vocal in at 15 seconds, vocal through as per the original form, repeat the line "the way I will" at 2:36 with the key change and into the chorus again at 2:43, at 3:17 repeat the last line "don't you know this lonely boy loves you" and finish.

MP3 DEMO:
M2710. HEY THERE LONELY GIRL - Bb to B Big Band
key - Bb to B - vocal range - Eb to D#
Wonderful big band arrangement of the Eddie Holman massive hit but it's equally wonderful as a crooner ballad!

HIGH HOPES key F 3:35
8 bar intro and into the verse at 15 seconds "next time your found....with your chin....", continue through the verse, into the main theme ("but he's got.high hopes...."), same again with the 2nd verse at 1:21, continue through into the main theme, at 2:25 piano solo and vocal back in at 2:50 with "so keep your....high hopes...", continue through and finish.

MP3 DEMO:
M2158. HIGH HOPES - F
key - F - vocal range - B to D
Superb Trio arrangement of the Sinatra hit from the 1959 movie "A Hole In The Head".

HOME key G 4:01
4 bar intro ; vocal thru as per original ; short gtr solo ; vocal back in ; continue ; rall the last two lines and finish.

MP3 DEMO:
M546. HOME
key - G - vocal range - D to E (optional G)
Lovely song from Michael Buble's 2nd hugely successful album. Gorgeous arrangement; based on the Buble version.

HOME key G 3:45
4 bar intro and vocal in at 16 seconds, continue through - THIS ARRANGEMENT DOES NOT INCLUDE THE SOLO/Instrumental SECTION - it's vocals all the way, so at 1:54 the vocal goes to "and I feel jsut like I'm living...", continue through to the end as per the Michael Buble form.

MP3 DEMO:
M2736. HOME - G orchestral
key - G - vocal range - D to E (optional G top note)
Gorgeous and fresh orchestral arrangement of the Michael Buble hit, in his original key but without the instrumental section.

HOME key G 3:40
8 bar intro and vocal in at 17 seconds, vocal through - the instrumental section is NOT included, it's vocals all the way, so at 1:52 vocal is in with "and I feel just like I'm living someone......", continue through, slow the last line and finish.

MP3 DEMO:
M2738. HOME - G orchestral Bossa
key - G - vocal range - D to E (optional G top note)
Lovely orchestral Bossa arrangement of the worldwide hit for Michael Buble, in his original key, with some tasty alternate chord changes thrown in.

HOME (WHEN SHADOWS FALL) key E 3:53
piano intro and vocal in at 13 seconds with "oh....when.....", continue through twice - no solo - and finish.

MP3 DEMO:
M2460. HOME (WHEN SHADOWS FALL) - E
key - E - vocal range - C# to D# (optional E top note)
Wonderful old standard, covered by Nat King Cole, Paul McCartney and many more but I have to say I love the Sam Cooke version.

HOME BLUES key F to G 4:11
piano intro and vocal in 11 secs, continue thru as per the Michael Feinstein version.

MP3 DEMO:
M971. HOME BLUES Pianotrak
key - F to G - vocal range - Bb to F
Great song, based on the main theme from "An American In Paris". Loosely based on Michael Feinstein's version, same key, that includes the verse and then into the main theme, but without the solo break. Piano only track.

HOME IN PASADENA key Db for the verse and Bb for the main theme 2:50
4 bar intro and vocal in at 5 secs with the verse, main theme starts at 30 secs and THREE times thru, repeat the last section - "beneath the palms,
In someone's arms, In Pasadena town" - at 2:30 and finish.

MP3 DEMO:
M1037. HOME IN PASADENA
key - Db (for the verse) and Bb (for the main theme) - vocal range - Db to D
Cool Quartet arrangement of this old trad classic that scored a big hit for the Temperance Seven back in 1961. Includes the verse!

HONEYSUCKLE ROSE key F 3:14
8 bar intro ; vocal thru twice ; short piano solo ; vocal back in at " don't buy sugar... you just have to ......" ; repeat the last 2 lines and finish.

MP3 DEMO:
M440. HONEYSUCKLE ROSE - F
key - F - vocal range - D to Eb
Great Realtrak Big Band arrangement of this popular gem! Sung by all the greats.

HOORAY FOR LOVE key Eb 2:41
4 bar intro and vocal in at 8 seconds, vocal through verse(A) & bridge(B) and C section - "it's the wonder of the world" and back to verse and bridge - "some trust to fate for love...", then at 1:36 piano solo over the C section (basically the melody) and vocal back in at 1:52 with a verse and bridge to finish.

MP3 DEMO:
M2350. HOORAY FOR LOVE - Eb
key - Eb - vocal range - C to Eb
The classic Harold Arlen standard in a wonderful lightly swinging Quartet arrangement.

HOTEL CALIFORNIA key Em 4:17
16 bar intro and vocal in at 25 seconds, continue through the song - no solo, at 3:44 band outro and finish.

MP3 DEMO:
M1717. HOTEL CALIFORNIA - Em
key - Em - vocal range - B to D
Cool latin arrangement featuring acoustic guitars, accordion lines, piano, upright and percussion. General male key.

HOW ABOUT YOU - key F 2:31
4 bar intro and vocal in at 9 secs, continue thru, piano solo at 1:11, vocal back in at 1:42 with "I'm mad about good books..", continue thru, from 2:06 sing "I like it how about.... I like it how about...... I like it how about you".

MP3 DEMO:
M22. HOW ABOUT YOU - F 2016
key - F - vocal range - D to D
Classic swing tune, recorded by all the greats, in a cool new 2016 Livetrak "Big Band-esque" arrangement.

HOW ABOUT YOU key G 2:31
4 bar intro and vocal in at 9 secs; vocal thru, piano solo at 1:11, vocal back in at 1:34 with "I like potato chips.. moonlight and motor trips.., continue thru, at 2:05 sing "I like it, how about....I like it, how about..... I like it, how about you".

MP3 DEMO:
M75. HOW ABOUT YOU - G 2016
key - G - vocal range - E to E
Another different 2016 "Big Band-esque" Livetrak arrangement of this classic old standard.

HOW ABOUT YOU key G 3:37
4 bar intro and vocal in at 8 seconds, vocal through twice, short piano solo at 2:16, vocal back in at 2:32 with "I love a fireside, when a storm is due...", continue through and at 3:12 sing "I like it how about.....I like it how about......I like it how about you" and finish.

MP3 DEMO:
M1661. HOW ABOUT YOU - G Trio
key - G - vocal range - E to E
Classic Trio arrangement of this classic standard.

HOW ARE THINGS IN GLOCCA MORRA key Eb 4:01
4 bar intro and vocal in at 12 seconds, vocal through, piano solo at 1:55, vocal back in at 2:21 with "how are things in Glocca Morra....is that willow tree still weeping there?....", continue through, at 3:23 slow down for the very last line and finish.

MP3 DEMO:
M1471. HOW ARE THINGS IN GLOCCA MORRA - Eb
key - Eb - vocal range - Bb to Eb
Gorgeous song from "Finians Rainbow", in a really lovely Trio arrangement.

HOW DEEP IS THE OCEAN? key Cm/Eb 4:09
4 bar intro ; vocal thru ; solo ; vocal back in at " how many times a day do I think of you...." ; continue ; rall the last line slightly and finish.

MP3 DEMO:
M252. HOW DEEP IS THE OCEAN
key - Cm (Eb) - vocal range - D to Eb
Irving Berlin wrote so many incredible songs but this is certainly a favourite of mine. Joe Williams did a gorgeous version.

HOW DEEP IS THE OCEAN? key Db 4:32
4 bar intro, vocal thru, short solo, vocal back in at "how many times a day..."; continue, rall the last line and finish.

MP3 DEMO:
M762. HOW DEEP IS THE OCEAN? - Db Pianotrak
key - Bbm / Db - vocal range - C to Db
Wonderful Irving Berlin song in an intimate 2023 Pianotrak arrangement.

HOW DO YOU DO key G to Ab 2:35
4 bar intro and vocal in at 10 seconds, continue through, big band break at 1:12 and key change to Ab, vocal in at 1:22, continue through as per the Matt Monro version and finish.

MP3 DEMO:
M1418. HOW DO YOU DO - G to Ab
key - G to Ab - vocal range - B to F
A lesser known Matt Monro gem in a cool big band arrangement. Original key.

HOW DOES IT FEEL key Ab 4:12
7 bar intro and vocal in at 24 seconds, vocal through twice - no solo - and finish.

MP3 DEMO:
M2787. HOW DOES IT FEEL Nat King Cole - Ab
key - Ab - vocal range - Ab to C
Wonderful Nat King Cole gem from 1945. Here's a wonderful quartet arrangement, in the Nat key.

HOW HIGH THE MOON key G 2:15
8 bar intro ; vocal thru twice ; short 16 bar tenor solo ;vocal in at " some where there's heaven ; it's where you are.." ; 3 time tag on " until you will how still my heart" and finish.

MP3 DEMO:
M258. HOW HIGH THE MOON
key - G - vocal range - C to D
Wonderful Jazz standard - the definitive vocal version must be Ella with JATP! Realtrak arrangement again - is this really sampled sounds?

HOW HIGH THE MOON key G 3:06
guitar intro and into the verse at 7 seconds, into the main song "somwhere there's music..." at 42 seconds, into tempo and continue through and end as per the Mel Torme ballad version from his 1961 album Swingin' On The Moon".

MP3 DEMO:
M2712. HOW HIGH THE MOON Mel Torme - G
key - G - vocal range - D to D
Loosely based on the classic Mel Torme ballad version from his album Swingin' On The Moon, with the seldom heard verse included. Quartet based arrangement, with guitar only taking the intro and the verse.

HOW INSENSITIVE key Dm 3:01
4 bar intro; vocal through FULL song - no solo - and finish.

MP3 DEMO:
M130. HOW INSENSITIVE 2010
key - Dm - vocal range - D to C
Wonderful Antonio Carlos Jobim gem. Singers include Vic Damone, Sinatra and every quality singer over the years.

HOW INSENSITIVE key Dm 3:35
4 bar intro and into the vocal at 8 seconds, vocal through twice - use the extended lyrics - synth solo at 2:16, vocal back in at 2:48 with "How, she must have asked...", continue through and at 3:18 repeat "over" and sing "over" again at 3:20 and finish.

MP3 DEMO:
M2130 smooth. HOW INSENSITIVE - Dm smooth
key - Dm - vocal range - D to C
Superbly smooth arrangement of the Jobim classic and it works great in this punchy and extremely danceable version.

HOW LITTLE WE KNOW key G 2:30
4 bar intro, vocal thru twice - no solo and finish.

MP3 DEMO:
M253. HOW LITTLE WE KNOW - G
key - G - vocal range - B to E
Lovely standard sung by Nat King Cole ; Carol Kidd ; Ella ; Buddy Greco et al. Cool Realtrak arrangement!!

HOW LITTLE WE KNOW (Hoagy Carmichael) key G 2:26
4 bar intro and vocal in at 9 secs, vocal thru as per the Matt Monro form, rall the last line and finish.

MP3 DEMO:
M1090. HOW LITTLE WE KNOW (Hoagy Carmichael)
key - G - vocal range - A to D
Wonderful Hoagy Carmichael song with the arrangement based on the superlative Matt Monro version.

HOW LONG HAS THIS BEEN GOING ON? key F 3:03
4 bar intro ; vocal thru ; short piano solo over the 2nd "A" section ; vocal back in at " oh I feel that I could melt.." ; continue ; no tag and nice tight finish - phrase with the "band" and finish.

MP3 DEMO:
M516. HOW LONG HAS THIS BEEN GOING ON? - F
key - F - vocal range - C to D
Livetrak arrangement of this popular Gershwin song.

HURT key C 3:58
4 bar intro and vocal in at 13 seconds, vocal through, Hammond solo at 1:57, vocal back in at 2:23  with "you said your love was true...", continue through and finish.

MP3 DEMO:
M1848. HURT - C
key - C - vocal range - D to E
Scored a massive hit for Timi Yuro back in 1961. Here's a fresh Hammond Organ Trio arrangement.

HUSHABYE MOUNTAIN key Cm 3:13
Orchestral intro, into tempo and vocal in at 22 secs, continue thru the song - no solo - vocal back to "so close your eyes..." at 2:12, continue thru, rall the last line and finish.

MP3 DEMO:
M1185. HUSHABYE MOUNTAIN - Cm
key - Cm - vocal range - B to Db
Beautiful orchestral arrangement of this classic song from the movie "Chitty Chitty Bang Bang".

HUSHABYE MOUNTAIN key Cm 3:17
4 bar intro and vocal in at 8 secs, continue thru, piano solo at 1:49 over the 2nd verse, at 2:23 vocal back to "so close your eyes....", continue, rall the last line and finish.

MP3 DEMO:
M1186. HUSHABYE MOUNTAIN - Cm Trio
key - Cm - vocal range - B to Db
Classy Trio arrangement of this gem from the movie "Chitty Chitty Bang Bang".

I AIN'T GOT NOTHIN' BUT THE BLUES key Ab 3:26
4 bar intro and vocal in at 10 secs, continue thru, piano solo at 1:51, vocal back in at 2:17 with "when trumpets flare up.....", continue thru and finish.

I AIN'T GOT NOTHIN' BUT THE BLUES key Bb 3:01
4 bar intro and vocal in at 10 secs, continue thru - no solo - at 1:52 go back to "when trumpets flare up...", continue thru and finish.

M1211. I AIN'T GOT NOTHIN' BUT THE BLUES - Bb
key - Bb - vocal range - F to F (suit higher range male / lower range female)
Super cool TRIO arrangement of this Ellington gem!

I AM A SINGER key Bb to C 2:54
2 bar intro ; vocal thru ; rall then 1 bar key change; vocal continue ; tag the last line 3 times.As per the Jack Jones version.

MP3 DEMO:
M214. I AM A SINGER
key - Bb to C - vocal range - D to F
Great adult pop song, a bit cheesy, but anything written by Gerard Kenny always has quality stamped on it. Jack Jones also did a great  version which is what this arrangement is loosely based on. Original Livetrak arrangement.

I APOLOGISE key Db 4:26
4 bar intro and vocal in at 20 secs, continue thru the main song - no solo, back to "I realise I've been unfair to you...", continue and sing the alternate lyrics ("If I made you blue, I've had heartaches too") for the very last verse and finish.

MP3 DEMO:
M931. I APOLOGISE - Db
key - Db - vocal range - Bb to Eb
Wonderful ballad that was a huge hit for the wonderful voice of Billy Eckstine. Dreamy Trio arrangement.

I APOLOGISE key Eb 3:55
4 bar intro and vocal in at 17 secs, continue thru the main song - no solo, back to the bridge ("I realise I've been unfair to you...") at 2:25, continue thru and then sing the alternate lyrics - "If I made you blue, I've had heartaches too...", continue and rall the last line and finish.

MP3 DEMO:
M932. I APOLOGISE - Eb
key - Eb - vocal range - C to F
Another lovely Trio arrangement of this great ballad, but in a higher key.

I BELIEVE key C to Db 2:41
String intro and vocal pickup; vocal thru full song - no solo - key change to Db for a repeat of the last verse - "every time I hear a new born baby..." ; continue and big finish!

MP3 DEMO:
M604. I BELIEVE
key - C to Db - vocal range - C to F (optional)
Lovely slow Livetrak version of this huge hit for Frankie Laine, and others.

I CAN DREAM CAN'T I? / I'LL BE SEEING YOU key D to Eb 5:59
This is a copy cover arrangement of the Michael Feinstein track. Includes the verse of I Can Dream Can't I?
Same form, same keys and ending.

MP3 DEMO:
M353. I CAN DREAM CAN'T I? / I'LL BE SEEING YOU medley - This totally awesome arrangement is the Michael Feinstein version from his album. There are three demos to download and listen to the incredible work done on this track!

• demo 2  - The track range is very broad - B to top F (optional top G on I'll Be Seeing You) and the keys are D and Eb
• demo 3  - I'm particularly proud of this track and it really is well worth taking the time to learn.

I CAN READ BETWEEN THE LINES key D 2:57
4 bar intro, rall and vocal pickup at 14 secs, vocal thru, piano break at 1:49, vocal back in at 2:05, continue thru, rall the last line and finish.

MP3 DEMO:
M1120. I CAN READ BETWEEN THE LINES - D
key - D - vocal range - B to C#
Very lovely song from Sinatra's "Songs For Young Lovers" session, added as an extra track with later re-issues and also on the "Where Are You" album. Quartet arrangement.

I CAN'T BELIEVE THAT YOU'RE IN LOVE WITH ME key Bb 2:43
4 bar intro ; vocal thru twice ; vibes solo ; vocal back in at " I have always placed you high..." ; continue - no tag and finish.

MP3 DEMO:
M379. I CAN'T BELIEVE THAT YOU'RE IN LOVE WITH ME
key Bb - vocal range - C to D
Great mid tempo swinger in a cool Realtrak quintet arrangement. Singers include Sinatra, Bobby Darin and all the very best singers of the day.

I CAN'T BELIEVE THAT YOU'RE IN LOVE WITH ME version 2 key Bb 2:51
4 bar intro ; vocal thru ; short strings and piano solo over the 2nd "A" section ; vocal back in ; continue ; ENDING - sing "I can't believe that you're in love" - semitone up - "can't believe that you're in love" - back down again - can't believe that you're in love with me" and finish.

MP3 DEMO:
M629. I CAN'T BELIEVE THAT YOU'RE IN LOVE WITH ME version 2
key - Bb - vocal range - C to D
Cool Livetrak version of this great old standard.

I CAN'T ESCAPE FROM YOU key C 3:23
4 bar intro and vocal in at 13 seconds, vocal through - no solo - vocal back in at 2:03 with "i could ride away...", continue through, repeat the last line - "and yet....I can't escape from you...." and finish.

MP3 DEMO:
M2226. I CAN'T ESCAPE FROM YOU - C orchestral
key - C - vocal range - B to E
Wonderful standard, covered by Bing Crosby, Carmen McRae and many others. Here's a gorgeous and ever so slightly swinging orchestral arrangement.

I CAN'T GET STARTED key Bb 4:03
4 bar introduction, vocals thru, short piano solo (over the 2nd “A” section), vocal back in at “you’re so supreme…”, continue and rall the last line and then finish.

MP3 DEMO:
M388. I CAN'T GET STARTED - Bb
key - Bb - vocal range - Bb to Eb
Gorgeous Realtrak Trio + strings arrangement of this timeless classic. Sung by all the very best vocalists and loved by musicians.
 

I CAN'T GIVE YOU ANYTHING BUT LOVE key Eb 2:59
4 bar intro, vocal in at 10 secs and sing thru twice - no solo, tag the last line and finish.

MP3 DEMO:
M76. I CAN'T GIVE YOU ANYTHING BUT LOVE - Eb 2012
key - Eb - vocal range - B to C (optional D)
new 2012 Livetrak arrangement in a lazy mid tempo swing!
 

I CAN'T GIVE YOU ANYTHING BUT LOVE key F 2:16
8 bar intro and vocal in at 13 seconds, vocal through twice - no solo - tag the last line and finish.

MP3 DEMO:
M90. I CAN'T GIVE YOU ANYTHING BUT LOVE - F 2018
key - F - vocal range C to E
Great old standard sung by Bobby Darin, Sinatra, Dean Martin and all the greats. 2018 Trio arrangement of this timeless classic!

I CAN'T GIVE YOU ANYTHING BUT LOVE key F 3:23
8 bar intro and vocal in at 20 secs, vocal thru, short piano solo at 1:41, vocal back in at 2:01 with "dream a while........ scheme a while....", continue thru, tag the last line and finish.

MP3 DEMO:
M1187. I CAN'T GIVE YOU ANYTHING BUT LOVE - F 2022 Pianotrak
key - F - vocal range - C# to D (optional F)
Very lovely piano only arrangement of this great old standard, lightly swinging and perfect for an intimate vocal or lead instrument.

I CAN'T STOP LOVING YOU key C 3:06
8 bar intro ; vocal thru twice ; repeat the chorus ; continue and finish in tempo.

MP3 DEMO:
M115. I CAN'T STOP LOVING YOU
key - C - vocal range - B to E
Organ and big band swing arrangement of this Ray Charles hit. An Original Livetrak arrangement.

I CONCENTRATE ON YOU key Eb 3:34
4 bar intro ; vocal thru ; solo over 1st section only and vocal in at "on your smile...." ; continue ; ;tag the ending /ad lib and finish.

MP3 DEMO:
M242. I CONCENTRATE ON YOU
key - Eb - vocal range - Bb to Eb
Cole Porter classic, sung by Ella, Sinatra, Vic Damone & co. Realtrak trio again!

I CONCENTRATE ON YOU key Eb 3:36
4 bar intro and vocal in at 9 seconds, continue through (without the end tag) - no solo - at 2:11 vocal goes back to "on your smile.. so sweet...so tender..", continue through and at 3:13 add in the end tag - "I concentrate.....I concentrate.. on you".

MP3 DEMO:
M1850. I CONCENTRATE ON YOU - Eb Trio
key - Eb - vocal range - Bb to Eb
Lightly swinging Trio arrangement of this Cole Porter classic.

I COULD HAVE DANCED ALL NIGHT key C to Db 1:57
intro and vocal in at 10 secs, continue thru as per the Shirley Bassey arrangement and form.

MP3 DEMO:
M886. I COULD HAVE DANCED ALL NIGHT version 2
key - C to Db - vocal range - B to Gb
Loosely based on the classic Shirley Bassey arrangement - the same form and tempo changes -  and works equally well in a male key!

I COULD HAVE DANCED ALL NIGHT key C 1:53
4 bar intro, vocal through ; solo ; vocal in at " I'll never know ,what made it...." ; continue ; extend the last line and finish.

MP3 DEMO:
M203. I COULD HAVE DANCED ALL NIGHT
key - C - vocal range - B to F
Great showtune from "The King & I" ; sung by Sinatra and co. Original Livetrak arrangement.

I COULD HAVE DANCED ALL NIGHT key Bb 2:39
8 bar intro and vocal in at 15 seconds, continue through twice - no solo, tag the last line and finish.

M2256. I COULD HAVE DANCED ALL NIGHT - Bb Trio
key - Bb - vocal range - (A) Bb to Eb
This just sits great at the tempo! Superb Quartet arrangement of this classic song from "My Fair Lady".

I COULD HAVE TOLD YOU SO key Bb 3:28
piano intro and vocal in with "i could have told you" at 17 seconds, lyric "he'd hurt you" at 22 seconds, continue in that vein, very much piano led but easy to catch onto,  continue through once then at 2:02 go back to "i hear him now.. as i toss turn and try to sleep..." and continue in a light ballad tempo, slow the last line and finish.

MP3 DEMO:
M1905. I COULD HAVE TOLD YOU SO - Bb Pianotrak
key - Bb - range - C to Eb
Stunning piano only arrangement of this wonderful standard, gorgeous lines to compliment the vocal, with very much no tempo in mind for the first time through but very easy to latch onto.

I COULD HAVE TOLD YOU SO version 1 key Ab 4:23
acoustic guitar intro ; vocal pick up - colla voce but easy to follow! and into tempo ; thru ; solo ; vocal in at " I hear him now ; as I toss and turn..." ; continue ; rall for the last line and finish.

MP3 DEMO:
M23. I COULD HAVE TOLD YOU SO version 1
key - Ab - vocal range - Bb to Db (optional Eb)
Lesser known quality ballad sung by all the great vocalists. An Original Livetrak arrangement.

I COULD HAVE TOLD YOU SO version 2 key Ab 4:19
guitar intro & vocal pickup / colla thru first verse ; tempo in and continue ; solo ; vocal back in at " I hear him now..." ; rall the last line and finish.

MP3 DEMO:
M24. I COULD HAVE TOLD YOU SO version 2
key - Ab - vocal range - Bb to Db
Another version of this wonderful ballad. An Original Livetrak arrangement.

I COULD WRITE A BOOK key C 3:17
8 bar intro ; vocal thru twice ; sax solo ; vocal back in at " and the simple secret of the plot " ... ; continue ; repeat " make two lovers" 3 times then the whole last line and finish.

MP3 DEMO:
M349. I COULD WRITE A BOOK - C
key - C - vocal range - D to D
Popular Rodgers & Hart standard in a cool Realtrak Latin quintet arrangement.
Singers include Sinatra ; Harry Connick Jnr ; Vic Damone and all the greats!

I COULD WRITE A BOOK swing key C 2:56
8 bar intro, vocal in at 12 secs, vocal thru twice, light vibe fills 3rd time and vocal back in at 2:13 with "and the simple secret of the plot" , continue thru and at 2:32 sing "how to make two lovers....... make two lovers..... make two lovers two friends" and finish.

MP3 DEMO:
M985. I COULD WRITE A BOOK swing
key - C - vocal range - D to D
Rodgers and Hart gem in a cool Livetrak quartet arrangement - 3 times thru for extra soloing space!

 I COULDN'T SLEEP A WINK LAST NIGHT key A 2:26
piano intro and vocal in at 8 secs, continue thru in tempo, back to "I didn't have my favourite dream... the one in which I hold you tight.." at 1:19, continue thru and finish.

MP3 DEMO:
M1071. I COULDN'T SLEEP A WINK LAST NIGHT
key - A - vocal range - B to D
Gorgeous piano only arrangement of this gem, similar in style to Sinatra's version from the movie "Higher and Higher", but a semitone higher.

I COVER THE WATERFRONT key F 4:12
piano intro into tempo and vocal in; continue; harmonica solo; vocal back in at "here I am... patiently waiting..."; continue rall the last line and finish.

MP3 DEMO:
M691. I COVER THE WATERFRONT - F
key - F - vocal range - D to D 
Great old standard in a lovely Livetrak arrangement. Also available with the harmonica solo removed.
 

I DIDN'T KNOW ABOUT YOU  key F 3:32
4 bar intro, vocal in at 16 secs, continue thru - no solo - at 2:12 go back to "darling , now I know, I had the loneliest yesterday..", continue thru, rall the last line and finish.

MP3 DEMO:
M1328. I DIDN'T KNOW ABOUT YOU - F
key - F - vocal range - D to Eb
Gorgeous Duke Ellington and Bob Russell ballad from the 40's, in a lovely TRIO arrangement.

I DIDN'T KNOW ABOUT YOU key F 3:16
4 bar intro ; vocal thru ; no solo - vocal back to " darling , now I know.... I had the loneliest..." ; continue ; tag the last two lines and finish.

MP3 DEMO:
M483. I DIDN'T KNOW ABOUT YOU F Pianotrak
key - F - vocal range - D to E
Fabulous Duke Ellington ballad in a gorgeous 2016 Pianotrak arrangement.

I DIDN'T KNOW WHAT TIME IT WAS key F 2:50
4 bar intro ; guitar only thru first time then "band" and full vocal repeat ; no solo - no tag at the end and finish.

MP3 DEMO:
M246. I DIDN'T KNOW WHAT TIME IT WAS
key - F - vocal range - C to D
Bobby Darin did a wonderful version of this Rodgers & Hart gem!
This is a really nice guitar/bass/drums Realtrak arrangement with the guitar only for the first time thru.

I DIDN'T KNOW WHAT TIME IT WAS key (Em) G 2:52
4 bar intro and vocal in at 9 secs, vocal thru twice - no solo and no repeat last line, finish.

MP3 DEMO:
M947. I DIDN'T KNOW WHAT TIME IT WAS - G
key - G (Em) - vocal range - D to E
Wonderful Rodgers and Hart classic, in a swinging Livetrak arrangement.

I DON'T CARE ANYMORE key Cm 4:06
8 bar intro, vocal in at 18 secs, same form as the Phil Collins MTV Unplugged 1994 version -
https://www.youtube.com/watch?v=Bc2AKplKjqs except shorter ending. A Semitone lower than the link version.

MP3 DEMO:
M1339. I DON'T CARE ANYMORE
key - Cm - vocal range - C to G (big range)
Big shuffle arrangement, based on the Phil Collins live 1994 MTV show. Check the youtube link above.

I DON'T WANT TO CRY ANYMORE key Eb 3:51
4 bar intro and vocal in at 14 seconds, vocal through - no solo - at 2:27 go back to "all that I've known about happiness...", continue through, slow the last line and finish.

MP3 DEMO:
M2228. I DON'T WANT TO CRY ANYMORE - Eb orchestral
key - Eb - vocal range - Eb to Eb
Wonderfully obscure standard in a gorgeous orchestral arrangement. The most famous version has to be by Billie Holiday but it was covered by many singers and musicians, including Mel Torme and Mark Murphy.

I FALL IN LOVE TOO EASILY key Eb 3:38
4 bar intro; vocal thru twice; piano solo up to the bridge - vocal back in at "my heart has been well schooled....."; no tag - rall the last line and finish.

MP3 DEMO:
M653. I FALL IN LOVE TOO EASILY - Eb
key - Eb - vocal range - C to Eb 
Wonderful song in a contemporary groove Livetrak arrangement - works great!

 

I GET A KICK OUT OF YOU key Db to D 3:31
8 bar introduction, vocals thru, solo over the 2^nd “A” section, vocals back in at “I get a kick, every time I see…”, continue, key change at “flying too high with some…” continue, ending – “I get a kick..”, (semitone up) you give me a boot, (semitone down again) “I get a kick out of you…” and then finish.

MP3 DEMO:
M488. I GET A KICK OUT OF YOU
key - Db to D - vocal range - Bb to E
Hugely popular standard in a cool Realtrak Quintet arrangement. The definitive version to be by Sinatra!

I GET A KICK OUT OF YOU key Eb 4:13
2 bar intro and vocal in at 9 seconds with "my story.. is much to sad to be told..", continue through the verse (easy to latch onto), into tempo at 51 seconds and vocal in at 54 seconds with "I get no kick from champagne...", continue through the song - no solo - at 2:49 go back to "I get a kick.. everytime I see you.. standing there.. before me...", continue through and at 3:41  there's a a semitone key change and sing "you give me a boot" and back down again to finish.

MP3 DEMO:
M1642. I GET A KICK OUT OF YOU - Eb Pianotrak
key - Eb - vocal range - C to F
Wonderful piano only arrangement of the classic Cole Porter gem, including the verse, that goes into a beguine latin feel.

I GET ALONG WITHOUT YOU VERY WELL key Bb 4:10
8 bar intro ; vocal thru ; no solo - vocal back to " what a guy......." ; continue ; stay in tempo and finish.

MP3 DEMO:
M331. I GET ALONG WITHOUT YOU VERY WELL - Bb
key - Bb - vocal range - C to D
Awesome Hoagy Carmichael song in a Livetrak arrangement.
Check out the Matt Monro version from his wonderful "sings Hoagy Carmichael" album.

I GOT IT BAD AND THAT AIN'T GOOD key Eb 2:56
4 bar intro and vocal in at 9 seconds, vocal through twice (alternate lyrics 2nd time) - no solo, and finish.

MP3 DEMO:
M2076. I GOT IT BAD AND THAT AIN'T GOOD - Eb Big Band
key - Eb - vocal range - A to D
Superb Big Band arrangement of the Duke Ellington classic standard, slightly brighter tempo but it moves along nicely with lots of band hits and horn lines that work great with a vocal. Same arrangement as M2075 except a full tone lower.

I GOT IT BAD AND THAT AIN'T GOOD key Eb 3:10
4 bar intro and vocal in at 10 seconds, vocal through twice - no solo - 2nd time starts at 1:35, continue through and finish.

M1575. I GOT IT BAD AND THAT AIN'T GOOD - Eb Pianotrak
key - Eb - vocal range - A to D
Piano only arrangement of this Ellington classic. Great tempo, perfectly for a classy vocal.
Same arrangement as M1574 except a full tone lower.

I GOT IT BAD AND THAT AIN'T GOOD key F 4:01
4 bar intro ; vocal thru ; vibes and sax solo ; vocal back in at " and when the weekend's over..." ; continue ; rall the last line and finish.

MP3 DEMO:
M383. I GOT IT BAD AND THAT AIN'T GOOD
key - F - vocal range - B to E
Livetrak ballad version of this wonderful Ellington tune. Sung by all the very best singers and crooners.

I GOT IT BAD AND THAT AIN'T GOOD key F 2:56
4 bar intro and vocal in at 9 seconds, vocal through twice (alternate lyrics 2nd time) - no solo, and finish.

MP3 DEMO:
M2075. I GOT IT BAD AND THAT AIN'T GOOD - F Big Band
key - F - vocal range - B to E
Superb Big Band arrangement of the Duke Ellington classic standard, slightly brighter tempo but it moves along nicely with lots of band hits and horn lines that work great with a vocal.

I GOT IT BAD AND THAT AIN'T GOOD key F 3:10
4 bar intro and vocal in at 10 seconds, vocal through twice - no solo - 2nd time starts at 1:35, continue through and finish.
 

MP3 DEMO:
M1574. I GOT IT BAD AND THAT AIN'T GOOD - F Pianotrak
key - F - vocal range - B to E
Piano only arrangement of this Ellington classic. Great tempo, perfectly for a classy vocal.
 

I GOT PLENTY OF NUTTIN' key G 2:26
8 bar intro and vocal in at 14 secs, continue thru as per the Sinatra version - shorter solo section at 1:32 - vocal back in at 1:49, continue and finish as per.

MP3 DEMO:
M1038. I GOT PLENTY OF NUTTIN'
key - G - vocal range - B to D (optional E)
Great song from Porgy And Bess! This arrangement is loosely based on the Sinatra version, in the same key, from the album "A SWINGIN' AFFAIR". Shorter solo included.

I GOT RHYTHM & MORE MEDLEY keys G to Ab 3:54
piano intro and vocal in at 13 seconds with "I got rhythm..... I got music.... I got my gal, who could ask........for......... anything........ (34 seconds) more....", continue through the song in tempo from 39 seconds, at 1:23 sing "who could ask for anything more.... whoi could as for anything... (1:29) MORE than the greatest love the world has known..", continue through the song and at 2:48 there's a key change to Ab and vocal goes back to "longer than always is a long long time..", continue through and at 3:22 repeat "I know I've never lived before.. and my heart is very sure.. no one else could love you more" and finish.

MP3 DEMOS:
M1706. I GOT RHYTHM & MORE MEDLEY
Demo 1 - start of the track going into tempo..
Demo 2 - coming out of I GOT RHYTHM and into MORE...
keys - G & G to Ab - vocal range - B to E
Stunning medley of 2 great songs, both in a pretty typical male key, but in a great arrangement that works perfectly for both songs. Seamlessly segue into MORE by simply using the lyrics..
NOTE - this is a complete medley, and not 2 individual songs.

I HAD THE CRAZIEST DREAM key C 3:40
piano intro and cue for the VERSE (easy to catch) ; pick up into tempo for main theme ; continue ; short piano solo - vocal back in at " I found your lips next to mine.." ; continue and finish.

MP3 DEMO:
M605. I HAD THE CRAZIEST DREAM
key - C - vocal range - D to E
INCLUDES THE VERSE
Wonderful song from Harry Warren and Mack Gordon. Lovely Livetrak arrangement.

I HAD THE CRAZIEST DREAM key C 3:57
4 bar intro and vocal in at 17 seconds with the verse "in a dream the strangest ... and the oddest things appear...", continue through and into the main song at 50 seconds, vocal through - no solo - at 2:12 go back through the main song again, at 3:20 slow things down and finish.

MP3 DEMO:
M2728. I HAD THE CRAZIEST DREAM - C Piano
key - C - vocal range - D to E
Wonderful old standard written by Harry Warren and Mack Gordon. The verse is included here, and easy to latch onto, in this piano arrangement and the main theme is at a lovely tempo.

I HADN'T ANYONE 'TIL YOU key F 2:25
4 bar intro ; vocal thru ; solo ; vocal back in at " I had to save my ..." ; continue ; tag the last line and finish.

MP3 DEMO:
M150. I HADN'T ANYONE TIL YOU
key - F - vocal range - C to Eb
Wonderful song from the pen of Ray Noble. An Original Livetrak arrangement.

I HAVE BUT ONE HEART key Db to D 2:58
piano intro and vocal refrain - into tempo and vocal thru ; key change and vocal thru again - back to the refrain in tempo ; last verse ; rall and big finish ala Jerry Vale!

MP3 DEMO:
M473. I HAVE BUT ONE HEART
key - Db to D - vocal range - C - E (F# optional top note)
Another popular Italian classic ; including the verse. Singers include Jerry Vale, Al Martino, Dean Martin and many others.

I HAVE BUT ONE HEART key Bb to B 3:07
3 bar intro and a pick up bar for the vocal; vocal thru all the way!
Same form as the original Al Martino version.

MP3 DEMO:
M823. I HAVE BUT ONE HEART version 2
key - Bb to B - vocal range - A to C# (optional D#)
New version of this great Italian gem. This arrangement is loosely based on the Al Martino version.

I HAVE DREAMED key Eb 3:01
4 bar intro ; vocal thru first time with a Bossa feel (stays in tempo right thru) then second time thru in a light swing. ENDING - " I will love being loved...... ; I will loved being loved......... ; I will loved being loved - by - you......" and finish.

MP3 DEMO:
M400. I HAVE DREAMED Pianotrak
key - Eb - vocal range - Bb to F
Awesome show song in a classy 2015 piano setting - nice Latin Bossa first time then a light swing.
Great song with great versions by Bobby Darin, Sinatra (viewed as the definitive version) et al.

I HEAR A RHAPSODY key Eb 3:38
orch intro - vocal cue ; into tempo and thru ; solo ; vocal back in at" my days are so blue..." ; continue ; rall and big finish!

MP3 DEMO:
M166. I HEAR A RHAPSODY
key - Eb - vocal range - C to Eb
Awesome ballad sung by Billy Eckstine et al. An Original Livetrak arrangement.

I HEAR A RHAPSODY key Eb 3:32
4 bar intro and vocal in at 12 seconds, vocal through, no solo - at 2:14 back to "my days are so blue.. when you're away...", continue through, slow the last line and finish.

MP3 DEMO:
M1483. I HEAR A RHAPSODY - Eb Pianotrak
key - Eb - vocal range - C to Eb (optional F)
Beautifully expressive piano only arrangement of this wonderful old standard.

I HEAR MUSIC key F 2:05
8 bar intro and vocal in at 12 secs, continue thru twice - no solo - and finish.

MP3 DEMO:
M1047. I HEAR MUSIC - F
key - F - vocal range - C to Eb
Great Livetrak quartet arrangement of this quirky old standard by Loesser and Lane. Covered by all the very best singers including Billie Holiday, Carmen McRae, Ella, Bing Crosby..

I JUST CALLED TO SAY I LOVE YOU key Bb to B to C 4:35
8 bar intro; same form as the original; two key changes for the last two choruses and finish.

MP3 DEMO:
M701. I JUST CALLED TO SAY I LOVE YOU - Bb to B to C
key - Bb to B to C - vocal range - Bb to E (optional F and G).
Nice latin arrangement of the Stevie Wonder hit. The last two CHORUS key changes go up in semitones.

I JUST DON'T WANT TO BE LONELY key Eb 3:07
8 bar intro and vocal in at 13 seconds with "I don't mind when you say...", continue through, piano solo at 1:54, vocal back in at 2:17 with "I'd rather be loved and needed...", continue through again at 2:35 with "I'd rather be loved and needed..", continue through and finish.

MP3 DEMO:
M2577. I JUST DON'T WANT TO BE LONELY - Eb Trio
key - Eb - vocal range - C to F
Wonderful song that scored hits for the Ronnie Dyson (love it!), The Main Ingredient (different form) and Freddie McGregor. Here's a swinging Trio arrangement that works superbly.

I JUST FOUND OUT ABOUT LOVE key G 2:48
8 bar intro and vocal in at 15 seconds, vocal through, piano solo at 1:21, vocal back in at 1:50 with "it's a one time only....it's a lifetime deal...", continue through, tag the last line and finish.

MP3 DEMO:
M1397. I JUST FOUND OUT ABOUT LOVE - G
key - G - vocal range - A to D
Wonderful Nat King Cole hit that's been covered by all the great singers. I love the Shirley Horn version!
Here's a very cool TRIO arrangement at a great tempo.

I JUST FOUND OUT ABOUT LOVE key G 4:20
4 bar intro, vocal in at 12 seconds and continue through, piano solo at 2:03, vocal back in at 2:51 with "it's a one time only, it's a lifetime deal...", vocal continue through, tag the last line and finish.

MP3 DEMO:
M1398. I JUST FOUND OUT ABOUT LOVE - G ballad
key - G - vocal range - A to D
Gorgeous ballad TRIO arrangement of this normally swinging Nat King Cole gem! Works great at this tempo.

I KEEP GOING BACK TO JOE'S key C 4:04
2 bar intro and vocal in at 9 secs, vocal thru, short piano solo at 2:11, vocal back in at the bridge section at 2:46 with "now I'll pray you'll walk back in.......", continue, no rall and finish.

MP3 DEMO:
M941. I KEEP GOING BACK TO JOE'S
key - C - vocal range - B to E
Fabulous song, covered by Mark Murphy, Curtis Stigers, Kurt Elling - all the very cool guys and check out Judy Roberts version.
Great trio arrangement.

I KNOW WHY key C 2:57
4 bar intro and vocal in at 14 seconds, continue through - no solo - at 1:46 go back to "when you smiled at me...I hear gypsy violins.....", continue through, tag the last line and finish.

MP3 DEMO:
M1972. I KNOW WHY - C Big Band
key - C - vocal range - G to C
Wonderful "big band" arrangement of this timeless wartime classic that scored a massive hit for the Glenn Miller orchestra. It's been vocally covered by Manhattan Transfer, Anne Shelton and many others.

I KNOW WHY key Eb 4:07
intro and vocal pickup at 6 seconds, vocal through, short solo over the 2nd "A" section, vocal back in at "when you smiled at me...", continue, rall and finish.

MP3 DEMO:
M577. I KNOW WHY - Eb Pianotrak
key - Eb - vocal range - Bb to Eb
I just love this gorgeous old ballad. Huge wartime hit for Glen Miller and a lovely 2024 Pianotrak arrangement.

I LEFT MY HEART IN SAN FRANCISCO key Bb 4:23
piano intro, colla verse starts at 8 secs, continue thru the verse - easy to latch onto!, wait for the first downbeat at 45 secs then " I left my heart.." and into tempo, continue thru, piano solo at  2:30, vocal back in at 2:55 with " to be where little...", continue, rall the last 2 lines and finish.

MP3 DEMO:
M424. I LEFT MY HEART IN SAN FRANCISCO
key - Bb - vocal range - B to F
Really lovely 2016 TRIO arrangement of this classic and hugely popular standard that scored a massive hit for Tony Bennett, including the verse.
 

I LEFT MY HEART IN SAN FRANCISCO key G 3:39
4 bar intro and vocal in at 10 seconds, continue through the main theme twice - no solo  (there are alternate lyrics you can also use..), tag the last line and finish.

MP3 DEMO:
M1644. I LEFT MY HEART IN SAN FRANCISCO - G
key - G - vocal range - G# to C (optional D)
Trio arrangement of the Tony Bennett classic hit, lightly swinging in tempo, without the verse.

I LEFT MY HEART IN SAN FRANCISCO key Bb 4:31
4 bar intro; vocal thru - no verse!! - straight into the main song theme; continue; short clarinet solo; vocal back in at "to be where little cable cars...."; continue; rall the last line and finish.

MP3 DEMO:
M800. I LEFT MY HEART IN SAN FRANCISCO version 2
key - Bb - vocal range - B to F 
Gorgeous new arrangement of this massive Tony Bennett hit - without the verse ("the loveliness of Paris").

I LET A SONG GO OUT OF MY HEART key Eb 2:42
drums/piano pickup into 4 bar intro; vocal thru; short band solo;vocal back in at "since you and I have drifted apart..." ; continue; no tag and finish.

MP3 DEMO:
M650. I LET A SONG GO OUT OF MY HEART - Eb
key - Eb - vocal range - D to Eb
Livetrak cool-ness for a cool Duke Ellington gem!

I LOST MY SUGAR IN SALT LAKE CITY key C 3:37
4 bar intro and vocal in at 10 seconds, vocal through, 4 bar break at 1:41, vocal back in at 1:51 and repeat the song and at 3:16 extend the last line like the Johnny Mercer 1942 version and finish.

MP3 DEMO:
M2811. I LOST MY SUGAR IN SALT LAKE CITY - C
key - C - vocal range - A to D (optional E top note)
Superb Quartet arrangement of this blues based gem and it's loosely based on the Johnny Mercer version from 1942 except I've taken it through twice in total, and you don't have to do the talking part of course...

I LOVE BEING HERE WITH YOU key G 2:46
4 bar intro and the vocal in at 8 seconds, vocal through the main song - no solo - vocal continues and into "Basie's band is swingin'..." at 1:54, continue to the end, at 2:28 repeat " I'd just like to say before I close...., I love being here with you" and finish.

MP3 DEMO:
M142. I LOVE BEING HERE WITH YOU - G 2019
key - G - vocal range - D to E
2019 Trio arrangement of this really great blues based song, written and sung by Peggy Lee. Great lyrics for any opening set!

I LOVE PARIS key Cm and C 2:52
4 bar intro and vocal in at 6 seconds, vocal through twice (2nd time starts at 58 seconds), cool piano solo at 1:49, vocal back in at 2:15 with "I love Paris every moment..", continue through and finish.

MP3 DEMO:
M99. I LOVE PARIS - Cm 2018
key - Cm and C - vocal range - C to E
Swinging 2018 Trio arrangement of this quirky Cole Porter gem.

I LOVE YOU key F 1:48
8 bar intro ; vocal in ; solo ; vocal in at " It's spring again ......" ; continue ; tag the last line and finish.

MP3 DEMO:
M137. I LOVE YOU
key - F - vocal range - Bb to F
Wonderful seldom heard Cole Porter tune; popular amongst musicians. An original Livetrak arrangement.

I LOVE YOU BECAUSE key Ab to A 3:04
4 bar intro and vocal in at 8 seconds, vocal through verse and chorus then a key change at 1:21 and into the 2nd verse and chorus, at 2:38 repeat the last line "most of all I love you 'cause you're you".

MP3 DEMO:
M2698. I LOVE YOU BECAUSE - Ab to A
key - Ab to A - vocal range - G to C#
Wonderful big arrangement of the Jim Reeves popular classic.

I LOVE YOU BECAUSE key C 2:43
8 bar intro ; vocal thru ; piano solo ; vocal back in at " no matter what the world may say..." ; tag the last line and finish.

MP3 DEMO:
M365. I LOVE YOU BECAUSE - C
key - C - vocal range - B to E
This Jim Reeves hit works so well in a blues based "3 Sounds" style. Don't believe me? Have a listen! Groovy Livetrak trio arrangement.

I MISS YOU SO key F 3:54
6 bar intro and vocal in at 24 secs, continue thru the song, back to the bridge section at 2:24, continue and tag the last line and finish.

MP3 DEMO:
M1039. I MISS YOU SO
key - F - vocal range - Db to C
Lovely song, covered by Nat King Cole, Diana Krall and Willie Nelson, in a laidback TRIO arrangement.

I NEED A PLAN key Bb 2:43
4 bar intro and vocal in at 12 seconds, based on the Nat King Cole version but arranged for Quartet, original key.

MP3 DEMO:
M2875. I NEED A PLAN - Bb
key - Bb - vocal range - Bb to C
Gorgeous song from the Nat King Cole "Night Lights "album, arranged for Quartet - piano, acoustic guitar strums, upright bass and brushes, in the original key.

I ONLY HAVE EYES FOR YOU key Bb 3:19
4 bar intro ; vocal thru ; piano solo ; vocal back in at " I don't know if we're in...." ; continue ; tag the last line and finish.

MP3 DEMO:
M322. I ONLY HAVE EYES FOR YOU - Bb
key - Bb - vocal range - C to Eb
Really popular classy gem ; sung by everyone from Mel Torme to Art Garfunkel.
This is a nice mid tempo Realtrak arrangement.

 I ONLY HAVE EYES FOR YOU key Bb 3:48
4 bar intro; vocal thru; short harmonica solo; vocal back in at " the moon may be high.... but I can't see a thing..."; continue; tag the last line and finish.

MP3 DEMO:
M692. I ONLY HAVE EYES FOR YOU - Bb smooth
key - Bb - vocal range - C to Eb 
Really cool smooth jazz arrangement of this great old standard. Also available with the solo removed.
 

I REALLY DON'T WANT TO KNOW key C
8 bar intro and vocal in at 18 seconds, vocal through  no solo - at 2:38 the vocal goes back to "always make me wonder.....", continue through, tag the last line and finish.

MP3 DEMO:
M2386. I REALLY DON'T WANT TO KNOW - C
key - C - vocal range - C to E
Lovely arrangement of this old waltz that was covered by Elvis Presley, Gene Pitney, Andy Williams and many others. They all stay very much in the country waltz genre, mine's is more straight 3/4.

I REMEMBER key C 5:08
Piano intro and vocal starts at 12 secs, similar feel and pace to Dianne Reeves version, very much a "feel" track but pretty easy to latch onto if you know the song well.

MP3 DEMO:
M1115. I REMEMBER Pianotrak
key - C - vocal range - C to D
Stephen Sondheim song, covered by Dianne Reeves (same key..) and others. This piano only version is more loosely based on the Reeves version, moody, thoughtful and reflective..